Tag: Kross Pictures

  • No cause too small for Covid2019 warrior Chhitra Subramaniam

    No cause too small for Covid2019 warrior Chhitra Subramaniam

    MUMBAI: At the peak of the Covid2019 pandemic, actor Sonu Sood was hailed as a messiah by media and public alike, with good reason. Where the government was getting panned for its handling of the crisis and the distress of migrant workers, Sood was single-handedly helping stranded labourers, students and health workers, often out of his own pocket.

    While Sood was in the spotlight for his acts of altruism, there were others like him – also from the entertainment industry – working in the shadows. One such who went beyond the call of duty to serve others is Chhitra Subramaniam.

    As a creative producer, content development and production executive whose career spans cinema, television and advertising, Chhitra Subramaniam dons many hats. She has worked in Ram Gopal Varma’s Factory, Percept Picture Company, Viacom18, Turner International & Wiz Films and is now the senior vice president at Kross Pictures (a South Korean production company). But when the Covid2019 pandemic struck like a bolt from the blue, she took time out from her cushy job and became involved in relief efforts.

    In the past months, Subramaniam has devoted her time and energy to different humanitarian endeavours: from alleviating hunger, giving over 3,000 ration kits, medicines and sanitary pads to the less privileged, helping schools and supporting community kitchens, to providing vanity vans for women cops. The film producer started by providing vanity vans to the Mumbai police, and even helped deliver a woman’s baby!

    Recognising Subramaniam’s selfless service during the crisis, "The Better India" and ATE Chandra Foundation awarded her the Covid2019 Soldier Award. Looking back on her experience, Subramaniam said she believes that once you start any initiative with a pure intent, other people come forward to help.

    When the nationwide lockdown was announced, Film Data Management expert and Subramaniam’s close friend Neil Sadwelkar had posted on Facebook about ways in which the film fraternity can help frontline caregivers. Sadwelkar needed someone who could take this initiative forward. Jay Dantara, a young editor put a whatsapp group called Film Makers for Front Line Care, and a few likeminded people joined it. At that point, Subramaniam took charge and spearheaded the initiative along with Gaurav Bose and others. She contacted Ketan Rawal, one of the top owners of vanity vans in Mumbai. He contributed 16 vanity vans for free and these were stationed near Nagpada junction, Sion’s LBS Marg, Bandra’s BW Sealink Toll Plaza, Kherwadi Gosiya Masjid and Dahisar Check Naka, among others.

    Read more about Chhitra Subramaniam 

    The Vans were given free by Ketan Rawal but entire maintenance cost, remuneration of attendants and drivers was undertaken by Producers Guild of India (PGI) and Project Mumbai was the NGO partner. 
    While Subramaniam ran the whole operation and collected funds from the Producer's Guild, Rawal provided the drivers and attendants , who were paid more than their regular wages. This ensured employment of 34 daily wage workers from the film industry when there were no jobs to be had. The vanity vans ran for two months till 15 June 2020.

    “We wanted to help the city police. Especially women personnel, who were working long shifts and didn’t even have access to toilets because everything was shut down. From there on, I wanted to do more and help as many people as I could,” said Subramaniam.

    After that, she started approaching people on her own through social media platforms like Facebook, Instagram and Twitter. She jokingly said that while people stalk celebrities on social media, she was stalking Covid2019 warriors. Describing how the industry came together in aid of those struggling to make ends meet, Subramaniam added: “Devashish Makhija, writer director of acclaimed films Ajji and Bhosale, put together a Facebook group and started adding various people who were doing relief work. So, we became like a tribe of relief workers and we started helping and supporting each other in different relief work.”

    She has since been helping raise funds for five community kitchens that were feeding 10,000 people a day, and continued to distribute rations to those less fortunate, for whom the consequences of this pandemic have been brutal beyond belief. Then, she scaled up this work to provide medical care, food and any other services to those in need by being part of the helpline ‘Need Help, Can Help' set up by Raj Mohan.

    A Dehradun resident, Mohan has already planted 2.5 million trees across India. At the outset of the pandemic, he came up with the ‘Need Help, Can Help’ initiative and started a helpline. But he required volunteers who could manage the helpline and work on ground zero level, so he asked for help on Facebook. Subramaniam was the first to respond, and with the help of a few writer friends and people from the film industry, she managed to put together a team of volunteers. They ran this helpline for three months. Through this helpline, Subramaniam and her team delivered rations and medicines all over the city.

    Pad Squad was co-founded by Chhitra Subramaniam (Film Producer) Taranjit Kaur (Actor,Poet) Devashish Makhija (Film Director), Surya Balakrishnan (Advertising Film Director), Monica Raheja (Producer), Niiya Nia (Actor & activist), Gillian Pinto (Actor), Shillpi A Singh ( Writer, Journalist, Humanitarian), Mayuri Joshi Dhavale (Entrepreneur) Mentored by Bilal Khan (Activist Ghar Bachao Ghar Banao Andolan), Lara Jessani (Human Rights Advocate).

