Tag: Kanta Advani

  • SabTV stands unaffected; continues to garner a steady viewership

    SabTV stands unaffected; continues to garner a steady viewership

    MUMBAI: Some make call it stagnant and others may call it stable. But, the point in note here, is that Sab TV over the last four years has managed to sustain its channel share. A channel that began as a mass entertainment channel quickly transformed itself into a humour and current affairs outfit. Interestingly, four years down the line, this niche channel still seems to have its hold and its due share of steady and loyal viewership.

    It is important here, to bear in mind that despite the entry of Sahara Manoranjan at the same time, recently rechristened as Sahara One and Star Utsav, Star’s heartland channel earlier this year, whose launch was supposedly aimed at flanking the other two (Sab & Sahara), Sab TV seems to be standing unaffected.

    Commanding a current channel share of three per cent, when juxtaposed with all the other Hindi entertainment channels in the CS 4+ Hindi speaking markets according to TAM data, this small scale low budget channel has managed to carve a niche as well as sustain itself as a profitable unit.

    Looking at the recent past, Utsav which started off with a channel share of 2 per cent among the three ( Sab, Sahara, Utsav) has managed to spruce itself to a 20 – 30 per cent channel share in the last five to six months. So, where has Utsav got its viewership from?

    One thing is definite. It certainly hasn’t managed to eat into Sab’s pie, Sahara well maybe. Looking at channel share figures over the last couple of months, Sahara’s share has shown a consistent dip. This player although accounts for the largest channel share among the three, has not managed to sustain its figures. From a whopping 71 per cent, Sahara has oscillated to a 45-55 per cent share.

    Sab on the other hand, may not have grown but has managed to sustain its share ranging from 23 – 29 per cent.

    Speaking to Indiantelevision.com, Sab TV president – sales and marketing Kanta Advani says, ” The fact that we have maintained our share is commendable in today’s age. One thing is established, that it is only content which drives a channel. So, the key has been differentiation.”

    Advani also pointed out that with the burst of channels and viewership getting further fragmented maintaining the innings itself is an uphill task.

    Speaking to media planners on Sab TV and their take on how it is perceived by advertisers, most said that Sab was a good cost efficient medium. Also, the channel has managed to weave in innovations for every brand ensuring value for money.

    Says Madison communications Sudipto Roy, ” If you look at inventory sales, the highest clutter outside of the movies channels is on Sab TV. If you look at general entertainment channels, Sab TV has been quite high in terms of inventory sales. This can be attributed to Sab’s loyal set of audience.”

    Another factor pointed out by Mindshare’s investment director Laxshmi Narasimhan, ” Sab TV also tries very hard to add value in terms of innovative packaging and Sab does it consistently and cost-effectively.”

    Narasimhan also points out that if there is any channel that is slightly male skewed, it is SabTV. Going on to further state that the biggest gap in the Indian television industry today is that there is no option for the Indian male. Hence a lot of male viewers get on to Sab by default rather than a Sony or a Star Plus.

    One other aspect that works in favour of Sab TV is its differentiated content as well as its very clearly positioning of it being comedy and current affairs and all programmes are in tandem with their positioning statement. Sab also manages to draw younger audiences who fall in the CS 4 – 14 SEC A, as younger audiences show a skew towards comedy.

    Interestingly, Utsav does not seem to have entered into any media planners bouquet.

    All in all, as is evident, Sab TV has not gained but has managed to maintain its channel shares, where as Sahara seems to be losing ground. Although, with the coming of Sahara One, one has to wait and watch as to whether the channel manages to make the jump among mainline general entertainment channels.

  • For women on top… Just another day!

    For women on top… Just another day!

    It‘s that time of year. When people who couldn‘t care two hoots rustle up some contrived empathy for the cause of womanhood. But for those who do, 8 March is truly a celebration of the economic, social, cultural and political achievements of women.

    And to celebrate the occasion, we peeked into the minds of some of the top women in the television, advertising and media sectors trying to find the ‘real‘ woman behind the professional. More power to them we say…

    There‘s one thing common about women achievers in the television and advertising industry in India. All, without exception, hate being labeled an achiever thanks to their gender. Across the marketing, programming and advertising spectrum, women dot the industry landscape, climbing the corporate ladder with agility. But unlike in the West, where studies pop up regularly indicating that women are yet to break the glass ceiling in the media sector, women professionals in media here are a happy and thriving lot. Being singled out for International Women‘s Day in fact raises a lot of hackles. Says media veteran Meenakshi Madhvani, “I think the advertising and media industry is one area where women have been able to make a difference. Not only in terms of the number of women at the top but also the sheer representation of the fairer sex in corporates that operate in this area.” So, why pick on the gender to find a distinctive trait, ask others.

