Tag: Kunaal Roy Kapur

  • Colosceum-backed Film ‘Mai’ to screen at Jio MAMI Mumbai Film Festival 2023

    Colosceum-backed Film ‘Mai’ to screen at Jio MAMI Mumbai Film Festival 2023

    Mumbai: ‘Mai’, a 41-minute film written and directed by Milind Dhaimade and produced by Colosceum Media Pvt Ltd (Lalit Prem Sharma) and Macguffin Pictures (Honey Trehan and Abhishek Chaubey), is all set to screen at the upcoming Jio MAMI Mumbai Film Festival. The festival will run from 27 October to 5 November 2023, at multiple venues in Mumbai.

    The film stars Kunaal Roy Kapur and Shahana Goswami and is based on a simple thought that we can’t find anything unless we are ready to lose something. The story revolves around how the 35-year-old Suman Das (played by Kunaal), who is obsessed with his mother’s cooking, discovers the value of love, loss and sacrifice when he has to deal with her sudden death. The film is a part of the anthology series ‘Lost & Found’ which is a unique collection of exquisite stories from 7 storytellers and their interpretation of the concept of loss and gain.

    “Being a food enthusiast, I find the intersection of food and humanity very intriguing. Is food only nourishment? An indulgence? Or, are there such strong memories attached in the taste of everything we love, that knowingly and unknowingly, we are constantly searching for that very taste? ‘Mai’ delves into the notion of letting go, of stepping away from the familiar to explore and experience something new, and of discovering love through the metaphor of food. We hope the audience enjoys watching this movie made with all heart as much as we have enjoyed making it,” said Mai director Milind Dhaimade.

    Suman’s mother had prepared a wonderful array of dishes before she was to depart for a week-long pilgrimage when she unexpectedly dies. Throughout his life, Suman has never tasted anything that could compare to his mother’s cooking. Now, he faces the challenge of preserving her culinary legacy for as long as possible. One day, he encounters Mona (played by Shahana), a woman with such exceptional taste buds that she can breakdown the recipe of any dish she tastes. Can Suman use Mona’s help to replicate his mother’s inimitable cooking?

    Working on ‘Mai’ has been a truly enriching experience. The film’s exploration of love, loss, and the power of letting go is not only relatable but also heartwarming. My character’s stubbornness and selfish obsession, which holds him back, was a unique challenge to portray. It’s a story that touches the heart, and I’m excited to see how the audience reacts to this fabulous journey of self-discovery.” – Kunaal Roy Kapur

    Shahana Goswami added, “Shooting with Milind Dhaimade was a whirlwind of fun and madness, and Kunal’s addition elevated the experience. ‘Mai’ beautifully captures the complexities of loss and finding, reflecting life’s inner and outer workings with depth and truth. I’m so happy to be a part of this simple, beautiful film that brings out the often taken-for-granted connection between food and the emotions associated with certain flavours and aromas.”

    “We, at Macguffin are extremely proud to present Mai by Milind Dhaimade, a tenderly told story of a mother’s love, a son’s loss and the food that nourished their bond.”, said Macguffin producer Honey Trehan & Abhishek Chaubey.

    “The ‘Lost and Found’ metaphor deeply resonates with this anthology series, emphasizing the need to let go of the familiar to discover transformation. We are honored to be part of the Jio Mami festival, engaging with film enthusiasts and professionals, fostering lasting conversations. ‘Mai,’ a testament to our commitment at Colosceum, transcends mere entertainment, provoking thought. We eagerly anticipate its premiere, aiming to captivate and inspire audiences with its compelling narrative and heartfelt performances. By nurturing creativity, we contribute to the growth and evolution of the film industry.” said Colesceum producer Lalit Prem Sharma.

    ‘Mai’ will screen on 29 October, 5.30 pm (Goregaon PVR ICON, Oberoi Mall), 31 October,6:00 pm (Andheri PVR ICON, Infiniti Mall) and 3 November, 3:30 pm (Malad INOX Inorbit Mall) at the Jio MAMI Mumbai Film Festival 2023.

     

  • ZEE5 announces season third of ‘Tripling’

    ZEE5 announces season third of ‘Tripling’

    Mumbai: ZEE5 has announced the third instalment of Tripling, featuring Sumeet Vyas, Maanvi Gagroo, Amol Parashar, Kumud Mishra, Shernaz Patel and Kunaal Roy Kapur in significant roles.

