Tag: Keshet International

  • Star Plus brings ‘Prisoners of War’ to India, renowned director to direct

    Star Plus brings ‘Prisoners of War’ to India, renowned director to direct

    MUMBAI: Star India's Hindi General Entertainment Channel (HGEC) Star Plus has signed a series license deal with Keshet International (KI) for its award -winning drama format, Prisoners of War

    The Indian adaptation will be produced by Emmay Entertainment (Producer of films such as Airlift, Katti Batti, Hero, D-Day), and directed by the popular Bollywood director Nikkhil Advani.

    Keshet International managing director distribution, Keren Shahar said, "We are extremely proud to be collaborating with Star Plus on one of our most accomplished properties and couldn't be happier that Prisoners of War continues to achieve such success internationally. The versatility of the format is evident, since it has attracted a dedicated following anywhere it has aired in the world. Securing this deal with a highly esteemed partner is indicative of KI's future ambitions in India."

    A Star India spokesperson further added, "We are excited to bring a story of such pedigree to India. Star Plus has always been at the forefront of bringing the best of the world to Indian television by constantly redefining the grammar of storytelling. This series, a psychological thriller, will engage and capture the imagination of the Indian viewer."

    Created, written and directed by Gideon Raff, Prisoners of War follows two soldiers as they attempt to re-adjust to their lives after returning home from captivity for 17 years.

    In addition to their personal struggles, it becomes clear that there is a profound secret that the two are keeping from everyone. The first season was the highest-rated drama of the year in Israel in 2011, achieving a 37 per cent share (HH). Season two launched on Keshet Channel 2 in 2012, and scored a 40 per cent average share, making it the most viewed drama of the year and peaking with an incredible 47.9 per cent  audience share during the season two finale.

    KI has licensed the series all over the world, both as a format and finished programme. It has brokered licensing deals for local adaptations in numerous territories including South Korea (Star J Entertainment), Russia (WeitMedia), Turkey (Medyapim), and most notably, the US (Fox21 and Showtime) where the adapted series, Homeland, has won numerous awards including Emmys and Golden Globes.

  • Star Plus brings ‘Prisoners of War’ to India, renowned director to direct

    Star Plus brings ‘Prisoners of War’ to India, renowned director to direct

    MUMBAI: Star India's Hindi General Entertainment Channel (HGEC) Star Plus has signed a series license deal with Keshet International (KI) for its award -winning drama format, Prisoners of War

    The Indian adaptation will be produced by Emmay Entertainment (Producer of films such as Airlift, Katti Batti, Hero, D-Day), and directed by the popular Bollywood director Nikkhil Advani.

    Keshet International managing director distribution, Keren Shahar said, "We are extremely proud to be collaborating with Star Plus on one of our most accomplished properties and couldn't be happier that Prisoners of War continues to achieve such success internationally. The versatility of the format is evident, since it has attracted a dedicated following anywhere it has aired in the world. Securing this deal with a highly esteemed partner is indicative of KI's future ambitions in India."

    A Star India spokesperson further added, "We are excited to bring a story of such pedigree to India. Star Plus has always been at the forefront of bringing the best of the world to Indian television by constantly redefining the grammar of storytelling. This series, a psychological thriller, will engage and capture the imagination of the Indian viewer."

    Created, written and directed by Gideon Raff, Prisoners of War follows two soldiers as they attempt to re-adjust to their lives after returning home from captivity for 17 years.

    In addition to their personal struggles, it becomes clear that there is a profound secret that the two are keeping from everyone. The first season was the highest-rated drama of the year in Israel in 2011, achieving a 37 per cent share (HH). Season two launched on Keshet Channel 2 in 2012, and scored a 40 per cent average share, making it the most viewed drama of the year and peaking with an incredible 47.9 per cent  audience share during the season two finale.

    KI has licensed the series all over the world, both as a format and finished programme. It has brokered licensing deals for local adaptations in numerous territories including South Korea (Star J Entertainment), Russia (WeitMedia), Turkey (Medyapim), and most notably, the US (Fox21 and Showtime) where the adapted series, Homeland, has won numerous awards including Emmys and Golden Globes.

  • Keshet International inks first-look deal with Woodcut Media

    Keshet International inks first-look deal with Woodcut Media

    MUMBAI: Keshet International (KI) has signed a first-look distribution and development deal with UK-based production entity Woodcut Media. 

