Tag: K.V. Sridhar

  • IAA Olive Crown jury announced

    IAA Olive Crown jury announced

    Mumbai: The India Chapter of the International Advertising Association (IAA) and the Asian Federation of Advertising Associations (AFAA) announced the jury for their Olive Crown Awards.

    Jury members are:

    Anupama Ramaswamy (Chief Creative Officer, Havas Worldwide India)

    K.V. Sridhar (Global Chief Creative Officer Nihilent Limited & Hypercollective)

    Pateek Bharadwaj (Chief Creative Officer, Lowe Lintas India)

    Tista Sen  (Creative Brand Consultant)

    Carlton D’Silva (Co-Founder, Musemakers & House of Awe)

    Mukund Olety (Chief Creative Office, VML)

    Anupama RamaswamyK V Sridhar Prateek Bhardwaj named CCO & Head of Creative (India), Lowe LintasTista Sen exits Ladyfinger | Advertising | Campaign IndiaCarlton D'SilvaMukund Olety

    IAA president Avinash Pandey said, “this is an excellent jury line-up that is truly representative of the creative depth in our industry. The awards presentation date has been fixed for April 5th. 2024”

    Avinash Pandey

    Olive crown Awards committee chairman Janak Sarda added, ” I am happy to see a mix of old and new names amongst our jury members. Sridhar, Tista and Carlton have helped this meaningful cause many times. Good to have Anupama, Prateek and Mukund on board as well. “

    Janak Sarda
    The last date for accepting entries is 15 February. There is no entry fee charged. Link to submit entries: https://ocawards.awardor.com/

    The Olive Crown Awards are in their 14th edition and have been hailed as a truly meaningful initiative from the marcom industry.

  • COCO by DHFL general insurance takes on gender stereotypes

    COCO by DHFL general insurance takes on gender stereotypes

    MUMBAI: COCO by DHFL General Insurance has launched its first digital-only campaign #CareMoreHaveMore for its retail two-wheeler policy – COCORide, a unique comprehensive insurance policy offering a bouquet of options and additional covers that can be customised to suit one’s exact needs.

    The digital campaign focuses on two key aspects – women empowerment and protection for one’s loved ones and prized possessions.

    COCO by DHFL General Insurance embraces the thought that a bit of extra care today goes a long way in ensuring a more prosperous future. Showcasing the need for motor insurance, the first leg of the #CareMoreHaveMore campaign speaks to two-wheeler owners, revealing how insuring one’s two-wheeler vehicle today can provide long term benefits. The digital campaign provides a reflection of a daughter’s readiness to take on the world on her own as she has learned an invaluable lesson – “to care more is to have more.”

    Through this campaign, COCO by DHFL General Insurance wants to celebrate women empowerment through a heartwarming coming of age story that lets us break stereotypes not explored before. A daughter confidently asking her father for the keys of his bike and then enjoying her secretive sojourn with it at night and early morning, before finally being entrusted with it—with the key message that caring more gives you more of the things that matter. Through this story, the brand aims to empower individuals to learn and be able to take care of the things that matter to them, thereby helping them have more of those things.

    DHFL general insurance MD and CEO Vijay Sinha says, “Brand COCO by DHFL General Insurance is built on the tenet of empowering individuals to learn and be able to take care of the things that matter to them, thereby helping them have more of those things. A little care now, a lot more gain in the future. Utilising this one insight – the brand film for COCORide plays on two angles simultaneously. One is the more obvious one that is shown through the dynamics between the father and his daughter that caring for your bike also means readily being able to bank on your insurer. The second is more subtle and nuanced, which is of the father letting the daughter chart her own path in life without spoon-feeding her. This gives her a sense of achievement that is beyond him–but individually her own. In the end, when she’s handed the bike – it actually is a metaphor that she is now ready to take on the world because she has learnt the best lesson – to care more is to have more.”

    The #CareMoreHaveMore campaign has been conceptualised by advertising agency Hypercollective.

    On the creation of campaign, Hypercollective CCO and chairman KV Sridhar aka Pops adds, “As an organisation, we’ve always believed that brands that live by a purpose are the brands that can truly thrive. Add cultural truths to this mix and you have a campaign that can break through the clutter and touch your audience. After all, we’re in the business of human to human connection. Through this campaign, we’re not just breaking the stereotype that biking is a men’s game, but also extending the human value of care by exploring the relationship of a daughter and her father.”