    Probe if HR policies in media outfits are favourable to women, and you get a prickly response. Asking for women friendly policies would be akin to asking for preferential treatment, they aver. Rightly so.

    Most of these women, are still in the early 30s, but definitely not green behind the ears, having already spent a decade or more in various allied fields. Most too, are concentrated in the programming side of television – an indicator of the intrinsically creative talent that even these women achievers agree, gives them an edge over men. But ask if the presence of women in programming helps shape the women-centric shows we see on television, and you are greeted with amused laughter. What one watches on TV is ruled by gauging what the average woman viewer may want to see on screen and emotionally relates to, they maintain. Says Sab TV‘s Kanta Advani, “Women by their own virtue are a “creative” sort. Apart from being creative they are more sensitive, emotional and can empathise with others. Therefore they have the ability to reach out to the viewers.”

    Most also balance a hectic professional life and a demanding home life with panache. Here again, they do not let personal commitments creep into tight deadlines at work, nor have many forsaken domestic bliss to advance their careers. Says Sahara Manoranjan‘s Triptii Sharma, “Women professionals in television have been quick to seize the opportunities in production and in channels with their grit and determination. But the adherence is a matter of choice, not due to any restriction. We all know women are equals in our industry.” Agrees Madhvani, “Men and women are evaluated with the same set of benchmarks and there are no gender stereotypes. Promotions and increments are based on ability and background, gender does not play any role. What‘s more, the work culture is very result oriented. Long hours and high levels of stress are the norm for men and women.” Says O&M‘s executive director Nishi Suri, “Being a creative business, it‘s what you bring to the table that counts. So it doesn‘t really matter whether you wear the pants or not!”

    Notes Sab TV‘s Madhavi Mutatkar, “Now almost 60 per cent of women dominate this industry in all positions and almost 20 per cent of these are in the topmost positions. With the film and television industries merging, women like Shravani Deodhar and Raveena Tandon too are making the crossover to the small screen.”

    On screen too, these gutsy women have climbed the tough terrain at Kargil, braved Gujarat riots and continue to grill reluctant politicians and recalcitrant bureaucrats about policies and issues, while also engaging industrialists and economists in debates in a manner that would do an Amartya Sen proud. Our Smriti Iranis may not have reached the stature of an Oprah yet, but the grit and desire to go beyond mere acting in soaps is very much there. For every weepy family drama that airs, there are those shows which raise their head every once in a while which indicates that even the portrayal of women on the screen is changing subtly. Astitva, Hubahu, Malini Iyer, Jassi and even Kahiin To Hoga… are indicative of the changing woman viewer as well as those who shape the programming. As NDTV senior editor Barkha Dutt points out, “NDTV has women doing everything from running studios, editing, to camera work. In the end it all depends on the mindset of an organisation and of course it helps that our executive producer is a woman, Radhika Roy, liberal and progressive and very, very encouraging.”

    All in all, it‘s a vibrant lot out there, which has been there, done that and is still raring to go. They have battled power politics in their organisations, elbowed out competition in the software production business with ideas and cunning, risen to the top of the bureaucracy by sheer dint of foresight and hard work. And then there are still those to watch out for, who are still young in the industry, but have their sights higher. As Anurradha Prasad said last year, the TV software production which already has several dominant woman players, could well be dominated by women in the next five years.

    “We need to take the first confident steps. The rest will follow. The advertising and media industry is one of the few sectors that enables and empowers women,” says Madhvani.

  • SAB TV’s humour proposition – Humour works for SAB TV; launching six new shows

    SAB TV’s humour proposition – Humour works for SAB TV; launching six new shows

    The ‘Only Smiles, No tears‘ entertainment channel SAB TV is raring to go places. The channel, which has carved a niche for itself with its humour proposition, is launching six more shows this month.
    Speaking to indiantelevision.com, SAB TV president sales and marketing Kanta Advani said, “There has been a definite increase in viewership since we took on the humor positioning. We consider the age group of 15+ females and 25+ males to be the most important to our channel due to their buying propensity. And frankly, this is the target group that most advertisers chase.”

    Elaborating on the kind of ground promotion strategy undertaken to reposition the channel, Advani said, “We took on the ‘Only Smiles, No Tears‘ positioning in May this year and did some good publicity in print and outdoor. For this round of new programming initiatives we have again got some great campaigns going in print mainline dailies nationally, outdoor as well as radio i.e. Radio Mirchi in Mumbai and Delhi and Win.”

