Tag: Kunal Dasgupta

  • i-Tap inks MoU with NextPlay

    i-Tap inks MoU with NextPlay

    Mumbai: Triple Com Media (iTap) Mumbai, has announced a strategic partnership with NextPlay Technologies. NextPlay’s in-game advertising (IGA) unit, HotPlay has entered into a memorandum of understanding (MOU) with iTap, Mumbai. It is an OTT entertainment and gaming platform in India that offers comedy shorts, mobisodes, films, serials, lifestyle features, gaming and esports content targeted to Indian smartphone audiences. 

    The MOU aims at a partnership that will target India’s fast growing online gaming audience and later also extend to international markets in fourth quarter of 2022 when iTap expands overseas. The collaboration includes integration of HotPlay’s In-Game Advertising (IGA) tech into iTap’s existing entertainment, gaming, and e-sports content. HotPlay’s hyper-casual game portfolio currently includes more than fifty exciting games and growing which will also be on boarded onto iTap’s existing library of casual and trivia games and quizzes. The joint effort is designed to create an ecosystem in-line with both organisation’s business objectives while entertaining India’s 400 million plus gaming audience. 

    Despite the pandemic and recent economic turmoil, the parties believe that India remains a bright spot for growth. The partnership aims to seize opportunities in the high growth markets of hyper-casual genre games, e-sports, and gaming tournaments. Both parties view hyper-casual gaming as an opportunity due to its easy-to-play nature that engages broad audience age groups. 

    NextPlay co-CEO Nithinan Boonyawattanapisut stated, “The company sees great opportunity in the Indian market, not only from the size of the market itself but also from the remarkable growth rate of its entertainment segment, particularly in the hyper-casual game space and overall gaming industry. We are optimistic about this strategic collaboration with iTAP’s fast-growing OTT platform and an opportunity to enter the Indian market. We believe in the recent completion of our goGame asset purchase, our hyper-casual game portfolio and our HotPlay.” 

    “The parties added that an IGA solution offers great synergistic value to a diversified entertainment platform like iTap. The integration of HotPlay games and IGA will better position iTAP’s entertainment ecosystem in India and augment revenue opportunities through iTAP’s rapidly growing user base.” he added. 

    Triple Com Media, iTap founder & CEO Kunal Dasgupta said, “HotPlay will help strengthen iTAP’s gaming profile and integrating IGA into iTap also creates promotional extensions such as in-game coupons, rewards, and contests. These synergies are expected to be very beneficial and relevant for marketers besides additional opportunities for iTap and HotPlay to explore collaboration in new, emerging areas like NFTs, digital fashion and virtual artefacts for the Metaverse.” 

    Dasgupta is a veteran in the Indian media and entertainment industry; prior to founding iTAP he was Sony Pictures Networks (India) CEO for 15 years.

  • “I may distribute a news channel. I just do not want to run one” : Kunal Dasgupta CEO SET

    “I may distribute a news channel. I just do not want to run one” : Kunal Dasgupta CEO SET

    It’s the festival of lights. And for many the festival of noise courtesy exploding fireworks. In the hope of reducing the number of those belonging to the latter tribe, we, at indiantelevision.com, decided to put a display of firecracker articles for visitors this Diwali. We have had many top journalists reporting, analysing, over the many years of indiantelevision.com’s existence.

     

    The articles we are presenting are representative of some of the best writing on the business of cable and satellite television and media for which we have gained renown. Read on to get a flavour and taste of indiantelevision.com over the years from some of its finest writers. And have a Happy and Safe Diwali!

     

    Written By: Thomas Abraham

     

    Sony Entertainment Television has secured the cable and satellite television rights for all ICC-designated One-Day cricket for the next seven years, which includes the next two World Cups. But with a reported $255 million acquisition tab, SET CEO Kunal Dasgupta has his task cut out to profit from it. At a media briefing last Friday, Sony presented the captain of India’s successful World Cup campaign of 1983, Kapil Dev, as its brand ambassador. Dasgupta talks of this and other issues like conditional access, DTH, uplinking from India to indiantelevision.com’s Thomas Abraham.

     

    What made you plump for Kapil Dev as your brand ambassador?

     

    The point is, just as Amitabh Bachchan is the icon of movies, Kapil Dev is the icon of cricket and we expect Kapil to do for Sony Entertainment what Bachchan did for Star.

     

    There is this huge investment of $255 million that has been pumped into getting the rights to ICC-designated One Day cricket tournaments. Recovering that is a tough ask any way you look at it. At least as far as the ICC tourney in September and the World Cup next March, are there any programming initiatives that you have in mind?

