Tag: Kunal Kohli

  • Lionsgate Play announces first Indian original show ‘Hiccups and Hookups’

    Lionsgate Play announces first Indian original show ‘Hiccups and Hookups’

    Mumbai: Lionsgate Play, the streaming service platform from Lionsgate India and Starz has announced the release date of its first Indian original series production “Hiccups and Hookups.” The family dramedy will premiere on  26 November, exclusively on the platform.

    The Kunal Kohli-directed series will feature Lara Dutta, Prateik Babbar, Shinnova, Divya Seth, Nassar Abdullah, Khalid Siddiqui, Meiyang Chang, Meera Chopra, and Ayn Zoya.

    “Hiccups and Hookups” is the story of Vasudha Rao (Dutta), a newly separated single mother living with her brother Akhil Rao (Babbar) and her daughter Kavanya Khattar (Shinnova). As the two coaches each other through the crazy world of dating while raising Vasudha’s teenage daughter, their closeness and honesty allows them to share the good, bad, and ugly side of their relationships. The plot explores multiple layers of the lead characters and how they deal with their own challenges and their baggage with each other. The sassy yet heart-warming series opens doors to accepting a dysfunctional family without any judgment, shared the platform in a statement.

    “It gives us immense pleasure to finally reveal the name of our first Indian original series ‘Hiccups & Hookups.’ We are certain the viewers are going to love the onscreen magic created by Lara Dutta, Prateik Babbar, and Kunal Kohli. With our first Indian original series, we aim to stay true to our ethos of entertaining our audience with unique, bold and edgy content,” stated Lionsgate managing director for South Asia and networks – emerging markets Asia Rohit Jain.

  • Illusion Reality Studioz partners with Kunal Kohli for Ramyug

    Illusion Reality Studioz partners with Kunal Kohli for Ramyug

    Mumbai: After successfully venturing into the digital space with the web series State of Siege: 26/11, Illusion Reality Studioz has added another title to their list – MX Player’s highly anticipated series Ramyug.

    Directed by Kunal Kohli, the magnum opus is the latest visual interpretation of Ramayana that uses modern technology in a never-seen before manner to narrate the epic. The MX Original series is also the first mythological web series that has been produced from the ground up and starts streaming on MX Player on 6 May.

    Backed by Abhimanyu Singh, Illusion Reality Studioz has become the go-to destination for animation and VFX needs across industries, with some popular projects under their belt including the Mahayoddha Rama, Battle of Saragarhi 21 Sarfarosh, Vighnaharta Ganesha, ‘American Pie Girls’ Rules’ and ‘Sye Raa Narasimha Reddy’.

    Illusion Reality Studioz, CFO and business head, Nitin Dadoo said, “Lately, there has been an increasing demand for quality content strengthened by advanced visual effects. At Illusion Reality Studioz, we aim to extend our services to create high-quality narratives across mediums. Ramyug is the first mythological show to hit digital screens and it gives us great pride to be in the premier league of creating game-changing and cutting edge content. We will continue to expand our visual effects division to support storytellers”

    Contiloe Pictures was the first to pioneer real-time facial motion capture on the small screen. It has also received the National Award in the Best Animation Film category for the 3D animation feature Mahayoddha Rama. In March, Contiloe Pictures rebranded its VFX division to Illusion Reality Studioz, led by Nitin Dadoo.

    “The team at Illusion Reality Studioz (Contiloe Pictures) has been reliable and extremely proactive, given the pressure of content, delivery, and time to present world-class visual effects. They have truly become a VFX – CGI outfit at par with the best in the world. The detailing in their work is immaculate. Their contribution to Ramyug cannot be described in words. From CGI to VFX, they have created memorable content and truly brought Ramyug to life”, filmmaker Kunal Kohli said about the association.

  • Are producers and cinemas heading for showdown on OTT release?

    Are producers and cinemas heading for showdown on OTT release?

    MUMBAI: Nothing compares a theatrical experience: the sprawling screen, overall ambience, high-quality surrounding sound system, the cheering (and sometimes jeering!) crowd, and the overall immersive experience it provides. The pure joy of being there just cannot be supplanted with any other medium. But, the Covid2019 pandemic has necessitated the need for other means of movie release: OTT.

