ITV

Tag: Kiran Rao

  • From reel to real change as IMDb maps 25 years of indian cinema

    From reel to real change as IMDb maps 25 years of indian cinema

    MUMBAI: Lights, camera, reflection! As IMDb turned the spotlight on 25 Years of Indian Cinema (2000–2025), a new script of change unfolded, one where superstardom is shared, stories are decentralised, and the audience now holds the director’s chair.

    In a spirited roundtable hosted by Anupama Chopra for The Hollywood Reporter India, industry stalwarts Siddharth Roy Kapur, Kiran Rao, Sameer Nair and Raj Nidimoru dissected the shifting contours of India’s cinematic universe. The conversation, anchored in IMDb’s landmark report, delved deep into how streaming, social media, and audience evolution have rewritten Bollywood’s rulebook.

    “Stardom has been democratized,” said Siddharth Roy Kapur, noting how the halo once reserved for a handful of megastars has now spread across platforms and personalities. Rao agreed, adding that today’s fascination lies less with the cult of celebrity and more with the craft itself. “It’s stopped being all cult of personality. There are so many more artists now that people are interested to watch,” she said, highlighting how Youtubers, comics, and digital creators now rival traditional film stars in influence.

    Raj Nidimoru pointed out the industry’s long-standing blind spot, the lack of sustained investment in building women’s stardom. “The hero is treated like a franchise,” he said, “but the same pipeline doesn’t exist for actresses. You can’t expect overnight success for female-led films when you haven’t built that equity over time.” His words struck a chord, echoing an industry still learning to give its heroines equal narrative and commercial weight.

    The conversation turned south quite literally as Kapur acknowledged the audacious ambition of regional cinema. “There’s something to be said for the ambition of South films,” he remarked, attributing their boldness partly to the less corporatised funding ecosystem. “They go all in. That chaos fuels creativity.”

    Nidimoru added a telling anecdote from his Stree shoot in Chanderi: “The cook was watching a dubbed Telugu film that’s all they watched.” For him, the distinction between North and South cinema no longer holds. “It’s one Indian film industry now,” he said.

    Sameer Nair proposed a compelling concept CSR for creativity. “The industry needs its own form of CSR Creative Social Responsibility,” he said, urging filmmakers to balance profit with purpose. “For all the commercial stuff we aspire to, we must ensure creativity is preserved and shared almost like saving the knowledge of the race.”

    As the discussion drew to a close, it was clear that Indian cinema’s next 25 years won’t just be about bigger budgets or bolder scripts but about inclusion, integrity, and imagination.

    After all, the story of Indian cinema has never been just about stars on screen. It’s about who gets to shine next.

    Watch the full discussion here

     

  • Rao and Toppo plug into Humans in the Loop with producer power

    Rao and Toppo plug into Humans in the Loop with producer power

    MUMBAI: When cinema meets circuit boards, sparks fly. Humans in the Loop, a feature tracing the life of Nehma, an Oraon Adivasi woman employed as an AI data-labeller in Jharkhand has found two heavyweight backers in filmmakers Kiran Rao and Biju Toppo, who have boarded as executive producers.

    The film, fresh off its FIPRESCI India win (shared with All We Imagine as Light), is fast becoming one of the most globally resonant indie titles to emerge from India. For Rao, whose Laapataa Ladies carried India’s flag at the 2024 Oscars, this marks her third indie collaboration after Ship of Theseus and Stolen. “I loved Humans in the Loop from the very first viewing. It is deeply moving and thought-provoking… Supporting this project felt both urgent and necessary,” she said.

    Toppo, a pioneer of Adivasi cinema, brings decades of storytelling rooted in indigenous resilience. “For too long, Adivasi perspectives have remained invisible, not just in history, but even in how we imagine the future. Humans in the Loop boldly expresses our perspective,” he noted.

    Directed by Aranya Sahay and produced by Mathivanan Rajendran, Sarabhi Ravichandran, Shilpa Kumar and Sahay under Storiculture’s Impact Fellowship and Sauv Films, the project has been years in the making. It weaves a sharp narrative on how “smart” technologies often depend on invisible human labour while sidelining indigenous knowledge systems.

