BENGALURU: Over the past few weeks, Zee TV or its network sibling Zee Anmol have been ranked second and/or third in Broadcast Audience Research Council of India (BARC) weekly lists for top 10 channels across genre (All India (U+R) : 2+ Individuals). In week 42 of 2017, it was Sony Pictures Network India’s (SPN) Hindi Movies channel Sony Max with the help of the rerun of Baahubali 2 that was placed second in BARC’s weekly list of top 10 channels across genres (across genres list). In week 43 of 2017 (Saturday, 21 October 2017 to Friday, 27 October 2017) – the week after India’s biggest festival season of Diwali, it is Zee Entertainment Enterprises Limited’s (Zeel) flagship Hindi GEC Zee TV that has climbed back to second position in BARC’s across genres list. As in the past, the channel was once again supported by the Balaji Telefilms produced family drama soap Kumkum Bhagya and its spinoff Kundali Bhagya to attain the second place in the across genres list for week 43 of 2017. Both the soaps were amongst the top 5 Hindi GEC programmes HSM (U+R) during primetime (1800 – 2330 hrs) : 2+ Individuals The pole position of the across genres list belongs to the Sun Networks flagship Tamil GEC Sun TV (except during the annual Indian Premier League). Three channels from SPN, two channels each from or associated with Zeel, Star India and Network 18 and one channel from the Sun Network comprised the top 10 channels across genres for week 43 of 2017. From the genres perspective, seven Hindi GEC channels and one channel each from the Hindi Movies, Tamil GEC and Telugu GEC made up BARC’s weekly list of top 10 channels across genres for week 43 of 2017. Two flagship Hindi GEC channels of two networks – Colors and Star Plus returned to the top 10 channels list across genres after a short hiatus. As mentioned above Sun TV was at first rank in week 43 of 2017 with 1,059.914 million weekly impressions followed by Zee TV with 700.976 million weekly impressions. Zeel’s FTA Hindi GEC Zee Anmol was at third place with 681.964 million weekly impressions. Star India’s FTA Hindi GEC Star Bharat was at fourth place in week 43 of 2017 with 668.004 million weekly impressions. Network 18’s (Viacom 18) flagship Hindi GEC Colors was at fifth place with 617.659 million weekly impressions, followed by SPN’s women focused Hindi GEC Sony Pal with 594.487 million weekly impressions at sixth place. Sony Max was seventh in week 43 of 2017 with 584.651 million weekly impressions. The Network 18 associated Telugu GEC ETV Telugu was at eighth place with 536.339 million weekly impressions followed by Star India’s flagship Hindi GEC with 529.028 million weekly impressions at ninth place. SPN’s flagship Hindi GEC aided by the Amitabh Bahchan anchored Kaun Banega Crorepati was at tenth place in week 43 of 2017 with 519.420 million weekly impressions.
Tag: Kumkum Bhagya
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Chrome Study: Colors, Amitabh most liked GEC channel, anchor among working individuals
BENGALURU: Colors is the most liked Hindi GEC channel among working individuals and KBC’s Amitabh Bachchan is the most liked anchor, according to a survey by Chrome Data & Analytics (Chrome) covering 1,957 working individuals in the HSM market.
The most preferred genre – in order of preference – 92 percent were hooked to GECs; 56 percent preferred movies; 52 percent were addicted to music; 44 percent followed news; 19 percent liked infotainment; 17 percent preferred sports; 12 percent preferred the kids’ genre and 5 percent preferred the lifestyle genre.
In terms of channels – in order of preference – 70 percent preferred Colors; 55 percent Sony Entertainment Television (SET); 53 percent preferred Star Plus; 41 percent preferred &TV; 37 percent preferred Zee TV and 31 percent preferred SAB TV.
In terms of favourite channel – for 38 percent Colors was a favourite channel while Star Plus was a favourite channel for 21 percent; 20 percent found Sony TV as their favourite channel; Zee TV was a favourite for 10 percent; &TV was a favourite channel for 7 percent and 4 percent of the respondents found SAB TV to be their favourite channel.
The Chrome study respondent universe was 22 percent in the age group of 15 to 20 years; 44 percent in the age group of 21 to 30 years; 27 percent in the age group of 31 to 50 and 7 percent that were 51 years old or more. 58 percent of the respondents were male and 42 percent were female.