    The movement has now grown to include over 54 individuals called ‘Padsquadders’ from over 26 cities –they distribute pads to marginalized communities across cities including Mumbai, Pune, Ranchi, Kolkata, Bangalore, Delhi, Ghaziabad, Kalimpong and Lucknow.

    Explaining how Pad Squad came to be, she said: “I had distributed sanitary napkins in the month of May to women in Nalasopara and Andheri’s Yaari Road. Then Taranjit Kaur started collaborating with my ration work and she suggested that we give sanitary pads, because when people don’t have enough to eat, how will women buy the most basic essential, sanitary pad. Bilal Khan, who has been doing social service for the past seven years and works very closely with people in bastis, advised that we distribute the sanitary napkins in the same basti for three to four months. This has set the philosophy for Pad Squad. Initially, we invested our own money and then slowly we started receiving funds.”

    Posted by Chhitra Subramaniam on Wednesday, 19 August 2020

    According to her, a lot of people are working on an individual and group level under this initiative. It is a people’s movement comprising members of the film fraternity that includes writers, actors, and filmmakers. So far, Pad Squadders have distributed more than four lakh sanitary napkins.Subramaniam didn’t stop there. She supported community kitchens being run by Bilal Khan (Ghar Bachao Ghar Banao Andolan), Lara Jessani (Human Rights lawyer) and Anil Hebbar (Helping Hand Charitable Trust) that fed 10,000 people every day till 31 August.

    She started collecting funds in mid-May, helped raise around Rs 80 lakh for the community kitchen, and also recruited new people to the cause – like Gangs of Wasseypur and Masaan producer Guneet Monga.

    “Monga started a Ketto fund for the community kitchens and raised over Rs 30 lakhs. Taraa Varmaa Sengupta of ‘Feed My City’ donated a huge amount. Ujwal Thakkar who is my Mentor, and Venkat Krishnan of Living My Promise, both incredible human beings and doyens in the Social and Development sector ,have been huge backbones and support to the work I do. And I keep approaching people and keep raising funds for the community kitchens. Now, 3,500 are being fed every day,” the tenacious lady said. 

    Subramaniam, with help from Anil Hebbar, is helping set up another community kitchen in Bhandup for the less privileged there.

    Subramaniam is also a stakeholder and team member with the livelihood project called Shramik Sammaan, started by Khan, Jessani, and Hebber, which aims to create employment opportunities for migrants who returned home. Based on Gandhi’s Gram economic principles, Shramik Samman has launched several projects to generate paying work for the migrants. Subramaniam has managed to get Bollywood actor Manoj Bajpayee onboard to promote this initiative. She added that five projects are already in operation since August and there are 64 more in the pipeline.

  • High concept, simple story, understandable plot are key to good movies: Kross Pictures’ Thomas Kim

    High concept, simple story, understandable plot are key to good movies: Kross Pictures’ Thomas Kim

    MUMBAI: Thomas Kim, co-founder of Kross Pictures, in a candid conversation with indiantelevision.com founder CEO and editor in chief Anil Wanvari at The Content Hub 2020, mentioned how he started his career as an investment banker. He also shared how working in The Walt Disney Company and Pirates of the Caribbean inspired him to become a filmmaker.

    Kross Pictures, an international film and television production company, made the commercially successful movie The Devotion of Suspect X.

    Kim echoed, "I was working as a management consultant for a few years but never really enjoyed that work. I had an opportunity to go to Hollywood and work at The Walt Disney company. This was the first time I saw how movies are made. One particular project Pirates of the Caribbean opened my eyes to filmmaking. The motion pictures group came to my group which was in charge of making a theme park called imaginary group. They made a movie based on the storyboard. This actually taught me that films can be made with any type of stories. So, I quit Disney and started my company in 2003. I am mostly active in Korea and China in making films and TV series based on famous IPs, mostly in comics and novels. In 2015 I had the pleasure to come to India and worked on a film project called ‘Teen’ with Amitabh Bachchan. This was my first experience of working in Bollywood. Today I have offices in Seoul, Los Angeles, Mumbai and Hyderabad.”

    Kim, who is very active in China, made one feature film and a TV series and both were commercially hit. The Devotion of Suspect X became a mega-hit with Rs 4 crore box office collection.

    Kross Pictures currently has over 15 features and TV content both in Hindi and the South and aspires to become a premium production house. “I believe storytelling is universal. The story which works in one country can work in other countries too. With that vision I have a team in Korea, India, and America, who are constantly looking at projects,” he stated.

    In 2014 Kim met Balaji Telefilms' Tanuj Garg in Korea for a project. This meeting led Kim to come to India and explore Indian filmmaking market.

    Sharing his Indian vision of Kross Pictures Kim said: “My aspiration for my Mumbai team is to grow to be a premier production house and maybe possibly a studio in the near future."