    Independent filmmaking, Sahay admits, “is like walking a tightrope.” But with Rao and Toppo’s support and after a year of micro-community screenings, the film is ready for its theatrical leap. It will debut on 5 September 2025 at Cinépolis Andheri, Mumbai, before expanding to Delhi, Kolkata, Chennai, Thiruvananthapuram, and Bengaluru from 12 September. An alternative distribution model, backed by the Museum of Imagined Futures, will also drive screenings across smaller cities through a cinema of the people initiative.

    By combining a robust festival run with grassroots screenings, Humans in the Loop aims to spark urgent public debate on labour, technology and the future we are building placing the voices of India’s most marginalised at the heart of the global AI conversation.

  • Barun Das outshines himself on his Duologue show

    Barun Das outshines himself on his Duologue show

    MUMBAI: The highly anticipated third series of ‘Duologue with Barun Das’ returns to News9 with acclaimed filmmaker Kiran Rao leading the season premiere on 22nd February 2025. The programme, which has established itself as a cornerstone for intellectual discourse, features TV9 Network’s Managing Director and CEO Barun Das in conversation with thought leaders from various spheres.

    In this opening episode, Rao, known for her distinctive filmmaking style, offers a penetrating analysis of contemporary Indian cinema and its evolving narrative landscape. She particularly emphasises the transformation of storytelling in the digital age, noting that “we are all storytellers in some way, thanks to social media. It’s an interesting world to be telling stories in.”

    The filmmaker presents a candid assessment of Bollywood’s post-pandemic challenges, highlighting the industry’s need to recalibrate its approach. “We were perhaps a little complacent, assuming people would return to theatres regardless of what we made. That’s no longer the case”, she reflects, pointing to the significant impact of streaming platforms on audience expectations and reach.

    The conversation takes a compelling turn as Rao addresses profound social issues, particularly focusing on gender dynamics in Indian society. She delivers a pointed critique of institutional biases, highlighting how women’s identities are often legally tethered to their male relatives. “Even today, legal documents link women’s identities to the men in their lives – as someone’s wife or daughter. That needs to change”, she asserts.

    Rao also challenges prevailing societal narratives about women’s roles, particularly the glorification of multitasking. She presents a thought-provoking perspective on unpaid domestic labour, questioning the sustainability of current social structures if women were to fully enter the workforce.

    Das, reflecting on the episode, praises Rao’s ability to weave complex social themes into accessible discourse. “Her ability to weave profound social themes into storytelling is remarkable”, he notes, emphasising how the conversation embodies the programme’s mission to challenge established perspectives.

    The Oscar-nominated director reciprocated the praise, describing the interview as “one of the most engaging and enriching conversations” she’s experienced. She particularly noted Das’s ability to introduce fresh perspectives, teasing viewers with mention of “a formula that I am going to remember for life”, the details of which will be revealed in the broadcast.

    The two-part season premiere will air on News9 at 22:00 on consecutive evenings, 22 and 23 February 2025, promising viewers an intellectual feast of ideas spanning cinema, society, and cultural evolution. The programme continues its tradition of fostering nuanced dialogue on pressing contemporary issues, making it a must-watch for audiences seeking thoughtful discourse on the intersection of art, society, and media.

  • Kiran Rao’s directorial ‘Laapataa Ladies’ is India’s official entry for Oscars 2025

    Kiran Rao’s directorial ‘Laapataa Ladies’ is India’s official entry for Oscars 2025

    Mumbai: Presented by Jio Studios, Laapataa Ladies, has generated immense excitement and received a positive reception from both audiences and critics alike. The film continues to earn recognition and has been picked as India’s official entry to the 97th Academy Awards, set to take place next year in March. The rural set drama beat 29 other movies from India to enter the Oscars 2025 race.

    The Film Federation of India (FFI) on Monday confirmed that Kiran Rao-directorial Laapataa Ladies is India’s official entry for Oscars 2025. The film, co-produced by Aamir Khan along with Rao, garnered positive reviews upon its release from audiences and critics due to its different story.

    Overjoyed Kiran Rao the director,  said, “I am deeply honoured and beyond delighted that our film ‘Laapataa Ladies’ has been chosen as India’s official entry to the Academy Awards. This recognition is a testament to the tireless work of my entire team, whose dedication and passion brought this story to life.