    There are a number of them we have lined up but I don’t want to talk about these initiatives at this juncture.

     

    What about an outline of your overall strategy? 

     

    First and foremost, we want to take the game beyond the male and offer it as family entertainment. The programming initiatives that we are working on will take cricket beyond the boundary and get the families in. There will certainly be a focus on women in our plans.

     

    Secondly, we have to generate interest beyond the matches India is playing. And we will have to create devices that provide for that.

     

    And the ICC rights that we have include under-19 cricket tournaments. There is no interest for this now but we will have to generate it.

     

    One way is to make the cricketers more media savvy. They will need to be groomed accordingly so as to give the proper sound bytes at the proper time. Tiger Woods is not just a sporting success story but a marketing one as well and this has been achieved by a great deal of coaching on how he conducts himself.

     

    Now that you have acquired this massive cricket property, have you thought of an IPO. Would this not be a good time to raise funds from the market?
    My board doesn’t think so.

     

    “The big question is, will the law make it mandatory to declare the subscriber management systems, which are in the hands of the cable operators? How do you control this is a big worry?”

     

    The big debate currently is around the government’s determination to introduce conditional access systems in the country. What is your stand on this?
    Well I would have to see how it is implemented. My principal concern is that there should not be a disruption of services which is something I am sure the government would ensure when CAS is introduced.

     

    The Cable TV Networks (Regulation) Amendment Bill, 2002 is almost certain to get cleared in the next session of Parliament in July. How long do you think the first phase of the rollout in the four metros will take? 

    It should take about a year or so at the very least, I would think.

     

    What will happen to DTH in this scenario? The whole concept of having tiers means that high-end services can be offered to consumers which would incorporate interactivity and other options like pay-per-view. Would this not make the DTH option a non starter?

     

    The introduction of CAS as is visualised would in fact speed up the entry of DTH. If the customer has any way to invest in a set top to access channels, the quality of service that DTH provides would make it quite a feasible option if the price is right. It should be noted that in India what we are talking about as far as CAS is concerned is an analog service. To digitise, massive investment is needed for cable TV headend upgradation as well as line upgradation. What we are looking at is costs of up to Rs 50,000 crores (Rs 500 billion). At the moment, it is only Reliance that is doing this kind of cabling.

     

    The introduction of CAS would certainly alter the dynamics of the business. What sort of scenarios do you visualise?

     

    Bundling of packages will certainly be there. It will ultimately boil down to who offers the best package. There will be possibilities of a number of currently rival networks like Sony, Star and Zee for instance coming together and offering a shared bundle. India is a unique market. Ultimately, market forces will settle the issue.

     

    What other options are there available to the broadcaster?

     

    One possibility is to supply boxes directly to the consumer. That way we bypass the cable operator altogether by entering into a direct relationship with the consumer.

     

    If you are talking packages, then strong bouquets will still be important. Have you earmarked any candidates for joining “The One Alliance” (what the addition of the Discovery and Animal Planet channels to the Sony Entertainment bouquet of SET, MAX, AXN and CNBC India is called)?
    An English movie channel is top of our wish list. Music and niche channels are our other options.

     

    “We will be continuously introducing new shows but they will be short duration series. The days of the long-running serial are numbered”

    _________

    (Inset) A 1983 file picture of Kapil Dev with the Prudential World Cup trophy.

     

    How many new channels can we expect on the platform by the end of the year?

     

    Ask me on 20 June.

     

    What about a news channel? There is a lot of buzz that a news channel is also on your list.

     

    As long as I am CEO, a news channel will not happen. We do not want to get into issues of editorial management as that would involve taking sides on issues. The issue we have with running a news channel is that we prefer to remain neutral. We have a lot of products that we promote in India besides our channels. There is the movie business, music and electronics goods that we have as well, so that is the position that we are comfortable with.

     

    That is not to say I cannot have a news channel on my platform. I can certainly distribute a channel. I just do not want to run one.

     

    Now that the government has liberalised uplinking, there is talk that broadcasters who uplink abroad will be looking at transferring operations to India so as to bring in new avenues for advertising. Is Sony considering such an option?

     

    Not for the near term at least. If at some later date, we feel there are clear advantages to be derived, then we would have to reassess the situation.

     

    What of programming? Is there anything new happening on Sony?

     

    We will be introducing a new blockbuster series slotted for the weekend prime time. The weekend has been associated with blockbuster movies. Now we are working on a blockbuster series that will run for 39 episodes. With it, we expect to carve out the weekend prime time slot.

