Tag: Karan Grover

  • Women-focused Marathi film Stahl to get theatrical release on 7 March

    Women-focused Marathi film Stahl to get theatrical release on 7 March

    MUMBAI: A Marathi film about a young girl who is dark complexioned, is short, lives in Dongargaon  village in the Chandrapur District of Maharashtra,, whose parents want to marry her off, but who wants to study  is a sure shot to get audiences in to cinema halls, right?

    The premise is going to be tested come 7 March 2025 when Sthal (A Match) is to be released. The film’s poster was revealed  on 3 March by veteran actor Sachin Pilgaonkar to mark the birth anniversary of Krantijyoti Savitribai Phule. Sachin is also presenting the film. 

    Written and directed by by Jayant Digambar Somalkar and produced by Dhun Productions (Karan Grover, Shefali Bhushan, Jayant Digambar Somalkar & Riga Malhotra), the film’s ensemble cast consists of first time actors from Dongargaon : Nandini Chikte as the protagonist Savita along with Taranath Khiratkar, Sangita Sonekar, Suyog Dhawas, Sandip Somalkar, Sandip Parkhi, Swati Ulmale, Gauri Badki and Mansi Pawar. 

    So far it has won a lot of accolades in the festival circuit: it premiered at the prestigious Toronto International Film Festival, where it won the Netpac  award for the Best Asia Pacific film.. This was followed by screenings at 29 major film festivals and it has picked up 16 awards, creating a buzz in the film industry.  

    “This film rooted in the rural culture of Maharashtra got such an overwhelming response even from the Marathi diaspora in America, that I immediately offered my support in every way to  director Jayant,” said Pilgaonkar.

    “Through this film, my goal as a director is to bring out the realities faced by young women like Savita, who are almost sacrificed in the urgency for getting them ‘married off.’ The film delves into themes of patriarchy, colorism, and societal pressures,” says Jayant. “The visual aesthetic of the film reflects the stark reality of rural India, capturing the beauty of the landscape as also the harshness of everyday life. The use of the traditional folk music makes the viewer connect to the events in a more experiential way while the western, brings the characters’ dreams alive surrealistically.  Through this film, I hope to spark conversations around the tradition of arranged marriage, gender inequality, and the pressing need for change.”

    “I feel it is so appropriate that we are releasing Sthal on the eve of International Women’s  Day,”  shares producer Shefali Bhusan.” because in big and small ways the film questions patriarchy and celebrates womanhood.”

    Now let’s hope the Marathi film watching audience resonates with twhat she is saying. 

  • Daler Mehndi inaugurates IPRS ‘Soundscapes of India’

    Daler Mehndi inaugurates IPRS ‘Soundscapes of India’

    Mumbai: IPRS (The Indian Performing Rights Society Ltd), the music copyright society in India representing authors, composers and publishers of music, kicked off their highly anticipated ‘Soundscapes of India: Gateway to the World’ with an electrifying inauguration led by Daler Mehndi at the India International Centre, New Delhi. The vibrant ceremony set the perfect tone for the global music celebration that followed.

    The opening day was highlighted by a fireside chat with Bhangra king and global pop star, Daler Mehndi, whose music has transcended borders to captivate audiences worldwide. Moderated by IMEA Dolby Labs Sr director commercial partnerships Karan Grover, the discussion offered a deep dive into Mehndi’s illustrious career, his contributions to Indian music, and the universal appeal of his work. The session underscored the enduring global resonance of Indian music and set the tone for the conference’s focus on expanding India’s musical footprint internationally.

    “The inauguration of ‘Soundscapes of India’ by the legendary Daler Mehndi truly set the stage for what promises to be a groundbreaking celebration of Indian music on the global stage. As IPRS marks its 55th anniversary, we are thrilled to witness India’s rich musical heritage come alive through this event, opening doors for our creators to shine internationally. This is not just a conference—it’s a bold step towards making Indian music a global force,” commented IPRS CEO Rakesh Nigam.