     

    Under the agreement, KI will get exclusive access to Woodcut’s new non-scripted factual crime slate for worldwide distribution, building on its emerging slate of non-scripted, English language finished programming. 

     

    “Woodcut’s expertise and track record in producing successful true crime series, which has always been a popular genre but is even more in vogue at the moment, makes their slate a brilliant addition to the KI portfolio. This deal is another step towards our ambition to grow a larger finished English language programming catalogue. Our partnering with Woodcut is testament to our aim to work with prolific UK independents,” said Keshet International business development and acquisitions head Sebastian Burkhardt.

     

    Woodcut Media CEO Kate Beal added, “Teaming up with Keshet is a great move for Woodcut and we are confident this will be a fruitful alliance to further deliver our crime shows to a global audience. A number of our titles in development are already being sought after by broadcasters, and the genre itself just goes from strength to strength. We very much look forward to making further announcements over the coming months.”

  • Keshet International inks first-look deal with Woodcut Media

    Keshet International inks first-look deal with Woodcut Media

    MUMBAI: Keshet International (KI) has signed a first-look distribution and development deal with UK-based production entity Woodcut Media. 

     

    Under the agreement, KI will get exclusive access to Woodcut’s new non-scripted factual crime slate for worldwide distribution, building on its emerging slate of non-scripted, English language finished programming. 

     

    “Woodcut’s expertise and track record in producing successful true crime series, which has always been a popular genre but is even more in vogue at the moment, makes their slate a brilliant addition to the KI portfolio. This deal is another step towards our ambition to grow a larger finished English language programming catalogue. Our partnering with Woodcut is testament to our aim to work with prolific UK independents,” said Keshet International business development and acquisitions head Sebastian Burkhardt.

     

    Woodcut Media CEO Kate Beal added, “Teaming up with Keshet is a great move for Woodcut and we are confident this will be a fruitful alliance to further deliver our crime shows to a global audience. A number of our titles in development are already being sought after by broadcasters, and the genre itself just goes from strength to strength. We very much look forward to making further announcements over the coming months.”

  • Keshet International acquires rights to ‘You Will Love Me’

    Keshet International acquires rights to ‘You Will Love Me’

    MUMBAI: Keshet International has acquired worldwide distribution rights to the Korean romantic comedy that has had the nation’s youth obsessed, You Will Love Me. It will launch the format and the finished show (16 x 1 hour) from the leading media and entertainment producer of hit drama series, JIDAM, to the international market at NATPE 2016.

     

    During its run from October to December 2015 on Hyundai Media’s Drama H and Trendy TV channels, ratings for You Will Love Me peaked with a 140% increase on its launch rating. It also generated a loyal following on Kakao TV (Korea’s 180m user strong instant messaging service which has a dedicated TV chat area) as Korea’s tech savvy viewers speculated online about the series’ next big reveal. The show and its renowned lead actress, Tea-Ihm Lee, were the number one most searched terms on Korea’s most popular search engine, Naver, on the day that casting was announced.

     

    JIDAM’s manager of international business Mi-Jong Jang said, “You Will Love Me is our first cable drama series, it is a heart-warming love story with a digital twist that proved irresistible to viewers in Korea. We are excited that You Will Love Me will to reach new audiences through our trusted distribution partner Keshet International. We simply believe you will love this series also!”

     

     You Will Love Me follows the story of a pretty young girl with a big exciting secret. In real life, Ji-Ho is inexperienced in love having only had one relationship and even that ended badly. But in the digital world, Ji-Ho is the hugely popular romance guru Dr Nova. Dr Nova’s blog posts are followed by millions of people who have been unlucky in love and are looking for advice. Under her guise as the wise male master of love, Ji-Ho advises hopefuls on how they can make themselves more attractive to the objects of their desire. When Dr Nova unknowingly begins a huge makeover on her geeky and annoying neighbour – which threatens to uncover her digital alter-ego – things start to get complicated…

     

    The head of business development and acquisitions Sebastian Burkhardt added, “We’re delighted to announce the acquisition of You Will Love Me, a Korean property which has created a huge buzz locally and has great potential in the world’s telenovela hubs of Latin America and Eastern Europe, not to mention the rest of Asia as a finished tape. This is the first of many projects under a long-term venture led Gary Pudney, our recently appointed Head of Asia, to package and sell high quality Korean properties worldwide.”