     

    Balaji has said it is readying a 39-part weekend series that is going on air within the next two months, slated to run as a one-hour show on Fridays, Saturdays and Sundays. And the talk is that you are doing a big new show with Balaji. Is this that show?
    Yes it is.

     

    Still, it is the weekday programming that ultimately decides the success of a channel. What have you lined up for the weekdays?

     

    We will be continuously introducing new shows but they will be short duration series. The days of the long-running serial are numbered.

     

    Do you have any big ticket shows lined up?

     

    One show we are seriously looking at is a game show called Russian Roulette.

     

    From whom are you acquiring the rights?

     

    It is a Columbia Tristar property.

     

    (Russian Roulette, produced by Columbia TriStar Domestic Television [CTDT], is a game of chance where every question could cause a contestant to literally “drop out” of the game and has been a hit in countries as wide apart as Russia and Spain. In this knowledge test, four strangers challenge each other to answer a series of multiple-choice questions. If a contestant answers incorrectly, he must pull the lever potentially triggering one or more “drop zones”. When only one contestant is left standing, that person keeps all of the money won and proceeds to the final round. In the US version, the final winner takes home an additional $100,000.)

     

    What about Shubh Vivaah (Sony’s blockbuster marriage reality show)? When do you see it finally launching?

     

    There is a hearing scheduled for 8 July. After that, we will know for certain.

     

    But I thought the issue was settled. Didn’t the Delhi high court ruling (of 3 March) state that Taal (which went to court over claimed copyright violation) gets a lead time of two months if its own show Swayamvar launches on or before 30 June, otherwise Sony would be free to launch Shubh Vivaah?

     

    Well, Taal went in appeal of that ruling. So the judge has put 8 July as the date for final hearing of the case. Basically, Taal is only employing delaying tactics. In any case, we expect to have the show out in the next few months.

  • Multi Screen Media rebrands as Sony Pictures Networks

    Multi Screen Media rebrands as Sony Pictures Networks

    MUMBAI: Multi Screen Media, which was earlier known as Sony Entertainment Television (SET) India, has rebranded as Sony Pictures Networks (SPN) in India as the company marks its 20th year in the country. SPN will be a division of Sony Pictures Entertainment.

     

    It was back in December 2007 that SET India was renamed as Multi Screen Media (MSM). The then CEO of the company Kunal Dasgupta had said that the new name was reflective of the company’s evolution from a pure television broadcaster to a multimedia one. And that was exactly what the company did. Today, SPN’s bouquet of channels includes a range of channels like Sony Entertainment Television (SET), Max, Max 2, Sab, Pix, AXN, Aath, Mix, Six and Kix as well as the digital entertainment channel Liv.

     

    PlNow, as Sony completes its two decade run in the country, Sony Pictures Television (SPT) president of worldwide networks Andy Kaplan said of the re-branding, “Our channels in India represent an important part of Sony Pictures Television’s global portfolio and we are proud to be part of the fabric of the diverse Indian culture. As we celebrate bringing the best entertainment to viewers in India for 20 years, it’s only fitting that these networks be branded as part of our Sony family. Like the Sony brand, which stands for innovation, creativity and delight, SPN brings the same qualities to our viewers.”

     

    SPN CEO NP Singh added,  “As MSM, we’ve served television audiences worldwide for the last 20 years, during which time we pioneered new formats, new shows and actually set the trends for television entertainment. We changed the dynamics of how cricket and cinema were viewed on Indian television and contoured a variety of genres in TV entertainment. So while Kaun Banega Crorepati and Dus Ka Dum created new waves in television gaming, and Boogie Woogie and Indian Idol brought the commoner’s talent on the telly, we were also the first ones to embrace the cultural fabric of India by providing Sab – an out-and-out family humour channel.”

  • NP Singh’s triumph and challenges at Sony Entertainment

    NP Singh’s triumph and challenges at Sony Entertainment

    In 2009 when MSM India CEO Kunal Dasgupta resigned suddenly, industry insiders were betting that the COO NP Singh would take over. But that did not come to pass. MSM India chairman Man Jit Singh – who had taken charge as interim CEO and was also leading the search for Dasgupta’s replacement – was given the job after a nationwide hunt.

     

    Hence, when news emerged on Friday (3 January) that NP (as he is known by all in industry) was being elevated as CEO of MSM India, it was time to bring out the bubbly and cheer for him. The collective belief amongst most in the know is that NP has got his just rewards, finally!