    Following the fireside chat, the conference hosted its first panel discussion, titled “The Time is Now: Amplifying India’s Presence on the Global Music Stage.” This session brought together industry heavyweights, including Believe Digital MD Vivek Raina, Paytm Insider COO Varun Khare, and Sziget Festival director Marina Pommier. The panel explored innovative strategies to enhance India’s global music presence, particularly through digital platforms and international collaborations. The discussion highlighted the critical role that technology and partnerships play in elevating Indian music on the world stage.

    The inaugural day also featured a special fireside chat celebrating 74 years of the Indian Council for Cultural Relations (ICCR) and its pivotal role in promoting Indian music globally. ICCR deputy director general Abhay Kumar, and Businessworld Group chairman and  editor-in-chief Anurag Batra shared insights on ICCR’s efforts to elevate Indian music and culture on the international stage.

    The successful start of the ‘Soundscapes of India: Gateway to the World’ conference underscores India’s rising stature in the global music industry. The inaugural day set the stage for further engaging discussions, networking opportunities, and international collaborations over the next two days.

  • IPRS celebrates 55 years with ‘Soundscapes of India – Gateway to the World’

    IPRS celebrates 55 years with ‘Soundscapes of India – Gateway to the World’

    Mumbai: On the occasion of its 55th anniversary, The Indian Performing Right Society Ltd (IPRS) has launched ‘Soundscapes of India – Gateway to the World’ in collaboration with MusiConnect India, scheduled from 31 August to 2 September 2024. Set against the backdrop of India’s bustling capital, New Delhi, the Global Music Summit will convene 11 international festival directors representing 13 world music festivals, alongside industry leaders, domain experts, and trailblazing creators from music industry to explore avenues for international collaboration, cultural exchange, and the immense potential to elevate India music and its creators onto the global stage.

    IPRS’s recent journey has been nothing short of extraordinary, solidifying its role as an essential pillar for music creators and owner publishers. As the sole music copyright society representing authors, composers, and publishers, our commitment goes beyond rights management to actively creating opportunities that empower and elevate careers.

    As India continues to emerge as a global music hub, garnering significant international attention, the global summit promises to be a platform for engaging discussions, networking and international collaboration. The conference will drive dialogues on global opportunities, preparing India for its next major leap in the international music market.

    The three-day event promises key note speeches, insightful panels, networking, connect corners, and music showcase.

    Event details:

    Day one: Seminar & conference 
    Date: 31 August | Venue: India International Centre, New Delhi
    Key note speeches, panels, fireside-chats, connect corner and networking

    IPRS has announced the distinguished presence of IPRS chairman Javed Akhtar, DPIIT senior consultant IPR Dr. Raghavender GR, Believe managing director for India & Southeast Asia Vivek Raina, IEMA senior director at Dolby Laboratories Karan Grover, lyricist, author, film director, and IPRS board member Mayur Puri, and Turnkey Music & Publishing managing director Atul Churamani, alongside a host of other eminent speakers and industry leaders at the conference.

    Sessions:

    1    The time is now: Amplifying India’s presence on the global music stage
    2    Navigating IP rights: Global insights and India’s evolving landscape
    3    Digital resonance: Looking forward to the decade – shifting trends and global dynamics
    4    Beyond borders: Exploring physical & digital frontiers – Insights and best practices in recording, publishing & live music
    5    Tourism through music: A complete cultural experience – Case studies and trends

    Days two & three: Music showcase and connect corner

    Dates: 1 & 2 September 2024 | Venue: The Piano Man, Malviya Nagar, New Delhi

    Performances by 15 outstanding artists and bands featuring the soundscapes of India. An eclectic showcase of India’s musical talent, representing a vibrant mix of musical genres and regional diversity.

    This showcase serves as a catalyst for discovery, where the Indian talent will connect directly with 11 top class festival directors representing 13 leading international festivals to explore opportunities for future performances and cross-border collaborations. It aims to be a strategic  networking and collaboration platform that bridges the  gap between local talent and global opportunities.