     

     The acquisition builds on KI’s strong links to the Korean TV market following the local remakes of its flagship drama properties Prisoners of War and MICE known as ‘Spy’ locally.

  • BBC One commissions ‘The A Word’

    BBC One commissions ‘The A Word’

    MUMBAI: Ben Stephenson, BBC Controller: Drama Commissioning has announced the commission of The A Word, a six part drama series to be co-produced by Fifty Fathoms Productions, Tiger Aspect Productions and Keshet UK.

    The A Word is based on the Keshet International and July August Productions’ series and drama format which was written and created by Keren Margalit. The A Word has been developed and written for BBC1 by Peter Bowker (Marvellous, Occupation, Blackpool).

    The A Word is the story of the Scott family who work and love and fight like every other family. Then their youngest son is diagnosed with autism and they don’t feel like every other family anymore. They realise that if their son is ever going to communicate, they are going to have to learn how to communicate themselves.  It’s a funny and thought-provoking series about parenthood and childhood and what it is like to have a child who fails to fit the mould.

    The A Word will be Executive Produced for Fifty Fathoms and Tiger Aspect by Patrick Spence and Peter Bowker. Executive Producers for Keshet are Sara Johnson, Avi Nir and Keren Margalit. Lucy Richer will Executive Produce for BBC One.

    Peter Bowker said, “I loved the original series and wanted to honour its spirit while writing something new.  We have the opportunity here to make something funny, tough, realistic and inventive about contemporary family life and autism. In a society where imperfection increasingly comes with blame attached it seems timely to look at how autism is regarded both within a family and the wider community – and to give some insight into how that experience might be for the child on the autistic spectrum.  It’s a drama full of ideas – about parenthood, about disability, about communication, about community – and will emphatically engage an audience whatever their experience of the subject”.

    Sara Johnson, Head of Drama and Co-productions at Keshet UK, added, “The A Word is so close to our hearts at Keshet, Keren Margalit’s original version is a beautiful series and a story which we are so proud and excited to share with the world. We couldn’t be happier to have found the ideal partners to do this in the brilliant Peter Bowker, along with Fifty Fathoms under the capable lead of Patrick Spence, and the perfect home on the BBC1 platform.”

    Filming will commence in summer 2015.  Further production and cast credits will follow.  A TX in early 2016 is currently anticipated.

     

  • IQIYI CCO Ma Dong to deliver keynote at Asia TV Forum & Market and ScreenSingapore

    IQIYI CCO Ma Dong to deliver keynote at Asia TV Forum & Market and ScreenSingapore

    MUMBAI: Asia TV Forum & Market (ATF), Asia’s leading entertainment content market announces today that Baidu’s IQIYI chief content officer Ma Dong, will deliver an Asia Media Keynote speech “Digital China: The New Storyteller – IQIYI” on 9 December 2014.

     

    For the third consecutive year, ATF 2014 will be held in conjunction with ScreenSingapore 2014. The four-day conference programme will take place from 9 to 12 December 2014 at Marina Bay Sands Expo and Convention Centre in Singapore. ATF earlier announced a power-packed line up of international speakers including Alon Shtruzman, CEO, Keshet International (Israel), Tom Beattie, Head of Animation and Children’s Programming for Tiger Aspect Productions (United Kingdom) and Nicholas Wodtke, Vice President, Media Solution Centre, Samsung Electronics (Southeast Asia & Oceania).

     

    IQIYI in China’s digital content market

    With over 450 million internet users and a growing middle class in China boosting its business, IQIYI, has grown from strength to strength to now become one of the country’s leading online television and movie portal. To further cement its leadership position in the rapidly growing China online film and TV market, the Baidu subsidiary plans to step up its efforts in 2015, making seven local films, one Hollywood film and producing 500 (15,000 hours) internet dramas. The company is looking to spend at least 300 million yuan to produce its own content.

     

    At the ATF conference, Ma Dong’s session on “Digital China: The New Storyteller – IQIYI”, will see him share about IQIYI’s position in China’s digital world, and the company’s journey to success.

     

    He said, “IQIYI has grown steadily over the years, and our achievements attest to the strategic thinking and foresight of various leaders within the company. We are very pleased with our success, and look forward to further expansion in the years ahead. I am excited about sharing IQIYI’s successes and the story behind our progress at ATF, and certainly hope that conference delegates will find these insights valuable for their businesses.”