    During the 15 years at MSM India, the turbaned NP has served the organisation well. Extremely low profile and mild-mannered, he was the perfect foil for the aggressive, innovative and outspoken Kunal Dasgupta.

     

    “He was always there, which gave Dasgupta the freedom to innovate and grow the network. He offered the rock solid stability which the organisation really needed,” says a person who has worked very closely with both Dasgupta and NP. “He is a very good leader, man manager and operations man. And he is extremely sharp with numbers because of his finance background. To top it all, he is a gentleman in every sense of the word – a rarity in the current cutthroat world of media and television.”

     

    His big win has been the biggest success of the Sony Entertainment Television (SET) Network in recent times – the channel Sab. After SET acquired it in 2005 for Rs 57 crore from Sri Adhikari Brothers, the management quickly moved it away from its comedy positioning which founder Markand Adhikari had given it and relaunched it as a youth-oriented channel. Not a very good move, really as its audiences disintegrated almost instantaneously. The team persisted with the youth demographic for two years, until NP proffered that it should stick to its original positioning of comedy, and went about cobbling together a clutch of funny shows along with Sab head Anooj Kapoor. Amongst the shows which emerged from those early huddles include the long-running Tarak Mehta Ka Oolta ChasmaChidiya Ghar and FIR.

     

    The net result: the audiences flocked back and Sab, today at times, figures amongst the top 5 GECs. And it is highly profitable too. Mother channel Sony Entertainment, which it was supposed to simply flank, has comparatively not lived up to its potential and has been struggling to get its fiction show act right for several years now.

     

    NP’s second success has been Sony Max, which offers a cocktail of cricket and movie fare to its viewers. It arguably tops the Hindi movie channel category at all times of the year and it shines brilliantly through the annual flashy IPL tournament when it has at times moved to the number one spot (it has even beaten Hindi GECs).

     

    He and the team under him have been innovating with Max’s programming by bringing in more entertainment into the prizewinning Extraa Innings – new anchors, cricket veterans like Navjyot Singh Sidhu and Sunil Gavaskar (cracking jokes in Hindi), better sets, cheerleaders, a live band and even added doses of comedy and movie integration. Max has over the years also dabbled in Hindi and Bangla language commentary, much before ESPN and Star Sports did.

     

    The third six that the extremely articulate NP has hit is with Sony Pix, the international movie channel that in the SET portfolio. It is currently placed at the No 2, behind Star Movies. But it took some doing getting it there. From a classic movie positioning when it was launched, it was refocused as a channel which delivers new fare from the world of English cinema with the tag line ‘Stay Amazed’. NP has secured long term content deals with Sony Pictures and MGM which have delivered films such as SkyFallMission Impossible III and Spiderman, among several other films. It was NP who decided to acquire Slumdog Millionaire and air it in both English and Hindi which worked very well for the network as a whole. And last year he recruited Saurabh Yagnik from Star with a clear mandate to take it to the number one spot. 

    NP also pushed for the shift of AXN – the English general entertainment channel – from Singapore to India and has been acquiring content which suits Indian tastes more. And that strategy seems to be working for AXN even though it has tough competition from Star World and Zee Café.

     

    When he decided to launch the music channel Sony Mix a couple of years ago in an overcrowded market, not many gave it a chance. But today it has beaten back the leader 9XM with innovations such as music based programming on time bands and moods and also bringing in radio host Anurag Pandey onto the channel with his own show.

     

    Along with Man Jit Singh, NP  has also been quietly building a slate of low cost movies under MSM Motion Pictures, which should start adding revenues to SET’s top line and hopefully its bottomline in the coming year.

     

    That he is getting charge of one of the jewels in the Sony Pictures Entertainment (SPE) international crown shows how much confidence he has managed to gain from Los Angeles-based bosses Andy Kaplan and Michael Lynton. SPE, on its part, has been under pressure in recent times with declining profits and it even announced that it would prune its movie slate and focus more on television content. It hired a consultant firm Bain & Co in November 2013 to help it generate $250 million in savings. One of the options it is looking at is streamlining its international operations by setting up more joint ventures, apart from lowering head count.

     

    According to reports in the international media, its Indian network reaches about 484.1 million pay TV subscribers, but it would like to see more revenues emerging from India. MSM India annually contributes nearly $600 million in revenues and $130 million in profits annually to SPE’s media networks’ business which tots up $1.5 billion in revenues overall, reveal Media Partners Asia estimates.With India’s cable TV networks on a digital rollout nationally, the hope is that subscription revenues will rise substantially for all the major Indian broadcast networks, amongst which figures MSM India.

