Tag: K-dramas

  • Ekta shines in Dr.Rashel’s new Korean Glow act

    Ekta shines in Dr.Rashel’s new Korean Glow act

    MUMBAI: Move over K-dramas, it’s time for no drama. India’s TV czarina Ekta Kapoor is swapping plot twists for pore care in her latest starring role, fronting Dr.Rashel’s new campaign, No Drama, Only Flawless Glow.

    In a first-of-its-kind collaboration, Dr.Rashel, one of India’s fastest-growing skincare brands under PP Consumer Pvt. Ltd., has teamed up with Kapoor to launch its Korean glass skin series, a premium skincare range inspired by K-beauty rituals but designed especially for Indian skin.

    The campaign’s launch video has already gone viral, with Kapoor playfully calling herself the “original drama queen” before introducing her very own “K-series,” not another serial, but a skincare saga with no drama, just glow. In her trademark tongue-in-cheek style, she showcases each product, from the glow-boosting serum to the blackhead-busting nose strips, as part of a fuss-free routine that promises radiant, glass-like skin.

    “Ekta Kapoor represents ambition and authenticity, values that mirror what we stand for at Dr.Rashel,” said PP Consumer co-founder Pravin Bera. Fellow co-founder Devji Hathiyani, added that the collaboration is about “showing every individual that skincare can be simple, effective, and drama-free.”

    With Kapoor’s mass appeal and the Korean glass skin range already popular in metros, the brand now aims to take the glow revolution deeper into tier 2 and 3 markets.

    The No Drama, Only Flawless Glow campaign marks a bold new chapter for Dr.Rashel as it looks to make global-quality skincare accessible across India. The products are available at www.dr.rashel.in, and if Ekta’s promise is anything to go by, the only drama your skin will see is how flawless it suddenly looks.
     

  • K-dramas rank second on Netflix, just behind US content: Ampere research

    K-dramas rank second on Netflix, just behind US content: Ampere research

    MUMBAI: South Korean content is delivering knockout streaming figures for Netflix, now accounting for a whopping 17 per cent of the platform’s top 500 non-US shows and films, according to fresh research from Ampere Analysis.

    The streaming giant’s Seoul-mates now rank second only to American content for total viewing hours, a relationship that’s proving rather lucrative as Netflix pursues its ad-tier strategy and battles subscriber churn.

    In the latter half of 2024, viewers devoured 7.7 billion hours of Korean content—roughly 8 per cent of all Netflix viewing—outpacing entertainment heavyweights like the UK, Japan and Spain. Squid Game Season 2 topped global charts with a staggering 619.9 million streaming hours, while romance drama Love Next Door and cooking competition Culinary Class Wars also cooked up impressive numbers.

    Viewing share

    The streaming service isn’t playing hard to get, either. Netflix has pledged a cool $2.5 billion to Korean content between 2024 and 2028, having already established relationships with local broadcasting titans CJ ENM, JTBC, KBS, SBS and MBC. Meanwhile, local production capacity continues to expand with facilities like Studio 139 and Samsung Studio now operational.

    Korean media powerhouse CJ ENM is riding this global Hallyu wave with gusto, earmarking $818 million for content in 2025 while eyeing international expansion through Netflix exposure, partnerships with global studios, and potentially launching its streaming platform Tving worldwide.

    “Korean content plays a pivotal role in Netflix’s international success, driving both breakout hits and sustained viewing time,” notes Ampere Analysis research manager Orina Zhao. “South Korean content owners are well-positioned to capitalise on the global Hallyu phenomenon, maximising worldwide audience reach through strategic distribution and collaborations.”

    As the Hallyu wave shows no signs of crashing, Netflix’s Korean romance appears set for quite the happy ending.

  • Tata Play Binge partners with Playflix to expand Korean content library

    Tata Play Binge partners with Playflix to expand Korean content library

    Mumbai: Tata Play Binge announced today that it has partnered with Playflix, an OTT app dedicated to Korean entertainment, expanding its content library to offer viewers easy access to K-dramas and K-movies. With this collaboration, Tata Play Binge viewers can now access an extensive collection of Korean content, not only dubbed in Hindi but also in several other regional languages.

