Tag: KBC

  • KBC ropes in Aakash as a sponsor

    MUMBAI: Amitabh Bachchan-hosted game show Kaun Banega Crorepati (KBC) which will air on Sony Entertainment Television (Set) has roped in Aakash Institutes as one of its sponsors.

    Starting 7 September, KBC will air every week Friday to Sunday at 8.30 pm.

    The positioning of this season of KBC is ‘the power of knowledge‘ or ‘Sirf Gyaan Hi Aapko Aapka Haq Dila Sakta Hai‘ which matches with Aakash‘s vision.

    Aakash Educational Services director Aakash Chaudhry said, “We have pioneered this initiative with KBC as the program itself along with its central theme this year is truly in-sync with our philosophy! The magnetism and reach KBC has on the masses and with the visibility of Aakash coaching services when the program is aired, is the right and the best platform for us currently. It would definitely enhance our reach and thus fulfill the main purpose of this initiative, which is to reach out and assist all the aspirants who want to make their mark worldwide as medical and engineering careerists.”

    Set up in 1988, Aakash Institute offers coaching to engineering aspirants across the country. They also guide students for medical and foundation level examinations (like NTSE and Olympiads) across India.

  • ‘No concrete offer has come from Jain Group’ : Rajasthan Royals CEO Raghu Iyer

    ‘No concrete offer has come from Jain Group’ : Rajasthan Royals CEO Raghu Iyer

    Rajasthan Royals recently grabbed media attention for a reported $200 million offer from Kolkata-based Jain Group of Industries to acquire majority stake. The deal failed to fructify and the Indian Premier League (IPL) franchise is busy working out its future growth plans.

     

    Amid controversies over shareholding issues, Rajasthan Royals has furiously pursued its low cost model and is one among the few franchises who have broken even. It has kept its costs under control even as revenue from central pool and team sponsorship has grown year-on-year.

     

    Despite being profitable, the franchise has had its fair share of challenges, the biggest one being the termination of franchise agreement by the BCCI. While the franchise was reinstated into the IPL after winning the legal battle, the arbitration with the BCCI is still on.

     

    In an interview with Indiantelevision.com‘s Ashwin Pinto, Rajasthan Royals CEO Raghu Iyer shares the franchise‘s journey and its plans to become a successful sporting franchise.

     

    Excerpts:

    Q. Is it true that Rajasthan Royals was offered $200 million for diluting majority stake?Are you now waiting for the BCCI‘s permission before cashing out?
    Many offers keep coming our way. Interested parties come and talk to franchise owners. One of them was from the Jain Group, but it is not on the table anymore. So far no concrete offer has been made. We are not waiting for the BCCI’s permission to sell the franchise.

    Q. Has Rajasthan Royals broken even?
    We have. We run a tight ship and are in the black. We have not gone berserk on buying players, which is a big cost area. You need to spend only where it is necessary.

    Q. Does the arbitration process with the BCCI make it harder to plan long term?
    No, the arbitration process continues. Our operational business also moves along.

    Q. Are Lachlan Murdoch and Suresh Chellaram silent investors or are they active in the team‘s functioning and operations?
    We are a professionally managed franchise and owners don’t get into day to day activities.

    ‘Very seldom does a property come and take over the entire playing field. The IPL has changed the business of sport. It is one of the largest brands that India has created and is one of the largest sporting brands globally‘

    Q. What impact has the IPL had on the business of cricket and sports marketing?
    Very seldom does a property come and take over the entire playing field. The IPL has changed the business of sport. It is one of the largest brands that India has created and is one of the largest sporting brands globally. If you look at the various stakeholders, everybody has gained significantly from it.

     

    The most important part is that the domestic cricketers have a platform to perform and also an opportunity to earn a very decent living. You can earn between Rs 1-3 million which is a decent amount of money for somebody who five years back would have struggled to make good money. Next comes the broadcaster Max who is very happy and has really raked in the moolah. Sponsors have been happy like DLF.

     

    The franchisees bought into the league and did not think that it would grow so much. The growth has been helped by the investment that each franchisee has put in. The paying public are also happy. One thing that is significant for this year’s IPL is that all the stadiums are pretty much full. Our home matches have been sold out. Barring one odd match here and there, most matches are full.