    Cinema has always been a powerful medium to connect hearts, transcend boundaries, and ignite meaningful conversations. I hope that this film will resonate with audiences across the world, just as it has in India. I would like to express my heartfelt gratitude to the selection committee and to everyone who believed in this film. It is indeed a great privilege to be selected from among such amazing Indian films this year – who are equally worthy contenders for this honour. My deepest thanks go to Aamir Khan Productions and Jio Studios for their unwavering support and faith in this vision. It has been a privilege to work alongside such a passionate and talented team of professionals who shared my commitment to telling this story. I also want to extend my heartfelt thanks to the entire cast and crew, whose immense talent, dedication, and hard work made this film possible. This journey has been one of incredible collaboration and growth. To the audience, your love and support mean the world to us, and it is your belief in this film that continues to inspire us as filmmakers to push creative boundaries. Thank you once again for this incredible honour. We look forward to taking this journey ahead with great enthusiasm.”

    RIL president of media and content business Jyoti Deshpande shared “Laapata Ladies being selected as India’s entry for Oscar is a true testimony of our vision and commitment to Make in India and Show the world…this film has got unlimited love from audiences all over the world already and is one of the most watched films globally on OTT after its unusually long and resilient theatrical run…Jio Studios will do everything in our power to make India proud on a global stage and I thank the Film Federation of India for this honour and privilege.”

    The film, a delightful comedy about the misadventures of two young brides who become separated on the same train, is a blend of mistaken identities and laugh-out-loud escapades. Featuring Nitanshi Goel, Pratibha Ranta, Sparsh Shrivastava, and Ravi Kishan, Laapataa Ladies is set to bring its unique charm and humour to a new territory.

    Presented by Jio Studios, Laapataa Ladies is directed by Kiran Rao and produced by Aamir Khan, Kiran Rao and Jyoti Deshpande. The film has been made under the banner of Aamir Khan Productions and Kindling Productions, with the script based on an award-winning story by Biplab Goswami. The screenplay & dialogues are written by Sneha Desai, with additional dialogues penned by Divya Nidhi Sharma.

  • “I don’t think of filmmaking being gender-specific:” Mitakshara Kumar

    “I don’t think of filmmaking being gender-specific:” Mitakshara Kumar

    Mumbai: In the world of Indian cinema, where grandeur and storytelling often collide, Mitakshara Kumar stands out as a filmmaker whose journey is as captivating as her creations. With a background in Economics from Lady Shri Ram College and prestigious training from the Film and Television Institute of India, Kumar has seamlessly transitioned from a promising student to a celebrated director and writer. Her cinematic journey began as an assistant director with the iconic Bluffmaster! and has since soared to the grand stages of working on Sanjay Leela Bhansali’s epics and helming Disney+Hotstar’s The Empire.

    Indiantelevision.com’s Suman Baidh caught up with filmmaker Mitakshara Kumar as she took the helm of Netflix and Sanjay Leela Bhansali’s highly anticipated Heeramandi as episodic director, Kumar reflects on her career, her passion for diverse storytelling, and the future she envisions for herself and the industry.

    Edit Excerpts:

    On your entry into the film business working with Emmay Entertainment, and collaborating with Sanjay Leela Bhansali.

    I must agree that God and my parents have been kind, to say the least. Even before graduation, I had decided to write the FTII entrance exams, much to the disappointment of my father because I was an economics student. However, when I cleared FTII and thankfully because it is a premier Government Institution, my father’s disappointment soon turned into pride, especially because I was awarded a scholarship. After that, the decision to move to Mumbai was a natural step. I am thankful to all the filmmakers I had the opportunity to work with, be it Rohan Sippy, Onir, Nikhil Advani or Sanjay Leela Bhansali, each one of them have taught me so much and have helped me be the filmmaker I am today. I cannot say I had it tough, because the reality is that I did not… I definitely worked hard to get here, but the truth is also that the people I worked with were generous to let me learn.

    On directing the magnum opus Empire and then becoming the episodic director for Heeramandi, was there any difference for you, considering both were grand period pieces

    Honestly speaking, not quite. Because thanks to my training with Sanjay Sir on the films he made, I was comfortable with working on the scale and grandeur of these series. I am grateful to Nikhil Advani, Monisha Advani and Madhu Bhojwani for entrusting me with The Empire. It was my first and their confidence in me, in a way, bolstered mine as well. Then when Heeramandi happened, because it was Sanjay Sir, the world and the script was to the minutest of detail. So as a filmmaker for me on both fronts, it was easy, also as we had the best of crew and talent working on them with the utmost of passion. What more can a filmmaker ask for. (Laughs)

    On your concern towards being labelled as a filmmaker who only does period pieces

    There are days when I do think about it, I will not lie. But then I think that is the nature of the business. We are quick to slot people as to what they can and cannot do, till you break that for yourself. As a filmmaker, I want to be known for my quality of work and the legacy I will get to leave behind. I am working on my next, feature debut which is a contemporary, off-beat subject and have written another thriller that I am working on. So for myself, I am exploring different genres of cinema. I want to keep challenging myself to grow as a filmmaker.