    Diverse Korean Content

    According to the official release, Playflix provides a plethora of content suitable for all age groups, including animated movies, series, and cooking shows. The platform also offers a wide range of Korean dramas and movies spanning across action, romance, thriller, horror, and more.

    The company said, “Playflix offers Korean series with English subtitles and Hindi audio, complemented by the vibrant world of K-POP – ensuring a diverse and inclusive viewing experience.”

    Top-Rated Titles

    Some of the top-rated K-drama content includes Extraordinary You, Goblin: The Lonely and Great God, Weightlifting Fairy Kim Bok Joo, She Was Pretty, W-Two Worlds Apart, I’m Not A Robot etc.

    Commenting on the addition of the new partner app, Tata Play’s Chief Commercial and Content Officer, Pallavi Puri, said, “We are delighted to collaborate with Playflix to bring to our Tata Play Binge subscribers a whole gamut of Korean content that has resonated so well with the Indian viewers. With each new partner integration, our aim is to enhance content discoverability, while creating a wholesome entertainment destination for OTT viewers.”

  • One Take Media Co. to bring a new show every week in India

    One Take Media Co. to bring a new show every week in India

    Mumbai: One Take Media Co. is here to provide fresh shows every week, both in their original language and with English subtitles and dubbed in Hindi.

    Action, historical, school, legal, medical, and even horror comedy are just a few of the many categories that shows might fall under. While romantic aspects and intense emotional themes are common, some dramas also have tragedies and slice-of-life themes. There are different tones and styles.

    This week, One Take Media Co. presents the wildly popular K-Drama She Was Pretty, which has garnered numerous accolades, including Drama of the Year at the annual Soompi Awards and Best Mid-length or Short Drama at the Korean Broadcasting Awards. In addition to winning these accolades, this show has Park Seo-Joon, Hwang Jeong-Eum, and Jun-Hee Ko as its most adored actors.

    Kim Hye-Jin, a once popular girl, grew into freckles and curly hair, losing the perfect features she had as a child. Ji Sung-Joon, who was once chubby and fainthearted, has grown into a successful and attractive man. Hye Jin and Sung Joon had a childhood crush on each other, but he and his family moved to the United States. After many years, Sung Joon returned to Korea as the chief editor of a fashion magazine, while Hye Jin remained unemployed. He hopes to meet Hye Jin upon his return. The plot is full of comedy and romance. Keep an eye on this space for next week’s new release.

    One Take Media Co. is a global content distribution hub—the biggest show aggregator in India—for providing premium quality shows dubbed in Hindi, Tamil, Telugu, and Kannada.

  • OTMC brings popular K-drama ‘Save Me 2’ to India

    OTMC brings popular K-drama ‘Save Me 2’ to India

    Mumbai: Content production and distribution hub One Take Media Co (OTMC) continues to be the leader in Korean drama (K-drama) series acquisition in India as it announces to bring the popular K-drama “Save Me 2” to Indian audiences.

    “Save Me 2” is the story of a small town that falls into a state of chaos due to the presence of a false religious group. This popular South Korean television series stars great actors like Uhm Tae-goo, Chun Ho-jin, Esom, and Kim Young-min. “Save Me 2” is a sequel to the blockbuster 2017 series “Save Me.”

    OTMC is one of the leading hubs that provide content and value-added services to DTH, cable, OTT, and TV channels in India and overseas. The content is not only limited to Hollywood films but spans nine regional languages, kids animation films and series, celebrity-based cooking shows, K-drama series, and K-pop.

  • The dramatic rise of K-dramas

    The dramatic rise of K-dramas

    MUMBAI: Since March 2020, at least six Korean drama titles have featured on Netflix India’s Top 10 Trending list. According to a recent Netflix report, the viewing for K-dramas on Netflix in India "increased more than 370 per cent in 2020 over 2019.” So, for those of us unversed with the hype around K-dramas or even speculating whether “K-drama” is a namesake for yet another saas-bahu soap opera from Ekta Kapoor’s drama factory, maybe it’s time to dive into a bowl of ramen noodles and settle back to watch one.

