Tag: Kalki

  • Kalki’s Mushk collection wedding wear wows at Lakme Fashion Week

    Kalki’s Mushk collection wedding wear wows at Lakme Fashion Week

    MUMBAI: Rooted in rich heritage, fashion house Kalki’s Mushk collection brought forth a couture revolution characterised by exquisite handwoven embroidery that captured the essence of traditional artistry. It  signaled the evolution of wedding couture on day four at the Lakme Fashion Week in partnership with FDCI.

    The Mushk collection showcased a palette of soft, romantic hues, including antique golds, shimmering champagnes, and delicate dusky pinks. Each silhouette redefined elegance, featuring intricately embroidered jacket styles, flowing wide-legged pants, structured peplums, fishtail skirts, and new-age lehengas. For grooms, the collection offered a selection of embroidered blazers, hand-done sherwanis, and sleek ethnic zipper jackets, seamlessly merging tradition with modern sophistication.

    Kalki's bridal wear lehngas

     

    Shraddha Kapoor in Kalki's Mushk

    Kalki's male wedding wear

    The intricate embroidery and vibrant colours of Mushk spoke of the deep bonds shared among loved ones, transforming weddings into cherished memories. As part of Kalki’s commitment to excellence, the collection emphasised sustainable practices while showcasing the artistry of skilled artisans. The show was a captivating journey, celebrating love, connection, and the timeless beauty of tradition.

    Shraddha Kapoor walked the ramp for Kalki, beautifully showcased their labour of love in her stunning outfit. She shared her experience, saying, “Walking for Kalki for the first time was such an amazing experience! The Mushk collection really felt personal—especially this lehenga with its gorgeous Banarasi touch—it made me feel elegant and connected to my roots.. Loved bringing it to life on the runway!.”

    Shraddha’s outfit presented Kalki’s baby pink lehenga ensemble, where tradition met modernity. This outfit wasn’t just clothing; it was a piece of history, crafted from luxurious brocade velvet and featured intricate handwork with stunning cutdana, moti work, and exquisite stone embellishments all over the kali. The enchanting scalloped dupatta and coordinating blouse added a touch of elegance that completed the look. With its old-world charm and fresh, contemporary flair, this ensemble reflects the Banarasi heritage of the modern era.

    Kalki director Nishit Gupta said, “Mushk comes from a place of deep connection for me—it’s not just about creating couture but about being part of your most treasured moments. I wanted this collection to feel like a blend of heritage nostalgia and something beautifully new, capturing the essence of wedding celebrations that stay with us forever. My hope is that it leaves an impression that’s as lasting as the memories you’ll make wearing it. I absolutely loved Shraddha! She totally owned the runway as a showstopper and felt like a perfect muse for our collection.”

    The bridal fashion and lehngas can be picked up at Kalki flagship stores and exclusive pop-ups in multiple cities, online at Kalkifashion.com, and through video shopping for international buyers. 
     

  • Creating PR campaigns is often a process of trial and error: Komal Rukhana

    Creating PR campaigns is often a process of trial and error: Komal Rukhana

    Mumbai: The PR industry in India is undergoing a transformative phase. With the rise of digital media and changing consumer behaviors, traditional PR practices are being reshaped. The focus is increasingly on creating authentic narratives and engaging with audiences through innovative digital channels. Brands are now seeking PR strategies that go beyond mere media placements, aiming for genuine connections and measurable impact.

    Komal Rukhana co-founded Mint & Milk PR with a clear objective: to break away from the overpromise and superficiality that often tainted the industry. Her viral campaign for Sonakshi Sinha’s press-on nail brand SOEZI showcased her knack for out-of-the-box thinking. The campaign not only captured widespread attention but also set new standards for digital engagement. Under her leadership, Mint & Milk PR has also successfully positioned Kalki as a premium designer brand and represented international giants like French Connection and Invicta in India.

    Indiantelevision.com caught up with Rukhana where she shared her views on the challenges and perks of building one of the most promising boutique agencies in such a competitive and volatile industry.

    Edited excerpts

    What inspired you to start Mint + Milk PR, and how did your early experiences shape your vision for the agency?

    I have always had an entrepreneurial spirit.  When I explored the field of PR, I quickly realized it was not only something I loved but also something I excelled at. It was a field that challenged me, but still allowed me and pushed me to use my strengths. I have always been drawn to the idea of building something from the ground up and making a tangible impact. And as the co-founder of Mint + Milk PR, I could not only do that for my organization, but also be a part of that journey for my clients.

    My early experiences in PR definitely gave me a clearer view of what works in this industry and what does not. My approach to work has always emphasized honesty, diligence, commitment, and organization. These values have been the foundation of Mint + Milk PR from the very beginning, and continue to shape till date how we operate, how we interact with clients, and how we approach every campaign.

    How do you approach creating innovative and effective PR campaigns for your clients across diverse sectors?

    Creating PR campaigns is often a process of trial and error. There will always be hits and misses, but that doesn’t deter us from exploring innovative ideas. Because at the end of the day, if I want to genuinely create an impact, I have to push the envelope and think of strategies that are out of the ordinary. That being said, our strategies are always underpinned by a thorough understanding of our clients’ brands, their goals, and their target audiences. We stay updated with market trends, consumer behavior, technological advancements, etc. So now, after years of experience and consistent research and learning, we have higher success rates to our creative campaigns.

