Tag: Kids

  • DishTV kick launches special offerings for Karnataka

    DishTV kick launches special offerings for Karnataka

    MUMBAI: In order to cater to the needs of multilingual entertainment requirements for the Karnataka TV viewers/ subscribers; DishTV has come up with special offering in the state of Karnataka. These offerings will not only give maximum choice but will also offer them complete flexibility to choose the language of their choice. With this central theme, DishTV proudly stands for “Any language you speak, We have a pack for you.”

    In order to bridge the language barrier in the state of Karnataka with respect to entertainment, DishTV is all set to offer new and exciting offerings. These offerings are available to all viewers/ subscribers over and above with the existing base packs of Rs.99/ Rs.139/ Rs.169.

    Speaking on the addition, DishTV India CEO Arun Kumar Kapoor said, “Over the years we have observed the trend of the viewer preferences prevailing in the Karnataka market. They have an inclination for regional content. Karnataka being a highly multi-lingual state and keeping in mind the multi-lingual entertainment requirement in the state, DishTV has always been at the forefront to provide innovative solutions. In order to enhance the TV viewing experience for our subscribers in regional markets and to ensure that they enjoy seamless services with uninterrupted entertainment at cost effective rates DishTV has come with these special Kannada offerings.”

    Kannada Special offerings at attractive price points are as follows:

    Ø Kannada Special with kannada Language pack@ Rs.199 (Total 1 Language pack)

    Ø Kannada Special with kannada and 1 other Language Pack @ Rs.209 (Total 2 Language packs)

    Ø Kannada Special with kannada and 2 other Language packs @ Rs.225 (Total 3 Language packs)

    The subscribers can avail these special Kannada offerings on a reasonable amount of Rs. 199 including all Kannada channels and services, which is further enriched with more content like Kids, Sports, Movies, English News and Infotainment. Further customers will have options to choose Kannada special offering with one more language pack along with Kannada at Rs.209 and two more language packs along with Kannada at Rs. 225. The subscribers can choose from different language packs such as Tamil, Telugu, Malayalam, Odia and Marathi.

    On all new acquisition, subscribers can choose up to three language packs (one Kannada and 2 other language packs) till the offer period.

  • BARC week 20:  Motu Patlu takes over kids’ top 5 TV programming

    BARC week 20: Motu Patlu takes over kids’ top 5 TV programming

    MUMBAI: Viacom 18’s Nick continued to dominate the kids genre in week 20 as per Broadcast Audience Research Council (BARC) India’s all India (U+R) data in NCCS All 4-14 Individuals category.

    Leading with 94908 Impressions (000’s) at the first spot, the channel was followed by followed by Turner International’s Pogo TV in the second spot with 86536 Impressions (000’s). Hungama took the third spot with 68403 Impressions (000’s) followed by Disney Channel in fourth place with 67086 Impressions (000’s). Cartoon Network took the fifth spot with 59112 Impressions (000’s).

    The top programming list for BARC week 20 saw a phenomenal change with Motu Patlu overtaking the entire list, ushering Nickelodeon to be the lone star in the genre. Nick’s Motu Patlu In Alien World – Part I dominated the airtimes with 1127 (000s sums), followed by Motu Patlu Kungfu King Returns with 1094 (000s sums) ratings.

    Motu Patlu Deep Sea Adventure bagged 1039 (000s sums) making it the third most watched program in the kids genre. Motu Patlu Kungfu Kings was the fourth most watched show with 924 (000s sums) while Motu Patlu Mission Moon took the fifth spot with 915(000’s) ratings.

  • BARC week 20:  Motu Patlu takes over kids’ top 5 TV programming

    BARC week 20: Motu Patlu takes over kids’ top 5 TV programming

    MUMBAI: Viacom 18’s Nick continued to dominate the kids genre in week 20 as per Broadcast Audience Research Council (BARC) India’s all India (U+R) data in NCCS All 4-14 Individuals category.