    Cinemas are unhappy with the release of movies directly on an OTT platform by skipping theatrical windows. With the Covid2019 pandemic refusing to fade away anytime soon, theatre release is not possible, at least in the foreseeable future. Will this lead to a showdown between cinemas and producers? Or will there be co-existence to find common ground?

    A recent statement by INOX has pitted the exhibitors against the producers. The cinema chain expressed “extreme displeasure and disappointment” on an announcement made by a production house to release their movie directly on an OTT platform by skipping the theatrical window run. The decision of the production house to deviate from the globally prevalent content windowing practice is alarming and disconcerting, said INOX in a statement.

    According to INOX, cinemas and content creators have always been into mutually beneficial partnerships. “INOX has been investing profoundly towards adding world-class quality screens, across the country, only to provide more eyeballs to the great content being produced. This partnership has endured for decades and has provided succour to each other. INOX will be “constrained to examine its options… and reserves all rights, including taking retributive measures, in dealing with such fair-weather friends.”

    In response to this, producers’ guild of India issued a statement, expressing disappointment at the “abrasive and unconstructive messaging from some of our colleagues in the exhibition sector.”

    “Statements that call for “retributive measures” against producers who decide to take their movies directly to OTT platforms, especially at a time when cinemas are unfortunately closed for the foreseeable future, do not lend themselves to a constructive or collaborative dialogue on the way forward for the industry.”

    The guild said that we are in unprecedented times, facing one of the greatest public health and economic emergencies of our lifetimes. This is a time for the entire film industry to come together with empathy and support for the difficult predicament.

    The production sector (just like the exhibition sector) is suffering hundreds of crores of losses on a daily basis. Elaborate and expensive sets erected for under-production films have had to be taken down due to no date in sight for shoots to resume, with the sunk cost of the set and studio rentals to be borne completely by producers, as insurers refuse to cover the cost. Shoot schedules have had to be abruptly cancelled due to the lockdown, with huge cancellation charges being borne completely by the producer, again with no support from insurers. Interest costs are mounting on amounts raised to fund films, with producers having to bear this additional burden with no date in sight for cinemas to re-open. In this context, the guild said, it is important that each stakeholder understands and empathises with the predicament of the other, rather than adopting an adversarial stance which is counter-productive for the entire value chain.

    Indiantelevision.com reached out to producers and directors to seek their reaction in this regard. The overwhelming feeling among the fraternity is that it is a temporary phase and that OTT release is the need of the hour – the product of a peculiar situation like this. Once the situation normalises, theatrical releases will happen and people will throng to watch movies on the big screen.

    Film producer Ramesh Taurani feels that taking the OTT route is the right decision at this point of time.

    “The current scenario has led to producers taking this decision. In an ideal world, these films would release theatrically, but we are still trying to figure a way for theatres to reopen safely. Since the majority of the content is being consumed online right now it is the better call given the pandemic. Producers also have their financial restraints and can’t hold on to their films beyond a point so it definitely is the correct decision right now,” he said.

    Hats Off Production founder Jamnadas Majethia says: “As I always say that these are extraordinary circumstances and unique situations. So such decisions and behaviour will surface till we really don’t have a clarity on the impact of Covid2019.”

    According to him, films have premiered on OTT earlier also. “And we will see ‘houseful’ boards at cinema halls again. These habits of the big screen experience have been built over the number of years and we can’t change it over with a few months of restrictions. The vaccine will do the magic for the world. And till then it will be creations, innovations and survival of the fittest and emergence of good human behaviour that will help us create new opportunities of business,” he adds.

    Malayalam producer-director Anil Thomas said producers have no other option but to release movies in OTT. “Even in the Malayalam film industry we are releasing movies on OTT platforms as we are left with no choice. Theatres are the last thing that will open after lockdown is lifted. So, producers over here have mutually decided to release shows on OTT platforms.”

    According to him, not all the movies will be released but the ones which have low shelf-life or. “Nobody wants to release on OTT platforms; theatre has its own experience but till the time everything will get back to normalcy it will be too late. They are mainly worried because if content gets released on OTT platforms then there will be a shortfall for theatrical films.”

