Tag: Kaushal Modi

  • IDBF 2023: Connecting to the new age consumer – The new order

    IDBF 2023: Connecting to the new age consumer – The new order

    Mumbai: The third edition of Indian Digital Brand Fest 2023 had brands, advertisers, and tech platforms, to discuss the trends and more. The summit also looked at the latest trends driving the change in consumer behaviour and how it has impacted the industry’s growth.

    Whether it was a boom in influencer marketing or the popularity of short video platforms, brands did not hesitate to jump onto the digital bandwagon to up their marketing game. So Indiantelevision.com took this opportunity to bring a host of industry experts together under one roof to discuss all these new trends shaping the future.

    Jio Entertainment Sr. VP content licensing & partnerships Kaushal Modi in conversation with TV9 Digital executive editor K Krishnakumar.

    Krishnakumar commenced the session by saying, “The good thing is that we have a very interesting and simple enough topic – ‘Connecting to the new age consumer – The new order’, and who better than somebody like Kaushal Modi, who is involved in the most exciting business as far as the aam aadmi or the aam janata is concerned, i.e., the OTT business, which connects with all kinds of consumers – new age and old age. They say old-age consumers behave like new-age Gen Z consumers when they come to watch content on OTT. I just want to begin by asking how is the way in which connecting with consumers is changing and most importantly, how is that impacting content, creation, distribution and consumption?”

    Modi said, “ In 2016 when we launched 4G, it changed a lot of things in the industry. Pandemic was another event that changed and got to complete adoption of the digital side. We keep saying Gen Z, but when we talk about my parents, they are ‘Gen Z’, because they’ve just come onto the bandwagon suddenly getting internet in their hand. So for us, all consumers are new. The digital natives are the early adopters, and everybody else coming in. There is no looking back, it is part of everybody’s life, we have 600 to 700 million customers currently, out of a population of 1.5 billion.”

    Laughingly interrupting Modi, Krishnakumar said, “That’s the power of IPL, or IPL and succession.”

    Adding on it, Modi said, “So succession is obviously a more niche audience. But yes, we do cater to each and every audience. What we did was, ensure that you had connectivity and everybody was consuming content. It’s not a new business in terms of content. There were different services, there were different screens, there were different modes of getting entertained. What has changed with internet is, it has just created another mode of delivery, another medium of delivery, and it’s no longer fixed to a wall, like a television screen, but changed to mobile screen. We have become a mobile-first country and as we keep growing, and as we keep evolving, now there is the Jio phone, Jio fibre just to get connectivity to everybody at an affordable price. We ensure that the connectivity is there, the device ecosystem as well, and so on. So you’ve got the smartphones,  the feature phones with connectivity, and the connected TVs, you’ve got everything which is there.”

    Immediately adding on to that, Krishnakumar said, “Kaushal, Reliance does diruption with backward integration, from telecom to OTT. It’s incredible, the story you’re telling us. I’m curious to know, with so much content that you are licencing, and you’re partnering to create, in that space I’m asking. Now you have digital to push that content promoted on social media as well. From that point, in that zone of things, how are you seeing content change and evolve when it comes to connecting with consumers?”

    To which, Modi replied, “So earlier, it was just long form content to web series, let’s say this was a new thing, maybe four or five years ago, it’s changed, you’ve got shorts, influencers, digital media and social media is changing everything. So there is no one scope, which covers everybody. Everybody’s got a different taste, culture and requirements in terms of entertainment, infotainment as per the requirement of each consumer. What we’ve enabled is getting it in their hands. People are consuming across different services, be it social media, the open internet, the OTT apps,q our apps effectively, which is making sure that the content is available. You can consume the way it is, it’s available there. Different models from a content creators lens, it could be an AVOD content experience, it could be an SVOD content experience. Everybody has a different commercial model and a different model of engagement. So that’s from the content creator side. Similarly you got the other side which is the consumer, they’re getting brutal. They’re deciding what they want to watch. If they like it, they continue or else they just drop it and move forward. But there is an opportunity, with the internet, connectivity and the ecosystem evolved, to make everybody a creator and everybody a consumer of the content. You no longer have to be stuck to a television channel at nine o’clock to watch a show. We know those days are gone…”

    Krishnakumar then asked Modi, “Content licencing, for a consumer company like Netflix, where every region becomes a separate business as every territory has different genres of content and pricing, and what you’re watching changes from region to region. The third point is that everything is in silos at this stage. Talk to us about the Indian market, and Indian market has been targeted by the global giants. I dare say that such an important market will wait for Jio to push it further and become the most dominant player going forward. From that perspective, Kaushal, how are things changing in terms of licensing and distribution?”

    Modi answered, “So we feel that the global giants are driving the consumption or the market, I don’t think that’s the case. That’s what people in this room are experiencing because we’ve taken the OTT subscriptions. But even in the OTT subscription, things are getting blurred. People are watching global, Korean and Latin American shows. They’re being watced without it being dubbed in your local language. So that’s one thing, that is obviously content transcending into multiple languages, they’re moving across. So that’s the consumption which is happening. Apart from 80 to 110 million subscriptions, which is what people keep claiming, beyond that you have the huge audience base, which is still consuming other content, which could be anything like a DD free dish, or open Internet content, which is available for free and driving millions and millions of views. You suddenly put a new music video and people are talking about 500 million views, versus we looking at any of these top OTTs, and they’re saying, ‘hey, our show which is in the top, and has five million views. So obviously, it’s also looking at perspective in terms of what I said. From our perspective, we’ve aggregated and tried to get everything onto one platform, making it seamless, a single destination, and making everything available, and then let the consumer decide what they want to do. So it’s the choice given to the consumer, at an affordable package, and then you’ve broken the barriers for people to consume the model.”