    Leading with 94908 Impressions (000’s) at the first spot, the channel was followed by followed by Turner International’s Pogo TV in the second spot with 86536 Impressions (000’s). Hungama took the third spot with 68403 Impressions (000’s) followed by Disney Channel in fourth place with 67086 Impressions (000’s). Cartoon Network took the fifth spot with 59112 Impressions (000’s).

    The top programming list for BARC week 20 saw a phenomenal change with Motu Patlu overtaking the entire list, ushering Nickelodeon to be the lone star in the genre. Nick’s Motu Patlu In Alien World – Part I dominated the airtimes with 1127 (000s sums), followed by Motu Patlu Kungfu King Returns with 1094 (000s sums) ratings.

    Motu Patlu Deep Sea Adventure bagged 1039 (000s sums) making it the third most watched program in the kids genre. Motu Patlu Kungfu Kings was the fourth most watched show with 924 (000s sums) while Motu Patlu Mission Moon took the fifth spot with 915(000’s) ratings.

  • nexGTV launches kids only app; plans to produce original content

    nexGTV launches kids only app; plans to produce original content

    MUMBAI: The OTT space has been growing denser with the mushrooming of more and more players. Players are vying for eyeballs and advertisers are looking to differentiate their content, and shifting focus to unexplored areas. nexGTV has launched its new OTT app that targets kids between 2 to 10 years of age with specially tailored content, with an aim to expand business reach and grow subscriber base.

    Explaining the demand for kids’ content in India, nexGTV COO Abhesh Verma says, “I have noticed that despite the fact that there is good kids’ content in the country, it is not easily accessible for them.   Moreover we realised that kids content can’t be piled up with everything else. There is a need for a kids’ friendly app that will give proper showcase to the content, and parents can let their kids on it without worrying about insensitive content.”

    nexGTV is also playing on the fact that parents and guardians of kids these days are concerned about the ‘freeness’ of the internet and worried about the objectionable content that their child may be exposed to. Therefore curating a library strictly for the little ones was of prime importance when strategizing for the kids’ only OTT app. “Our editorial team has been extremely careful while curating content for this app. Every single content is been screened by our team to keep it kids friendly with the age group in mind. Our content is a blend of learning and entertainment for kids. Whether its craft, art, nursery rhymes and moral science through fun content, parents can be rest assured that through fun and frolic their kids are learning something.”  Between Akbar Birbal, Stories of Panchtantra, Vikram & Betal, Ducktales, Malgudi Days and Champak World, the app already has a vibrant library of shows for the tiny tots to enjoy this summer.

    The app can downloaded from Google Play Store for Android devices or the Apple store for iPhones or other apple devices.  Others can shoot a missed call to 0120-4848222 to get nexGTv Kids app.

    As a matter of fact, going by international standards, there is only ‘E’ for ‘everyone’, and ‘G’ for ‘general audience’ rated programming in the content library for nexGTV Kids. “We haven’t kept shows that need parental guidance as we want the kids and parents to have a stress free streaming experience,” says Verma.

    Currently available in a ‘freemium’ model with no advertisements to interrupt seamless viewing, the content beyond the subscription wall is priced at Rs 125 a month, which coincides with what it costs to subscribe to nexGTV. “As part of the promotion for this launch we are currently allowing any nexGTV subscriber to access nexGTV Kids content and vice versa. Depending on the nature of consumption, content strategy etc., we will take a call to separate the two apps for subscribers or offer it to them in a bundle for a viable price that works for both – the consumers and us,” said Verma as he explains the pricing.

    As a business model, the revenue for the new app will depend highly on the subscription. Kids’ content also opens up a vista of monetising prospects for the OTT player.

    For starters, nexgTV has gone the VOOT way and acquired kids content from existing content partners  who are regular contributors to nexGTV’s library such as Shemaroo, Rajshri Productions etc. But the OTT player’s ambitious plans for their new kids app doesn’t stop there — from producing branded content for advertisers, to commissioning and featuring content from independent content creators, to licensing and merchandising rights sales — nexGTV is eyeing a big chunk of the kids content pie.