     

    NP has his work cut out. He has to focus on making the nearly billion dollar investment the network made in the IPL generate more revenues (the deal ends in 2017 and probably around 40 per cent of the investment has already been recovered), he has to make fiction work at Sony Entertainment, build a stronger creative team to bring in cutting edge series, and strengthen its non-fiction lineup at a time when fatigue is setting in amongst viewers.

     

    This apart, he has to strengthen the Sony Entertainment network’s channel bouquet, bring in regional language and niche services to take advantage of the monetisation opportunities that digitisation will throw up in the next four to five years. All this at a time when its US parent is putting the squeeze on money and trying to generate savings, which means the accountant in NP will really have to do some financial legerdemain.

     

    Most industry watchers are betting that NP will do the trick. “NP’s core strength is also distribution. Remember, he has been one of the architects of putting together the content aggregator One Alliance. So clearly, he will be able to work some magic on distribution and subscription revenues,” says a media analyst. “The problem with its major content offering – Sony the Hindi GEC – has been too many people have being driving it in the past, which has impacted its performance. With a single leader at the top in NP and a good programming head in place, expect Sony to really drive ahead on its programming initiatives. NP loves a challenge.”

     

    It is precisely this quality in him that will prove handy as he goes about building Sony Entertainment Television for a digital and young India.

  • Sony bowls a fast one with ‘made for TV’ cricket

    Sony bowls a fast one with ‘made for TV’ cricket

    Ever thought of making an eminent cricketer dance with a click of a computer mouse or a phone call? Chucking them in and out of a one-day cricket match as and when one wished if he’s messing up on the field. That’s precisely what Sony Entertainment Television has promised to cricket buffs while announcing its entry into what CEO Kunal Dasgupta termed a new genre of television programming with cricket as its centrepiece.

     

    Close on the heels of Zee Telefilms announcing its entry into reality television with POW, Sony is brewing its own unique version of reality television centred around cricket, whose driving force would be a great level of interactivity with the viewing public.

     

    Something akin to the rolling substitutions in hockey, here the public would be able to decide who should be on and off the field during timeouts seems to be the general drift of what is being conceptualised.

     

    Bidding to dispel media talk that Sony was planning a new version of masala cricket a la Kerry Packer in the early eighties, Dasgupta said the matches would be held only during the off season. There was no question of taking on any national cricket boards by putting together rebel teams, Dasgupta said. He, however evinced the hope that the endeavour will “generate unparalleled entertainment for the cricket loving public so that the cricket establishment will recognise Sony’s innovation and contribution to the game.

     

    The programme is to be aired over a 10-15 day period per season over three seasons in a year live on MAX. It is aiming for a nationwide audience and says it is hopeful people would participate in this made for television cricket game. According to Dasgupta, they were working with a group of associates to develop an innovative, transparent “made for television” cricket format using the latest available technology. Subject to their availability, Sony was planning to rope in the best national and international cricketers, Dasgupta said.

     

    Dasgupta was unable to provide details of the format, who were the players who had signed on, or even when it would take off other than saying that it would be sometime in April or May.

     

    A problem Sony will have to get around is the problem of uplinking. Sony has no uplinking facility in India but uplinks from Singapore. For the live feel of viewer interactivity this will have to be addressed. Anand Desai, senior vice-president corporate development, who is responsible for the show, admitted as much and said they were working on it. Desai, however, gave a categorical assurance that the programme would be real time live.

     

    Referring to the interactive element of the game, Dasgupta said one of the top cricket portals would be hosting details on the match through which viewers could participate. Dasgupta admitted that Sony was entering uncharted territory with this effort but said it was worth a shot anyway.

  • ‘With IPL you have the power of 10’ : Kunal Dasgupta – Set India CEO

    ‘With IPL you have the power of 10’ : Kunal Dasgupta – Set India CEO

    The Indian Premier League (IPL) has got off to a solid start. The ratings have been positive and crowds have thronged the stadiums. For Sony the IPL marks their return to cricket. Set India CEO Kunal Dasgupta offers Thomas Abraham and Ashwin Pinto his views on what he expects IPL to do for the game, telecast channel Max, as well as the importance of sustaining the brand.

    Excerpts:

    As a broadcaster what do you expect?
    T20 is a made for television format. When India played a T20 match against Australia at the Wankhede stadium, ratings touched 20. I am looking for a rating of 4 or 5, which is possible, given that ICL, which has retired players, got 2.5. This is a good base for us to take off from.