    International participation: 11 festival directors representing 13 leading international festivals from Poland, Hungary, France, Mongolia, Morocco, South Korea, Philippines, Malaysia, Thailand, and Slovakia, will be in attendance.

    Commenting on the event, The Indian Performing Right Society CEO Rakesh Nigam said, “IPRS is glad to collaborate with MusiConnect India in creating global opportunities for India’s diverse talent across genres and geographies. Soundscapes of India – Gateway to the World, coinciding with IPRS’s 55th Anniversary, marks a new milestone in our long and impactful journey. It is poised to be a landmark event, not only envisioning the future of the music industry but also positioning India as a key player on the global stage. The global music conference on day one serves as a precursor to the two-day music showcase,  where independent artists and music creators from various regions will present their work to top international festival directors.

    At IPRS, we understand the crucial role that music plays in shaping our nation’s creative identity. This conference highlights the vast potential of our cultural heritage and reaffirms IPRS’s commitment to nurturing talent, fostering innovation, and creating meaningful opportunities for our creators. We are delighted to join forces with key stakeholders in the music industry, both in India and abroad, to chart a dynamic future for India’s musical talent.”

    “Soundscapes of India aims to highlight the value of local, traditional, and independent music by unlocking its market potential on a global scale. This initiative aspires to create a platform that showcases the incredible diversity of Indian music, featuring both celebrated artists and those whose music are seldom heard. As an artist-driven venture, Soundscapes of India is committed to creating opportunities that benefit Indian music creators, connecting them with presenters and opportunities worldwide.”, added MusiConnect India founder director, MusiConnect Asia president, Global Music Market Network vice president Kaushik Dutta.

    Secure your spot free of cost for the Global Music Conference on 31 August on Paytm Insider.

  • Disney+ Hotstar is the first in India to stream live sports in Dolby Vision

    Disney+ Hotstar is the first in India to stream live sports in Dolby Vision

    Mumbai: Disney+ Hotstar becomes the first streaming platform to stream live sports in Dolby Vision in India and for cricket in the world. This ICC Men’s T20 World Cup 2024, all India matches, Super 8s, semi-finals and finals will be streamed live in Dolby Vision on Disney+ Hotstar.

    Disney+ Hotstar’s premium-only subscribers can get the best seats in the house when they experience the ICC Men’s T20 World Cup 2024 in Dolby Vision. Cricket fans can experience every heart stopping, nail-biting moment of the game in the lifelike colors, sharp contrast, and rich details of Dolby Vision.

    Sharing the excitement about this milestone, Disney+ Hotstar head of engineering Mukund Acharya said, “India is a country that lives and breathes cricket; and it is our endeavour to consistently make their viewing experiences more immersive. We are delighted to introduce Dolby Vision for our Premium-only users to experience the ICC Men’s T20 World Cup 2024 on their screens like never before. Our collaboration with Dolby marks a significant step for sports streaming in India; and sets a new precedence towards our efforts in offering the best in entertainment and technology.”

    Entertainment in Dolby Vision comes alive with sharper contrast and richer colors, revealing surprising new details. This advancement will be a unique selling proposition (USP) for Disney+ Hotstar’s Premium-only subscription, offering users an unmatched viewing experience that makes every moment of the game come alive.

    Dolby Laboratories senior director – commercial partnerships IMEA – Karan Grover expressed his enthusiasm for the collaboration, saying, “We are excited to collaborate with Disney+ Hotstar to bring Dolby Vision to live sport streaming for the first time in India. This ICC Men’s T20 World Cup 2024, Disney+ Hotstar subscribers can experience how the game comes alive in Dolby Vision, pulling you deeper into the action. This collaboration marks a significant achievement in delivering the future of cricket viewing to audiences.”

    Only select 4K-enabled smart TVs that support Dolby Vision will be able to stream these matches, ensuring that viewers with compatible technology get the best possible experience. Disney+ Hotstar continues to innovate and lead the way in providing exceptional entertainment experiences, and the introduction of Dolby Vision for live cricket streaming is a testament to this commitment.