    Can you share some details about the most successful campaigns you have curated, such as MyMuse, SOEZI, and Kalki?

    Honestly, there are so many brands out there right now, and everyone is coming up with such creative campaigns, that the only way to make sure your campaign is successful is to stay ahead of the curve. This means suggesting innovative campaign strategies tailored to your target audience, that not fit the brands’ brief but also their budget allocations.

    For example, with SOEZI, since so many celebrities have been launching their brands these days, we strategically intertwined her brand launch with intriguing speculations of her engagement. With MyMuse, sexual wellness was a difficult subject to talk about in our country when the brand started back in 2021. So we had to be extremely careful and creative so as to not come across as offensive or vulgar, but instead shift the narrative from sex toys to intimate wellness, be it through media conversations or influencer content. For KALKI on the other hand, our task was to position them as a design-led brand. For this, we leveraged our relations with renowned fashion influencers, manifested couture exhibitions, and tapped into an exclusive and elite clientele.

    How did the COVID-19 pandemic impact your agency, and what innovative methods did you implement to continue promoting brands effectively?

    In all honesty, COVID-19 was a challenging phase, and there were times when we doubted the resurgence of our industry. But thankfully, we actually emerged stronger. Our biggest learning was that adaptiveness is the key to success. The quicker you move with the waves and the faster you mould and make decisions, better the chances of staying afloat and rebuilding.

    Our first step was to creatively strategize digital launches and virtual events, so that our clients’ messaging reached their target audiences without the need for physical presence. We leveraged social media to amplify visibility for product launches, marketing activations, the brand founders. I think the pandemic really opened the world’s eyes to the extent of social media’s power to influence the audience, so much so that influencer collaborations are now an integral part of what we do for our clients.

    What are some current trends in the PR industry that you believe will shape its future?

    Firstly, I think the immersive use of AI is revolutionizing the way we analyze and deliver content. There are AI-powered tools that provide detailed insights into consumer behavior, market trends, and campaign performance by analyzing vast amounts of data. There are AI tools that will help ideate on and even create marketing material. There are AI tools for everything today. Secondly, authentic and data-driven narratives are becoming essential in building consumer trust in our client’s brands. Epecially given how saturated the market is right now with not only homegrown brands but also international brands coming to India. Also, cultivating strong brand partners and loyalists, particularly when it comes to influencer selections, is superbly important. Quality goes a long way than quantity here.

    What is your long-term vision for Mint + Milk PR, and where do you see the agency in the next five to ten years?

    We aim for further industry expansion and client diversity. We have been doing this year on year, but there’s still a lot more ground to cover and we’re looking forward to tapping into newer market segments. We also want to grow geographically and therein increase our market reach. A lot of homegrown brands are coming up in Tier 2 cities as well now, and we’re keen on working with them to amp up their visibility and awareness.

    At the same time, we have also made plans for team development programs. We believe in investing in our team’s growth, and want to make sure they grow along with the agency. 

  • Cultural Machine with Sonu Nigam on streets of Juhu, Mumbai

    Cultural Machine with Sonu Nigam on streets of Juhu, Mumbai

    MUMBAI: Culture Machine after launching campaigns like The Printing Machine, a poetical satire by Kalki; Radhika Apte voicing against body shaming through You’re beautiful, or ‘The Indian’ series describing the Indian Sikhs, Muslims and Dalits voicing various social issues. This time the company has launched a social experiment titled “The Roadside Ustaad” featuring Bollywood playback singer Sonu Nigam as disguised old man.

    The video has been released on Culture Machine’s digital channel Being Indian. The video is an experiment with Sonu Nigam as an old man singing by the road in the busy lanes of Juhu, Mumbai. The pedestrians take notice of an old man singing in melodious voice with many pausing to enjoy a few moments but are forced to continue to hurry and move on with their lives.  ‘The Roadside Ustaad’ captures mixed reactions of Mumbaikaars ranging from individuals stopping by and enjoying the old man’s singing to those who nonchalantly walk away. Inspired by the magical impact that music has on individuals, Sonu Nigam and Culture Machine sought to capture joyful moments that music has on our mechanical and monotonous lives.

    Cultural machine says that this video is its attempt to make people realize that they can spare some time from busy lives and appreciate beautiful things inside. Expressing the same Cultural Machine creative director Karl Katgara said, “The whole idea behind this experiment was to inspire people to take a moment out of their busy lives and appreciate the beauty of music. To appreciate the many tiny miracles we pass every day and ignore, while we stare at our phones or lost in thought. To do this, who better than Sonu Nigam. He is one of the most sought after singers in the country, and the most recognizable voice. What was interesting to see at the time was, he created the same magic singing, just disguised as an old man, and people could not recognize him at all.