    SAB TV president sales & marketing Kanta Advani

    Owing to the channel‘s genre and popularity a whole lot of new advertisers have joined the SAB TV gang in the last six months. They are Sansui, Lexi Pens, Coke, Samsung, ITC, Blowplast, Harry‘s collection, Airtel, Hutch, Candico, Relaxo, Gooldlass Nerolac Paints, Shaw Wallace, Vardhaman Spinning, Ayur Herbal, Bajaj Consumer care, Max New York Life to name just a few.

    Back by popular demand is the Anupam Kher hosted kids‘ show Say Na Something to Anupam Uncle which will air Mondays and Tuesdays at 8 pm. The third show Sab Kuch Ho Sakta Hai is a non stop laugh riot hosted Sajid Khan and Suresh Menon.

    The fourth show in the channel‘s kitty is a sitcom called Shri Sifarashilal. Starring Deven Bhojani and Bhawana Balsaver (the famous ‘Chachi‘ of Dekh Bhai Dekh) among others, the serial portrays a common yet very unique character and his escapades.

    Will Shekhar Suman ‘Carryy on‘ the Movers & Shakers magic ?

    The channel hopes to build on that momentum with the launch of six news shows. The first is a daily chat show that started today (3 November) called Carryy on Shekhar hosted by India‘s talk show king Shekhar Suman, which airs daily at 10 pm Monday to Thursday. Claimed to be one of the funniest and savviest shows on television Carryy… is a fusion of Suman‘s satirical comments on current events, t?te-?-t?tes with hot celebrities and political debates.

    Kisi Se Na Kehna is yet another laugh riot which essays an interesting character. Last but not the least is a show called Banda Yeh Bindaas Hai. The show promises to be candid camera at its best. “Each episode will be completely “gag-packed” and its canvas – the entire city of Mumbai,” quips Advani.

    Kids‘ favourite uncle is back on SAB by popular demand – Anupam Kher onthe sets of ‘Say Na Something…‘

    Talking about the USP of the channel Advani says, “All the above mentioned shows and some of the ongoing popular ones like Office Office, Yes Boss and Sahib Biwi Ke Ghulam gives the viewer different facets of humor.”

    Advani feels that if there can be a news channel, a movie channel, a music channel, why can‘t there be a predominantly humour channel which promises laughter and relief all the while to its viewers? Point taken.

    To view the “time slot performance” powerpoint presentation compiled by SAB click here:

  • ‘FTA will give eyeballs, pay will provide stickiness’

    MUMBAI: The free to air channels will provide the eyeballs and the pay channels will provide stickiness. These words by TV Today’s Aaj Tak CEO G Krishnan summed up the discussions during the session on “FTA channels: Will they see a massive jump in ad revenues?” at The National CAS Media Summit 2003 organised by indiantelevision.com at Mumbai’s Hyatt Regency Hotel on 4 July 2003.
    The general consensus was that FTA channels will gain initially during the rollout of CAS and ad rates of these channels might go up even as advertisers take cognizance of their increased viewership.
    Indiantelevision.com CEO Anil Wanvari moderated the session that was attended by Lodestar Media executive director Shashi Sinha; SABTNL president (sales) Kanta Advani; Doordarshan Mumbai DG Mukesh Sharma; TV Today Netowrk-owned Aaj Tak CEO G Krishnan and Euro RSCG’s media independent Media Planning Group president Sandip Tarkas.
    Here, we present some excerpts from the discussions.
    Media Planning Group president Sandip Tarkas
    Post-CAS disruption is bound to happen as experimentation by the consumer increases. TV viewing habits will not change. People will continue to long for their favourite channels by sheer force of habit formed through the previous decade.
    Advertisers haven’t called or any postponements in their spends as yet.
    Lodestar Media executive vice president Shashi Sinha
    To segregate audiences into FTA or pay TV audiences will be misleading.
    Media planners and buyers have to look at genres and examine whether they are exploiting them to reach the desired objective.
    One has to take a long term view or perspective as the short term glitches are understandable. The next six months should be treated as aberrations or glitches but the fraternity has to set sights on the long term impacts. The interim period should be used as a learning process.
    The print media will definitely gain in the short term.
    TV Today CEO G Krishnan
    Viewership habits will become normal after the transition phase subsides.
    However, one cannot expect any drastic increases in the advertising shift to FTA channels or a drastic reduction in that of pay channels – given the current scenario and uncertainty about CAS implementation.
    At the most, clients will postpone signing annual deals and will take a short term perspective.
    The distinction has not yet been made clear to the consumer. The uncertainty will compound the problems.
    The FTA channels will provide eyeballs; pay channels will provide stickiness.
    Pay channels will increasingly depend on subscription revenues and will divert their attention from ad revenues in the long term.
    However, I don’t see the need for FTA channels to hike their rates. The important thing is to bring more transparency in the rate structure.
    All the channels have an annual financial and business plan and the management won’t look at short term measures to increase revenues by using drastic measures such as immediate rate hikes in the initial phase of CAS implementation. News channels will have to look at “event of the day” to entice viewers.
    Doordarshan DG Mukesh Sharma
    Regional terrestrial channels will emerge out of the shadows to become strong contenders for the ad pie. After all, their audience shares are comparable to the mass entertainment channels.
    Three main categories will emerge – FTA, pay premium and pay popular. However, there will be a need for regulating software in addition to hardware. People will watch the DD channels as they won’t have much of a choice.
    The public broadcaster will gear up and invest in quality content.
    The national broadcaster’s rates are due to revision now (C&S channels have been raising rates quite often) and we shall increase them at an appropriate time in the near future.
    SABTNL president (sales) Kanta Advani
    It is definite that advertisers will chase viewership. The viewership of those channels that are available (FTA channels) will definitely see a surge.
    Planners and buyers will have to take cognizance of this increase in viewership of FTA channels.
    It is possible that those FTA channels that have more viewers might increase their ad rates and advertisers will have to pay a premium. However, the spike will be dictated by market realities – it cannot be unrealistic.
    Several mass entertainment FTA channels have recently taken initiatives to upgrade their content but this is not due to CAS. Such initiatives are part of an ongoing process based on consumer feedback and demand. Every channel tries to retain its market share and increase the same – such initiatives are part of a never ending process.