    Anil Thomas feels that theatre bodies and film producers will have to find common grounds. “In the long-run for all of us to survive, there should not be a showdown and all. We have to find a solution. I am also releasing my film Soothy Sujathayum on Amazon Prime,” he said.

    Film director Kunal Kohli said: “Let INOX release what per cent of their revenue is ticket sales vs F&B. No one goes to a theatre to eat, right? Start sharing that revenue with producers as well, before accusing them of trying to survive in a world pandemic never witnessed before by mankind.”

    A user said: “Well sir it is all about business. Don’t forget how many people rely on these cinemas. If everything changes suddenly, who will be responsible for those people who will lose their jobs? Though everything is becoming online, but don’t forget the whole chain.”

    Replying to this, Kunal said: “There is an even longer chain of workers making the films. They also need to survive. Pls read my tweets properly. Theatres like I said WILL survive. Films WILL release in theatres. Some have chosen to go digital. Nothing wrong with that. Need to support them as well.”

  • Period films don’t work in India

    MUMBAI: Period films, whether fantasy or based on real events, don’t work in India. They usually spell disaster at the box office. Rangoon adds to the list of recent disasters like Pankaj Kapur’s Mausam (2011), Kunal Kohli’s Teri MeriKahaani (2012) and Anurag Kashyap’s Bombay Velvet (2015). Just when one thought Kashyap’s indulgence called Bombay Velvet was the ultimate disaster at the box office, Rangoon has come as the bigger one.

    The other day, Rangoon director Vishal Bhardwaj stated on a TV show that he had no clue about World War II having been fought on an Indian border and yet he decided to make this film? It was okay to do that if one was making a fantasy but not a period film from a chapter from the history as huge as World War II!

    *Rangoon opened on 24 February, a general holiday for Mahashivratri. The holiday could not in any way help the film generate a decent opening response. In fact, it was pathetic opening of five crore.

    There was no sign of Saturday adding anything much as the film remained stagnant while the Sunday collections hovering at same levels with nil improvement.

    The film ended its first weekend with a tally of Rs 14.5 crore.

    The film may not even recover its cost on print and promotion, proving to be a total disaster.

    *The Attack On Ghazi, a film on the 1971 war of the Indian Navy drowning the powerful Pakistan Navy submarine, Ghazi, is appreciated but not enough to make its mark on the box office. The film collects Rs 11.4 crore from its Hindi version in its first week. The film may gain some more patronage as the week’s release, Rangoon, is poor.

    *Running Shaadi is poor, just managing to cross a crore mark in its first week with a figure of Rs 1.5 crore.

    *Irada, despite the presence of Naseeruddin Shah and Arshad Warsi in the cast, fails to get footfalls and falls short of one crore mark in its first week raking in just about Rs 90 lakh!

    *Jolly LLB seems to be making the most of poor oppositions despite being a mediocre film, especially compared to the first version. The brand equity of the title and Akshay Kumar in the lead have helped the film sustain. The film has added a good Rs 23.8 crore in its second week taking its two week total to Rs 95.9 crore. However, the film still needs to hold its own to emerge as an earning film.

    *Raees adds Rs 20 lakh in its fourth week to take its four week total to Rs 130.6 crore.

    *Kaabil collects Rs 50 lakh in its fourth week to take its four week total to Rs 92.7 crore.

    *Dangal has added another Rs 20 lakh to its total in its ninth week taking its nine week total to Rs 388.1 crore.

  • 5 Bollywood co-stars that get along like a house on fire

    5 Bollywood co-stars that get along like a house on fire

    MUMBAI: Bollywood has seen many long lasting friendships, many of which started out on sets of various films. And when co-stars turn friends, the audience can literally see their magic translate on the silver screen, and their movies have that extra magic that no one can quite define.

     

    Here are five examples of on and off screen friendships that set the screens on fire:

     

    Ranveer Singh-Arjun Kapoor: Both Singh and Kapoor knew each other very well even before they became a part of the film industry. So when they were offered Gunday, their chemistry was evident onscreen for everyone to see. The two young and energetic actors were indeed a treat for the movie-goers.