    Q. But the ratings this year are showing a downward trend. Is this because the IPL has lost some of its novelty sheen and matured as a property?
    I wouldn’t call it a downward trend. The cumulative reach has plateaued at the 140 million level. In terms of ratings, even the average of 3.6 is a success. Name one property on television that delivers this rating day in and day out – whether it is at 4 pm or 8 pm. Of course, if you compare it to the initial years where the IPL managed a 4.8 rating, it is low. I will give you the example of KBC which launched with a rating of 20 and then settled down at a rating of 5-6. Even soaps like Kahaani had a rating of 10 and then settled down.

     

    I wouldn’t say that the IPL has matured as other leagues have been around for 40-50 years. The IPL is still a baby. The fact of the matter is that with so many ups and downs, it is still delivering ratings and advertisers are coming in for the teams, Max (the official broadcaster) and the BCCI. This shows that the IPL is heading in the right direction.

    Q. In hindsight was adding two more teams a possible mistake as a longer tournament means increasing the danger of viewer fatigue? 
    I don’t think that there is a viewer fatigue at play. Fans are flocking to the stadiums for tickets. A rating of 3.5 is not fatigue. There are other factors – perhaps, there is fragmentation of media. And it is not that ratings have dropped drastically – it is a marginal drop in the initial period. The number of close matches has increased and if you observe the buzz, people are following the league.

    Q. Do you feel that it might be a mistake to hold an auction every few years which leads to confusion among fans regarding who is playing in their team?
    I wouldn’t call it a mistake. Having an auction is so that the teams have an even playing field. The idea of the auction and a salary cap was that all the franchises taking part would have an equal opportunity to pick up players and build decent teams. In order to address viewer confusion, the IPL introduced player retention. As a franchise what we would want is for the fans to remember Rajasthan Royals for the brand of cricket that we play.

     

    That is the challenge that is not unique to us. It is present for all teams. Our motto is find a way to win from anywhere. We did this under Shane Warne. This character was shown in the match against the Deccan Chargers when we chased down an almost impossible score. We want fans to remember our brand of cricket rather than this being Shane Warne’s team or Rahul Dravid’s team.

     

    The underdog story was something that people identified with. People thought of us as underdogs. We have built on this story. We have romanticised the story of us winning from nowhere. Over the last four years from research, we realised that fans remember that we have the X factor that is mercurial at times and can surprise the opposition. This is something we want to build on.

    Q. Is it fair to say that Chennai and Mumbai are at an advantage in terms of fan following because they have managed to retain the nucleus of their sides?
    These teams along with Bangalore are at an advantage due to the cities. The people in those cities are loyal and passionate about their team and this is evident from how the local film industries are passionate about their team. The fans there are more loyal than the fans in some of the other cities. Player retention was allowed to all the teams. Some franchises chose to retain. We chose to retain Warne
    and Watson as we felt that those were the two players around which the Rajasthan Royals name was pretty synonymous with.

    Q. Does the IPL Governing Council need a franchise representative?
    It would be nice if the IPL governing council had franchise representatives. Having said that, the IPL has interactive workshops with the franchises. As long as the IPL Governing council is addressing our problems, it is fine. The IPL makes it a point to ensure that franchises points are addressed.

    Q. One thing that is plaguing the IPL is the lack of fan engagement activation being done by franchisees during the off season. It is just about two months and then it is forgotten. Why isn‘t more being done
    in this regard?

    This issue has been brought up in the workshops. To be fair to the IPL, they have taken cognizance of this and have promised to address this. One challenge is the lack of availability of players. There is the Champions Twenty20 League but the franchises who have not qualified have to think of interesting things to keep their brand alive. We tied up with a school in Jaipur and ran a school tournament in November.

     

    Then in January we tied up with the Jaipur Marathon. Ideally it would be great if we could have Rajasthan Royals B and C teams playing cricket. This would keep the younger boys well oiled. Bit cricketers have commitments. They either play in the Ranji Trophy, Duleep trophy or the national side. It is not an IPL issue; it is a cricket issue. Franchises try to get around this. Delhi Daredevils has a soccer tournament. KingsXI Punjab does a talent hunt.