    Produced by Arunabh Kumar, the series is directed by Neeraj Udhwani; the story is by Arunabh Kumar and Sumeet Vyas; the screenplay is by Sumeet Vyas; and the dialogues are by Sumeet Vyas and Abbas Dalal.

    The family friendliness and banter that made the earlier seasons of the programme so relevant and entertaining contributed to its initial success, and this season won’t be any different.

    The third season of Tripling will span five episodes and capture the essence of the three siblings and their relationship as they set out on a new adventure this season with the help of their parents and separate partners.  

    Speaking on the announcement, ZEE5 India chief business officer Manish Kalra said, “Tripling is a popular series that has garnered a loyal following amongst the masses. We are excited to bring the third season on ZEE5 and are thankful to our partner, TVF, for enabling us to bring the fan-favourite to millions of homes this festive season, giving them a chance to enjoy their much-loved show with their family and friends. Staying true to our commitment to consumer-first, we will continue to invest in curating a diverse, relatable, and engaging portfolio on ZEE5.”

    ZEE5 chief content officer of Hindi originals Nimisha Pandey added, “After the heart-warming response to Saas Bahu Achaar Pvt Ltd, we are very excited to partner again with Arunabh Kumar and the TVF team. Director Neeraj Udhwani has brought to life in the new season of Tripling, the trials and tribulations of the three adorable and quirky siblings with a fun twist. This season delves into a unique but relatable facet of evolving relationships in today’s context and is peppered with the quintessential TVF humour. I hope audiences will enjoy bingeing on this perfect family entertainer during the festivities.”

    “While creating season three of Tripling, Sumeet and I wanted to get back to the original ethos of the show, which has always been about “Crisis mein family hi kaam aati hai,” but where the siblings face a major twist within the family itself. The season also includes a timely trek, replacing the trip with the usual dose of humour and relatable emotions,” said TVF founder Arunabh Kumar.

    “The uniqueness of season three lies in its focus on the family. We all know and love Chandan, Chitvan, and Chanchal, but where do their quirks and eccentricities come from? Their parents, obviously, who are as crazy as them and make their own unusual choices, which the three siblings have to deal with. The fans are in for a treat as this season has got a bit of everything—the usual humour and lots of drama,” commented Neeraj Udhwani.

  • Cheer comedy festival to go live

    Cheer comedy festival to go live

    Mumbai: Podcast lovers, cheer up! Audiomatic India’s first podcast network are on their way to create waves at the soon to start Cheer Comedy Festival 2016. Mark your calendars to meet, greet, hear and cheer for none-other-than Anuvab Pal and Kunaal Roy Kapur on 4 June, 2016 at 6 pm at NCPA, Mumbai. The duo presents a LIVE version of their much loved podcast – Our Last Week.

    The evening of 4th June takes podcasts LIVE for the first time, when the alleged Nobel nominated physicist and comic Anuvab Pal with co-conspirator, the renowned philosopher and Bollywood royalty Kunaal Roy Kapur take the stage at the Cheer Comedy Festival 2016. Our Last Week looks through san unconventional the events of the week gone by and the everyday conundrums that they present.

    “Someone once said “they may hate you, but they cannot ignore you”, we invite you to come and prove this wrong. It feels great to present our first live podcast at NCPA’s Cheer Comedy Festival 2016, where like-minded people converge over 3 days of pure fun and food for thought,” said Anuvab Pal, co-host of the Our Last Week podcast. 

    Event Details
    – What not to miss: Audiomatic’s first ever live podcast – Our Last Week
    – Presenters: The crazy duo of Anuvab Pal and Kunaal Roy Kapur
    – Where: Cheer! Comedy Festival at NCPA Mumbai
    – Date and time: 4 June 2016 at 6 PM

    Audiomatic is the place for high-quality narrative podcasts from top-rated talent. Audiomatic is building a network of excellent, innovative and intelligent podcasts to bring listeners a wide variety of unique, genre-defining programming. 

    Make it to the Cheer Festival 2016 to see how two mavericks guys from Audiomatic try to make sense of all that’s happening in the world around us. And before you leave, don’t forget to say – three Cheers for Audiomatic! 

    The Cheer Comedy Festival will be held from June 3 to 5, 2016 at NCPA, Mumbai. The festival features fun and frolic live comedy acts from who’s who of the comedy space. 