    Sonu Nigam said, “I went without any expectations, totally bereft of any awkwardness for the way I was looking and what I was about to subject myself to. For the first time, I was not me, the make-up was so good and authentic,people standing so close to me, couldn’t recognise me. I was carrying the harmonium that my parents bought when I was born. It was all so humbling. And from such an unfamiliar zone, I managed to procure something. Gratitude, Grace and appreciation for what we have.”

  • Cultural Machine with Sonu Nigam on streets of Juhu, Mumbai

    Cultural Machine with Sonu Nigam on streets of Juhu, Mumbai

    MUMBAI: Culture Machine after launching campaigns like The Printing Machine, a poetical satire by Kalki; Radhika Apte voicing against body shaming through You’re beautiful, or ‘The Indian’ series describing the Indian Sikhs, Muslims and Dalits voicing various social issues. This time the company has launched a social experiment titled “The Roadside Ustaad” featuring Bollywood playback singer Sonu Nigam as disguised old man.

    The video has been released on Culture Machine’s digital channel Being Indian. The video is an experiment with Sonu Nigam as an old man singing by the road in the busy lanes of Juhu, Mumbai. The pedestrians take notice of an old man singing in melodious voice with many pausing to enjoy a few moments but are forced to continue to hurry and move on with their lives.  ‘The Roadside Ustaad’ captures mixed reactions of Mumbaikaars ranging from individuals stopping by and enjoying the old man’s singing to those who nonchalantly walk away. Inspired by the magical impact that music has on individuals, Sonu Nigam and Culture Machine sought to capture joyful moments that music has on our mechanical and monotonous lives.

    Cultural machine says that this video is its attempt to make people realize that they can spare some time from busy lives and appreciate beautiful things inside. Expressing the same Cultural Machine creative director Karl Katgara said, “The whole idea behind this experiment was to inspire people to take a moment out of their busy lives and appreciate the beauty of music. To appreciate the many tiny miracles we pass every day and ignore, while we stare at our phones or lost in thought. To do this, who better than Sonu Nigam. He is one of the most sought after singers in the country, and the most recognizable voice. What was interesting to see at the time was, he created the same magic singing, just disguised as an old man, and people could not recognize him at all.

    Sonu Nigam said, “I went without any expectations, totally bereft of any awkwardness for the way I was looking and what I was about to subject myself to. For the first time, I was not me, the make-up was so good and authentic,people standing so close to me, couldn’t recognise me. I was carrying the harmonium that my parents bought when I was born. It was all so humbling. And from such an unfamiliar zone, I managed to procure something. Gratitude, Grace and appreciation for what we have.”

  • NYIFF: ‘Labour of Love’ wins best film; Nawazuddin & Kalki bag best actor awards

    NYIFF: ‘Labour of Love’ wins best film; Nawazuddin & Kalki bag best actor awards

    NEW DELHI: Labour of Love written and directed by Aditya Vikram Sengupta won awards for best film, best screenplay and best director award at the New York Indian Film Festival (NYIFF).

     

    On the other hand, actor Nawazuddin Siddiqui got the Best Actor award for Haraamkhor, whereas Kalki Koechlin won the Best Actress award for her performance in

     

    In Haraamkhor, which is directed by Shlok Sharma, Siddiqui plays a married teacher in love with his student, essayed by Shweta Tripathi. In Margarita, With a Straw,directed by Shonali Bose, Koechlin is seen as Laila, an outgoing wheelchair bound teenager with cerebral palsy who is absolutely determined to have a normal life despite her challenges.

     

    The week-long 15th annual festival ended earlier this month with the New York premiere of Dum Laga Ke Haisha, a Yash Raj production starring Ayushmann Khurrana and debutante Bhumi Pednekar, directed by Sharat Katariya.

     

    Set in the crumbling environs of Calcutta, the film Labour of Love tells the story of two ordinary lives suspended in the duress of a spiraling recession. They are married to a cycle of work and domesticroutine and long stretch of waiting in the silence of an empty house; they share each other’s solitude in pursuit of a distant dream that visits them briefly every morning.

     

    Vignesh and Ramesh received the Best Child Actor award for the Tamil film Kaakaa Muttai. Directed by Manikandan M, the film tells the story about how two slum boys are consumed by the desire to taste a pizza after the opening of a pizza parlour on their old playground. Realizing that one pizza costs more than their family’s monthly income, they begin to plot ways to earn more money – inadvertently beginning an adventure that will involve the entire city.

     

    Seek and Hide, a short film directed by Manoj K. Nitharwal starring Mohan Agashe, Seema Biswas, Shalva Kinja Wadekar, Suleman, Khushboo Upadhyay, and Shabnam Sukhdev, won the Best Short film award. 

     

    Daughters of Mother India directed by Vibha Bakshi won the Best Documentary award. The documentary is a filmmaker’s journey through the aftermath of the horrific rape and murder of a 23 year old medical intern in Delhi on 16 December, 2012. For weeks mass protests filled the streets of India and the country witnessed ‘gender consciousness’ and extraordinary solidarity by the ordinary citizens – like never before.

     

    Filmmakers like Vishal Bharadwaj, Hansal Mehta, Shonali Bose, Dev Benegal and actors including Koechlin, Agashe, Samrat Chakraborty and others walked the red carpet.