    The brand film is directed by Punarvasu Naik whose recent success has been India’s biggest blockbuster Dangal as associate director.

  • Gender disparity & males’ preponderance at top level in media cos: Study

    MUMBAI: Population First, the communication and advocacy initiative working towards gender sensitivity, has conducted a study on ‘Media: How Gender Sensitive, How Inclusive’ in collaboration with Gender Issues Cell of K.C. College, Mumbai. The report of this research was released at an event in on 28 July at KC College, Churchgate (Mumbai).

    The report covers 36 media organizations from 87 respondents which saw Mapping of Gender Distribution, recruitment & promotion, Equity Policies, Proactive Measures, Sexual Harassment.

    The findings of the study were shared in a panel discussion with eminent media and advertising leaders – Kalpana Sharma (Former deputy Editor, The Hindu), K V Sridhar (Founder, Hyper Collective), and Devleena Majumdar (President HR, Culture Machine).

    A L Sharada, Director, Population First shared, “The study was conducted with funding support from UNFPA. The project was restricted to media organizations within Mumbai Metropolitan Region and covered a total of 87 respondents drawn from 36 media organizations across languages.

    “Data on gender distribution at different levels within media houses have clearly reflected gender disparity. Board members, Founder members, CEO etc are predominantly men. Women are found in large numbers as HR personnel across print and advertising but are less in number in broadcast. The presence of women camerapersons, photographers in technical sections is dismal across all media. The study also throws light on beats being highly gendered, awareness of Prevention of Sexual Harassment of Women at Workplace, demands of work and family life came out as a major hindrance for women professionals in media and more,” she said.

    Conclusion and Recommendations: This was a comprehensive study, carried out across print, television and advertising media to find out how gender sensitive and inclusive media is with regards to policies, gender distribution and pro-active measures in place, to provide a gender friendly working environment. The project was restricted to media organisations within Mumbai Metropolitan Region and covered a total of 87 respondents drawn from 36 media organizations across languages. The data collection exercise was carried out by a group of 15 students who received an intensive training in the intricacies of data collection and research methodology for two weeks prior to going to the field.

    Conclusions, thus, are derived from the rich data gathered from interviews with media personnel and from review of previous research studies and existing literature on the subject. However it is important to bear in mind that media personnel do not constitute a homogenous community. They expressed a diversity of opinions on a range of subjects. What we present here are broad conclusions:

    • Data on gender distribution at different levels within media houses clearly reflect gender disparity. While there are more number of women in lower and middle level positions, there is a preponderance of males at the top levels. Board members, Founder members, CEO etc are predominantly men. Women are found in large numbers as HR personnel across print and advertising but are less in number in broadcast. The presence of women camerapersons, photographers in technical sections is dismal across all media. Marketing and client services in the language press have more women employees. However the marketing section in English dailies is largely male oriented. However there are some exceptions like Indian Express which has an all women editorial team.

    • Beats are highly gendered even though media houses would have us believe that gender is irrelevant when it comes to assignment of beats. Culture, education, consumer news, fashion, lifestyle are primarily assigned to women and crime, business and political reporting is generally done by men with some exceptions. This was attributed to a women’s preference for the so called feminine beats and that it was unsafe for women to do crime reporting or that she was physically weak to handle heavy technical equipment.

    • Some of the respondents were so critical of the use of a gender lens in the questions that it seemed as though gender is on its way out and that gender did not matter in media organisations. That women and men are distinguished more by their professionalism than masculinity and femininity. However a deeper probe revealed the misogyny floating around.

    • A masculine culture pervades media organizations and determines everything, the work ethics, news content, that the gender of a person is unimportant, that we are all professionals. There was the preponderance of a ‘Boys’ Club” and a masculine culture which includes working till late hours or playing political mind games. Women respondents said that they got their promotional opportunities depending upon whether they played by these power games or refused to do so. Women respondents also felt that they were constantly being judged and had to prove that they were “as good as a man”. However if women were aggressive it was perceived as arrogance, whereas the same was overlooked in a man.