  • Cheer comedy festival to go live

    Cheer comedy festival to go live

    Mumbai: Podcast lovers, cheer up! Audiomatic India’s first podcast network are on their way to create waves at the soon to start Cheer Comedy Festival 2016. Mark your calendars to meet, greet, hear and cheer for none-other-than Anuvab Pal and Kunaal Roy Kapur on 4 June, 2016 at 6 pm at NCPA, Mumbai. The duo presents a LIVE version of their much loved podcast – Our Last Week.

    The evening of 4th June takes podcasts LIVE for the first time, when the alleged Nobel nominated physicist and comic Anuvab Pal with co-conspirator, the renowned philosopher and Bollywood royalty Kunaal Roy Kapur take the stage at the Cheer Comedy Festival 2016. Our Last Week looks through san unconventional the events of the week gone by and the everyday conundrums that they present.

    “Someone once said “they may hate you, but they cannot ignore you”, we invite you to come and prove this wrong. It feels great to present our first live podcast at NCPA’s Cheer Comedy Festival 2016, where like-minded people converge over 3 days of pure fun and food for thought,” said Anuvab Pal, co-host of the Our Last Week podcast. 

    Event Details
    – What not to miss: Audiomatic’s first ever live podcast – Our Last Week
    – Presenters: The crazy duo of Anuvab Pal and Kunaal Roy Kapur
    – Where: Cheer! Comedy Festival at NCPA Mumbai
    – Date and time: 4 June 2016 at 6 PM

    Audiomatic is the place for high-quality narrative podcasts from top-rated talent. Audiomatic is building a network of excellent, innovative and intelligent podcasts to bring listeners a wide variety of unique, genre-defining programming. 

    Make it to the Cheer Festival 2016 to see how two mavericks guys from Audiomatic try to make sense of all that’s happening in the world around us. And before you leave, don’t forget to say – three Cheers for Audiomatic! 

    The Cheer Comedy Festival will be held from June 3 to 5, 2016 at NCPA, Mumbai. The festival features fun and frolic live comedy acts from who’s who of the comedy space. 

  • Azhar…Of a fallen idol!..Dear Dad…Its Complicated!

    Azhar…Of a fallen idol!..Dear Dad…Its Complicated!

    MUMBAI: Biographical or sports films are being mademore often in recent times than they ever were. With a dearth of script ideas as well as the writers to deliver, this is an easy way out to keep production lineup running for a studios like Balaji Motion Pictures. This genre facilitates mid-range star cast films at affordable budgets.

    Azhar is one such film from the Balaji stable which mixes the themes of sport as well as a biography and, as a bonus, promises a potential tale to tell which would complete the makers’ requirements.

    The film is said to be based on the life of the mercurial cricketer Mohammad Azharuddin; his cricketing career, his marriage followed by a romance with a film star and the controversy that followed implicating him in a match fixing scandal. However, a disclaimer in the titles belies all such claims as well as denies resemblance to any cricketer dead or alive.It is an account of the rise and fall of a celebrated Indian cricketer on his way to becoming a legend.

    There a great feeling of joy and celebrations in this Muslim household of Hyderabad as the scion to the family is born. The maternal grandfather, Kulbhushan Kharbanda, names the boyAzharuddin, an Arabic word meaning, brilliant, luminous and such. Kharbanda expects Azhar to shine, stand out and to this end, he hands over a cricket bat in the hands of the child. He has taught Emraan some mantras for success in life and also predicted that not only will he play for India but will play 100 test matches.

    Emraan Hashmi playing the protagonist is now grown up having championed the game of cricket at various levels starting from streets. Soon enough, he is selected for the state Ranji Trophy team. Before you realize the scene has changed and jumped several years into future, you seeAzhar playing test cricket for India.

    Azhar makes his debut with a ton and follows it up with two more hundreds in next two tests. He is an overnight sensation so much so that the past masters give him various complementary epitaphs. The next step is inevitable; Azhar is offered the captaincy of the Indian team. This is in a very dramatic filmy manner where, instead of the cricket board calling him to the office to convey the decision, it is done by an official of the board doing it in the middle of an empty stadium making it look morelike a conspiracy than anhonour.