  • Keshet International’s ‘Master Class’ builds momentum in Europe

    Keshet International’s ‘Master Class’ builds momentum in Europe

    MUMBAI: It’s time for some transformation. Keshet International’s kids singing format Master Class is making steady progress in Europe with a new sale in Slovenia, a stellar launch in Greece and a third season commission in Hungary.

    The talent show, in which children sing all-time popular songs with only positive reviews and no eliminations, will be produced locally in Slovenia by Paprika Latino for Planet TV; it will also be available on a dedicated channel on Telekom Slovenia. A 12 episode series is planned in the first season for 2015.

    The news follows the show’s recent launch on MegaTV channel in Greece where it became the leading show of the night in prime time, achieving a 33.5 per cent share in the channel’s target group (15 – 44) and an increase of 50 per cent on the same slot a month earlier.

    Hungary’s TV2 has commissioned a third series of the show, following ratings in excess of a 250 per cent increase on the average for its timeslot. Master Class will also soon launch a first season of 12 x 90 episodes on Beijing Satellite TV in China following a co-development deal with 3C Media.  

    So what is the reason behind the expansion? Entitled School of Music in Israel and produced by Tedy Productions, headed by Tmira Yardeni, the children’s singing show became a breakthrough hit on Keshet Broadcasting Channel 2 making it the highest-rated talent show to appear in Israel and the second highest rated show of 2011, with a season average of 48.1 per cent share and 32.5 per cent rating.     

     

           
    Background  

    Master Class is a music talent show where children sing popular songs with only positive reviews and without elimination. It has become a critically acclaimed programme that taps into the global trend of family viewing because of its warm and humane approach.

    It avoids the intrigue and harsh judgment of a ruthless competition, focusing on the nurturing relationships formed between the teachers and their young students, as they become familiar with the country’s rich musical history and cultural heritage.

    The 16 stars of the show are children aged 8-14, with the most promising voices in the country. Four teachers – leading artists in the music industry – train them to make the most of their potential and become the best singers they can. The program is set at the music school and its auditorium, where the weekly performances take place. Towards the end of the season the best student in each performance is awarded a place in the graduation show. Six sing for the last time in front of the committee, where one will be selected as the best in the class.

     

  • Keshet International reveals global MIPCOM slate

    Keshet International reveals global MIPCOM slate

    MUMBAI: Keshet International (KI), the global distribution and production arm of Keshet Media Group, is set to bring a diverse slate from the US, China and Israel to MIPCOM in Cannes next week. Featuring two hit primetime shows, Help! I Can’t Cook and Not A Star Yet, US action thriller, DIG and Babe Magnet a cutting-edge dating show from Comedy Central. 

     

    DIG – From the creators and executive producers Gideon Raff (Homeland) and Tim Kring (Heroes), comes the highly anticipated action thriller series, DIG, which tells the story of a murder mystery set against the backdrop of modern day Jerusalem, a city shrouded in ancient intrigue.

     

    FBI agent Peter Connelly (Golden Globe nominee Jason Isaacs, Awake) has had his fair share of heartbreak. Anxious to leave his personal demons behind, Peter takes a job stationed in Israel under the guidance of his new boss, and occasional lover, Lynn Monahan (Emmy Award-winner Anne Heche, Save Me). When he sets out to solve the murder of a young American, Peter soon finds himself embroiled in an international mystery that delves into the Holy Land’s darkest secrets. What he discovers is a conspiracy thousands of years in-the-making that threatens to change the course of history. While Peter races to figure out what it all means, he quickly finds that he may not be the only one searching for answers.

     

    KI holds rights to DIG in Australia, New Zealand, Italy, Scandinavia, Russia and the CIS, Turkey, India, English speaking South Africa and Israel. Currently in production for USA Network, DIG is produced by Universal Cable Productions and was developed by Keshet, in association with Gail Berman (Buffy the Vampire Slayer) of The Jackal Group and Gene Stein (Deception). Keshet’s Avi Nir (Homeland), Alon Shtruzman and Karni Ziv also serve as executive producers.

     

    Help! I Can’t Cook – Fresh from Keshet Broadcasting, KI will showcase its hugely popular new reality cooking format created by Keshet and Gil Productions. Since its debut on 13 September, which made it the second highest-rated original launch in Israel ever, the show has lead the weekly ratings charts, attracting an average audience share of 40% as viewers tune in to see the nation’s favorite celebrities struggling to survive in the show’s almighty kitchen.