    Kim believes that not all stories are able to mobilise in foreign countries, other than the one which do commercially well. According to Kim, there are key three aspects for a good movie: the element of high concept, a simple story and an understandable plotline. Also, not all stories can localise. A lot of Indian stories are great but it may not work in the Korean market.

    Kim, who is currently working on the adaptation of the Bollywood film Kahaani, thinks Believe Oh Baby! – a Telugu movie was a great combination of storytelling and execution. Successful stories or successful adaptation requires a good understanding of the original material. He finds Indian films exciting and emotional. However, there is a lack of disciplined storytelling. That's what the Kross Pictures wants to bring to India.

    Sharing details on the necessary ingredients required for a commercially successful film, Kim said, “We try to identify stories which are exciting to the Indian audience. We also look at commercial success. Combining the two we constantly look for stories in Korea, Japan and China that have a track record of being a commercial success.”

  • Why Kross Pictures’ South Korea CEO Thomas Kim is happy with India

    MUMBAI: He is a South Korean who is plugging away with his ambition to leave his imprint on both, Bollywood and Indian television. And that’s one of the reasons why Kross Pictures CEO Thomas Kim set up an office in Mumbai in 2016, adding to his Los Angeles and Seoul outposts.

    From the company’s stable emerged the Amitabh Bachchan-Nawazuddin Siddique-starrer the critically acclaimed Te3n last year, which was adapted from the South Korean film Montage.

    Kim is excited about his next project for the Indian market: a web series for Amazon Prime called Suspect X, which is based on the Japanese author Keigo Higashino’s The Devotion of Suspect X. Kim acquired the film production rights from the author in 2011 and even signed a co-production agreement with Balaji Motion Pictures in 2013.

    However, that has been put on the backburner. “Earlier we thought to do this as a feature film but then this opportunity came so we are now actively developing the extended version of this script,” says Kim.

    Right now his goal is to get the third novel of the Detective Galieo series on the production floor. “We plan to start shooting Suspect X later this year. It is going to be shot like a long movie.”

    Why did he choose to go with an SVOD service like Amazon Prime and not a TV channel for Suspect X for his second Indian foray?

    Kim explains: “Indian channels are more conservative. They are less active in trying out different things and budgets are lower than we are used to at international levels. The kind of content we are bringing requires certain level of budgets. We were working with a big Hollywood production company and we were trying to create the Indian version of the show and we presented this idea to all the major GECs — Sony, Zee and Star. They all liked it but balked at writing the cheque that it required. On the television side, I think it will take a longer time, but on films and OTT side it’s possible.”

    However, that’s not all. Kim is in production pitches with both general entertainment channels and other OTT services such as Hotstar and ViuClip for other shows. Altogether, he has 15 projects lined up for the Indian market, a mix of TV shows for TV channels and OTT services and films for theatrical release.

    Says he: “We are planning to bring Korean stories so that these could be ‘Indianised’ by Indians for the Indian viewers. We will be teaming up with a number of talented people and companies. Directors such as Sujoy Ghosh, an actor like Amitabh Bachchan, companies like Phantom and Amazon to name a few.”

    Amongst the projects which he expects to announce soon figure two South Korean film adaptations for India with big stars — Miracle in Cell No 7 and Miss Granny. Additionally, he’s working on taking Indian content overseas as well. Recently, Kross Pictures flashed the top dollar and bought the rights to Queen and Kahani, and is planning to have them remade in Korea as well soon. And, he is also looking out for Indian TV shows that can travel.

    What is driving this South Korean to lay such a heavy emphasis on Korean and Indian content and work as a bridge between the two nations’ film and TV creative industries?

    “The Indian market is huge; it comprises half or our global portfolio, and hence it is a very important market for us. In the long term, I think it can be bigger than Korea,” he elaborates. “Both countries being Asian… can come up with stories that can resonate with viewers and film-goers. The reason Indian-South Korean exchange has not been too big is that so far the two countries haven’t been active in exchanging cultures. Starting now, I think it will grow in future and soon we will see more and more Korean films remade in Bollywood and vice versa.”

  • Infringement case filed against makers of Pushpaka Vimana

    Bangalore March 21, 2017: According to a suit filed against the makers of the Kannada movie Pushpaka Vimana (2017), they have not purchased the Kannada-language remake rights of the movie. It is an infringement of the rights owned by Kross Pictures India.

    Kross Pictures and Kross Television India, the owners of the Indian remake rights of the superhit Korean movie “Miracle in Cell No.7” have​ filed an injunction order and a case of infringement in the Bombay High Court against Vikhyat Chitra Productions, Pawan Wadeyar Film Factory and others involved in the making of this film.

    Vikhyat Chitra Productions allegedly claim via some media reports to have bought the remake rights of the Korean movie “Miracle in Cell No.7” and have produced the Kannada movie “Pushpaka Vimana” based on it, without any form of agreement with Kross. The matter is sub-judice before the court.​”