    The rest of the team consists of senior players and the resentment at Azhar’s appointment to lead them is evident. Leading from the front, Azhar is soon in command and is now playing his 99th test match. That is when the bubble bursts as he is accused of match fixing. He is suspended and also found guilty by the CBI. What follows is an 11 year long court battle to clear his name. The board’s lawyer is Lara Dutta, imported from London. Lara has been an ardent Azhar fan all along, but feels betrayed now and fights the case vigorously.

    Azhar, the film, tries to change the deeply embedded perception of people who once idolized the star cricketer. It is not easy to erase their hurt. The script takes recourse to a haphazard narration with past and present overlapping ad nauseam. The direction lets many glitches pass. To claim to have made a film on Azharuddin with a disclaimer does not let one change the facts of the case which dominated the media for long. The only catchy song is the remix of the old time mass hit, Oyeoye…. from Tridev. Even at 131 minutes, the film needs further clipping.

    As for performances, Emraan does his best but, Azhar’s persona is too big to live up to even in a disgraced state. While Prachi Desai is impressive, NargisFakri, playing the second wife, is passable. Lara is okay.  The casting of other cricketers, especially Kapil is laughable. Kunal Roy Kapur saves quite a few scenes as an idiosyncratic defense lawyer.

    Azhar is about a disgraced hero: there may be a few who would watch his tale out of sympathy not as an idol, which is not enough to sustain at the box office.

    Producers: Shobha Kapoor, Ekta Kapoor, Sony Pictures Network.

    Director: Tony D’Souza.

    Cast: Emraan Hashmi, NargisFakhri, Lara Dutta, Gautam Gulati, Manjot Singh, Kunaal Roy Kapur, Rajesh Sharma.

    Dear Dad

    Dear Dad is a father son bonding story. That would not have been fine thinking of a film like Masoom (1983). But, here, the already perfectly bonded family of two children and their loving parents is shattered as the father comes out the closet to declare his homosexual leanings.

    Himanshu Sharma is a 14 year old lad in Delhi living with his father, Arvind Swamy, mother and younger sister. He is ready to go back to hostel in the hill station of Mussorie. The plan is to travel with his friends. But, the father, Arvind, carries a load on his mind and offers to drop Himanshu to Mussorie. It is the coming of age for Himanshu and Swamy wants to first get through to his son’s teen mind presently fed on nude pictures, playing games on his mobile and generally enjoying the stage of life he is in along with his friends. On the drive to Mussorie, while Swamy tries to strike a conversation, the son is immersed in his cell phone.

    On the way to Mussorie, Swamy decides to stop at his parental home. Done with dotting momma, Swamy proceeds to see his father who has lost his speech. For, some reason, Swamy decides to tell his father that he was never interested in women. While his father has lost his speech (also, for no explicable reason, also his expressions!) and cant reply, the son overhears Swamy’s confession.

    The son, Himanshu, is devastated and feels betrayed. He withdraws from his father and all his affection and is in a rebel mode. The son also suspects his father of wanting to spend the night with a TV reality show celebrity, Aman Uppal, who they have given a lift on the way.

    Himanshu has confided in his closest buddy (all closest buddies in films are fat and seem to be jovial; this one fits the stereotypical, too). The friend takes him to a Bengali baba who can turn a homosexual in to a mard again!

    While Himanshu wanted a normal happy family of father, mother and sister living happily, his dream is shattered.

    Quite a few films seem to open the closet midway through the film lately; the recent examples being Kapoor & Sons while another one, Aligarh, was all about same sex attraction.

    Dear Dad is the maker’s film; the audience is less likely to participate. The film follows a script of convenience as things happen because they happen. While the theme is serious, the treatment is casual. The father son patch up is as hurried as the fallout was for after all, a Debonair collecting son should know both sides of a coin!

    What works for the film are the beautiful locales of Uttarkhand as the duo travel from Delhi by road, the scenic beauty has been beautifully captured.  As for the performances, Swamy underplays his being gay and the son, Himanshu, complements this with aggression. Uppal does very well. The rest are incidental.

    Dear Dad will find it tough fit into a slot when it comes to identifying its audience.

    Producers: Shaan Vyas, Ratnakar M.

    Director: TanujBhramar.

    Cast: Arvind Swamy, Himanshu Sharma, Ekavali Khanna, Aman Uppal, BhavikaBhasin.

  • Azhar…Of a fallen idol!..Dear Dad…Its Complicated!