    • The lack of awareness among media personnel about their rights with respect to various policies is appalling to say the least, and among those who are aware of institutional mechanisms and procedures, the reluctance to use them is disheartening. While the number of women in media is definitely on the rise, it has still not translated into organizations having structured programmes for creating awareness of sensitive issues like sexual harassment.

    • Only 33% of the respondents reported to there being any orientation/training/workshop organized at periodic intervals for employees so as to generate an awareness of Prevention of Sexual Harassment of Women at Workplace Act, 2013. There were exceptions in which seniors from certain organizations did say that they conducted such programmes at their own initiative for their juniors.

    • Again, this lack of awareness translates into respondents not knowing the procedure regarding filing of sexual harassment complaints within their organization. At least 26% female respondents and 10% male respondents said that they had no idea about the procedure for filing complaints. Amongst the others who knew about the procedure, many felt hesitant about filing such a complaint if the situation should ever arise, because they were not confident about their organizations supporting them.

    • While the number of women in different forms of media have been increasing, the feminization of media does not necessarily translate into less sexism in media content or an increasing feminist consciousness since organizational content, socialization of reporters, journalistic routines play an important part in imbalances in gender portrayal in media content.

    • Gendered assumptions and stereotypes are deeply embedded within media organisations but are more pronounced in the regional language press. Men play ‘big brotherly or avuncular roles’ (Joseph, 2005,p) patronising and protectionist.

    • Reconciling the demands of work and family life came out as a major hindrance for women professionals in media. Women seek not only gender sensitive workplaces but also understanding families. The socialisation process is not wired to train girls in goal setting and negotiating skills or for facing the challenges of work life

    • When it comes to gender policies very few organisations have little to offer other than the legally mandated policies like maternity leave for instance. Even here there are disparities with some offering fully paid three months maternity leave and others six months. Paternity leave of course is a mere token ranging from one week and fifteen days to one month. There seemed to an unwritten code in some media houses about losing out on career benefits like promotion and other incentives following maternity leave.

    • However all is not bleak. There are some media organisations which stand out for their progressive gender policies that reflect their sensitivities to structural inequities within the system. These policies seek to provide a gender enabling environment and mitigate the gendered consequences of their work life. These include organisations like SapientNitro, FCB Interface and Hypercollective in the advertising media, Star Sports, NDTV in broadcast and BBC in print.

    • Lack of transparency within media organizations is a bit startling. They seemed reluctant to share information on policies and programmes and when the gaze turns towards them, they refuse to introspect.

  • Olive Crowns JWT’s ‘campaign of the year’

    MUMBAI: The India Chapter of International Advertising Association (IAA) hosted the 7th edition of its annual property, the Olive Crown Awards. JWT leads the pack as they bag four Golds at the Olive Crown Awards 2017, on Wednesday 15 March at Famous Studios, Mahalaxmi (Mumbai). The awards acknowledged the remarkable work of those individuals who drove the message of sustainability or ‘green advertising’. The event was attended by senior marketing, media and advertising professionals from across the country.

    An eminent jury comprising renowned professionals such as K V Sridhar, Founder & Chief Creative Officer of Hyper Collective; Sonal Dabral, Chairman & Chief Creative Officer of DDB Mudra Group, India; Carlton Disilva, CEO & CCO of Hungama Digital Services, Malvika Mehra, ​Founder & Creative Director of Tomorrow Creative ​Lab ​and Raj Nair, CEO & Chief Creative Officer of Madison BMB, shortlisted the winners through a rigorous process, keeping in mind the contribution of each individual towards saving the earth. The jury for the Corporate Crusader award included Shernaz Vakil, Chairman & MD of Dai-ichi Karkaria Ltd, Suresh L. Goklaney, CEO of Eureka Forbes Ltd, Sachin Kalbag, Editor of The Hindu and K. Anandasagar, MD & Chief Compliance Officer of Citibank, following a similar procedure in short-listing the winners.

    The awards were presented across 20 different categories, including the coveted title ‘Green Crusader of the Year’ award, which was presented to the charming actress Dia Mirza for her contribution towards the welfare of the society by associating with NGOs, in addition to her constant efforts towards the green initiative. The award was presented by Monica Tata, along with the Guest of ​Honour, Actor and Social contributor Vivek Oberoi. The’ Campaign of the Year’ and the ‘Brand of the Year’ awards was presented to The Hindu for their #spiritofBengaluru campaign, ideated by J Walter Thompson, India.