  • IPRS presents an insightful workshop at On Stage, Kochi

    IPRS presents an insightful workshop at On Stage, Kochi

    Mumbai: The Indian Performing Right Society Ltd. (IPRS), the representative body of authors, composers, and publishers of music dedicated to safeguarding their rights has recently launched a pan India campaign ‘My Music My Rights’ in association with Dolby India, to raise awareness on IP rights in the music industry and educate music creators and independent artists on the critical aspects of the music business and publishing. IPRS is conducting its inaugural workshop in Kochi as part of the My Music My Rights campaign, marking a significant milestone in its mission to support and empower music creators nationwide. The upcoming cities include Kolkata, Mumbai and Pune.

    A recent EY study, ‘The Music Creator Economy: The Rise of Music Publishing in India,’ reveals that India generates 20,000 original songs annually. Despite this, financial challenges are common among creators. Among the 500 respondents surveyed, 87 per cent wished to make a living solely from music, but only 60 per cent achieved it. The majority felt the need to enhance their music production skills and improve monetization, while only 56 per cent had the necessary equipment. India ranks 14th in recorded music revenues but 23rd in publishing revenues due to legal uncertainties and low compliance, highlighting the urgent need for intervention.

    The “My Music, My Rights” campaign aims to address this gap by raising awareness and supporting music creators nationwide. The study notes that 33 per cent of released music is regional, showcasing India’s diverse musical landscape. However, challenges like accessibility, copyright awareness, and publishing rights impede artists’ recognition and compensation. Through workshops, seminars, and other activities, both online and offline, the IPRS endeavours to empower creators to navigate industry intricacies effectively.

    The event will witness engaging conversations with domain experts, networking opportunities with industry insiders and fellow creators, and priceless wisdom from leading artists and panelists featuring, PDL content distribution, CEO Prashant Dongre; Dolby Labs senior director – India, Middle East & Africa Karan Grover; songwriter and composer Arun Alat; independent artist George Peter; artist manager Vinayak Alt+; Music Rights Management India founder Sherley Joseph Singh. The event will showcase insightful sessions covering “The Art of Songwriting,” where Arun Alat will share his valuable tips and creative inputs. Attendees will get to know how to manage their rights and earn royalties to maximise their earnings in the session “Managing Rights and Royalties”. They will get to elevate their music production skills with advanced techniques, focusing on Dolby Atmos technology in the session “Mixing Songs in Atmos”, and engage in a panel discussion moderated by IPRS, featuring insights from an independent artist, distributor, publisher, and festival manager on “Navigating the Music Industry as an Independent Artist.”

    Event Details

    Event:  My Music My Rights | Creators Connect

    Date: 14th March, 2024

    Time: 3 pm IST

    Venue: On Stage, Vysali, Vennala, Ernakulam, Kochi.

  • My Music My Rights, ‘Creators Connect’ workshop

    My Music My Rights, ‘Creators Connect’ workshop

    Mumbai: The Indian Performing Right Society Ltd (IPRS), the representative body of authors, composers, and publishers of music dedicated to safeguarding their rights has recently launched a pan India campaign ‘My Music My Rights’ in association with Dolby India, to raise awareness on IP rights in the music industry and educate music creators and independent artists on the critical aspects of the music business and publishing. IPRS is conducting its inaugural workshop in Chandigarh as part of the My Music My Rights campaign, marking a significant milestone in its mission to support and empower music creators nationwide. The upcoming cities include Kochi, Kolkata, Mumbai and Pune.

    A recent EY study, ‘The Music Creator Economy: The Rise of Music Publishing in India,’ reveals that India generates 20,000 original songs annually, contributing over Rs 12,000 crore in revenues. Despite this, financial challenges are common among creators. Among the 500 respondents surveyed, 87 per cent wished to make a living solely from music, but only 60 per cent achieved it. The majority felt the need to enhance their music production skills and improve monetization, while only 56 per cent had the necessary equipment. India ranks 14th in recorded music revenues but 23rd in publishing revenues due to legal uncertainties and low compliance, highlighting the urgent need for intervention.