    “Currently we are getting content from partners who are working with us for the last four – five years. At the same time we are looking to create original content going forward that will be made by our production team for our app. We are also welcoming everyone who can creating content for kids. We want to showcase their content to our user base provided it goes past our editorial guidelines for the kids’ app. There are many who may not have a platform, but have the right talent, whom we plan to feature through our app as long as the content is within our guidelines,” Abhesh reveals.

    Keeping lts options open, nexgTV is ready to explore all kinds of partnerships, whether it allows it to own the content’s full IP or it is commissioning for production or co-owning the IP and sharing its IP rights with another content producer. Verma also hints that the OTT player is already in talks with some major production houses to produce exclusive kids’ content for nexgTV.

    With a few deals under discussions already under way, be they for content creation with other production houses or with brands, currently the player is weighing its options carefully for the right content strategy.

    “We want to make sure that we have the product out there first and some audience on it. And then based on the consumption pattern we want to invest in the programming. It will be like shooting in the dark if we produce a show which we don’t have an audience for,” Verma states frankly.

    Given the fact that the target audience of the content isn’t the device owners who can facilitate the consumption, a smart marketing strategy is needed to reach the guardians first, Verma shares.  While kids can be the key to reach the parents, the equation flows the other way round when it comes to marketing for kids.

    “We have three key aspects to our marketing initiative for this new app.  Firstly, on the digital front we are running targeted campaigns towards parents on Facebook to make the app more visible. Secondly, the current subscribers of nexGTV are getting the new app as part of their package. We have 14 million installs (1.4 crore) and within which we have close to a million (10 lakh) subscribers who will get this app with their regular nexGTV apps.”

    Apart from this, the OTT player will promote through radio and few other traditional modes of communication as well. With more on the marketing platter that nexGTV plans to surprise audience with in due time, Verma shared that so far the company hasn’t set an upper ceiling to its marketing spends for the new app.

    “Honestly this is our first big launch since the launch of our new app and we are heavily promoting it. We are not restricting it to 20 to 30 per cent of marketing spends but instead going by ‘returns on the hours’ basis. If a particular campaign is giving us the returns we want we are strengthening it,” Verma shares while refraining from commenting on the actual marketing spends on the new project.

     

  • nexGTV launches kids only app; plans to produce original content

    nexGTV launches kids only app; plans to produce original content

    MUMBAI: The OTT space has been growing denser with the mushrooming of more and more players. Players are vying for eyeballs and advertisers are looking to differentiate their content, and shifting focus to unexplored areas. nexGTV has launched its new OTT app that targets kids between 2 to 10 years of age with specially tailored content, with an aim to expand business reach and grow subscriber base.

    Explaining the demand for kids’ content in India, nexGTV COO Abhesh Verma says, “I have noticed that despite the fact that there is good kids’ content in the country, it is not easily accessible for them.   Moreover we realised that kids content can’t be piled up with everything else. There is a need for a kids’ friendly app that will give proper showcase to the content, and parents can let their kids on it without worrying about insensitive content.”

    nexGTV is also playing on the fact that parents and guardians of kids these days are concerned about the ‘freeness’ of the internet and worried about the objectionable content that their child may be exposed to. Therefore curating a library strictly for the little ones was of prime importance when strategizing for the kids’ only OTT app. “Our editorial team has been extremely careful while curating content for this app. Every single content is been screened by our team to keep it kids friendly with the age group in mind. Our content is a blend of learning and entertainment for kids. Whether its craft, art, nursery rhymes and moral science through fun content, parents can be rest assured that through fun and frolic their kids are learning something.”  Between Akbar Birbal, Stories of Panchtantra, Vikram & Betal, Ducktales, Malgudi Days and Champak World, the app already has a vibrant library of shows for the tiny tots to enjoy this summer.