    Q. What marketing initiatives have the Rajasthan Royals been doing to boost fan loyalty this season?
    We started off with Rahul Dravid as the captain. Once he retired, his brand value shot up to a different level. We piggy backed on this to some extent. Locally in Rajasthan we did on-ground activities. The aim was for the fans to meet and greet players. We also had a huge bunch of local Rajasthan players in the team which was not there earlier like Pankaj Singh and Ashok Maneria. Along with Dravid, we took them to hangouts like malls where they could meet fans.

     

    In terms of above the line we always look at support from our sponsors. There is an HDFC ad which is about the values that Rajasthan Royals brings to the table. It is about promoting youth, it is about Dravid increasing the challenges to the youth within the team. It is about how the youngsters rise to the challenge. We are a team that promotes youngsters. We have 19 partners, up from 17 last season. Each one activates it in a different manner. TCS is doing a different activation for instance.

    Q. What was the brief given to FoxyMoron?
    Social media is growing in importance. All franchises have focussed on this area this season. This is the best way to keep in touch with fans and get responses. Post the player auctions, we got fan responses about whether they were happy or not happy with our picks. Post the sale of Ross Taylor, some fans were disappointed and wrote in.

     

    We are number four among IPL teams in terms of social media. So for a Mumbaiite if the first most popular team isMumbai Indians, the second is Rajasthan Royals. FoxyMoron’s role is to ensure that content remains fresh.

    Q. Has this been a challenging season in terms of mopping up revenues due to the economic slowdown?
    We have a hard working team and have managed good results. We have got a 15 per cent hike in sponsorship revenue. To be honest, it did take some amount of selling to get in the sponsors. We have 19 partners brands on board including Ultratech, Puma, Pepsi, and HDFC Life who have come back as sponsors. There was a question mark initially about how good the IPL would be after last year. But this year we are happy about how things have gone so far.

    Q. How do you break through the clutter to offer maximum returns to sponsors?
    Creative initiatives come from the clients as they want to break clutter in their category. For example, Ultratech Cement is with us and in their category there is only one company associated with another franchise in a smaller manner. In life insurance, HDFC Life is with us and I don’t see any brand in that category in the IPL. They take the trouble to do some really good advertising. Clients are with
    us not just as advertisers but also to gratify their sales force and distributors.

     

    Another important thing is that four local brands have tied up with us which is something that was not there last year. This shows the penetration that the IPL and Rajasthan Royals give. Bikajee is with us as a snack partner and it was a matter of prestige for them to tie up with us. They are doing good stuff in the interiors of Rajasthan which will in turn grow our brand.

    Q. What is the split in the local revenue streams?
    The trading window is starting to generate good revenue. It can become a significant area if teams look at this in a serious manner. Ticketing has been fantastic. Sponsorship, though, accounts for 60 per cent of revenue, followed by ticketing. Licensing and merchandising is the item that should show exponential growth this area. It is waiting to explode. I don’t think that it has done that for any franchise so far. To go back to your earlier question on how to keep the brand alive throughout the year, this is it: L&M has to come into play.

    Q. What is the split between central and local revenue and by when will local revenue dominate?
    55 per cent of our revenue comes from the central pool. The key is licensing and merchandising. Once that takes off, then local revenue will go past what we make from the central pool. The healthy share of television revenue will hopefully still be there. It will take four years for licensing and merchandising to grow.

    Q. What are the plans in terms of growing licensing and merchandising?
    The first plan is to keep the franchise brand alive across the year because if you sell merchandise for just two months, then it will not work. It has to be available for at least 10 months in a year. The second issue is to make merchandise more affordable.

     

    Teams come out with Jerseys for Rs 800-1000. I don’t think that Indians can afford this. It has to come down to Rs 200. For the next season, we want to tie up with a merchandise partner. Puma has been our merchandise partner and they have been pushing our brand, but the challenge is to penetrate into the interiors of the market to ensure that merchandise is sold.

     

    There are different reasons why franchises have not turned licensing and merchandising into a serious revenue stream so far. In the first year, nobody knew about the IPL and in the second edition, the IPL went to South Africa. This is the first year where franchises have been able to sit down properly and think about how they want to go about things. Licensing and merchandising is a long term play.