    The “My Music, My Rights” campaign aims to address this gap by raising awareness and supporting music creators nationwide. The study notes that 33 per cent of released music is regional, showcasing India’s diverse musical landscape. However, challenges like accessibility, copyright awareness, and publishing rights impede artists’ recognition and compensation. Through workshops, seminars, and other activities, both online and offline, the IPRS endeavours to empower creators to navigate industry intricacies effectively.

    The event will witness engaging conversations with domain experts, networking opportunities with industry insiders and fellow creators, and priceless wisdom from leading artists and panelists featuring EYP Creations VP, content, distribution & management Anoop Singh Saini, Dolby Labs Sr director – India, Middle East & Africa Karan Grover, Youngveer Singh an Independent artist, known for the viral song Mahiye jinna sohna and lyricist, singer and label owner of Wakhra Swag Music Navi Ferozepurwala. The event will showcase insightful sessions covering “The Art of Songwriting,” where Navi Ferozepurwala will share his valuable tips and creative inputs. Attendees will get to know how to manage their rights and earn royalties to maximize their earnings in the session “Managing Rights and Royalties”. They will get to elevate their music production skills with advanced techniques, focusing on Dolby Atmos technology in the session “Mixing Songs in Atmos”, and engage in a panel discussion moderated by IPRS, featuring insights from an independent artist, distributor, publisher, and festival manager on “Navigating the Music Industry as an Independent Artist.”

    Event Details

    Event: My Music My Rights | Creators Connect

    Date: 6 March 2024

    Time: 3 pm IST

    Venue: SD College, Sector 32-c, Chandigarh

  • Fastway Transmissions launches a new android TV set top box

    Fastway Transmissions launches a new android TV set top box

    Mumbai: Fastway Transmissions, a subsidiary of the Jujhar group and a cable network provider in India, has launched a Dolby Vision and Dolby Audio enabled android TV based hybrid and OTT set-top box, the FW+ ultra 4K STB. Plans start at Rs 699.

    Powered by Netplus Broadband, the internet arm of Fastway Transmissions, the set-top box will be preloaded with a bundled plan that offers access to ultra-high-definition (UHD) content and is affordably priced. Access to unlimited internet, premium OTT content, and free voice calls will be included in the bundle plans. The hybrid cable box can also be used to pair linear TV with playback services in HDR quality.

    The Fastway STB provides users with access to Prime Video, YouTube, and Google Play through direct links and a remote with a single click. The STB is equipped with features, including Dolby Vision, Dolby Audio, HDMI 2.1, dual band, bluetooth, USB3.0, micro SDXC (expandable up to 1TB), and a built-in chromecast.

    According to a report, the worldwide set-top box market is anticipated to increase at a compound annual growth rate (CAGR) of more than four per cent in terms of volume from 2021 to 2028. Rising internet and broadband penetration, as well as increased preference for high-quality channels and on-demand video services in 4K HDR, are expected to drive this market’s growth.

    The consumers of today, the company said, are seeking premium entertainment experiences. To cater to this evolving demand and to ensure customer delight, the set-top box comes equipped with Dolby Vision and Dolby Audio.

    Jujhar Group chairman S. Gurdeep Singh said, “This is a very significant step towards delivering comprehensive services to our existing as well as potential user base. With the launch of this exciting new product with Dolby vision and Dolby audio technology, we want to target a substantial share of users in the tier one and tier two regions of the country. The subscribers will be able to enjoy the ultra-smart hub with an easy-to-use interface through play store services. Further, users can also customise their smart boxes using the apps that can be downloaded from the play store.

    “As android TV grows in popularity, the number of monthly active users is on a significant rise, indicating an increase in popularity and trust for the company. We are looking forward to utilising our extensive broadband and cable network experience to deliver a premium OTT viewing experience.”