    The app can downloaded from Google Play Store for Android devices or the Apple store for iPhones or other apple devices.  Others can shoot a missed call to 0120-4848222 to get nexGTv Kids app.

    As a matter of fact, going by international standards, there is only ‘E’ for ‘everyone’, and ‘G’ for ‘general audience’ rated programming in the content library for nexGTV Kids. “We haven’t kept shows that need parental guidance as we want the kids and parents to have a stress free streaming experience,” says Verma.

    Currently available in a ‘freemium’ model with no advertisements to interrupt seamless viewing, the content beyond the subscription wall is priced at Rs 125 a month, which coincides with what it costs to subscribe to nexGTV. “As part of the promotion for this launch we are currently allowing any nexGTV subscriber to access nexGTV Kids content and vice versa. Depending on the nature of consumption, content strategy etc., we will take a call to separate the two apps for subscribers or offer it to them in a bundle for a viable price that works for both – the consumers and us,” said Verma as he explains the pricing.

    As a business model, the revenue for the new app will depend highly on the subscription. Kids’ content also opens up a vista of monetising prospects for the OTT player.

    For starters, nexgTV has gone the VOOT way and acquired kids content from existing content partners  who are regular contributors to nexGTV’s library such as Shemaroo, Rajshri Productions etc. But the OTT player’s ambitious plans for their new kids app doesn’t stop there — from producing branded content for advertisers, to commissioning and featuring content from independent content creators, to licensing and merchandising rights sales — nexGTV is eyeing a big chunk of the kids content pie.

    “Currently we are getting content from partners who are working with us for the last four – five years. At the same time we are looking to create original content going forward that will be made by our production team for our app. We are also welcoming everyone who can creating content for kids. We want to showcase their content to our user base provided it goes past our editorial guidelines for the kids’ app. There are many who may not have a platform, but have the right talent, whom we plan to feature through our app as long as the content is within our guidelines,” Abhesh reveals.

    Keeping lts options open, nexgTV is ready to explore all kinds of partnerships, whether it allows it to own the content’s full IP or it is commissioning for production or co-owning the IP and sharing its IP rights with another content producer. Verma also hints that the OTT player is already in talks with some major production houses to produce exclusive kids’ content for nexgTV.

    With a few deals under discussions already under way, be they for content creation with other production houses or with brands, currently the player is weighing its options carefully for the right content strategy.

    “We want to make sure that we have the product out there first and some audience on it. And then based on the consumption pattern we want to invest in the programming. It will be like shooting in the dark if we produce a show which we don’t have an audience for,” Verma states frankly.

    Given the fact that the target audience of the content isn’t the device owners who can facilitate the consumption, a smart marketing strategy is needed to reach the guardians first, Verma shares.  While kids can be the key to reach the parents, the equation flows the other way round when it comes to marketing for kids.

    “We have three key aspects to our marketing initiative for this new app.  Firstly, on the digital front we are running targeted campaigns towards parents on Facebook to make the app more visible. Secondly, the current subscribers of nexGTV are getting the new app as part of their package. We have 14 million installs (1.4 crore) and within which we have close to a million (10 lakh) subscribers who will get this app with their regular nexGTV apps.”

    Apart from this, the OTT player will promote through radio and few other traditional modes of communication as well. With more on the marketing platter that nexGTV plans to surprise audience with in due time, Verma shared that so far the company hasn’t set an upper ceiling to its marketing spends for the new app.

    “Honestly this is our first big launch since the launch of our new app and we are heavily promoting it. We are not restricting it to 20 to 30 per cent of marketing spends but instead going by ‘returns on the hours’ basis. If a particular campaign is giving us the returns we want we are strengthening it,” Verma shares while refraining from commenting on the actual marketing spends on the new project.

