Tag: Kavita Shenoy

  • Voiro has always helped publishers to understand & manage their revenue better: Kavita Shenoy

    Voiro has always helped publishers to understand & manage their revenue better: Kavita Shenoy

    Launched back in 2014, Voiro is a revenue management product suite for media houses and digital publishers. It consolidates diverse technologies & multiple sources of revenue. A data technology company, Voiro brings automation and intelligence to media organisations across the world, enabling them to make data-driven business decisions.

    Currently, Voiro cpowers many OTT players, digital publishers & media houses in India. The company says that it is trusted by prominent OTT players and publishers such as Disney+ Hotstar, Voot, BookMyShow, Zee5, OLX, Flipkart, and DSTV (South Africa).

    Co-founded by Kavita Shenoy & Anand Gopal, Voiro Technologies positions itself as being India’s first definitive revenue analytics and technology stack for content, media and publishing. Voiro’s engineering products that power revenue optimization & workflow automation for ad-led companies. Its SaaS based product harnesses the power of data to track ad inventory in real-time and gives their customers instant access to actionable intelligence.

    The company’s technology has driven colossal live events year after year such as the IPL, the Oscars, Bigg Boss and Big Billion Day. The company has already raised ₹2.5 crore in a pre-Series A round from crowdfunding platform 1Crowd’s investor community and angel fund. The funding has propelled it to grow ~4x in the last year, pushing the annual recurring revenue (ARR) towards the ~$1mm mark that helped the company to bag its first international customer.

    An ex-googler and a tech-aficionado, Shenoy heads business strategy and development at Voiro. She is one of the few Indian women entrepreneurs who has carved out her niche and solidified her position in the tech and SaaS space. She believes that technology is an enabler and has the power to revolutionise & drive business, which is Voiro’s core strategy. She is devoted to solving problems faced by media houses, digital publishers and top OTT players in India, which is bringing the digital/operational transformation as well as helping to become future-ready.

    She is an undergraduate major in Economics from the University of Mumbai and began her career in advertising, with Lowe Lintas where she managed some of the country’s largest consumer brands. At Tirage Worldwide, she handled media consultancy & experiential marketing for various businesses. She proved her prowess in the content analytics domain by spearheading the launch of Doubleclick YouTube in India & South East Asia.

    At Google, she conceptualised & delivered compliant launches & programmes in media platform policies through advocacy and governance frameworks. Having worked intensively with large advertiser programs for Google, she used her deep understanding & knowledge of the space to identify gaps that existed between advertisers & publishers. Armed with this insight, she founded Voiro which was at the intersection of data meets technology, which is a strong central need in the market currently.

    At Voiro, she has been working hard to scale up the company and to build a dominating presence not only in India but also in the overseas markets. She has been leading a lean, agile, expert team towards steady growth over the past six years. She envisions Voiro being the SaaS partner of choice to all the major content companies in the world. 

    Indiantelevision.com caught up with founder & CEO Kavita Shenoy to find out more on the company’s plans.

    By Ashwin Pinto

    Excerpts: 

    On the market gap she witnessed in 2014 when Voiro was launched

    Voiro was built to address a gap on the publisher side of the advertising industry. That was a time when the use of data in digital advertising was only just beginning to proliferate, but a large part of the evolution was on the advertiser side. We realised that publishers were going to grapple with new data-related problems, and we set out to solve some of those. 

    The company evolved its offerings over the years

    The core problem that Voiro solves has always been to help publishers understand and manage their revenue better. And what has changed is that more & more sectors face similar challenges, so our product has evolved to serve not just media / OTT businesses, but also e-commerce, telecom and potentially gaming. Essentially, anyone who makes money from digital advertising.

    On the product front, we have been able to go deeper into our problem space every year. For example, we began with just revenue reporting, but have moved into workflow automation, as well as insights and recommendations. In short, anything to help publishers make more money from their ad inventories.