  • Sircar joins Sahara as senior VP, sales & mktg

    Sircar joins Sahara as senior VP, sales & mktg

    MUMBAI: Pradipto Sircar, senior VP, ad sales at Sabe TV, has moved to Sahara as senior vice president, sales and marketing.
     
     
    Sircar will be looking after all the Sahara channels, including the newly started news channels, the soon to be rejigged main entertainment channel as well as the tabloids the Sahara group plans to unleash across the country.

    Sircar, who joined on 3 April, says his brief would be to get advertising on the channels moving at ‘space shuttle speed’, as this, the fourth year of Sahara, would be a ‘critical year’ for the network. Sircar will be reporting to Sahara Television president Satish Menon.

    Sircar earlier headed the Tara channels as business development director Broadcast Worldwide, before moving to Sabe TV last year. Sabe has now got itself a new president in Kanta Advani, to head the network’s advertising and marketing functions.

  • Kanta Advani joins SABTNL as president

    Kanta Advani joins SABTNL as president

    MUMBAI: Kanta Advani, who headed ad sales at Zee TV for a while, has just joined SABTNL (Shri Adhikari Brothers Television Networks Ltd). Advani, who had her first day at the office today, joins SABTNL as president.
     

    Advani, who is coming aboard SABTNL after some months at event marketing company Percept D’Mark, will be heading advertising and marketing functions at the network.

    Directly reporting to Advani are Sandeep Singh, who manages ad sales for SABe TV, and Kiran Murthy, who looks after sales for Doordarshan and new initiatives in the south.

    Commenting on the new appointment, SABe TV vice-chairman Markand Adhikari said that Advani was one of the most experienced executives in the business and her coming on board would be a great value addition to the team at SABe.

    Speaking to indiantelevision.com, Advani said her broad brief was to take the network forward while at the same time building on the inherent strengths of SABe TV.

  • Vinta Nanda and Zee TV part company

    Vinta Nanda and Zee TV part company

    MUMBAI: Some more departures from Zee TV. At least that’s the news going around in the industry.

    Zee TV’s ideation head Vinta Nanda, who was brought in to give the network that programming chutzpah which was sorely lacking, is no longer with the company. Additionally, another 10 senior managers among which figure old Zee timers such as international business head Monica Dalton, ad sales head Kanta Advani and even relatively newer entrants in the programming department such as Subu are no longer with the company.

    Meanwhile, Yogesh Radhakrishnan has taken charge as head of Zee Music and Zee Cinema. Radhakrishnan is one of the co-promoters of etc and etc Punjabi, recently acquired by Zee Telefilms.

    Heading Zee Music and Zee Cinema earlier was former Filmfare editor Rauf Ahmed.