    Dolby Laboratories’ senior director of commercial partnerships, India, Middle East and Africa Karan Grover said, “We are thrilled to collaborate with Fastway Transmissions to deliver a premium entertainment experience to consumers across streaming and cable networks. At Dolby, it is our constant pursuit to elevate the audio-visual entertainment quotient for our audience and make sure they are immersed completely in a life-like experience. Fastway subscribers will be able to experience their favourite entertainment like never before in Dolby Vision and Dolby Audio with Fastways new set-top box.”

  • ‘Pyaar Ka Punchnama 2:’ Fun all the way

    ‘Pyaar Ka Punchnama 2:’ Fun all the way

    Ideas are at premium and a safe way is to cash in on brand equity. Pyaar Ka Punchnama was a reasonable earner in 2011. What better than to en-cash the equity and hence Pyaar Ka Punchnama 2 follows the prequel almost to the T.

    The story, as such, follows the same lines. Three friends suckered by three girls. They are desperate for dates, company, sex and love; love comes last though they are foolish enough to think they are in love when they do find their respective girlfriends. 

    Kartik Aryan, Sunny Singh and Omkar Kapoor are roomies. They share a flat in Delhi, eat together, drink together and dream of girls together. All three are stag. They are thicker than brothers in that they can take each other for granted, whoever earns more picks up all the tabs and there is no accounting or sharing of cash spent; all they share is bonhomie. 

    Soon enough, their desire for girlfriends comes true. All three find one each. All three girls represent different mind-sets. Kartik is with Nushrat Bharucha (both being the only common factor from the earlierPKP), Omkar gets Ishita Raj while Sunny ends up with Sonalli Sehgal. 

    The three men, deprived of romance and sex, go all out to woo their girls and, thanks to their blind love and desperateness, they trust the girls immensely while the girls use their weakness to exploit them. Not all three get in return what they had dreamt of.

    Kartik is head over heels with Nushrat. She is game for everything, sex included, though she is too finicky, her every question, which is answered by him leads to a counter question from her. Also, she is still in love with her ex-boyfriend from Chandigarh with whom she sleeps around even while professing her true and total love for Kartik. 

    Sunny and Priyanka are dating. He hopes to marry her but ends up becoming an errand boy for her father and mother, Sharat Saxena and Mona Ambegaonkar. She is the chaste kind who won’t sleep before marriage. She does not, however, have the guts to tell her father she loves Sunny. Priyanka’s father is looking for a groom for her and Sunny even ends up escorting her to her meetings with her grooms to be. 

    Omkar’s girlfriend, Ishita is game for everything Omkar would desire in a woman. She pretends to be dignified always ready to pay her own share of an outing. Soon, having established herself as a self-sufficient and self-respecting girl, she gradually starts milking Omkar even talking him into giving her an add-on credit card and open a joint bank account where he deposits 20 per cent of his Rs 3 lakh salary against 20 per cent of her Rs 20,000 salary.

    The rest of the film follows the earlier version as the boys realise what they have got into. Establish the guilt of each of their partner and want out.

    The film has nothing new for those who have seen its earlier version since it adheres mainly to the same sequence of events. Yet, what works is some witty lines and its raw youth appeal. The young ones who would want to get in to and out of affairs; sex being the aim. The film has some fun moments and some dull ones. However, you don’t come out cursing it. Direction is in keeping with the theme. Music is soothing as it comes mostly in small doses. What helps it is the visuals since it has been shot at Pattaya while taking liberty to shift to UAE for a song or two. 

    While the acting is generally competent, the three boys do better. Sunny tops the list with equal contribution from Kartik and Omkar. Kartik has his minutes of glory when he delivers a long monologue on girls. Ishita as a scrounging girlfriend to Omkar is best among girls with Nushrat is close on her heels. Priyanka is fine too. Sharat is in his element while Mona has little to make an impact with. 

    Pyaar Ka Punchnama 2 enjoys the brand equity. The film has opened to very good response despite Navratri and Ram Leela season and should turn out to be a minor hit.