    The format will mean that besides country against country, one will also view it as being team versus team. This is what exists in other sports like soccer, hockey, and baseball.

    IPL is being pushed as being the ultimate in reality television. In that case how do you get that competitive environment?
    The prize money (Rs 48 million goes to the winner) will ensure this. This is much more than you get for playing for the country and so the players will go all out. The matches will be hard fought. Here all the teams are evenly balanced and so you do not know the result. It will be unpredictable and matches will go down the wire. All teams have a good mix of batsmen, bowlers and youth.

    What are you hoping for in the first year as the telecast partner?
    Ideally I would want the IPL to be a successful brand that has a long term play. After June, I will continue to do promotions to keep the team brands alive. This was one of the conditions on which we bid.

    We will do shows around the IPL. You could see teams (franchises) practicing and discussing strategies for the next season.

    The trick for us is not getting ratings for the first season. The challenge is to sustain the excitement after that

    But wouldn’t an ideal situation be for a franchise to build a brand without the big names who might be on national duty?
    This might happen. Apart from April-May, you cannot have another period where all the stars are available. What will happen is that once the league is built the new players who are playing will become the core. You can then have matches in different parts of the world to popularise the game there using these new players.

    The trick for us is not getting ratings for the first season. This will happen as a matter of course because of the way the IPL has been hyped. The challenge is to sustain the excitement after that and it is here where we will have to take a leaf out of the book of the EPL. Teams have marketed themselves and have thus become iconic brands.

     

    So Mallya for instance, will use the Royal Challenger brand name to go out there and create opportunities for exhibition matches. They can do charity work in Bangalore and build a fan base. Each franchise will have its own website where clips will be available. They can create merchandise.

    Sony will pitch in through magazine shows. Otherwise it will just be a flash in the pan. As we come closer to the next season you will see transfers and there will be speculation.

    New heroes will be born. It is possible that the likes of current heroes like Glenn McGrath, Kumble, and Saurav will not play beyond two seasons. Once that happens, then the brand will live outside the big names.

    One of the aims is to broaden the viewer base is to get in more children, women, But for that you have to create marketing that speaks to those demographics. What is Sony planning?
    One of the major attractions will be the presence of big Bollywood stars. Akshay Kumar will perform for Delhi. SRK will perform for Kolkata You will see proper Bollywood entertainment.

    We have even tweaked the timings of some of the matches to accommodate our entertainment specials. One match was supposed to start at 4 pm but we have pushed it back to 5:30 pm. We will even have stand up comedy for Extraaa Innings. On air we have gone in for fresh faces. We did not want Mandira (Bedi) for this. She is more suited for ODI cricket. I want 20-year-olds in T20. We also did not want Kapil Dev, Gavaskar. We wanted anchors who represent today’s kids. With the ICC World Cup we broke the mould and brought in females. Now we are breaking the mould back

    What is the distribution upside from IPL?
    This is a question mark. We are supposed to have a dip but we will retain the same level. There is no minimum guarantee now. Had Ten Sports still been present it would have been difficult to determine the value of IPL. Our team is happy as they are closing deals for the year and it is one of the distribution cornerstones.

    At $ 59 million in Year 1 and an average of $ 61 million over five years, IPL was literally sold at floor price. Wasn’t that a great deal?
    It was. Most of the payout ($ 612 million) is from the next five years. ESPN’s bid was $150 million for the first five years. They had put in conditions that the top players should be there. We did not put in any conditions.

    Anyway, the way it has turned out, all the top players are taking part.

  • Kunal Dasgupta quits Sony

    Kunal Dasgupta quits Sony

    MUMBAI: Multi Screen Media (formerly known as Sony Entertainment) CEO Kunal Dasgupta has quit the organisation.
    Man Jit Singh, the chairman of MSM has taken over as the interim CEO.

    MSM is looking for a new CEO, sources say.

    Await detailed report…

  • ‘Why would BCCI want its biggest new property on a new channel?’ – Kunal Dasgupta

    ‘Why would BCCI want its biggest new property on a new channel?’ – Kunal Dasgupta

    For Sony Entertainment Television (Set) India CEO Kunal Dasgupta, the big wish for 2008 is to throw up that one hit narrative show that would get some momentum going for his network’s flagship channel Set. Other than the vexed issue of Set and its equally struggling Hindi GEC sibling Sab, the network is doing fine thank you, argues the long serving head honcho of the Indian broadcast operations of Sony Pictures  In conversation with Indiantelevision.com recently, Dasgupta looks back on the difficult year that was 2007 and offers some pointers to the strategic direction Set India (now renamed Multi Screen Media Private Limited) is looking to take in 2008 and beyond.Excerpts:

    Let’s start with the new name. Is this because your parent Sony Pictures Entertainment is distancing the Sony brand name from the Indian broadcast entity?
    Certainly not. The name is reflective of the company’s evolution from a pure television broadcaster to a multimedia one. We want to be on all screens that are video enabled. Going forward, we will be actively investing in mobile, movies, Internet, and out of home screens. Mobile in particular is going to be a focus area for us.