    Q. Have you approached ticketing and hospitality in a different manner this time?
    We brought down the ticket prices starting at Rs 200 for stands that are price sensitive. Some of the hospitality tickets are at Rs. 4000-5000 compared to previous years when it was only Rs 30,000-40,000. For the first four matches, we really stripped it down. We needed to see what the off take would be. We have done well.

    Q. After this year, central revenue contracts (like DLF‘s deal) come to an end. How do you see the BCCI faring in terms of stitching together new deals with more value, given that viewership has fallen?
    The IPL is a unique property and platform. It is something that people will be willing to pay a premium. I don’t see the BCCI not being able to get in sponsors at the value that they are forecasting.

    Q. Champions Twenty20 League doesn‘t seem to be going anywhere in terms of viewer interest despite getting Bollywood stars to promote it. What is the reason?
    It will take some more time to deliver as far as ratings are concerned. The quality of cricket is excellent. They will get in ratings when the same foreign teams play in it more often.

     

    Then the local audience will identify with those teams. One team that will get a big fan following is Trinidad and Tobago. They have been coming and doing pretty well. This season will be their third season. If a team comes in three to four times, fan following will go beyond the IPL teams.

  • Melancholia is NCFC’s best film

    Melancholia is NCFC’s best film

    MUMBAI: The National Society of Film Critics (NCFC) has named apocalyptic psychological drama Melancholia as the year‘s best film.

    The Society has also chosen Kirsten Dunst as best actress and Brad Pitt as best actor for the baseball drama Moneyball as well as The Tree of Life.

    Though Lars von Trier lost out as the best director award for his work on Melancholia to Terrence Malick for The Tree of Life, his film‘s big win bolstered the offbeat film‘s chances for the upcoming Academy Awards that will announce nominees later this month.

    Set against the backdrop of a country wedding, the dark film explores the strained relationship of two sisters, one a bride played by Dunst, while a strange planet threatens to collide with Earth, wiping out all traces of human existence.

    Pitt, already a strong contender for the Oscars, was honoured for his roles as Oakland A‘s manager Billy Beane in Moneyball as well as a strict father in The Tree of Life.

    Critics‘ awards are important in helping build momentum heading toward the Academy Awards, or Oscars, which are the world‘s top film awards given out on the final Sunday in February by the Academy of Motion Picture Arts and Sciences.

    The NSFC includes 58 members from major newspapers in Los Angeles, Boston, New York, Chicago and other cities as well as from Time, Newsweek and The New Yorker and newspapers The Village Voice and the Boston Phoenix.

    The Real Millionaire by Piyush Thakur will be screened in International Competition at 34th Clermont-Ferrand International Short Film Festival.

    This is his story and that of his family and the villagers‘ journey towards realizing the actual meaning of the word “winning”, reads the synopsis of the film on the festival‘s website.

    The festival will be held from January 27-February 4,2012.

    The film is a story of a farmer Vishnu, who‘s life changes after he gets a call from the reality game show,KBC (Kaun Banega Crorepati). This is his story and that of his family and the villagers‘ journey towards realizing the actual meaning of the word winning.

  • Salman Khan takes Colors to No 2

    Salman Khan takes Colors to No 2

    MUMBAI: If it was the charm and charisma of Amitabh Bachchan that kept Sony Entertainment Television (Set) ahead of Colors, it is now Salman Khan who has stolen the show post KBC.

    Just one week after the fifth season of Big B-hosted Kaun Banega Crorepati (KBC) ended on Set, Colors took the ‘Dabangg‘ Khan‘s help to reach number two.

    The Viacom18 Hindi general entertainment channel (GEC) has added 43 GRPs (gross rating points) in the week ended 26 November to register 277 GRPs (last week 234).

    The channel aired Dabangg and Ready, back-to-back on Sunday (20 November) and Saturday (26 November), clocking close to 40 GRPs.

    Additionally, its shows like Bigg Boss 5, Parichay, and Phulwa saw slight increase in the ratings. The channel also aired maha-episodes of Balika Vadhu and Uttaran which clocked 3.6 TVR and 2.3 TVR respectively.

    Meanwhile, as per TAM data for the Hindi speaking markets (C&S, 4+), Set lost 38 GRPs post KBC and has slipped to third position among the GECs. The channel ended the week with 231 GRPs (last week 269). The two new fiction shows of the channel – Dekha Ek Khwaab averaged at 1.5 TVR while Parvarish did a 2.32 TVR respectively.