    Wrapping up the session with one last question, Krishnakumar asked, “What’s the most watched content on Jio, for now? Anything that comes to your mind that really works well as a content pieces?”

    Modi said, “It changes every month, every day, every hour. So there is no fixed thing in terms of what worked, what didn’t work. Every day is a new benchmark. If it was a benchmark, three months ago, it might have been different, obviously, it’s a very evolving market, new users coming in, a lot of changes happening, different experiences coming in…”

  • Call to experiment with new platforms, technologies: CII seminar

    Call to experiment with new platforms, technologies: CII seminar

    MUMBAI: While new technologies have the risk of copyright violation it is important for the Indian entertainment industry to explore the possibilities offered by new delivery platforms whether it is IPTV, mobile, DTH.

    At the same time the rights situation particularly for the film industry needs to be made clearer.

    This was one of the points stressed at a panel discussion organised as part of the Confederation of Indian Industries (CII) Legal Workshop this morning. The speakers were Sony head – licensing and telephony Kaushal Modi, Hutchison Essar VP value added services S.P. Narayanan, UTV VP international Ashoka Holla and consultant Raj Tilak. The session was moderated by Tata Teleservices VP value added services Pankaj Sethi.

    Modi pointed out that with new distribution platforms emerging the rights situation for the older film titles is not clear. There is more clarity regarding the newer titles but there is more work to be done. Definitions need to be clear like Vod, Pay per view.

    Tilak says that the film industry needs to come together and form a common standard that will be adhered to by both buyers and sellers. A common body needs to be set up who will interpret the rights situation in a uniform manner. In the US for instance video on demand is not a right by itself. It is segmented in different platforms. Unfortunately among some Indian filmmakers there is a lack of understanding about the emerging technologies. So perhaps distributors of content need to sit down with content creators and explain to them the different ways in which content can be exploited for the mutual benefit of both parties.

    He also suggests a robust system of arbitration be put in place. So any dispute over revenue sharing or who has the rights can be brought before a panel whose word in the matter will be final.

    Holla said that content creators compound the situation by sometime abusing the rights of their own property. So sometimes the DVD release date is brought forward and is available before the film has had a decent run in theatres. For UTV which distributes its own films and those of other producers this poses a problem he says. Creators need to respect the different windows of release.

    Modi spoke about the need for content owners to experiment with new platforms and modes of distribution. He gave the example of music ringtones which have become very profitable despite the music industry’s fear of copyright issues in new media.

    The situation though requires planning on the part of the content creator and provider says Modi. It is not that there is a simply readymade new media platform that a content owner whether it is film or television can just put his offerings on and then start making money. The platform has to be grown and content has to be tailored. He says that Sony is experimenting with its own content rather than what is aggregated. When it acquires content like formats it is usually for all formats to avoid confusion later on.

    Sure some people try to use software to forward ringtones and wallpapers on the mobile but that is small compared to the opportunity that exists. Another area of new media is mobile. Here too there are grey areas. A case in point is SMS updates on cricket news scores. While cricket news is available if it is used by a mobile operator for commercial purposes then a case can be made that there is a copyright issue. Right now a lot of operators offer cricket scores and updates. However the BCCI is wisening up and is looking at the mobile as a huge opportunity.

    After all if news channels pay for news clips of cricket matches then why shouldn’t mobile firms pay for using scores to boost their SMS facility. There is a case going on in the Madras High Court regarding the use of SMS to offer cricket scores. The Formula One body got strict on use of SMS alerts on race status.

    Another new media arena that can be looked at as a friend rather than a foe are the community sites like myspace. There are videos uploaded some of which are copyrighted. At the same time content creators can use community sites which attract millions of users as a place to sell their product offerings in the form of paid downloads.

    Narayanan dwelt on how compression techynology has helped the mobile become a tool for value added offerings. Now one can download full music tracks. Java and bluetooth has taken mobile gaming to another level. The memory storage in handsets will grow. Therefore mobile games can afford to become more complex and content rich. data connections speeds have grown. So content can be relayde to diffeernt devices.

  • Sony appoints Balaji’s Sikcand as chief creative director; announces other promotions

    Sony appoints Balaji’s Sikcand as chief creative director; announces other promotions

    MUMBAI: Sony Entertainment Television India has appointed Balaji creative head Sandiip Sikcand as the chief creative director of its flagship channel SET. Sikcand will report to SET India COO N P Singh.

    Apart from this new appointment, SET India has also initiated some other organisational restructuring.

    SET India executive vice president ad sales and revenue management Rohit Gupta has been given additional responsibility of the digital, licensing and telephony group. Gupta continues to report to SET India CEO Kunal Dasgupta. Set India VP licensing & telephony Kaushal Modi, who has been reporting to N P Singh, will now report to Gupta.

    The network has also created a new enabling and technical services group, which will be under Anjani Kumar, who has been heading HR and admin functions for the network so far. The new group that Kumar will head comprises human resources, information technology, post production, administration and web and new media activities. Kumar will continue to report to Singh.

    Speaking on the new appointment and restructuring, Dasgupta said, “Sandiip comes to SET with a lot of experience in the creative domain. I am sure he will contribute in the process of driving the creative vision of our flagship channel and take it to new heights. Leading the digital and licensing group will give Rohit an opportunity to further grow and consolidate a new revenue stream for the company that has got huge potential and is the gateway to future. Also, creating the enabling and technical services group under Anjani will help bring in more efficiency into our working system and provide a seamless access to resources across the network.”

    Singh added, “Sandiip’s appointment comes at a time when the network has taken up several challenges and we are sure, with an illustrious career behind him, Sandiip will bring in fresh perspective and creative excellence to the channel. The restructuring also shows our agility to alter structures as per the needs of time and keep moving our best people in the most challenging roles.”