    IAA India chapter president Neeraj Roy said, “It is really heartening to see the message of a ‘Green Earth’ reach millions of people with the effective apparatus of mass media. We are extremely honored to host yet another successful edition of the awards, and we look forward to replicating the same success in the coming years with more captivating entries that are contributing in making the world a better place to live in.”

    Vivek Oberoi said, “Thanks to a tradition that my family started 11 years ago in our Juhu house lane, of planting trees on each birthday, our locality has transformed, bringing about a significant change.”

    Dia Mirza said, “It is a honour to receive the award for Green Crusader of the Year at Olive Crown Awards 2017. It is crucial and extremely difficult to make people realize this umbilical link we have towards the environment.”

  • New DHFL ad tackles right time to take home loans

    New DHFL ad tackles right time to take home loans

    NEW DELHI: A new ad campaign “Home Loan Dilse” featuring brand ambassadior Shahrukh Khan which is an extension of the earlier Ghar Jaisa Loan Campaign has been launched by the Dewan Housing Finance Corporation Limited (DHFL).

    This is the third ad campaign featuring Khan to increase awareness and reverse the dilemma among the LMI segment in India with regards to the decision to have their own home.

    The “Home Loan Dilse” campaign tackles a very pertinent question – what’s the right time to buy a home or avail of a home loan? The campaign communicates relatable instances from various stages in people’s lives and affirms that the right time to buy a house is when you dream of a home. Right from getting married or after you have a child, from the desire to get rid of a nagging land lord to the need for more space to accommodate a growing family, the customer’s needs / reasons for buying a home are never-ending. The campaign messaging is appealing and connects with the real life common man dilemmas and affirms them that the right time is now, thereby strengthening the borrower’s trust and confidence in DHFL.

    DHFL Sr. VP & Head Marketing Sevantika Bhandari said, “We are extremely pleased to roll out this campaign which focuses on building a conviction among the LMI segment with regards to owning a home. We at DHFL help our customers transition their dreams of owning a home into a reality. Our first campaign “Ghar Jaisa Loan” was about dreaming of owning a own home, our 2nd campaign was saying no to excuses and telling the customer that the right time to own your dream home is now, and the current campaign tells us that there is no perfect time; the time is now and when you feel like it, just take that first step and own your own home.”

    She added, “The association with Shah Rukh Khan has further reinforced our connect with the target segment. Shah Rukh in all DHFL campaigns comes across like a friend, philosopher, advisor and an elder brother talking to customers and urging them to take their first step towards home ownership.”

    Khan said “The ad campaign has been executed in a manner that is simple yet appealing. There are so many instances when customers do not have the adequate recourses to purchase their own home, it is then that housing finance companies like DHFL help these customers achieve that dream. I am confident that the new campaign “Home Loan Dilse?” will appeal to the rationale of the customers and encourage them to take a decision to own a home thereby complementing the vision of DHFL to transform the lives of Indian households by enabling access to home ownership”

    SapientNitro Chief Creative Officer K V Sridhar (Pops) said, “The new ad campaign has been brilliantly written, acted and directed to address the dilemma faced by a consumer with regards to identifying the right time to purchase his/her own home. The campaign further complements the previous campaigns launched by the company in the last two years. Shah Rukh Khan has immensely contributed in transforming the brand by creating further awareness and making it relatable to the common man who looks to partner or avail a home loan from a company he/she can trust.”

    Director Nitesh Tiwari added, “I have been associated with DHFL from the launch of the Ghar Jaisa Loan Campaign. DHFL understands the customer and has captured the emotional moments in the life of people when they actually consider buying a house. Shah Rukh Khan is portrayed as an approachable and friendly person in this campaign. We have conceptualized the campaign with great detail basis the indepth insights gathered from the brand over the years. Taking this route has worked for the campaign as people can relate to him as a friend and as an advisor for helping them take the home buying decision.”

    The new ad campaign includes 35 second TV spots featuring in five languages – Hindi, Marathi, Tamil, Telugu and Kannada – in over 40 channels. The campaign will be further leveraged on the digital, press and outdoor media for larger reach and impact amongst the target audience.