    Star Plus, the leading GEC has seen 2 GRPs drop but it continues to record 300+ GRPs and ended the week with 312 GRPs.

    Meanwhile, Zee TV lost 12 GRPs and ended the week with 149 GRPs. The fifth channel in the order, Sab, garnered 108 GRPs (last week 115) while Imagine TV registered 73 GRPs (last week 78).

    Star One with 42 GRPs (last week 45) and Sahara One with 36 GRPs (last week 40) followed.

  • KBC propels Sony to new heights

    KBC propels Sony to new heights

    MUMBAI: The angry “old” man of Indian cinema, Amitabh Bachchan, has once again proved his charisma as he took the fifth season of the game show Kaun Banega Crorepati (KBC) to new heights on Sony Entertainment Television.

    Albeit, it was a joint effort as in the history of KBC, it was the first time that a winner was taking home the grand prize of Rs 50 million. The two episodes, on 1 and 2 November, clocked a TVR of 7.2 and 8 respectively, as audiences swelled to watch a common man – Sushil Kumar from Motihari, Bihar, win the amount.

    KBC has helped Set to add 51 GRPs (gross rating points) during the week ended 5 November as it marched ahead of Colors, which was at par with the channel last week.
     
    As per TAM data (C&S, 4+, HSM), Set closed the week with 287 GRPs (last week 236), second among the Hindi general entertainment channels.

    Set senior EVP and business head Sneha Rajani said, “We are extremely satisfied with the ratings of KBC and humbled by the way audiences have connected to the show. It strengthens our belief and philosophy ‘koi bhee insaan chhota nahi hota‘. The success of Sushil Kumar in KBC is an emphatic endorsement of the fact that KBC is not just a game show, but a melting pot of knowledge and aspirations of the aam aadmi.”

    The Wednesday episode (2 November) of KBC5 has, in fact , became the highest TVR grosser among all shows since 2009 when Uttaran on Colors had achieved a 8+ TVR.

    Set said that KBC reached out to 25 million people on Tuesday and 27 million people on Wednesday, with 18 per cent reach and 43 minutes of average time spent, the highest for this season. 
     
    Set‘s climb was also supported by other fiction properties including Crime Petrol (4.2 TVR), C.I.D. (4 TVR) and Bade Acche Lagte Hain (3.7 TVR).

    Set has also broken its nine-year record to reach highest ratings. However, last time, it was on the back of the blockbuster film 3Idiots while the present rise is on pure programming.

    Even after scaling to 287, Sony stayed behind genre leader Star Plus which climbed to 335 GRPs (last week 273). All the fiction properties of the channel saw an increase in viewership, helping it to surge ahead.

    Colors closed the week with 240 GRPs (last week 236), while Zee TV ended with 143 GRPs (last week 131).

    Sab remained in fifth position with 121 GRPS (118 GRPs last week) followed by Imagine TV with 70 GRPs (from 61 GRPs).

    Star One closed with 43 GRPs (from 40 last week) and Sahara One with 34 GRPs (30 last week), according to TAM data.

  • Hindi GECs prepare for big action in October

    Hindi GECs prepare for big action in October

    MUMBAI: The pecking order of the Hindi general entertainment channel (GEC) genre, which has remained unscathed since the launch of KBC (Kaun Banega Crorepati) on Sony Entertainment Television (Set), is expected to shake up once again after two weeks.

    As per TAM data for the week ended 24 September (HSM, C&S, 4+ years), Star Plus continues to lead (289 GRPs) with Set in hot pursuit (270 GRPs). At the same time, the gap between Set and number three player Colors (211 GRPs) has widened to 59 GRPs.

    However, the order might change soon as the GECs are either going to launch new shows or are tweaking their programming – some are even doing both.

    Colors, for instance, is launching its big-ticket reality show Bigg Boss 5, starting 2 October. The show will this time have two hosts – Salman khan and Sanjay Dutt – to pull audiences. The channel at the same time is axing its non-performing show Mukti Bandhan while Laagi Tujhse Lagan and Na Aana Is Des Laado, two primetime shows, are being pushed to afternoon slots.