    On the most difficult thing about being a filmmaker

    I think growing up, my parents much like everyone else’s, always told me that no matter what you do, do it to the best of your ability. That is something I try and do on every piece of work I do. I think I am now conditioned in a manner wherein I look at the difficulties presented on a set as an opportunity and find solutions around them. I think that is the best way to tackle a problem be it on set or off. On a day to day basis every film set will have something or the other that poses as a problem, the key for me is to be able to not lose focus on the larger picture and more importantly the story being told.

    On that note, you are one of the few female filmmakers in the country

    I don’t think of filmmaking being gender specific. That being said, yes there are fewer women filmmakers in the country, but that is something I also believe is on the path of change. Today we have the likes of Zoya Akhtar, Anjali Menon, Payal Kapadia, Kiran Rao, Meghna Gulzar, Farah Khan and so many others who are championing Indian cinema not just here but globally. I think what is crucial is that more press highlights the achievements of all these brilliant storytellers, which in turn can inspire a whole new breed of women storytellers.

    On inspiring a new breed of storytellers

    As an art form, Cinema is meant to inspire and evoke emotions. If through my work I can even influence one person for the good, then why not? Something I am more conscious about in my filmmaking is having more women part take in the making of my films and content. Just like I was given the platform, I only think it is fair and just to pave the way for others and pass it forward. Knowledge is always to share and that is something that I have learnt both from my parents and all my collaborators across everything I have done so far. The only thing I keep telling everyone is never stop dreaming and if you fail, keep trying till you succeed. “Himmat harne ki cheez nahi hai” (“Courage is not something that one loses”).

    Could you tell us a bit about what’s next

    I have a couple of interesting things lined up. Like I mentioned, one of them is a feature film with Emmay Entertainment. Collaborating with Nikkhil, Monisha and Madhu is always fun, for me they are home. I have a women-centric comedy I am working on and then there is also a thriller and musical that I am working on. I think it would be a little early in the day to share more details and I would leave that to my producers to do when the time is right. I want to focus on the creative and storytelling.

  • “The offer came as a delightful surprise, tinged with a hint of disbelief”: Laapata Ladies’ screenwriter Sneha Desai

    “The offer came as a delightful surprise, tinged with a hint of disbelief”: Laapata Ladies’ screenwriter Sneha Desai

    Mumbai: As the latest Kiran Rao-directed movie “Laapata Ladies” continues to make waves since its release on 1 March 2024, let us applaud the lady behind the screenplay, Sneha Desai.

    A prominent figure in film, television, and theatre, Desai has crafted compelling narratives not only for the silver screen but also for hit shows like ‘Pushpa Impossible’ and ‘Wagle Ki Duniya’. With over 1200 shows to her credit on stage, Desai is not just a prolific writer but also an actor, gracing both stage and screen with her talent, enriching the world of entertainment with her diverse skills and contributions.

    Indiantelevision.com in conversation with Sneha Desai discussed her journey in the entertainment industry, about portraying strong female characters, on being multifaceted and more…

    Edited Excerpts:

    On your journey into entertainment, and could you share some memorable moments along the way

    Transitioning from the world of stage performances to the dynamic realm of screen productions felt like a natural progression. The sheer love and admiration poured in by audiences have been the driving force behind my pursuit in this industry. Not to mention, the humbling experience of receiving critical acclaim and prestigious awards has only fuelled my passion further. Over time, I found myself delving into the art of writing almost instinctively, realising that audiences don’t just watch but truly absorb and resonate with the content. It’s these moments of connection and resonance that continually inspire me to push boundaries and delve deeper into the world of storytelling.