    Azhar…Of a fallen idol!..Dear Dad…Its Complicated!

    MUMBAI: Biographical or sports films are being mademore often in recent times than they ever were. With a dearth of script ideas as well as the writers to deliver, this is an easy way out to keep production lineup running for a studios like Balaji Motion Pictures. This genre facilitates mid-range star cast films at affordable budgets.

    Azhar is one such film from the Balaji stable which mixes the themes of sport as well as a biography and, as a bonus, promises a potential tale to tell which would complete the makers’ requirements.

    The film is said to be based on the life of the mercurial cricketer Mohammad Azharuddin; his cricketing career, his marriage followed by a romance with a film star and the controversy that followed implicating him in a match fixing scandal. However, a disclaimer in the titles belies all such claims as well as denies resemblance to any cricketer dead or alive.It is an account of the rise and fall of a celebrated Indian cricketer on his way to becoming a legend.

    There a great feeling of joy and celebrations in this Muslim household of Hyderabad as the scion to the family is born. The maternal grandfather, Kulbhushan Kharbanda, names the boyAzharuddin, an Arabic word meaning, brilliant, luminous and such. Kharbanda expects Azhar to shine, stand out and to this end, he hands over a cricket bat in the hands of the child. He has taught Emraan some mantras for success in life and also predicted that not only will he play for India but will play 100 test matches.

    Emraan Hashmi playing the protagonist is now grown up having championed the game of cricket at various levels starting from streets. Soon enough, he is selected for the state Ranji Trophy team. Before you realize the scene has changed and jumped several years into future, you seeAzhar playing test cricket for India.

    Azhar makes his debut with a ton and follows it up with two more hundreds in next two tests. He is an overnight sensation so much so that the past masters give him various complementary epitaphs. The next step is inevitable; Azhar is offered the captaincy of the Indian team. This is in a very dramatic filmy manner where, instead of the cricket board calling him to the office to convey the decision, it is done by an official of the board doing it in the middle of an empty stadium making it look morelike a conspiracy than anhonour.

    The rest of the team consists of senior players and the resentment at Azhar’s appointment to lead them is evident. Leading from the front, Azhar is soon in command and is now playing his 99th test match. That is when the bubble bursts as he is accused of match fixing. He is suspended and also found guilty by the CBI. What follows is an 11 year long court battle to clear his name. The board’s lawyer is Lara Dutta, imported from London. Lara has been an ardent Azhar fan all along, but feels betrayed now and fights the case vigorously.

    Azhar, the film, tries to change the deeply embedded perception of people who once idolized the star cricketer. It is not easy to erase their hurt. The script takes recourse to a haphazard narration with past and present overlapping ad nauseam. The direction lets many glitches pass. To claim to have made a film on Azharuddin with a disclaimer does not let one change the facts of the case which dominated the media for long. The only catchy song is the remix of the old time mass hit, Oyeoye…. from Tridev. Even at 131 minutes, the film needs further clipping.

    As for performances, Emraan does his best but, Azhar’s persona is too big to live up to even in a disgraced state. While Prachi Desai is impressive, NargisFakri, playing the second wife, is passable. Lara is okay.  The casting of other cricketers, especially Kapil is laughable. Kunal Roy Kapur saves quite a few scenes as an idiosyncratic defense lawyer.

    Azhar is about a disgraced hero: there may be a few who would watch his tale out of sympathy not as an idol, which is not enough to sustain at the box office.

    Producers: Shobha Kapoor, Ekta Kapoor, Sony Pictures Network.

    Director: Tony D’Souza.

    Cast: Emraan Hashmi, NargisFakhri, Lara Dutta, Gautam Gulati, Manjot Singh, Kunaal Roy Kapur, Rajesh Sharma.

    Dear Dad

    Dear Dad is a father son bonding story. That would not have been fine thinking of a film like Masoom (1983). But, here, the already perfectly bonded family of two children and their loving parents is shattered as the father comes out the closet to declare his homosexual leanings.

    Himanshu Sharma is a 14 year old lad in Delhi living with his father, Arvind Swamy, mother and younger sister. He is ready to go back to hostel in the hill station of Mussorie. The plan is to travel with his friends. But, the father, Arvind, carries a load on his mind and offers to drop Himanshu to Mussorie. It is the coming of age for Himanshu and Swamy wants to first get through to his son’s teen mind presently fed on nude pictures, playing games on his mobile and generally enjoying the stage of life he is in along with his friends. On the drive to Mussorie, while Swamy tries to strike a conversation, the son is immersed in his cell phone.