    Meanwhile, Star Plus’ dance reality show Just Dance is coming to an end on 1 October and will be replaced by the second season of MasterChef India sans Akshay Kumar.

    Set is also beefing up its primetime. So far the channel is having a dream run with KBC, which is giving it an average weekly TVR of 5.4. It will launch a romantic drama show, Kuch To Log Kahenge, an adaptation of Pakistani television drama Dhoop Kinare, starting 3 October. Notably, Set’s dependence on non-fiction has dramatically come down and more dailies are getting good eyeballs for the channel. These include Bade Acche Lagte Hain, Crime Petrol and Saas Bina Sasural. With Kuchh Toh…, the channel is expecting a similar response.

    Zee TV is aunching a new reality show, Star Ya Rockstar, after the completion of Saregamapa L’il Champs. Zee TV will also be launching a couple of fiction shows in October.

    Even Sab, which is hoping to cross 200 GRPs by end of the fiscal, is axing its non-performing show Ammaji ki Gali and replacing it with the male-protagonist show – Don’t Worry Chachu.

    At present, Zee TV has settled at number four and closed the week with 176 GRPs, ahead of Sab (123 GRPs). Imagine TV registered 78 GRPs followed by Star one and Sahara One with 39 and 33 GRPs respectively.

  • Film City in Mumbai set for revamp

    Film City in Mumbai set for revamp

    MUMBAI: The Dadasaheb Phalke Chitranagari, popularly known as Film City, is soon to be spruced up. The Maharashtra government has decided to equip it with state-of-the-art facilities. It also intends to make the film shooting facility a tourist spot on the lines of the Ramoji Rao Film City in Hyderabad.

    Said Film City spokesperson Saini, “There are some development plans that we have just started working on. It’s an ongoing process and will take some time before it gets implemented. We will first set a committee that will wholly work on the master plan.”

    A final decision will be taken within 20 days.

    “We also want it to become a sought after tourist spot. However, we won‘t open the entire Film City for tourism purposes. There will be just few places that will be open to the general public,” the spokesperson added.

    The government has decided to equip it with lavish and state-of-the-art sets to make it a one-stop for filmmakers. Special arrangements will be made for tourists to have access to shoots.

    Besides, a Bollywood museum is being planned.

    The Film City, situated in the northern suburb of Goregaon, was built by Maharashtra government’s department of cultural affairs and was inaugurated on 26 September, 1977. Initially known as the Maharashtra Film Stage and Cultural Development Corporation, it was renamed in 2001 as the Dadasaheb Phalke Chitranagari.

    Among the recent films that were shot at Film City are Devdas, Ready and Bodyguard among others. The ongoing TV show Kaun Banega Crorepati (KBC) is also being shot there.

  • KBC helps Sony sprint ahead of Colors

    KBC helps Sony sprint ahead of Colors

    MUMBAI: Amitabh Bachchan, the grand old man of Bollywood, has helped Sony Entertainment Television (Set) sprint ahead of Colors to grab the No. 2 position.

    Set has added 50 GRPs (gross rating points) to take its total to 245 points in a week that saw the return of Kaun Banega Crorepati (KBC) on the channel.

    As per TAM data for the week ended 20 August, KBC opened in the Hindi speaking market (HSM) with a 5.24 TVR, making it the biggest non-fiction launch of the year. Though the opening of KBC this season is lower than that of last year (6.2 TVR), it is important to note that the telecast time of the show has been lengthened to 90 minutes per episode.

    KBC 5 (2nd season on Sony) averaged 4.54 TVR during the week.

    KBC also lifted the ratings of other fiction shows. Bade Achhe Laggte Hain, Set‘s biggest fiction show, has grown to a TVR of 3.7, while Saas Bina Sasuraal touched 2.4 TVR. CID continued to thrill the audience with an average rating of 3.5 TVR while Crime Patrol clocked 3.1 TVR.

    Set senior EVP business head Sneha Rajani said, “KBC 2011 has been the only non-fiction show to open above 5 TVR this year on any Hindi GEC. We are delighted at the performance of all our shows and over the next 4 to 5 weeks we will further consolidate our position. We are confident that fiction will be the main growth driver on the channel. With a slew of promising new shows, Set will be a channel to watch out for.”