    On the goals for this year

    Our focus for this year is growth. We see the industry expanding, our target customer is growing, and we know that the problems we solve are problems that every publisher faces at some point in their growth journey. Our goal for the year is to ride this wave and take our products to more customers and geographies. 

    On how Voiro is leveraging growth in the OTT space

    OTT has for many years been our core focus, and we work with nearly all of India’s large OTT players. Our goals are to grow our presence in the OTT space abroad, while also ensuring that we take our product to other promising sectors such as e-commerce.

    On the challenge that media & entertainment companies face in being data first

    Today, collecting data is never a problem, especially for any business in the media space. Putting that data to good use is a completely different problem. We see businesses across our target sectors struggle to organise their wealth of data, ask the right questions, and put the data to use in a way to help drive growth. It is because growth is the only thing that matters to these businesses; just having data is not enough.

    On Voiro’s recently launched revenue reconciliation product

    Revenue reconciliation is at the heart of what Voiro does, and is built to answer a single crucial question for publishers: “How much have I earned so far?”

    Digital advertising is incredibly dynamic, and advertising campaigns are subject to extensions, truncations, changes in targeting, and several other situations that affect the delivery of these campaigns. For a media business to understand the state of delivery of several hundreds of parallel campaigns can be challenging, and borders on impossible at a large enough scale.

    Revenue reconciliation automates this process for publishers, helping them understand how much money they have made at any point in time, where it came from, and what they should do to grow.

    On finding the right product market fit in a rapidly evolving media & entertainment industry

    Although media and entertainment businesses are rapidly evolving, the core problem that Voiro solves are the revenue visibility and management – is constant. A business could make money via direct sales or programmatic, from India or abroad, via their website, app or streaming platform. As long as they sell ads, we can help them. And to that extent, product-market fit has not been a challenge to find. 

    On the evolution of ad tech from where it was a few years ago

    As with the broader industry, adtech is constantly evolving. Products have appeared that solve all kinds of problems on either side of the advertising equation.

    But for both publishers and advertisers, the challenge is this: building an adtech stack is easy. Getting the most out of the stack, making sure all the parts work together, and building the right organization around that stack, are the most important questions about adtech today.

    OTT platforms need to be more innovative in terms of offering solutions to advertisers

    OTT platforms are constantly experimenting with the solutions that they offer advertisers. In fact, to use a prominent example, the growth of IPL ad revenue over the years is due in large part to Star’s willingness to experiment & innovate.

    Advertisers are always looking for new ways to reach their customers, just so long as the value is clear. Therefore, OTT platforms are always going to continue to look for new ways to earn their next marketing dollar.

    On whether the lack of single currency measurement for digital is hurting the revenues that OTT platforms get

    Measurement is an essential aspect of advertising. Advertisers have been willing to accept a variety of measurement metrics for digital marketing, which led to the growth of performance marketing. So on the contrary, this has probably helped grow digital ad revenues, rather than hurt them. However, all publishers (including OTT platforms) must be aware that advertisers will always seek a balance between brand and performance spends. The publishers will always have to look for better and more accurate ways to demonstrate outcomes, even more so as ad rates rise and if businesses are under economic pressure.

    On platforms needing to improve the ability to deliver ads in the right context

    The challenge here is to achieve micro targeting in a cookie-less world. And inevitably, the answer is for publishers (including OTT platforms) to make use of first-party data. A platform that is able to truly leverage their first-party data will outperform the one that does not, and should be able to command a significant premium for their ad inventory.

    On the role of augmented reality (AR) and virtual reality (VR) when it comes to content & advertising on OTT platforms

    AR and VR, at this point, are very nascent technologies, even more so in markets like India. It may be a while yet before we see commercial-scale content and advertising making use of AR and VR, but smart advertisers and publishers are always going to keep an eye out for opportunities.

    On how she observes Viacom18 faring with the digital rights of the IPL in the next five years.