     

    Katrina Kaif-Ranbir Kapoor: This cosmic duo has been great friends since they first met on the sets of Ajab Prem Ki Ghazab Kahaani. Ranbir and Kaif reportedly got along immediately during their first shoot schedule and share a very strong rapport since then. Their onscreen performances rightly reflect the bond and comfort they share. This peerless couple will soon be seen in their next film – Jagga Jasoos.

     

    Kunal Kohli-Jennifer Winget: This combination is never-seen-before. However, this pairing seems full of promise. Kohli and Winget who will be seen in their new movie Phir Se apparently hit it off instantly on the sets of the movie. Pictures from the sets of the movie show the two enjoying a day of ice-skating amidst their busy schedule, which talks volumes about the comfort level they share. Director Kohli’s first acting stint with TV starlet Winget is surely something to look out for.

     

    Amitabh Bachchan-Deepika Padukone: When two stalwarts come to work on a fun quirky movie, sharing a strong, comfortable chemistry is inevitable. So much so that Padukone has started calling Big B baba, which means father – as the senior actor is seen playing her father in their upcoming movie Piku. This unusual pairing has certainly set high expectations because of the sheer amount of talent they bring together on the silver screen.

     

    Akshay Kumar-Jacqueline Fernandez: Though they are working with each other for the first time, both Kumar and Fernandez have been seen having a good time. She recently put up a quirky video true to her style, where he is congratulating her on reaching one million fans on Instagram. The two actors have been working on their film Brothers.

  • Kolkata’s production house debuts in Bollywood with ‘Vartak Nagar’

    Kolkata’s production house debuts in Bollywood with ‘Vartak Nagar’

    MUMBAI: Kolkata’s homegrown production house Adarsh Telemedia with Dione Entertainment has teamed up with Bollywood director Kunal Kohli to produce their maiden Bollywood venture, Vartak Nagar- The Story Of Four Crows.

     

    Directed by debutant Atul Taishete, Vartak Nagar stars Jimmy Sheirgill as a powerful underworld don and the MTV Roadies famed Raghu Ram as a mill union leader in the central roles.

     

    Talking about the movie, producer Amit Agarwal said, “The film is a gritty hard hitting film and for Kunal too this has been a step away from the romantic films that he is usually associated with. We were hunting for a film that mixed content with entertainment and as a story had a unique universal appeal.”

     

    “We are currently locking down on more Bollywood films as well and what we can promise is that each one of our future projects will be as content driven, as exciting and will be as universally appealing as Vartak Nagar,” he added.

     

    Set against the Great Bombay Mill Strike and the gangster era of the 1980’s, the film deals with the lives of four lower middle class school going friends and their lives as impacted by the strike, their loss of innocence and their journey which takes them through the highs of friendship, the lows of betrayal and eventually redemption.

  • ‘Mary Kom’ is the most awaited film of 2014!

    ‘Mary Kom’ is the most awaited film of 2014!

    MUMBAI: With the release date just three days away, Priyanka Chopra starrer Mary Kom is already being received with raging enthusiasm across the country. The movie has been listed by various media firms as a film to look out for.

     

    Mary Kom has received immense support from every corner of the Indian film industry. Actors like Arjun Kapoor and Ranveer Singh hailed Priyanka as the ‘#RagingBulbul’ and veteran filmmakers like Madhur Bhandarkar, Kunal Kohli have also expressed their eagerness to watch the film. With elements of intense ferocity intertwined with heart-warming romance, ‘Mary Kom’ is definitely the most awaited movie of 2014.

     

    Talking about the movie, Priyanka Chopra said that Mary Kom has been the “hardest movie of her life.” She trained for hours in the gym despite 18 hours of shooting for other projects over two years to achieve the body and body language of a boxer. All her hard work is paying off as every aspect of the film has been lapped up by fans and media alike.

     

    The movie has also taken social media by storm. Social media is alive with appreciation for the film; the first trailer having received over 45 lakh views on YouTube so far. Every music video has been widely shared and talked about, and #MaryKomFirstLook was the top trend on Twitter as early as 14 July 2014.