    On writing for “Laapataa Ladies,” and your reaction to Aamir Khan’s offer during lockdown

    My journey with “Laapataa Ladies” began unexpectedly during the unprecedented times of the COVID lockdown. It all started with a casual narration session for a different project, but fate had other plans. Months later, I received a call from none other than Aamir Khan himself, presenting me with the opportunity to bring life to a story they had in mind. The offer came as a delightful surprise, tinged with a hint of disbelief. Who wouldn’t be awe-struck when approached by a personality of Mr Khan’s calibre? However, amidst the surrealism, there was an underlying sense of responsibility and pressure to deliver nothing short of excellence.

    On your preference in writing for a specific genre

    With my journey still in its early stages, I’ve consciously avoided confining myself to a particular genre. Instead, I’m eager to explore through the diverse landscape of storytelling, embracing various styles and narratives along the way. After all, the beauty of storytelling lies not in the limitations of genres but in the boundless possibilities of expression and creativity.

    Your works feature strong female characters; what drives crafting such empowered perspectives

    Crafting strong and empowered female characters has always been an organic process for me, rooted in my firm belief in individual rights and freedom. Whether male or female, I strive to infuse my characters with depth, agency, and relatable flaws, allowing them to evolve and resonate with audiences on a profound level. It’s this commitment to authenticity and complexity that breathes life into my characters, making them not just figures on a screen but embodiments of resilience and empowerment.

    On the challenges that you have faced in the industry and how did you overcome them

    Navigating through the legalities, contracts, and rights can often be a daunting task, especially for someone relatively new to the industry. However, with the guidance of experienced mentors and the support of a professional network, I’ve learned to tackle these challenges head-on while keeping my focus firmly grounded in my passion for storytelling. Additionally, in an era where audience attention spans are fleeting and competition is fierce, capturing and retaining viewers’ interest presents its own set of hurdles. Nevertheless, by staying true to my creative vision and adapting to changing landscapes, I’ve managed to navigate through these challenges with resilience and determination.

    On the industry evolution in terms of women’s representation, and the changes you hope to see

    While the entertainment industry has made significant strides towards inclusivity and gender representation, there’s still ample room for growth and improvement, particularly concerning women’s roles and opportunities. Beyond just representation on screen, I believe in creating a conducive environment that prioritises the safety, security, and well-being of women behind the scenes as well. This entails measures such as flexible working hours, pay parity, and job security, ensuring that women have the support and resources they need to thrive in their respective roles. Ultimately, by fostering a culture of empowerment and equality, we can pave the way for a more diverse and inclusive industry for future generations.

    On challenging yourself creatively as a writer wearing multiple hats

    Juggling various roles within the creative sphere, from writing scripts to penning lyrics and stepping into the shoes of diverse characters on screen, presents a unique set of challenges and opportunities for growth. Each project serves as a canvas for exploration and self-discovery, allowing me to push beyond my comfort zone and tap into different facets of my creativity. Whether it’s experimenting with new storytelling techniques or delving into uncharted territories of expression, I constantly challenge myself to evolve and innovate, keeping the spark of creativity alive and thriving.

    On the upcoming projects or aspirations that you have for the future

    Exciting ventures lie on the horizon, with YRF’s ‘Maharaj’ set to grace screens on Netflix as my next release. Additionally, a long-awaited Gujarati play is in the pipeline, alongside discussions for intriguing film projects that hold promise. With optimism and enthusiasm, I eagerly await the next chapter of my creative journey, embracing the unknown with open arms and a heart full of aspirations.

  • Aamir Khan & Kiran Rao share stories around the making of Laapataa Ladies at ‘Ideas of India’ Summit 3.0

    Aamir Khan & Kiran Rao share stories around the making of Laapataa Ladies at ‘Ideas of India’ Summit 3.0

    Mumbai: Bollywood Stars Aamir Khan and Kiran Rao shared the stories around their latest venture “Laapataa Ladies” at the ‘Ideas of India’ Summit 3.0.    

    Critically acclaimed for a number of blockbuster and poignant movies as an actor and filmmaker, Aamir Khan has achieved much success for movies like 3 idiots, Lagaan, Tare Zameen Par, and PK.

    Speaking at the session “Telling Lapaataa Tales: Scenes from an Invisible Country Nation”, Aamir Khan, said, “Kiran is a very honest filmmaker, and Lapaataa Ladies is such a dramatic story that I thought this should be made.”

    Speaking about the preparation he does for his roles, Aamir Khan, said, ‘I believe in doing rehearsal and being prepared. I feel first and foremost a script should entertain me which gives me confidence about it.’