    The bids for IPL rights, as expected, were significantly higher than the 2017-22 auction, and the winners are going to find it challenging to make a profitable business of it. Regarding the digital rights, it is clear that Viacom18 will have to explore all possible monetisation routes: subscriptions, advertising and transactions.

    We see their road ahead in three parts: first, ensuring that they win over all the viewership that Hotstar has amassed over the last five years; this will by no means be automatic. Second, building the infrastructure to deliver advertising at scale to this audience. And finally, pulling out all the stops to maximize their ad revenue over five years. This last part will be hard; Viacom18 will have to really innovate to create more ad spots, formats and properties to monetise, as well as demonstrating real value to advertisers so as to command premium rates.

    On whether it is mainly going to be a subscription play

    It is hard to see the winners being able to monetise their rights solely via subscriptions. India has been a hard market to win over from a subscriber point of view; this is most easily seen in Netflix & Disney’s performance over the last two years. These companies, both running massive and successful global subscription businesses, have both struggled to match that success in India. For the winners, the next five years has to be about a combination of advertising & subscriptions.

  • GUEST COLUMN: What’s new in Web 3.0 for content?

    GUEST COLUMN: What’s new in Web 3.0 for content?

    Mumbai: The very genesis of the internet was to be decentralised, and that’s partly true even today. You can send an email from your Gmail to an Outlook address or you can have your own domain and server to send an email to anyone. The ability to host, ring-fence, and interact independently has always existed but along the way, large corporations came in to organise the internet and make it available to people in an easy scalable manner.

    This was the beginning of what we now know as Web 2.0. Users thus explored these spaces and started building communities. Email and social media platforms made it easy to interact with people using a common space. Users can easily jump on to the bandwagon of Facebook, Gmail, Twitter, or Instagram, and more recently to Tik Tok and a plethora of newer short video platforms. And inevitably, people milling around a common space gave way to the proverbial soapboxes that we all love to like, share, comment on and become ardent followers of.

    The Evolution of the Content World

    Meanwhile, in the content world, the internet moved from solely being a marketing tool to being the home of all content consumption. Content creation moved from being the job of actors, studios, production houses, and writers to casual commentators and regular people who explored their creative side. Today, we have platforms like TikTok, Instagram, Spotify, and Youtube that give professionals and amateur creators a path to reach their audiences.

    In 2020 alone, Instagram recorded an estimated two billion users and $24 billion in revenue, while Tik Tok had an estimated one billion users and $1.9bn in revenue. The sheer number of users, signals that the momentum that we have built up around these companies has a life of its own. As things stand, the internet still needs centralised players to allow for discovery. We have spent the last two decades discovering and recognising different platforms to listen to music, watch a video, or share photos. And that is not about to change anytime soon.

    Embracing Web 3.0

    If Web 3.0 is to bring about a wave of change, it is the application of blockchain technology in enabling transactions and in the actual value of the material. This development is especially interesting in the content space. It seems benign from the outside because we are already transacting at a price for content: whether via direct subscriptions or via ad-subsidized models that appear free to users.

    Users and brands, however, pay centralised platforms for the content, not the original producer of the content. This is largely because it is the platforms that take on the trials of hosting, security, and content distribution, all of which are expensive propositions. These platforms do share a part of their earnings from ads and subscriptions with creators, but this share tends to be small and at predetermined prices where creators have little or no say.

    When you look at how the content industry is progressing, we have legitimate jobs like “Instagram Influencers” and “Tik Tokkers” who have an enviable set of audiences that follow the original content they created day on day to entertain, inform and influence purchase.

    Predictably there is a huge spike in “Influencer Management” companies that offer brands access to collaborate with influencers. As per an online report, there were more than 240 Influencer companies that were set up in 2021, and the Influencer Marketing Industry is set to grow to approximately $13.8 billion in 2021, up from 9.7 billion last year.