                                                            

    In Help! I Can’t Cook celebrities face their fear of the kitchen – with disastrous, frustrating, heart-warming and rib-tickling results. The stars are pushed outside their comfort zone, losing their usual poise as they regress to their school days by becoming students at the remote and secluded Culinary Academy. Witness the results when you mix some supreme talent with a huge serving of egos and fold in a set of tasks way outside their comfort zone. Some deliciously entertaining viewing awaits… 

     

    Not A Star Yet – As part of a new collaboration KI is bringing the hit Chinese reality talent show, from Zhejiang TV, Not A Star Yet, to buyers in Cannes. This sensational talent/variety show with a central docu-reality element has led the rating charts in China generating ratings of 200 million viewers across each series, with its fifth season currently on air. Not A Star Yet has consistently beaten competition from 32 other channels and its nearest competitor by 40%, almost doubling Zhejiang’s slot average.

     

    Not A Star Yet sees the children of the nation’s best known stars take to the stage. Having been shielded from the lime light until now, and with great expectation thrust upon them, the performers expose themselves for the first time, and must win over the crowd on their own merits while their celebrity parents watch from the sidelines.

     

    In each episode, four celebrity offspring with various talents go head to head performing on stage supported by their chosen special star guest. Alongside the various stunning studio performances, Not A Star Yet is about the personal and family stories of the children who have grown up in the shadow of a household name.

     

    Babe Magnet is a fun, new format from Comedy Central Israel that transforms the traditional dating game show with an original, outrageous twist. In this bold, action-packed competition magnetic force becomes the ultimate matchmaker. Produced by Nutz Productions, in Babe Magnet four single guys vie for the heart of one hot babe by answering all her questions on sex, love and attraction while pinned to various surfaces by state-of the art magnetic devices. The potential dates are put in precarious positions which see them stuck to anything from the front of a fridge to being unceremoniously picked up by a magnetic dumper truck and carried off if they are rejected. Every time the babe rejects a guy, she operates a magnetic device to repel them away. Eventually the babe eliminates each guy one by one, until finally, she chooses her Babe Magnet.

     

    KI will also bring its explosive primetime game show BOOM! which has become a hit in Hungary and Spain having recently launched to gain 31% average share in primetime and 16% average share in access prime respectively – as well as being the leading show of the night in both territories almost every night. Alongside this is KI’s interactive talent show Rising Star which has sold to more than 25 territories, the spy drama MICE which is being remade in the US for NBC as Allegiance and the family sitcom Your Family or Mine which is being remade in the US for TBS.

  • Keshet International hires Lucy Roberts as sales manager, CEE

    Keshet International hires Lucy Roberts as sales manager, CEE

    MUMBAI: Keshet International has appointed former BBC Worldwide sales executive Lucy Roberts, to the newly created role of sales manager central and eastern Europe. Roberts will report into sales director CEE & CIS (as well as Africa & Middle East, India, Ireland/UK, Canada and pan-regional broadcasters)  Cynthia Kennedy, to grow KI’s business in the region where she will be responsible for both format and finished tape sales.

     

    Roberts has more than eight years experience in TV distribution having represented the BBC’s diverse formats slate across CEE, Africa, Benelux and Italy and most recently, the entire finished programme catalogue to Russia, Ukraine and the Baltics. During her tenure Roberts sold the entertainment franchise Dancing With the Stars into four new territories including a Nigeria/Ghana co-pro. She also closed deals for several high-end finished dramas such as The Musketeers, Da Vinci’s Demons and Atlantis to an array of broadcasters including Ren TV and TV3 in Russia and 1+1 and Inter in Ukraine. Prior to her the role at the BBC, Lucy was at ITV Global Entertainment from 2006 – 2008.

     

    Keshet International General manager distribution Keren Shahar said, “We are delighted to welcome Lucy to the team, it represents a reunion for her and Cynthia – together, I’m sure they will be a force to be reckoned with! Roberts’ experience in finished programming sales will be particularly valuable to us as we grow this area of our portfolio.”

     

    Roberts added, “Keshet is renowned for being one of the most dynamic, innovative format creators in the world right now and I am really excited to be joining the team at a time when the company is growing and the catalogue is going from strength to strength.”