    Speaking about the misfortune of his last release, Aamir Khan, said, “Laal Singh Chaddha was one movie which gave me a lot of learning opportuning. Thank God I made all the mistakes in one”

    Known for making movies that were loved both by critics and the people, producer and director Kiran Rao, has achieved tremendous acclaim for contributing to the making of thoughtful entertainers like Dhobi Ghat, Peepli Live, Jaane Tu ya Jaane Na, and Dangal.

    Talking about her movie Laapataa Ladies which will hit the screen in March, Kiran Rao, said, “There’s a different excitement in working with new actors, and this movie gave enough opportunity to do so. The social issues work as a subtext in the movie.”

    Responding to a question on the use of artificial intelligence in movies, Aamir Khan, said, “We have to learn to evolve with Artificial Intelligence and new technologies.”

    Kiran Rao, remarked, “I don’t think AI can be stopped. We all are using some form of technology of what we do.”

    The ABP Network’s ‘Ideas of India’ Summit 3.0 spotlighting the ‘The People’s Agenda’ brought a confluence of ideas and ideators to a common platform celebrating the country’s people and its plurality. The two-day summit hosted policymakers, cultural ambassadors, industry experts, celebrities, business leaders, economists, and leading luminaries to delve into the fundamental ideas of liberty, justice, equality, and diversity that define India, its society, culture, and politics. The meaningful deliberations on diverse topics had the brightest minds across sectors providing insights about the nation’s trajectory and its journey to become Viksit Bharat.

  • ABP Network’s ‘Ideas of India Summit’ edition three to spotlight “The People’s Agenda” on 23 & 24 February in Mumbai

    ABP Network’s ‘Ideas of India Summit’ edition three to spotlight “The People’s Agenda” on 23 & 24 February in Mumbai

    Mumbai: As India, the world’s largest democracy, braces itself for the upcoming 18th General Election, ABP Network, the country’s leading multi-language news network, is set to host the third edition of its flagship event, the ABP Network ‘Ideas of India’ Summit 3.0. The summit is scheduled for 23 and 24 February 2024, in Mumbai.

    The ABP Network ‘Ideas of India’ Summit 3.0 aims to shift the spotlight onto the people of India, bringing together newsmakers, thought leaders, entertainers, and economists to provide insights into the nation’s trajectory. From a hardline conservative former Home Secretary of UK, Suella Braverman, to an Emmy-nominated TV Host Padma Lakshmi who display the power of the Indian diaspora to a path-finding economist Arvind Panagariya heading the 16th Finance Commission; from the beloved actor Kiara Advani to a filmmaking couple Aamir Khan and Kiran Rao who tell the untold stories, the finest minds from diverse sectors will converge to discuss the future of the country and its people amidst some of the most concerning developing uncertainties in the world.

    This year’s mega edition, themed “The People’s Agenda,” will serve as a platform for intellectuals, experts, and achievers to deliberate on India’s roadmap. The summit will explore how India can leverage its population potential and strengthen its global leadership position in the face of emerging uncertainties.

    Prominent personalities who will share their perspectives will also include Devendra Fadnavis, Deputy Chief Minister of Maharashtra, Dr. Shashi Tharoor, Third time Lok Sabha MP and Chairman of Parliament’s Standing Committee on Chemicals and Fertilisers; Dr. Anish Shah, Group CEO of Mahindra Group and New FICCI President; Prof. Sunil Khilnani, Historian and Political Scientist, Javed Akhtar, celebrated Poet, Lyricist, and Author; accomplished Actors Kareena Kapoor Khan and Sobhita Dhulipala; Omar Abdullah, Former Chief Minister of J&K and Vice President of JKNC; Piyush Pandey, Ad Guru; Amish Tripathi, Author and Former Diplomat; Subodh Gupta, renowned artist; Shashank ND, Co-Founder of Practo; Poonam Mahajan, MP, BJP; Priyanka Chaturvedi, Rajya Sabha MP, and Deputy Leader of Shiv Sena; Madhur Bhandarkar, accomplished Film Director and Script Writer; Ila Arun, versatile Actor, Singer and Writer; Sanjay Jha, Author and Columnist and more.