     

  • ‘Make an Indian’ through the right type of kids content

    ‘Make an Indian’ through the right type of kids content

    MUMBAI: In a country where one third of the population is composed of children, very little has been done to encourage and promote kids content. While most will argue and point to the vibrant plethora of content for kids that kids’ networks in India boast of, it is just a fraction of what is required and can be achieved. To discuss the issues that held the industry back from catering quality kids content,  industry stalwarts like filmmaker Subhash Ghai, CFSI chairman Mukesh Khanna, GEAR Education founder Shrinivasan, Green Gold founder and CEO Rajiv Chilaka, Bioscopewala Pictures president Nishith Takia and Viacom 18 Kids cluster head Nina Jaipuria were a part of a panel. Moderated by FICCI animation chairman and Screenyug Creations founder Ashish SK, the panel addressed the need to have a Kids Content Act.

    The panellists unanimously agreed that India lacks any guidelines on what kind of content kids should consume, which exposed them to content that isn’t meant of them. Today’s kids are tomorrow’s future, and hence what content today’s kids consumed would have a character building influence on the adult of tomorrow, was the argument that Ghai had in support of the Act.

    “The formative years till the age of 8 years are crucial for a child. That is why pre-school content for kids has great power to familiarise them with our culture and add morals and values to their lives,” Shrinivasan stressed. “India lacks any form of parenting education. Parents often mistake the TV to be their babysitter, and expect their children to learn life values from it. Therefore we must pay attention to what kids are consuming on television.”

    A large part of the panel discussion was dominated by the need to have more Indian content for kids that reflected Indian culture and connected today’s kids with the roots of their parents. Both Ghai and Khanna felt that this generation of kids were so taken by the second screen – be it the mobile phone or the tablet — they were slowly drifting away from their own culture and embracing the west. They pointed at westernised kids’ content available right now and the lack of proper home grown content that adhered to the values of the land. Chalika also pointed out that he grew up amidst Archie comics and American and British superheroes and characters.

    Jaipuria however begged to differ with her fellow panellists. Pointing out to the progress of her own network, Jaipuria shared that 65 per cent of what Nickelodeon showrd was originally home grown, and the rest was either dubbed or tweaked to make it relatable for the local kids. Bringing in a fresh perspective to the digital era, she shared that soon all players would be in an even field thanks to digitisation. This would lead to such a huge demand for kids content that she doubted the country could meet at the moment with any measure of sustainability. Her reason for supporting an act was to ensure that the industry and all its sections — the creators and the distributors– were prepared with a ready supply of quality kids content for the near future.

    To make that a reality, there were certain legal, financial, and logistical hold ups, the moderator pointed out. Takia, who has been closely involved with the making of the recent National Award winning children’s film Delhi Safari, painted a sad picture of the current motion pictures sector for kids’ films. “Our film did extremely well in China and South Korea, but failed miserably in India. The movie was pulled out of screens way too quickly. Most of the money we made was from foreign market. This shows how we need to create an environment where children’s films reach their due audiences. The act may consider screen reservation or other ways to ensure viewership of such films,” he said. Government sanctions, subsidies, and entertainment tax reliefs were also brought up while discussing the act.

    “The ease of producing a children’s film is the key to take this industry in the right direction. Outside India, most animated children’s films are co-produced but Indian film makers can’t do that. We are restricted by law,” said Khanna. “The act should deal with this and allow filmmakers to co-produce the films and share the financial burden of creating something which requires a huge budget.”

    To address the visibility issue, Ashish proposed a free to air DD Kids channel so that kids living in the most remote parts of the country could enjoy quality content.

    The one take away from the discussion was perhaps the phrase ‘make an Indian.’ Giving a clever twist to the extremely popular ‘Make In India’ phrase that prime minister Modi had devised , the panellists urged that content creators should ‘make an Indian’ out of the tiny tots, riding on powerful home grown kids content that reflected the country’s culture.

    With so much stress on raising the country’s kids to the right type of ‘Indian’, is there a risk of homogenising kids content and regulating creativity? — A question the panel raised but did not answer.