    When you say you want to be on all screens, could you elaborate on that?
    I am going to be recycling the over 30,000 hours of television content and 750+ movie titles that I have with me. We plan to repurpose a lot of it not just across the different screens, but across networks too. The realm of exclusivity is no longer the norm. To stay ahead of the game you have to be focused on how best to leverage the content that you have.

    Like the Rs 40 crore (RS 400 million) deal you did with Peter Mukerjea’s INX for 60 movie titles?
    Yes. That deal entitles INX to three airings of each film I have syndicated to them.

    Looking back to 2007, how would you rate the performance of the channels in the Sony network?
    Well, Max was fantastic; Pix became viable. On Sony and Sab we have suffered reverses on account of our fiction programming not working.

    And looking ahead into 2008?
    The business paradigm is changing and we are at the forefront of that. You could say we are the catalysts for change. Syndication, mobile; these are going to be areas that will explode. The one who reads the writing on the wall and adapts will survive.

    How has the year been in terms of revenues? The perception in the market is that Sony had a terrible year?
    If you add up ad sales, distribution and our international business, it would be Rs 1,200 crores (Rs 12 billion) overall, so you can’t say it was a terrible year.

    One reason for the perception that Sony had a lousy year, aside from its programming not working, was the ICC World Cup debacle in March. We understand you lost some RS 800 million odd due to India’s early exit. Comment?

    The ICC rights should not be looked at from the results from one tournament, but on how it delivered over four years. And it delivered on every count for us.

    Looking at the larger perspective, what have been the big challenges the broadcast sector faced and will face, going forward?
    The pathetically slow pace of digital rollout (Cas) has been the biggest challenge for existing players. Though I do believe digital distribution will come into play from 2008 onwards.Combating all these new players will be the big upcoming challenge. The (leadership) pecking order will have to be reestablished. Star is not complacent in its position of number 1. Even Zee as a challenger is not complacent. Everybody will face challenge. The whole media business will face challenge.

    The industry is seeing huge churn now. The channel explosion is going to further fragment audiences. We will soon have 9/10 channels in each of the genres – news, sports and movies.

    You say pathetically slow digital rollout on the cable front is the biggest challenge for the new players as well as the existing players. But if we look at 9X, the numbers they are drawing are not due to cannibalization, but due to new viewers?
    It’s not cannibalization of GEC but other genres like music.

    So you don’t believe that people have an inherent desire to consume entertainment content but may have been tuned off by the lack of variety presently on offer so they are trying out channels like 9X?
    It’s not just 9X. Even Bindass is getting new viewers. 9X is making a lot of noise but give me a name of one show that stands out. On NDTV Imagine also, nothing will stand out.

    What do we have in 2008? BCCI’s Indian Premier League will take off and what else?
    I don’t know on which channel it will take off. I hope it is on ours.

    But as you yourself said, there will be new sports channels launching and we should expect bids from new players?
    They can of course bid but why would BCCI want its biggest new property on a new channel? Its not just money, they (the cricket board) have to make it successful.

    We do have an example of Ten Sports, which launched with World Cup Soccer in 2002?

    There were only two channels – ESPN and Star Sports – then. Today there are seven channels (DD Sports, Ten Sports, Zee Sports, ESPN, Star Sports, Star Cricket, Neo Sports). Additionally, Max is half a sports channel.

    Each time you launch a new channel, the space will get further fragmented. There is too much out there. There is going be a blood bath.

    What about a platform proposition, like in the case of Sky in the UK? For a rights holder, could IPL potentially become as critical as EPL was to Sky?

    Firstly, in India no exclusivity is being allowed. Secondly, the new guys bidding for the rights are channels which are not yet launched. If platforms like Dish TV or Reliance were to buy the rights, then I would understand but the guys buying are unknown people. They are all startups. They are doing it for their business valuations. They are not bothered whether IPL succeeds or not. Whereas BCCI wants IPL to succeed. IPL will collapse with new players.