    ABP Network CEO Avinash Pandey said, “After the tremendous success of the first two editions, we are immensely proud to present a grander and richer edition of ABP Network ‘Ideas of India’ Summit. The last two editions were highly celebrated and appreciated because of the confluence of ideas on our platform. With the next General Election around the corner, India is at the cusp of making history. It is the year of great expectations which will shape the future course of the country. As ‘Ideas of India’ Summit is the foremost platform that celebrates country’s plurality, it was important for all of us to put central focus on the people of nation, their aspirations, and their story. As India advances on the journey of being the Viksit Bharat, the world is watching us emerge. Our emergence at the global arena will be dependent on how we leverage the potential of our people. It is with these thoughts I am pleased to present to you the ‘Ideas of India Summit 3.0’ which will host a spectacular line-up of public welfare thinkers and intellectuals as we discuss the way forward for India to project its national self-image at the global stage.”

    Spanning two days, the third edition will delve into the fundamental ideas of liberty, justice, equality, and diversity that define India. The Summit will feature captivating discourses on sustainable growth and assess alterations in society, culture, and politics. With over 35 sessions and 60 speakers and session chairs, the ABP Network Ideas of India Summit 3.0 promises a fascinating and enriching experience.

    The summit will be available for viewing on February 23 and 24, 2024, across all digital platforms of the ABP Network. Watch it live here – https://news.abplive.com/

  • Here comes the first song ‘Doubtwa’ from Kiran Rao’s Laapataa Ladies!

    Here comes the first song ‘Doubtwa’ from Kiran Rao’s Laapataa Ladies!

    Mumbai: The trailer of Jio Studios and Aamir Khan Productions’ ‘Laapataa Ladies‘ directed by Kiran Rao has given a glimpse of its humoristic world that dwells in the rollercoaster ride of the lost brides. This has indeed elevated the excitement to see what the director Kiran Rao has to bring to the table this time. Amid the rising exhilaration for the film, the makers are here with the first song ‘Doubtwa’ leaving the audience gripping their eyes on the bride.

    The first song ‘Doubtwa’ from Laapataa Ladies gives a broader narrative of its laughter-studded story. The song is sung by Sukhwinder Singh, and the music has been composed by Ram Sampath while Divyanidhi Sharma penned the lyrics.

    Amid the hunt for the bride, what comes ahead is the jolly mess. The brides are sharp, and full of doubt. Their intentions are yet not clear but they are truly here to create a big mess. The cops are behind the brides as they are the real matter of doubt. With its immensely interesting tunes, the song gives a perfect essence of the rural India that is the significant backdrop of the film. As the song is out, it’s indeed guaranteed a rollercoaster ride of entertainment on the cards.

    Presented by Jio Studios, ‘Laapataa Ladies‘ is directed by Kiran Rao and produced by Aamir Khan and Jyoti Deshpande. The film is releasing on March 1st, 2024, and has been made under the banner of Aamir Khan Productions and Kindling Productions, with the script based on an award-winning story by Biplab Goswami. The screenplay and dialogue are written by Sneha Desai, while the additional dialogues have been jotted down by Divyanidhi Sharma.

  • Kiran Rao’s ‘Laapataa Ladies’ in cinemas on 1 March 2024

    Kiran Rao’s ‘Laapataa Ladies’ in cinemas on 1 March 2024

    Mumbai: Jio Studios and Aamir Khan Productions are thrilled to announce the release date of the much-anticipated film ‘Laapataa Ladies’, directed by Kiran Rao, on 1 March 2024. The film’s teaser has already given a delightful glimpse into the humoristic world created by Kiran Rao, leaving audiences eagerly anticipating the full experience. The film recently earned international acclaim with a standing ovation at the prestigious Toronto International Film Festival (TIFF), leaving an indelible mark globally.

    To pique the audience’s excitement further, the makers have now announced the release date of the comedy entertainer with a new poster, offering a sneak peek into the quirky world of ‘Laapataa Ladies’. Kiran Rao, in her second directorial venture, is set to deliver a cinematic treat that has already won a lot of affection globally. Save the date as the search begins on 1st March 2024.

    An Aamir Khan Productions film, Laapataa Ladies is presented by Jio Studios, directed by Kiran Rao, and produced by Aamir Khan, Kiran Rao and Jyoti Deshpande. Made under the banner of Aamir Khan Productions in association with Kindling Pictures, this script is based on an award-winning story by Biplab Goswami. The screenplay & dialogues are written by Sneha Desai, with additional dialogues penned by Divyanidhi Sharma.