  • New DHFL ad tackles right time to take home loans

    New DHFL ad tackles right time to take home loans

    NEW DELHI: A new ad campaign “Home Loan Dilse” featuring brand ambassadior Shahrukh Khan which is an extension of the earlier Ghar Jaisa Loan Campaign has been launched by the Dewan Housing Finance Corporation Limited (DHFL).

    This is the third ad campaign featuring Khan to increase awareness and reverse the dilemma among the LMI segment in India with regards to the decision to have their own home.

    The “Home Loan Dilse” campaign tackles a very pertinent question – what’s the right time to buy a home or avail of a home loan? The campaign communicates relatable instances from various stages in people’s lives and affirms that the right time to buy a house is when you dream of a home. Right from getting married or after you have a child, from the desire to get rid of a nagging land lord to the need for more space to accommodate a growing family, the customer’s needs / reasons for buying a home are never-ending. The campaign messaging is appealing and connects with the real life common man dilemmas and affirms them that the right time is now, thereby strengthening the borrower’s trust and confidence in DHFL.

    DHFL Sr. VP & Head Marketing Sevantika Bhandari said, “We are extremely pleased to roll out this campaign which focuses on building a conviction among the LMI segment with regards to owning a home. We at DHFL help our customers transition their dreams of owning a home into a reality. Our first campaign “Ghar Jaisa Loan” was about dreaming of owning a own home, our 2nd campaign was saying no to excuses and telling the customer that the right time to own your dream home is now, and the current campaign tells us that there is no perfect time; the time is now and when you feel like it, just take that first step and own your own home.”

    She added, “The association with Shah Rukh Khan has further reinforced our connect with the target segment. Shah Rukh in all DHFL campaigns comes across like a friend, philosopher, advisor and an elder brother talking to customers and urging them to take their first step towards home ownership.”

    Khan said “The ad campaign has been executed in a manner that is simple yet appealing. There are so many instances when customers do not have the adequate recourses to purchase their own home, it is then that housing finance companies like DHFL help these customers achieve that dream. I am confident that the new campaign “Home Loan Dilse?” will appeal to the rationale of the customers and encourage them to take a decision to own a home thereby complementing the vision of DHFL to transform the lives of Indian households by enabling access to home ownership”

    SapientNitro Chief Creative Officer K V Sridhar (Pops) said, “The new ad campaign has been brilliantly written, acted and directed to address the dilemma faced by a consumer with regards to identifying the right time to purchase his/her own home. The campaign further complements the previous campaigns launched by the company in the last two years. Shah Rukh Khan has immensely contributed in transforming the brand by creating further awareness and making it relatable to the common man who looks to partner or avail a home loan from a company he/she can trust.”

    Director Nitesh Tiwari added, “I have been associated with DHFL from the launch of the Ghar Jaisa Loan Campaign. DHFL understands the customer and has captured the emotional moments in the life of people when they actually consider buying a house. Shah Rukh Khan is portrayed as an approachable and friendly person in this campaign. We have conceptualized the campaign with great detail basis the indepth insights gathered from the brand over the years. Taking this route has worked for the campaign as people can relate to him as a friend and as an advisor for helping them take the home buying decision.”

    The new ad campaign includes 35 second TV spots featuring in five languages – Hindi, Marathi, Tamil, Telugu and Kannada – in over 40 channels. The campaign will be further leveraged on the digital, press and outdoor media for larger reach and impact amongst the target audience.

  • After Pops, exits continue at Leo Burnett

    After Pops, exits continue at Leo Burnett

    MUMBAI: It was in the month of April this year that the advertising fraternity got a shock with K V Sridhar’s exit news from Leo Burnett. Pops as the industry fondly calls him quit the creative agency after 17 years of association. Looks like with the legend leaving a few others too have decided to follow suit.

     

    Indiantelevision.com has learnt that over a dozen mid-level creative professionals have put in their papers at the agency. Highly placed sources within Leo Burnett confirmed the news.

     

    Leo Burnett chief creative officer RajDeepak Das was not reachable for comments at the time of filing the story.

     

    It can be noted that executive creative director Ashwini Iyer Tiwari who too had put in her papers a few months back is all set to make her debut in filmmaking.

     

    With Pops and Arvind Sharma, who bid adieu to the agency last year, gone the recent exits have definitely raised a few eyebrows. With the new leadership in place will the agency win back the confidence of creative guns? Only time will answer that.