    With no fresh content on television for some months, thanks to the lockdown, and with a whole lot of extra time on their hands, many viewers traded the TV screen for their cell phone or tablet screens, looking for some relief from the barrage of Covid-related news. This upsurge in usage of on-demand OTT platforms during the pandemic led to an increased demand for variety content, language barrier notwithstanding. K-dramas with their feel-good storylines and safe-for-family-viewing content made for the perfect lockdown recipe when most of us were locked in with our extended families. Riding on this wave, K-dramas have had their biggest breakthrough moment in India during the ongoing pandemic, as more people found the time and inclination to explore different kinds of content.

    While K-pop, as well as Korean dramas, have been a prominent part of pop culture among India’s GenZ and millennials for the last few years, it's only in the last one year that it's gone truly mainstream. Along with other cultural exports from the country like K-beauty (skincare products) and Korean food, they form a part of the Korean cultural wave, called ‘Hallyu’. So what is it that makes these dramas so binge-worthy and addictive?

    Well, for starters, there is the detailing in the scriptwriting, with a focus on strong storylines having positive undertones. Although some of them can have pretty predictable outcomes, it is the conversational dialogues and natural treatment that makes all the difference. The characters are relatable, not larger-than-life with vulnerabilities one can empathise with. There is usually an underdog character one cannot help rooting for. Also, don’t get deceived by the damsel-in-distress looks of the lead women characters in the show, they may look frail but most of them are independent, fiery  women who hold their own and do not hesitate to speak their mind or stand their ground when confronted. This understated emphasis on female empowerment goes a long way in making these soaps popular with their women audiences, while also making a statement for gender-equality in a positive, non-dramatic manner.

    And of course, not to mention the swoon-worthy, porcelain-complexioned, picture-perfect looking actors clad in the trendiest outfits. Many of the actors from popular Korean fictional shows, including Crash Landing on You, It’s Okay to Not be Okay, Kingdom, Itaewon Class, Guardian: The Lonely and Great God etc like Son Ye-jin, Hyun Bin, Kim Soo-hyun, Seo Ye-ji, Jung Hae In, Park Joo-hyun to name a few, have become household names amongst Indian fans who swear by their Korean screen idols. The immersive plots range from adorable rom-coms to edge-of-the-seat suspense, from heart-warming, soul-satiating family dramas to intense psychological thrillers, covering a whole gamut of profound experiences- one that caters to every taste. The dramas also give us a peek into Korean culture, food and lifestyle. For instance, Crash landing On You, which deals with cross-border romance between a South Korean business tycoon and a North Korean soldier offered a heartwarming insight into the hitherto forbidden land of North Korea and the people living there.

    Since Netflix first started showing Korean dramas in 2016, it has brought them to an international audience. Other OTT platforms too have caught on to this trend and many more like Disney+, HBO Max, and Apple+ are all expected to join the K-drama bandwagon. One only needs to glance at the number of Hindi dubbed versions of K-dramas on an Indian homegrown platform like MX Player to understand the size and scope of Korean content in India and its growing popularity. Hit Korean releases from 2016 like Melting Me Softly to What in the World Happened?, 1% of Something and many more have been dubbed in Hindi to cater to the increasing audience demand for Korean fare.

    ‘Hallyu’ or the Korean Wave is the term used to describe the spread of Korean entertainment and culture in other parts of the world. Die-hard fans of K-series pursue a range of experience, consuming Korean food like kimchi, fashion and music, even learning Korean to better understand their favourite shows; some even going to the extent of travelling to Korea for first-hand experiences of the culture and place.

    The Oscar-winning 2019 Korean movie Parasite can also be credited for this new-found interest in Korean fare. It was the first film not in English to take home the top prize in the academy’s 92-year history. The film’s director Bong Joon-ho while accepting his Best Picture Oscar, spoke about “overcoming the one-inch-tall barrier of subtitles” in order to be introduced to more amazing content. It holds true now more than ever before, going by the resounding worldwide endorsement and success of Korean dramas. Indians sure have broken down the “one-inch barrier” and embraced K-dramas for times to come.