     

    ‘Mary Kom’, the film is about the Indian Boxer and Olympic Bronze medallist MC Mary Kom. Depicting her life, struggles, family and her perseverance to be the best – Priyanka Chopra stars as Mary Kom along with Darshan Kumaar, Sunil Thapa, Shishir Sharma and American actor Zachary Coffin. Directed by Omung Kumar, ‘Mary Kom’ is produced by Viacom18 Motion Pictures & Sanjay Leela Bhansali. The film is scheduled for release on 5 September 2014.

  • ADAG-Reliance to focus on movie, radio operations; work on DTH goes `slow’

    ADAG-Reliance to focus on movie, radio operations; work on DTH goes `slow’

    MUMBAI: Anil Ambani’s Reliance group has decided to concentrate on movie and FM radio businesses in the media and entertainment sector for the time being instead of DTH television service.

    A top source in the group admitted that plans to start a DTH service in the country are going “slow”.

    Anil Dhirubhai Ambani Group (ADAG) had applied for a DTH licence under the brand name Reliance Bluemagic, which is yet to get all governmental clearances.

    A recent failure of Indian Space Research Organisation (ISRO) to put a new generation communication satellite in orbit could also have some bearing on Ambani’s go-slow approach as far as DTH is concerned, a media industry analyst opined.

    ISRO’s recent failure has also put a question mark in the short term over Sun TV group’s plans to start a DTH service in the absence of transponder space on India satellites, which is a pre-requisite government norm.

    Sources in the Ambani-controlled ADAG also confirmed that present focus is on movie and radio business where scales of operation need to be ramped up considerably.

    Anil has controlling holding in Adlabs Films, which was started by film industry veteran Manmohan Shetty who still looks after the business.

    In recent times, Adlabs has signed up with several successful directors like Ram Gopal Verma and Kunal Kohli for a string of film productions over the next 24 months.

    Acquisition of some existing production houses could have been an easy way out for Adlabs to increase scale of operations, but existing big production houses are not in sale mode at present, media analysts observe.

    According to industry sources, Adlabs is looking at co-productions of films, bagging overseas distribution rights for big ticket Hindi movies, Indo-foreign country co-productions and ramping up the number of multiplex within the Adlabs fold so in future digital distribution of films could add some jazz to the business.

    Meanwhile, Reliance Radio, helmed by former Sony India honcho Tarun Katial, has started fine-tuning its operations for a flag off.

    Sources said that over the next 45-60 days a spate of private radio FM stations, which got licence in the second phase early this year, are likely to start operations. This would include Reliance’s stations too.

  • For Yash Raj, only Fanaa’s TV strategy on track

    For Yash Raj, only Fanaa’s TV strategy on track

    MUMBAI: It’s a big movie from the biggest banner in the country – Yash Raj. And while the latest Aamir Khan blockbuster Fanaa is roiled in one controversy after another, on the small screen, it is all going smoothly. Or so the studio’s representatives aver.

    Yash Raj Films VP Music and Home Entertainment Vijay Kumar rubbishes reports which appeared in certain sections of the media that the studio has demanded money from television channels to telecast Fanaa promos and songs. “For Fanaa, we have associated with all the channels, including Star World, HBO and ETC Music. The rumours that Yash Raj has locked horns with the music channels over telecast rights of these music videos are absolutely baseless. We have never demanded money for telecasting Fanaa promos and songs, and in fact, it is Yash Raj who has to pay these channels money for airing these clips.”

    When contacted by indiantelevision.com, Zee Telefilms however remained noncommittal. “No comments on the official position,” reads an SMS sent by spokesperson Ashish Kaul. Channel [V] head honcho Amar K Deb said that the channel had some spots of Fanaa. A source close to B4U also confirmed that the channel was running Fanaa promos and song clips.

    Kumar explains that the production house has in fact employed a certain promotional strategy which involves all the channels. “Yash Raj follows a certain promotional strategy when it comes to television. We shift our promos and music videos from one channel to another from time to time and this shift is strategically designed to get the maximum coverage. We are telecasting our 60 second song and promo clips on all the channels.”

    On Yash Raj’s exclusive tie up with MTV and Sony, Kumar adds, “It is true that we have exclusive tie-ups with Sony and MTV for programming and marketing activities. But that has nothing to do with providing the Fanaa content to other channels. Our association with these channels are on and there is no disagreement between Yash Raj and the channels over payment issue.”