  • ‘Make an Indian’ through the right type of kids content

    ‘Make an Indian’ through the right type of kids content

    MUMBAI: In a country where one third of the population is composed of children, very little has been done to encourage and promote kids content. While most will argue and point to the vibrant plethora of content for kids that kids’ networks in India boast of, it is just a fraction of what is required and can be achieved. To discuss the issues that held the industry back from catering quality kids content,  industry stalwarts like filmmaker Subhash Ghai, CFSI chairman Mukesh Khanna, GEAR Education founder Shrinivasan, Green Gold founder and CEO Rajiv Chilaka, Bioscopewala Pictures president Nishith Takia and Viacom 18 Kids cluster head Nina Jaipuria were a part of a panel. Moderated by FICCI animation chairman and Screenyug Creations founder Ashish SK, the panel addressed the need to have a Kids Content Act.

    The panellists unanimously agreed that India lacks any guidelines on what kind of content kids should consume, which exposed them to content that isn’t meant of them. Today’s kids are tomorrow’s future, and hence what content today’s kids consumed would have a character building influence on the adult of tomorrow, was the argument that Ghai had in support of the Act.

    “The formative years till the age of 8 years are crucial for a child. That is why pre-school content for kids has great power to familiarise them with our culture and add morals and values to their lives,” Shrinivasan stressed. “India lacks any form of parenting education. Parents often mistake the TV to be their babysitter, and expect their children to learn life values from it. Therefore we must pay attention to what kids are consuming on television.”

    A large part of the panel discussion was dominated by the need to have more Indian content for kids that reflected Indian culture and connected today’s kids with the roots of their parents. Both Ghai and Khanna felt that this generation of kids were so taken by the second screen – be it the mobile phone or the tablet — they were slowly drifting away from their own culture and embracing the west. They pointed at westernised kids’ content available right now and the lack of proper home grown content that adhered to the values of the land. Chalika also pointed out that he grew up amidst Archie comics and American and British superheroes and characters.

    Jaipuria however begged to differ with her fellow panellists. Pointing out to the progress of her own network, Jaipuria shared that 65 per cent of what Nickelodeon showrd was originally home grown, and the rest was either dubbed or tweaked to make it relatable for the local kids. Bringing in a fresh perspective to the digital era, she shared that soon all players would be in an even field thanks to digitisation. This would lead to such a huge demand for kids content that she doubted the country could meet at the moment with any measure of sustainability. Her reason for supporting an act was to ensure that the industry and all its sections — the creators and the distributors– were prepared with a ready supply of quality kids content for the near future.

    To make that a reality, there were certain legal, financial, and logistical hold ups, the moderator pointed out. Takia, who has been closely involved with the making of the recent National Award winning children’s film Delhi Safari, painted a sad picture of the current motion pictures sector for kids’ films. “Our film did extremely well in China and South Korea, but failed miserably in India. The movie was pulled out of screens way too quickly. Most of the money we made was from foreign market. This shows how we need to create an environment where children’s films reach their due audiences. The act may consider screen reservation or other ways to ensure viewership of such films,” he said. Government sanctions, subsidies, and entertainment tax reliefs were also brought up while discussing the act.

    “The ease of producing a children’s film is the key to take this industry in the right direction. Outside India, most animated children’s films are co-produced but Indian film makers can’t do that. We are restricted by law,” said Khanna. “The act should deal with this and allow filmmakers to co-produce the films and share the financial burden of creating something which requires a huge budget.”

    To address the visibility issue, Ashish proposed a free to air DD Kids channel so that kids living in the most remote parts of the country could enjoy quality content.

    The one take away from the discussion was perhaps the phrase ‘make an Indian.’ Giving a clever twist to the extremely popular ‘Make In India’ phrase that prime minister Modi had devised , the panellists urged that content creators should ‘make an Indian’ out of the tiny tots, riding on powerful home grown kids content that reflected the country’s culture.