    Producer: Abhishek Pathak

    Director: Luv Ranjan

    Cast: Kartik Aaryan, Nushrat Bharucha, Sunny Singh, Sonalli Sehgall, Ishita Raj, Omkar Kapoor

    ‘Wedding Pullav:’ Unappetising fare, served cold

    Wedding Pullav is loosely based on the 1997 Hollywood movie, My Best Friend’s Wedding. This is also the launch pad for Film & Television Institute of India (FTII) alumni and Shashi and Anu Ranjan’s daughter Anushka Ranjan. When a girl is to be launched, romantic comedy would seem like a safe bet. Hence, ready to serve inspiration from Hollywood.

    Diganth Manchale is getting engaged to Sonalli Sehgal with who he thinks he is in love for, after all, she is the one who convinced him to pursue a course in MBA, got him a job in her dad, Parmeet Sethi’s company where he designs motorbikes! One would think an IIT grad would be better suited for such a job! But, an MBA is the flavour of the season.

    While there are minutes left for the mahurat for the engagement ceremony, Diganth is anxious because there is no way he can proceed unless his best friend since childhood, Anushka, does not arrive. Anushka and Diganth had a tiff four years ago after which she had left in a huff for London. So what makes her come to his engagement? No script is ever all perfect. The engagement is done with and when it comes to wedding time, the families concerned shift to Pattaya where the ceremony will take place.  

    Anushka makes a grand entry with a band in tow. She is tomboyish and her usual dress code is casuals, jeans mostly and that is what she wears at the engagement, too. For, if she dresses up as a glam girl, love happens. Which does when she ‘dresses to kill’ as she plans to go receive her boyfriend from London, Karan Grover. 

    Since Anushka and Diganth are best buddies, it is suggested that both the couples, Diganth and Sonalli as well as Anushka and Karan marry at the same venue back to back. And so, Karan arrives in Pattaya. The presence of another man in Anushka’s life sort of makes Diganth uncomfortable and, soon, he realises he loves Anushka and not Sonalli. 

    Even as Diganth gets drawn to Anushka more with every passing moment, he is committed to Sonalli and her father’s millions as well as his career. Also in attendance at the venue in Pattaya are his three friends, Anushka’s relatives Himani Shivpuri and grandma and, of course, his parents, Satish Kaushik and Upasana Singh. They all can see that Diganth actually loves Anushka but is marrying Sonalli. 

    So there are some melodramatic moments, which actually seem like hours to slow down the pace of the narration till Diganth realises and gathers enough courage to open his mind while just about everybody else knew who he loved including his bride to be, Sonalli and Anushka’s groom to be, Karan. 

    It is time to sum up things; the wedding rituals have started when Diganth decides to walk out of the ceremony and go searching for Anushka. Of course, Jai is very much there to complete the matchmaking. Love triumphs and hero and heroine get each other. QED. 

    Though inspired from a hit Hollywood film, the film lacks on reworking the script. The direction is just passable while the editing needed to be a bit crisper. For a love story, the music is lacking. Dialogue is not much either. Anushka is a sort of photoshop version of Juhi Chawla and few more though, eventually, fairly charming. Diganth needs getting used to and does not appeal when in mug shots. Karan has good screen presence. Sonalli is fair. Rishi Kapoor plays a cameo and makes his presence felt. Satish has nothing to back his comic yet is a wary father while Upasana is loud without a cause as she has always been. Himani is her usual self. Kitu Gidwani and Parmeet fill the bill. 

    Wedding Pullav is a film you can sit through but not carry home. Lacking face value, it faces a tough challenge of drawing the audience from show one. For after all, admission rates offer no discounts for a film sans face value.

    Producers: Shashi Ranjan, Anu Ranjan

    Director: Binod Pradhan

    Cast: Anushka Ranjan, Diganth Manchale, Sonalli Sehgall, Karan Grover, Rishi Kapoor, Satish Kaushik, Himani Shivpuri, Parmeet Sethi, Upasana Singh, Kitu Gidwani