Please refer to the six charts below for the favourite programmes and characters on favourite channels






Writers note: Broadcast Audience Research Council of India (BARC) weekly data for top 10 channels that is freely accessible in the public domain indicates that it is Zee TV and its sibling and free to air channel Zee Anmol that have been topping ratings in the Hindi GEC markets over the past few weeks. Correspondingly, Kumkum Bhagya and its spinoff Kundali Bhagya generally and consistently are amongst the top 5 GEC programmes in BARC’s weekly lists. In the case of reality television there is limited amount of BARC data available in the public domain. It may be noted that BARC data covers the entire HSM urban and rural market, while Chrome data is limited to working individuals in the HSM market.
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Highest rated Hindi GEC primetime programmes in rural India
BENGALURU: In an earlier paper, we have discussed the highest rated Hindi GEC programmes in the Hindi Speaking Markets (HSM) – this included the urban and rural HSM markets, based on the weekly viewership ratings of the top 5 primetime programmes published by Broadcast Audience Research Council of Indi (BARC) during the first 39 weeks of 2017.
It must be noted that the ratings (impressions) mentioned for the programmes in this paper may not represent the actual ratings during the first 39 weeks of programmes. The ratings in the paper are a sum of the ratings garnered by a programme only when it has appeared in BARC’s top 5 programmes list. Hence the actual ratings could be higher.
As is common knowledge, rural viewership preferences are different from urban, BARC’s data for the top 5 Hindi GEC primetime (1830 to 2130 hours) NCCS HSM (U+R): 2+ individuals is not homogenous across markets. There is lumpiness, preferences vary within the urban as well rural audiences depending upon geography. While in the overall HSM markets Kumkum Bhagya on Zee TV was the most watched programme during the first 39 weeks of 2017, followed by Naagin 2 on Colors, rural HSM markets preferred the Supernatural to the family drama – Naagin 2 was the most watched programme in the Hindi HSM rural market during the 28 weeks it was there in the top 5 primetime programmes in the HSM rural market list in the first 39 weeks of 2017. The programme scored 184.395 million impressions during the 28 weeks in the top 5 programmes in the rural market list.
Nagin 2 was followed by the Akshay Kumar – Ashwini Yardi – Meenakshi Sagar produced family drama Jamai Raja on Zee Anmol as the second watched programme during the 27 weeks it was present in the top 5 programmes in the rural market list with a score of 165.376 million impressions in the first 39 weeks of 2017.
Optimystix Entertainment’s children’s Superhero series Baal Veer scored the third highest ratings of 162.266 million impressions during the 31 weeks it was in the top 5 programmes list in the first 39 weeks of 2017. The show earned these ratings on Sony Pictures Network India Private Limited (SPN) women focused Hindi GEC Sony Pal. Also on Sony Pal was the sitcom Tarak Mehta Ka Ooltah Chashma at fourth place with 102.036 million impressions during the 20 of the first 39 weeks of 2017 that it was on the top five programmes list.
Zee TV’s Balaji Telfilms Limited produced KumkumBhagya was the fifth most watched programme with 88.325 million impressions during the 17 of the first 39 weeks of 2017 when it was in the top 5 HSM – rural market list. Please refer to the figure below.

Unlike their urban brethren, rural India does not prefer reality television if one were to go by BARC data for top 5 primetime programmes in the HSM rural market.

Soaps include all sub-genres such as family drama, comedy drama, sitcoms, mythology drama, supernatural drama. Reality includes music, dance, shows such as Fear Factor, Kaun Banega Crorepati, Bigg Boss, etc. Comedy includes shows such as The Kapil Sharma show, etc., Awards means award shows such as Star Screen Awards.
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Kumkum, Naagin, Amul Sa Re Ga among highly rated Hindi GEC primetime progs
BENGALURU: Hindi GEC rules ad rates in general, unless of course one talks of special cricketing events such as the two odd month long Indian Premier League (IPL) or international cricket. Two internationally backed private limited networks hold rights to most of the sports events – whether their own events or of those that they have paid the billions of rupees for.
So which are the most watched programmes in Hindi GEC during primetime? What are the genres that Hindi GEC (U+R) audiences prefer?