    The Future of Blockchain Technology

    The growth of influencer marketing will soon make it impossible for even these companies to keep up in basic terms of running a business. Blockchain is a perfect solution to help ensure the right creators are paid and transparent validation of the value of the content created.

    For instance, TikTok is planning to introduce Ghost Kitchens to give users the ability to order a recipe that went viral (remember the Dalgona coffee phase?), fulfilled by Tik Tok and paid for by the user. Their intention is to share the proceeds of the orders for that dish with its Tik Tok creator. One way for TikTok to actually ensure that the right creator gets paid for the recipe is by using blockchain technology to trace the true (first) owner of the recipe on the platform. The value of that token can be gathered with how much it was shared (indexed) so it can influence the price of the recipe created to be produced.

    In the same vein, video platforms can use blockchain technology to allow access to content in an almost peer-to-peer manner. Such platforms could payout tokens to users allowing other users to access their computing resources. And these tokens could be reused within the platform or exchanged for currency at a value determined by the market.

    In this kind of world, content creators can get paid directly by their consumers, and discovery platforms can transition to new business models, relieved of some of the stress of security, hosting, and distribution. We are seeing small but significant moves towards using blockchain technology in content monetisation and the industry is sitting up and noticing it. The amount of capital flowing into web3.0 and blockchain-based companies is off the charts. However, there are several challenges to making this technology commercially viable, and the jury is out on how well it will scale.

    There is no doubt that these are interesting times for the media sector, and blockchain will certainly have its part to play. But it will take a while before it becomes completely mainstream, if ever.

    (Kavita Shenoy is the founder and CEO of Voiro, a Bengaluru-based ad-tech start-up. The views expressed in this column are personal and Indiantelevision.com may not subscribe to them.”

  • 1Crowd invests Rs 2.5 cr in media tech brand Voiro

    1Crowd invests Rs 2.5 cr in media tech brand Voiro

    MUMBAI: Bangalore-based startup Voiro, a unique revenue management suite for ad-led digital publishers, has attracted Rs 2.5 crore in a pre-series A-round of funding led by early stage investment fund 1Crowd and its investor community. The funds raised will be used by Voiro as growth capital for both domestic as well as international markets.

    Voiro will use this investment to strengthen its team and platform. The company will also focus on building key partnerships as it aims to consolidate its India position and expand to new geographies. Voiro will leverage expertise from 1Crowd members to drive its ambitious plans. Cognizant Technology former executive vice president Mohan Kalyan will come on board as a director and will help Voiro during their next stage of growth.

    Commenting on the investment, 1Crowd co-founder Anup Kuruvilla said, "1Crowd chose Voiro for its right blend of industry expertise and technological capabilities. We feel the analytics provided by Voiro are of great use to its clients as this helps not only to manage their inventory but also to monetize the same. The company’s deep understanding of the media industry and its pain points combined with a strong technology team that can build intelligent solutions to tackle these problems makes Voiro a company with strong potential in the digital publishing and advertising space.”

    Voiro co-founder and CEO Kavita Shenoy said, “Voiro’s growth and technology curve has been steep since its inception, a testimony to its value proposition to the media, advertising, and digital publishing industry. We are glad for the investment from 1Crowd as it reaffirms Voiro’s strength and potential. These funds will enable us to write the next chapter in our growth as we look beyond the Indian market.”

    Founded in 2014 by Kavita Shenoy and Anand Gopal, Voiro enables media and digital publishers through cloud-based technology solutions to achieve sharper monetization of their advertisements and helps to better leverage their data across sales, finance, and operations. Today, Voiro caters to a significant number of OTT players and digital publishers, making them one of the largest home-grown players in this space.

    Voiro enables digital publishers by helping them to adapt to the changing content consumption pattern and helps manage their revenue better by streamlining workflow, harnessing data, and increasing efficiency through automation. Voiro currently powers some of the biggest OTT players, digital publishers, and media houses in India.