    Coming back to the year ahead, how do you see 2008 for your network and the industry?

    As far as the industry is concerned, we would want to see the Reliance launches happening. It’s a very big thing. Then IPL should succeed. New players should enter digital distribution in the cable front. More people are required, more funding is required.

    As for ourselves, we will take some other new initiatives and continue to build our business. We need one hit show. Saat Phere was the starting point for Zee. I need one hit show from Monday to Thursday. That is my perspective. I have no problem in any other area of my business except that. We need to build up, which is not happening.

    Each channel is doing its own thing and so are we. In the meantime, I am doing syndication and international distribution. I am doing everything right except getting that one hit show.

  • ‘Why would BCCI want its biggest new property on a new channel?’

    ‘Why would BCCI want its biggest new property on a new channel?’

    For Sony Entertainment Television (Set) India CEO Kunal Dasgupta, the big wish for 2008 is to throw up that one hit narrative show that would get some momentum going for his network’s flagship channel Set.

    Other than the vexed issue of Set and its equally struggling Hindi GEC sibling Sab, the network is doing fine thank you, argues the long serving head honcho of the Indian broadcast operations of Sony Pictures

    In conversation with Indiantelevisiojn.com recently, Dasgupta looks back on the difficult year that was 2007 and offers some pointers to the strategic direction Set India (now renamed Multi Screen Media Private Limited) is looking to take in 2008 and beyond.

    Excerpts:

    Let’s start with the new name. Is this because your parent Sony Pictures Entertainment is distancing the Sony brand name from the Indian broadcast entity?
    Certainly not. The name is reflective of the company’s evolution from a pure television broadcaster to a multimedia one. We want to be on all screens that are video enabled. Going forward, we will be actively investing in mobile, movies, internet, and out of home screens. Mobile in particular is going to be a focus area for us.

    When you say you want to be on all screens, could you elaborate on that?
    I am going to be recycling the over 30,000 hours of television content and 750+ movie titles that I have with me. We plan to repurpose a lot of it not just across the different screens, but across networks too.

    The realm of exclusivity is no longer the norm. To stay ahead of the game you have to be focused on how best to leverage the content that you have.

    Like the Rs 40 crore (RS 400 million) deal you did with Peter Mukerjea’s INX for 60 movie titles?
    Yes. That deal entitles INX to three airings of each film I have syndicated to them.

    Looking back to 2007, how would you rate the performance of the channels in the Sony network?
    Well, Max was fantastic; Pix became viable. On Sony and Sab we have suffered reverses on account of our fiction programming not working.

    And looking ahead into 2008?
    The business paradigm is changing and we are at the forefront of that. You could say we are the catalysts for change. Syndication, mobile; these are going to be areas that will explode. The one who reads the writing on the wall and adapts will survive.

    On Sony and Sab we have suffered reverses on account of our fiction programming not working

    How has the year been in terms of revenues? The perception in the market is that Sony had a terrible year.
    If you add up ad sales, distribution and our international business, it would be Rs 1,200 crores (Rs 12 billion) overall, so you can’t say it was a terrible year.

    One reason for the perception that Sony had a lousy year, aside from its programming not working, was the ICC World Cup debacle in March. We understand you lost some RS 800 million odd due to India’s early exit. Comment?
    The ICC rights should not be looked at from the results from one tournament, but on how it delivered over four years. And it delivered on every count for us.

  • SET India acquires slate of Bollywood titles from Eros

    SET India acquires slate of Bollywood titles from Eros

    MUMBAI: Sony Entertainment Television has acquired the global satellite rights for a package of films, including blockbuster hit Lage Raho Munnabhai, from leading Bollywood media and entertainment major Eros International.

    The deal gives Sony retain exclusive broadcasting rights to the original version of a slate of titles for five years and includes recent films like Salaam-e-Ishq as well as upcoming releases like Namastey London.

    Sunil Lulla, the director and president for India at Eros International, was quoted in an official statement as saying: “We have a strong relationship with all the leading Indian television networks and are delighted that Eros’ content will now be showcased on Sony Entertainment Television. It is one of the leading channels in India with a global footprint. We also regularly partner with Sony to market and promote our films through its extensive television network.”

    Said Set India CEO Kunal Dasgupta, “Eros is a major player within the Indian film sector and Bollywood films are a critical part of our programming mix. We are delighted to have secured this deal with Eros with whom we have enjoyed a great working relationship for several years.”

    Queried as to the number of titles in the package, Set India COO NP Singh said they comprised some 15-16 movies.