    Agrees MTV VP creative content Ashish Patil, “What MTV has with Yash Raj Films on Fanaa is an exclusive marketing tie-up. MTV holds the tradition of being a key player in the TV promotions of all the Yash Raj Films and this continues with Fanaa also. The Fanaa music was released on MTV and we had the exclusive rights to telecast these songs for about five to seven days post the music release. Sony is our programming partner and the channel has lined up various wrap around programmes on the movie.”

    Patil adds that, MTV had lined up a series of promotional activities for Fanaa on the channel. “Tomorrow we will be telecasting an Aamir-Kajol show Fanaa for You, which will have the lead stars of Fanaa interviewing each other. Other innovations we have lined up include creating special MTV logos based on the Fanaa format,” he says.

    The Fanaa for You show is in fact shared between Sony Entertainment Television and MTV. “In a unique exercise of media roadblock, Aamir and Kajol’s candid conversation Fanaa for You will be shown on 25 May at 8 pm. The stars will have freewheeling chat about themselves and their experience of working together for the much talked about movie Fanaa,” states a Sony release.

    Interestingly, even NDTV has organised a special show with the two stars that airs on the sister channels NDTV India and NDTV 24×7 Thursday night at 8 pm and 8:30 pm respectively. It is worth noting that when Yash Raj released their blockbuster Bunty aur Babli last year, the film’s two leads Abhishek Bachchan and Rani Mukherjee had appeared on the channel as news readers in the pre-release “stunt”.

    Additionally, the Times Group’s FM network Radio Mirchi is also a part of Thursday’s 8 pm “simulcast” of the Fanaa preview. And the Net has not been left out either. The film’s preview will be web streamed on both Yahoo! and MSN.

    FANAA FACES TOTAL GUJARAT BLACKOUT, MULTIPLEX NO SHOW IN REST OF COUNTRY

    The big screen story however is entirely different. “Cinema Paradiso” it most certainly is not for the most powerful production house in the country as it squares up in an eyeball-to-eyeball confrontation with the top multiplex chains all over India.

    That the stakes are enormously high is a given. And who blinks first will determine whether the status quo is maintained in the producer distributor dynamic or the rules are rewritten in favour of big film banners like Yash Raj.

    Fanaa, which also marks the comeback of the much loved Kajol to the silver screen after a long break, is not only guaranteed (at least for the present) a politically engineered total blackout in the western Indian state of Gujarat, but also confronts a multiplex fadeout in the rest of the country.

    The crux of the issue is on how the box office collections are to be shared. According to the head of one multiplex chain, as per current norms big banners get 48 per cent of the net collections by way of distributor’s share in the first week, 38 per cent in the second week and 30 per cent from the third week on. Yash Raj is however demanding 60 per cent, 50 per cent, 40 per cent for the first three weeks and 35 per cent from then on.

    Though the matter was still at a stalemate at the time of filing this report, the head of the multiplex did point out that Yash Raj had come down a bit from its earlier stand and was ready to end the whole controversy if the exhibitors were willing to accept a 55:45 per cent revenue share in the first week.

    Fanaa director Kunal Kohli remains confident that people will get to see the movie in multiplexes as well. “We are hopeful of reaching a solution. Discussions are still going on. There is scope for a positive outcome,” he says.

    Kohli has been quoted earlier in media reports as saying: “We believe that we bring a certain value to film and that we should accordingly get that benefit. We have also conveyed to them that we are asking for better terms only if the film performs well at the box office. If it doesn’t, we are willing to go with the old terms.”

    If the matter is not settled though, the movie will open mainly at all single-screen theatres across the country on 26 May.

    LAUNCH OF MERCHANDISE AROUND MOVIE

    According to media reports, Yash Raj is launching its merchandising division with Fanaa. Three products related to the movie can be purchased. The first is a reflection cup-saucer set. The cup has a mirror finish which shows the reflection of Fanaa, when placed on the saucer. The second is a ceramic mug that has the autographed pictures of Aamir Khan and Kajol and the third is the chili pendant that Aamir Khan sports in the film.