Hindi GEC (U+R)
According to Broadcast Audience Research Council of India (BARC) weekly lists for top 5 Hindi GEC programmes during Prime Times (1800 to 2330 hours, HSM (U+R) : NCCS All : Prime Time (1800 – 2330 hrs) for weeks 1 to 39 of 2017, there are two Hindi GEC dramas that stand out far above the rest of the pack. Both are productions by the Ektaa Kapoor led Balaji Telefilms Limited (Balaji Telefilms). One is a family drama loosely based on Jane Austin’s novel Sense and Sensibility and the other is the second season of a Supernatural soap. Next is a homegrown season of a reality or musical talent show that commenced in 1995 and came up with various combinations of performers from different age groups. The current edition of the show is the twenty fifth one.
It must be noted that the ratings (impressions) mentioned for the programmes in this paper may not represent the actual ratings during the first 39 weeks of programmes. The ratings in the paper are a sum of the ratings garnered by a programme only when it has appeared in BARC’s top 5 programmes list. Hence the actual ratings could be higher.
The family drama Kumkum Bhagya premiered on 15 April 2014 as a daily soap on Zee Entertainment Enterprises Limited (Zeel) flagship Hindi GEC Zee TV. The show is the most watched Hindi GEC soap in 2017 until week 39 (Saturday, 23 September 2017 to Friday, 29 September 2017) on the same channel during primetime in terms of viewership. Kumkum Bhagya has garnered 420.486 million impressions until week 39 during its first run time of 2100 to 2130 hours during the first 39 weeks of 2017.It has been present in BARC’s top 5 Hindi GEC programmes list during all the 39 weeks of 2017 that have elapsed so far.
The Supernatural soap Naagin 2 airs at the 2000 hours primetime slot on Network 18’s flagship Hindi GEC Colors. The show has garnered a phenomenal 279.149 million impressions during the 25 weeks that it has featured in the top 5 Hindi GEC programmes in the first 39 weeks of 2017 on Colors. The show is also aired on Network 18’s free-to-air (FTA) Hindi GEC Rishtey and it has earned 137.559 million impressions during the 14 weeks that it was present the top 5 prgrammes list in the first 39 weeks of 2017.
The musical reality show Sa Re Ga Ma Pa was first aired on International Labour Day (and Maharashtra Day) on 1 May 1995 with Indian singer Sonu Nigam as the host on Zee TV. Since then there have been multiple variants to the show that include Sa Re Ga Ma Pa Challenge, Sa Re Ga Ma Pa Ek Main aur Ek Tu, Sa Re Ga Ma Pa Little Champs, Sa Re Ga Ma Pa Challenge USA and Sa Re Ga Ma Pa Mega Challenge. The current version of the show is the twenty fifth edition overall as mentioned above, and the second season of Sa Re Ga Ma Pa Little Champs that has singer Aditya Narayan as the show host. The show has Indian dairy major Amul as the title sponsor. Amul Sa Re Ga Ma Pa Little Champs has garnered 243.84 million impressions during the 25 weeks that it was among the top 5 channels list in the first 39 weeks 0f 2017.
Please refer to the figure below for the top 5 Hindi GEC (U+R) Primetime Programmes during the first 39 weeks of 2017.

Among the top 5 Hindi primetime programmes based on analysis of BARC data for weeks 1 to 39 of 2017 – HSM (U+R), three are from Zee TV. Besides the two programmes mentioned above, the third one is the spinoff of Kumkum Bhagya, also by Balaji Telefilms, which premiered on 12 July 2017. The programme has been among the top 5 Hindi GEC programmes right from the very first week of launch. It has scored 124.122 million impressions right from the 12 weeks that it has appeared in the top 5 programmes list.
Yeh Rishta Kya Kehlata Hai, a family drama created by Director’s Kut Productions, premiered on 9 January 2009 on Star India’s flagship Hindi GEC Star Plus. The soap was the fourth most programme which scored 150.722 million impressions during the 16 weeks that it was in the top 5 programmes list in the first 39 weeks of 2017.
Here below is the viewership of genres during primetime of the first 39 weeks of 2017

Soaps include all sub-genres such as family drama, comedy drama, sitcoms, mythology drama, supernatural drama. Reality includes music, dance, shows such as Fear Factor, Kaun Banega Crorepati, Bigg Boss, etc. Comedy includes shows such as The Kapil Sharma show, etc., Awards means award shows such as Star Screen Awards.