    With so much stress on raising the country’s kids to the right type of ‘Indian’, is there a risk of homogenising kids content and regulating creativity? — A question the panel raised but did not answer.

  • Kids content growth is fastest in digital, and monetizing models need to keep up

    Kids content growth is fastest in digital, and monetizing models need to keep up

    MUMBAI: ‘Kids content has already gone digital, catering to its target audience,’ was the unanimous consensus at a session on ‘Kids Go Digital’ at the ongoing FICCI Frames 2016

    Unlike most discussions on digital media, there were no “if’s, ‘but’s and ‘maybe’s” and panelists — Chuchu TV CEO Vinoth Chander, Godimensions’ founders Shravan and Sanjay Kumaran, Nazara Technologies CEO Manish Agarwal  and Viacom 18 Digital Ventures COO Gaurav Gandhi – discussed how to take digital kids content to the next level, expand its market in India and make the most of the resources and eyeballs at disposal. Whizkidz Media founder Amit Agarwal, moderated the panel discussion.

    “Kids content growth is fastest in digital as its consumers are native to the medium. While you and I are adapting to the medium, they are born in the digital world and hence take naturally to it,” said Gandhi, adding that over the years the demography of kids born in the digital world will only grow.

    Currently kids’ content on digital platform is mostly on YouTube which has a few issues. Firstly, there is hardly any premium kids content available in India, then there is a lack of character driven shows, and most of the content for children is targeted at preschoolers leaving out a huge chunk of the audience. Moreover, most of the viewership comes from foreign markets, and the market in India still needs to be developed.

    Reflecting on how one markets kids content, Gandhi had a cryptic answer: “In their own language”. “You need to think like them and market your content on their own terms.”

    Speaking from personal experience, Gandhi added that using TV as a medium is a good start, as a huge chunk of the audience is still on TV. “Sampling videos on YouTube, TV and even reaching out to them through schools and play schools is also a good way to understand them and share your content.”

    As far as Chander was concerned, organic reach has worked wonders for him and his company ChuChu TV and he would vouch for strategically placed promotion within their own YouTube content. “We want to concentrate on quality content, rather than marketing as the former does the latter for us,” Chander said categorically. He also stressed that kids usually take more to visual content, and therefore propagating the message through videos and pictures would work better.

    “Kids are smart,” said Agarwal on the topic of edutainment. “Do not trick them into consuming content that you sell as entertainment, which is actually educational and is meant for learning. You need to separate your own consumers from their parents.” To back his argument Agarwal narrated about his own failed experiment with a gaming app that was intended to teach mathematics to kids. “A minute into the game they figured that this was no game but a trick to teach them, and immediately they got disinterested. For them games is entertainment, and just that.”

    The young entrepreneurs in the panel however differed. The Kumaran brothers said “Kids do like content that mirrors the teachings of their parents. Moreover, content that has an educational value that teaches a skill set like a programming code, or their everyday school syllabus with diagrams and videos, will work immensely well.”
     
    Expectedly monetizing models came up when discussing content production and business opportunity. “Time spent on content is what advertisers swear by. If that is so, as per market insight, kids will spend more and more time on digital or second screens than on TV, it is already happening,” said Agarwal hinting that ad revenue on kids content on digital platform will only grow.
     
    Gandhi shared another statistic from a BCG study: “Out of top 200 YouTube channels that garnered 10 billion views, 5 percent had kids content while 26 percent of the viewership came from children. It indicates that kids watch repeatedly, and they get obsessive over characters,” Gandhi said. Pointing out the simple demand supply ratio in economics, he added, “money will follow.”