    On the way to Mussorie, Swamy decides to stop at his parental home. Done with dotting momma, Swamy proceeds to see his father who has lost his speech. For, some reason, Swamy decides to tell his father that he was never interested in women. While his father has lost his speech (also, for no explicable reason, also his expressions!) and cant reply, the son overhears Swamy’s confession.

    The son, Himanshu, is devastated and feels betrayed. He withdraws from his father and all his affection and is in a rebel mode. The son also suspects his father of wanting to spend the night with a TV reality show celebrity, Aman Uppal, who they have given a lift on the way.

    Himanshu has confided in his closest buddy (all closest buddies in films are fat and seem to be jovial; this one fits the stereotypical, too). The friend takes him to a Bengali baba who can turn a homosexual in to a mard again!

    While Himanshu wanted a normal happy family of father, mother and sister living happily, his dream is shattered.

    Quite a few films seem to open the closet midway through the film lately; the recent examples being Kapoor & Sons while another one, Aligarh, was all about same sex attraction.

    Dear Dad is the maker’s film; the audience is less likely to participate. The film follows a script of convenience as things happen because they happen. While the theme is serious, the treatment is casual. The father son patch up is as hurried as the fallout was for after all, a Debonair collecting son should know both sides of a coin!

    What works for the film are the beautiful locales of Uttarkhand as the duo travel from Delhi by road, the scenic beauty has been beautifully captured.  As for the performances, Swamy underplays his being gay and the son, Himanshu, complements this with aggression. Uppal does very well. The rest are incidental.

    Dear Dad will find it tough fit into a slot when it comes to identifying its audience.

    Producers: Shaan Vyas, Ratnakar M.

    Director: TanujBhramar.

    Cast: Arvind Swamy, Himanshu Sharma, Ekavali Khanna, Aman Uppal, BhavikaBhasin.

  • Keshav Naidu and Kahini Panjabi launch new ad agency

    Keshav Naidu and Kahini Panjabi launch new ad agency

    MUMBAI: Advertising professionals Keshav Naidu and Kahini Panjabi have come together to launch a new agency called Naidu & Panjabi. The agency, which is headquartered in Mumbai, has clients ranging from personal care to hospitality and e-commerce.

    Naidu and Panjabi believe that they can cultivate brands for growth by way of quality human experiences. Naidu was voted by Clio as one of the Top 12 Global Creative Directors under 30, whereas Panjabi is a second generation art director, who grew up literally in the creative department at Lintas.

    Within a few days of inception, the agency bagged the account for the recently funded, beauty and wellness booking app Ziffi. A first outing for the agency, the Ziffi ad film also marks the directorial debut of Kunaal Roy Kapur.

    Talking about their first client and their agency, Naidu said, “Naidu & Panjabi was born out of a dire need to harness our creative restlessness. Traditional advertising and creativity needs to be challenged as the world gets smaller by the day. With Naidu & Panjabi, we hope to create the perfect conditions for path-breaking, creative collaborations. Ziffi is the kind of new digital service that we don’t realize we need, until we use it. Once you’re hooked, you wonder how you ever managed without it. The real challenge however, is to get people to try something like this. How do you get people to try something they don’t consciously need?”

    Describing how they didn’t want to make something that would look like an ad, Panjabi added, “We didn’t set out to make an ad film. We wanted to make a funny video that young, urban India would enjoy as entertainment. And somewhere along the way we bumped into Kunaal Roy Kapur, who totally gets this demographic.”

    Kapur said, “The script and treatment, which Naidu & Panjabi came up with was fantastic. I couldn’t have asked for a better video to debut with as a commercial director. The experience was enriching and I do hope to put our heads together for a lot more work!”

    Ziffi.com CEO Shantanu Jha added, “Naidu & Panjabi are an amazing team to work with. Their understanding of the product and audience is spot on. Their creativity and freshness in thought process is refreshing and often sets the campaign apart from the clutter. Loaded with experience, Naidu & Panjabi team goes the extra mile to get work done and deliver things. They are just the right partner you need for the fast paced delivery timelines. I am sure, Naidu & Panjabi are here to make a big dent and we wish them all the very best.”