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Balaji Telefilms net realization for programs improves
BENGALURU: The Ekta Kapoor led Balaji Telefilms Limited (Balaji Telefilms) had 8 shows on air at the end of the financial year 2017 (FY-17, current year, year ended 31 March 2017) on various channels in the country. The company in its investor presentation says that the net realization per hour for its programmes increased 17 percent to Rs 2.89 million in FY-17 as compared to Rs 2.47 million in the previous fiscal. In the fourth quarter of 2016, the company had had 11 shows on air, 3 of which went off air before the end of FY-16.
The company created 960 hours of television programming in the current year, 4.2 percent lower than the 1,002 hours it had created in the previous year. Revenue from Balaji Telefilms from commissioned programmes segment increased 11.4 percent to Rs 2,899.11 million in FY-17 from Rs 2,602.18 million in the previous year. The segment reported 11.2 percent lower operating profit of Rs 395.92 million in FY-17 as compared to the Rs 445.81 million in FY-16.
The segment’s soaps such like Kumkum Bhagya on various channels of the Zee Entertainment Enterprises Network Limited (Zeel) and Naagin 2 (The Network 18/Viacom 18 Network) have consistently been in Broadcast Audience Research Council of India (BARC) weekly top five programmes lists across the Hindi GEC urban and rural markets in India.
Balaji Telefilms other major segment – Films revenue more than quadrupled (went up 4.62 times) in FY-17 to Rs 1,263.30 million in the current year as compared to Rs 224.90 million in the previous year. The segment reported a higher operating loss at Rs 249.01 million in FY-17 as compared to an operating loss of Rs 134.35 million in fiscal 2016. The company says that piracy of its movies released in FY17 led to loss of revenues against marketing and productions costs already incurred which has severely affected its profitability in this period. It estimates loss of revenue on account of piracy at approximately Rs 360 million.
The company’s consolidated Total Income from Operations (TIO) increased 43.4 percent to Rs 4,389.44 million in the current year as compared to Rs 3,060.18 million in FY-16. The company reported to a higher net loss of Rs 297.35 million in fiscal 2017 as compared to a net loss of Rs 35.80 million in the previous year. Balaji Telefilms reported an Operating loss (EBIDTA) of Rs 181 million for FY-17 as compared to an operating profit of Rs 53 million in FY-17.
Balaji Telefilms consolidated total expenses for FY-17 increased 54.3 percent to Rs 4,581.23 million from Rs 2,969.65 million in the previous year. Cost of production/acquisition and telecast fees increased 2.7 percent to Rs 3,147.26 million from Rs 3,064.98 million in the previous year. Employee Benefits Expense in FY-17 increased 40.8 percent to Rs 283.43 million from Rs 201.36 million in FY-16. The company’s finance costs in FY-17 was Rs 0.36 million as compared to Rs 0.09 million in the previous year. Other expenses in FY-17 increased 2.3 percent to Rs 413.44 million from Rs 404.01 million in FY-16.
Balaji Telefilms says that it will transition from a B2B business to a Digital B2C business. It plans to build a digital B2C business through own and curated content. The company has launched its OTT platform ALT Balaji in April 2017. Balaji Telefilms says that ALT Balaji will soon have 32 new shows and 250 hours of original exclusive content in Hindi, Telugu, Tamil, Gujarati and Punjabi.
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PEMRA Indian content ban to impact broadcasters
MUMBAI: 21 October, 15:00 hours is going to be a landmark day in the history of south Asian media and entertainment. Reason: that’s the day when the Pakistan Electronic Media Regulatory Authority’s (Pemra’s) order issued on 19 October banning all Indian content on Pakistan media will come into effect.
The authority’s order is directed at all FM radio licence holders, landing right holders, and satellite television channels operating in Pakistan. Most TV and FM Radio channels air substantial amount of Indian content, sometimes going up to as much as 50-60 per cent. That was trimmed down to six per cent following the Pakistan crackdown in September, when the old regulation promulgated during General Pervez Musharaff’s reign was activated. And now, the latest order has reduced that to zero.
However, PEMRA, in its order, says that Pakistan’s TV and FM radio services can continue to air up to 10 per cent foreign content from nations other than India. The authority has threatened defaulters with punitive legal action.
Pakistan’s No 1 TV show was Indian import Naagin which was aired by Filmazia and helped its rise in the ratings pecking order while shows such as Yeh hai Mohabbatein helped boost the viewership of channels such as Urdu1 and shows such as Kumkum Bhagya were rated highly on Geo Kahani. Among leading entertainment channels in Pakistan are: Colors, HumTV, Ary Digital, PTV Home, Geo Entertainment, APlus, ATV and Geo Kahani.