  • Kids content growth is fastest in digital, and monetizing models need to keep up

    Kids content growth is fastest in digital, and monetizing models need to keep up

    MUMBAI: ‘Kids content has already gone digital, catering to its target audience,’ was the unanimous consensus at a session on ‘Kids Go Digital’ at the ongoing FICCI Frames 2016

    Unlike most discussions on digital media, there were no “if’s, ‘but’s and ‘maybe’s” and panelists — Chuchu TV CEO Vinoth Chander, Godimensions’ founders Shravan and Sanjay Kumaran, Nazara Technologies CEO Manish Agarwal  and Viacom 18 Digital Ventures COO Gaurav Gandhi – discussed how to take digital kids content to the next level, expand its market in India and make the most of the resources and eyeballs at disposal. Whizkidz Media founder Amit Agarwal, moderated the panel discussion.

    “Kids content growth is fastest in digital as its consumers are native to the medium. While you and I are adapting to the medium, they are born in the digital world and hence take naturally to it,” said Gandhi, adding that over the years the demography of kids born in the digital world will only grow.

    Currently kids’ content on digital platform is mostly on YouTube which has a few issues. Firstly, there is hardly any premium kids content available in India, then there is a lack of character driven shows, and most of the content for children is targeted at preschoolers leaving out a huge chunk of the audience. Moreover, most of the viewership comes from foreign markets, and the market in India still needs to be developed.

    Reflecting on how one markets kids content, Gandhi had a cryptic answer: “In their own language”. “You need to think like them and market your content on their own terms.”

    Speaking from personal experience, Gandhi added that using TV as a medium is a good start, as a huge chunk of the audience is still on TV. “Sampling videos on YouTube, TV and even reaching out to them through schools and play schools is also a good way to understand them and share your content.”

    As far as Chander was concerned, organic reach has worked wonders for him and his company ChuChu TV and he would vouch for strategically placed promotion within their own YouTube content. “We want to concentrate on quality content, rather than marketing as the former does the latter for us,” Chander said categorically. He also stressed that kids usually take more to visual content, and therefore propagating the message through videos and pictures would work better.

    “Kids are smart,” said Agarwal on the topic of edutainment. “Do not trick them into consuming content that you sell as entertainment, which is actually educational and is meant for learning. You need to separate your own consumers from their parents.” To back his argument Agarwal narrated about his own failed experiment with a gaming app that was intended to teach mathematics to kids. “A minute into the game they figured that this was no game but a trick to teach them, and immediately they got disinterested. For them games is entertainment, and just that.”

    The young entrepreneurs in the panel however differed. The Kumaran brothers said “Kids do like content that mirrors the teachings of their parents. Moreover, content that has an educational value that teaches a skill set like a programming code, or their everyday school syllabus with diagrams and videos, will work immensely well.”
     
    Expectedly monetizing models came up when discussing content production and business opportunity. “Time spent on content is what advertisers swear by. If that is so, as per market insight, kids will spend more and more time on digital or second screens than on TV, it is already happening,” said Agarwal hinting that ad revenue on kids content on digital platform will only grow.
     
    Gandhi shared another statistic from a BCG study: “Out of top 200 YouTube channels that garnered 10 billion views, 5 percent had kids content while 26 percent of the viewership came from children. It indicates that kids watch repeatedly, and they get obsessive over characters,” Gandhi said. Pointing out the simple demand supply ratio in economics, he added, “money will follow.”

  • VOOT plans to launch separate app for kids

    VOOT plans to launch separate app for kids

    MUMBAI: Viacom 18’s latest offering, its OTT arm VOOT, is banking heavily on the network’s rich kids content. Not only that, it plans to go beyond the network’s flagship shows like Motu Patlu and Shiva, and acquire kids content from an array of producers, small and large.

    The OTT player has already acquired digital rights to internationally acclaimed properties like Pokémon and Chhota Bheem for the platform that went live yesterday.

    “The idea is to bring together the top character shows under one digital platform to make the most of this booming market for kids content online with the aim being a market leader in the domain,” said Viacom 18 Digital Ventures COO Gaurav Gandhi.

    When quizzed about the possibility of VOOT launching a separate app for kids, Gandhi shared that they are considering it ‘within a year’s’ time. Currently the OTT platform has a separate section for kids’ content within the same app.