    Colors has slipped to No. 3 position with 232 GRPs (preceding week 236), while Star Plus continued to be on top of the ladder with 297 GRPs (277 in previous week).

    Zee TV is in fourth place for the second consecutive week with 194 GRPs (190 in trailing week), according to TAM data. Interestingly, Sony had managed to edge out Zee TV after the launch of KBC last year, though for a short time.

    The rest of the pecking order remains unchanged. Sab in fifth position collected 128 GRPs (last week 127) while Imagine TV earned 76 GRPs (last week 71), followed by Star one (32 GRPs) and Sahara One (31 GRPs).

  • Sony hits jackpot with KBC in HSM metros

    Sony hits jackpot with KBC in HSM metros

    MUMBAI: Amitabh Bachchan, a.k.a Big B, has done it again for Sony Entertainment Television (Set).

    Sony, which was eyeing a permanent third spot among the Hindi general entertainment channels (GEC) with Kaun Banega Crorepati season 5, was in for a surprise with the TAM mid-week ratings.

    KBC has become the leader show in the non-fiction genre and SET the No. 1 channel, according to data provided by Set for three metros (Delhi, Mumbai and Kolkata).

    KBC has debuted with a 5.24 TVR on 15 August at the 8.30 pm slot, according to TAM mid-week data for the three metros.
     
    KBC and two weekday fiction shows – Saas Bina Sasural and Bade Acche lagte Hain – pushed the channel ahead of Star Plus as it gained 111 GRPs (gross rating points). Star Plus, Colors and Zee TV followed with 106 GRPs, 100 GRPs and 63 GRPs respectively.

    An elated Set Sr. EVP and business head Sneha Rajani said, “Mr Bachchan has once again proved that line starts from where he stands. We are delighted with the performance of KBC. These numbers show that we have yet again touched a chord with our viewers. The impressive opening numbers for KBC is an emphatic endorsement of our promise of delivering wholesome family entertainment has worked across the length and breadth of the country.” 
     
    Set also said that KBC 5 debut has even surpassed other reality shows on rival channels this year. It said that India‘s Got Talent on Colors had opened with a 4.5 TVR, followed by Just Dance on Star Plus (4 TVR) and Fear Factor khataron ke Khiladi Torchar (3.7 TVR).

    In the last season (first season on Set), KBC had opened at 5.34 TVR. However, it was a one-hour show then; this time, the length of the show has increased by another half-hour.
     
    Rajani said that her aim is to consolidate at No. 3, and grow from there. “KBC has given us a good start and all other shows are showing growth. We have the plan for the next six months ready.”
     
     

  • Sony in hot pursuit, eyes No.3 spot with KBC

    Sony in hot pursuit, eyes No.3 spot with KBC

    MUMBAI: Zee TV is under attack. For the third time in the year, Sony Entertainment Television is trailing behind by just three GRPs (gross rating points).

    The problem for Zee TV is that Sony‘s flagship game show Kaun Banega Crorepati (KBC) will make its appearance from 15 August. The Amitabh Bachchan-hosted show at 8.30 pm is positioned as a gateway to Sony‘s primetime programming.

    Sony expects its two fiction shows – Saas Bina Sasural (10 pm) and Bade Acche Lagte Hain (10.30 pm) – to get a lift.

    “We are confident that KBC will deliver again. With or without KBC, Sony will reach the No. 3 position by the year-end,” said Set senior EVP and business head Sneha Rajani.

    For week ended 6 August, Set is at fourth place on the GEC ladder with 187 GRPs (last week 190), as per TAM data for Hindi speaking markets (C&S, 4+) for the week ended 6 August. Zee TV is ahead with 190 GRPs (208 last week).

    Meanwhile, Star Plus continues to lead with 304 GRPs (last week 345). The loss of 41 GRPs comes after the IIFA Award telecast.

    Colors is ranked second, comfortably ahead of Zee TV. Colors ended the week with 269 GRPs (last week 266). Balika Vadhu has once again topped the charts with 5.69 TVR.

    Sab clocked 124 GRPs in the week, one less from last week‘s ratings. Imagine TV collected 70 GRPs, while Star One and Sahara One are at the bottom with 36 and 33 GRPs respectively.