According to Pakistan TV executives, the impact of banning Indian content is going to be felt by India’s music labels and TV channels. “Close to about Rs
25-30150 crore of exports are going to vanish for Indian music and TV companies,” says an industry observer.However, they expect the official ban to continue for only a while, once the political heat between the two nations cools down. “We have already requested that Indian broadcasting companies from whom we have acquired the content to understand this force majeure which has been put on us,” says a Pakistan TV executive. “It is an act of the government over which we have no control, and we have to comply. Of course, our viewers are not going to be happy with such a sudden call to action and their favourite Indian TV shows going off just like that, and our ratings will probably drop. But, we have to deal with it, positively as, it is in the two nations’ interest.”
In the meanwhile, Pakistan channels are looking at filling the gap created by Indian content going off-air with Turkish and American content.
Among the Indian TV networks which will feel the brunt of the ban include Viacom18, Zee TV, Sony and Star India.
Of course, music labels will also feel the impact, but to what extent was not clear at the time of writing.
The point of concern is whether the Pakistani ban will lead to a spurt in piracy of Indian content online and offline. “This is what Pakistan probably has in mind,” says a media specialist. “The official ban will lead to revenue losses on account of trade, but the piracy losses could probably be in multiples. And if Pakistan so desires it can magnify the problem.”
(Updated on 20 October; the figure of losses that Indian broadcasters would suffer was upped to Rs 150 crore after discussions with broadcasters and theatrical film distributors.)
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PEMRA Indian content ban to impact broadcasters
MUMBAI: 21 October, 15:00 hours is going to be a landmark day in the history of south Asian media and entertainment. Reason: that’s the day when the Pakistan Electronic Media Regulatory Authority’s (Pemra’s) order issued on 19 October banning all Indian content on Pakistan media will come into effect.
The authority’s order is directed at all FM radio licence holders, landing right holders, and satellite television channels operating in Pakistan. Most TV and FM Radio channels air substantial amount of Indian content, sometimes going up to as much as 50-60 per cent. That was trimmed down to six per cent following the Pakistan crackdown in September, when the old regulation promulgated during General Pervez Musharaff’s reign was activated. And now, the latest order has reduced that to zero.
However, PEMRA, in its order, says that Pakistan’s TV and FM radio services can continue to air up to 10 per cent foreign content from nations other than India. The authority has threatened defaulters with punitive legal action.
Pakistan’s No 1 TV show was Indian import Naagin which was aired by Filmazia and helped its rise in the ratings pecking order while shows such as Yeh hai Mohabbatein helped boost the viewership of channels such as Urdu1 and shows such as Kumkum Bhagya were rated highly on Geo Kahani. Among leading entertainment channels in Pakistan are: Colors, HumTV, Ary Digital, PTV Home, Geo Entertainment, APlus, ATV and Geo Kahani.
According to Pakistan TV executives, the impact of banning Indian content is going to be felt by India’s music labels and TV channels. “Close to about Rs
25-30150 crore of exports are going to vanish for Indian music and TV companies,” says an industry observer.However, they expect the official ban to continue for only a while, once the political heat between the two nations cools down. “We have already requested that Indian broadcasting companies from whom we have acquired the content to understand this force majeure which has been put on us,” says a Pakistan TV executive. “It is an act of the government over which we have no control, and we have to comply. Of course, our viewers are not going to be happy with such a sudden call to action and their favourite Indian TV shows going off just like that, and our ratings will probably drop. But, we have to deal with it, positively as, it is in the two nations’ interest.”
In the meanwhile, Pakistan channels are looking at filling the gap created by Indian content going off-air with Turkish and American content.
Among the Indian TV networks which will feel the brunt of the ban include Viacom18, Zee TV, Sony and Star India.
Of course, music labels will also feel the impact, but to what extent was not clear at the time of writing.
The point of concern is whether the Pakistani ban will lead to a spurt in piracy of Indian content online and offline. “This is what Pakistan probably has in mind,” says a media specialist. “The official ban will lead to revenue losses on account of trade, but the piracy losses could probably be in multiples. And if Pakistan so desires it can magnify the problem.”
(Updated on 20 October; the figure of losses that Indian broadcasters would suffer was upped to Rs 150 crore after discussions with broadcasters and theatrical film distributors.)







