Tag: Jugal Hansraj

  • New TVC showcases smart eye Haier AC functionalities in a quirky manner

    MUMBAI: Haier, a global leader in Home Appliances & Consumer Electronics, is ready to welcome the summer season with the launch of its new TV commercial campaign for its recently launched inverter technology, ‘Smart Eye’ air conditioner.

    The TVC went live on television recently and is being aired across all metro cities in six different languages across leading English, Hindi, GECs and other regional entertainment, movies and music channels. The new TVC primarily highlights the consumer centric smart features of Haier’s ‘Smart Eye’ Air-conditioner. Haier partnered with Scarecrow Communications, Delhi as the creative agency for conceptualizing and executing the TVC.

    The story revolves around different characters including renowned actors such as Jugal Hansraj who plays the role of a progressive prince bringing the new Haier AC in the house and the lead character Remotu kaka played by Vaibhhav Mathur. The film has been directed by renowned Ad Film director – Pradeep Sarkar of Apocalypso Film Works.

    The story is of a royal family living in a palace where every member has different demands when it comes to the cooling intensity of the AC and Remotu Kaka holds the utmost responsibility in the house to adjust the temperature, the air throw direction, cooling intensity etc. of the each air conditioner with his multiple remotes. The TVC stars striking characters with unforgettable quirks. From Remotu Kaka who is wearing a jacket loaded with remotes to a Rajmata who plays polo sitting on an electric wheelchair to a king’s family wielding Japanese fans. Not only this, but also the entry of Haier Air Conditioners in the film is quite unique where they are escorted into the palace placed on a series of royal palanquins.

    The commercial details out the user benefits of the ‘Smart Eye’ air conditioner by Haier, which comes with Inverter Technology, energy saving capabilities and is designed to add comfort and convenience to the lives of the consumers.The Cooling intensity and temperature adjustment in an AC is a primary concern many consumers have, but to understand what the human body wants is also very difficult. Therefore, the TVC focuses on the recently introduced ‘Smart Eye’ AC by Haier, which comes with a human sensor where the AC automatically adjusts its cooling efficiency depending on the number of people in the room, their exact position as well as external light conditions. Moreover, the storyline of the commercial also highlights how constant manual adjustment of temperature or cooling intensity leads to wastage of electricity. Thus, with the introduction of Haier’s new ‘Smart Eye’ AC, “Remotu Kaka” does not have to manually adjust the temperature and other functionalities of the AC anymore and his life is now like a cool breeze of air as against the earlier times, when he had to constantly manage various things through multiple remotes.

    The campaign will run across all digital and social media platforms of Haier based on the theme “#Remotukaka”.

    Haier India president Eric Braganza said, “The demand of air conditioners will considerably increase, therefore, our aim is to create a top of mind recall amongst consumers for Haier air conditioners through the launch of this TV commercial. It is targeted towards consumers who intend to upgrade or purchase a new home appliance that is efficient and adds extra comfort to their lives.”

    Scarecrow Communications founder-director Raghu Bhat said “The AC market is getting increasingly cluttered and hyper-active. The first requirement for any communication is disruption and memorability. Hence the story line and the characters in the plot – have to appeal to consumers instantly. That’s why we created a character and a name – “Remotu Kaka” that consumers can remember and talk about. To communicate the propositions of the Smart Eye AC, we have used vivid visual demonstrations that bring alive the differentiated features like 50 feet cooling and Human Eye where the breeze follows a moving person.”

    YouTube Link for the TVC –

  • Kahaani 2: Durga Rani Singh……Predictable story

    Kahaani 2: Durga Rani Singh……Predictable story

    Sequel is a misnomer for films using a similar or the same title as an older film including, surprisingly, not always successful ones. The use of an old title and, if possible, the protagonist from the earlier film seem to suffice. In Kahaani 2: Durga Rani Singh, the common factor as in Kahaani (2012) is the lead actor, Vidya Balan, and the film’s West Bengal backdrop. Rest has no connect with the earlier.

    Kahaani 2 deals with the much-debated issue of child abuse.

    Vidya Balan’s character has a paraplegic daughter, Tunisha Sharma, in her early teens who she has promised to protect till she is alive. Both lead a quiet life in a distant village in West Bengal. Her time is divided between her job and looking after her daughter. Her only wish is to take her daughter to the US for treatment so she can start walking again as she did earlier.

    Tunisha also has a past that gives her nightmares. Tunisha has been a victim of child abuse when she was six (played by Naisha Khanna).

    Arjun Rampal, the newly transferred cop from Kolkata, enters the scene. As Arjun delves into Vidya’s diary it emerges that Naisha is an orphan in care of her uncle and granny. And, there is something about her family that is making her uncomfortable. Vidya takes it upon herself to rescue the girl.

    Rampal has a reason to keep the case away from police record and his seniors.

    Kahaani 2 is thoroughly a script of convenience. It is predictable and leaves a few things unexplained at the end. Since it uses the title Kahaani, the comparison is inevitable and, to say the least, this one falls way short of the original.

    It is a VidyaBalan film but she is not seen doing any daring-dos here as would be expected Naisha Khanna is impressive. Tunisha does not have much to do and passes muster. Rampal is good. Jugal Hansraj and Tota Roy Chowdhary are okay in support.

    The film keeps the viewer engrossed through its first half, but it tends to get repetitive in the later half. What works to some extent is the film’s ‘please all’ climax. With a solo release and coming as it does following a trail of poor films recently, Kahaani2: Durga Rani Singh was expected to take a decent opening which has not happened. In absence of initial curiosity, the film stands poor chances at the box office.

    Producers: Kushal Kantilal Gada, Dhaval Jayantilal Gada, Aksshay Jayantilal Gada and Sujoy Ghosh.

    Director: Sujoy Ghosh.

    Cast: Vidya Balan, Arjun Rampal, Tunisha Sharma, Naisha Khanna, Tota Roy Chowdhary, Jugal Hansraj.

  • Kahaani 2: Durga Rani Singh……Predictable story

    Kahaani 2: Durga Rani Singh……Predictable story

    Sequel is a misnomer for films using a similar or the same title as an older film including, surprisingly, not always successful ones. The use of an old title and, if possible, the protagonist from the earlier film seem to suffice. In Kahaani 2: Durga Rani Singh, the common factor as in Kahaani (2012) is the lead actor, Vidya Balan, and the film’s West Bengal backdrop. Rest has no connect with the earlier.

    Kahaani 2 deals with the much-debated issue of child abuse.

    Vidya Balan’s character has a paraplegic daughter, Tunisha Sharma, in her early teens who she has promised to protect till she is alive. Both lead a quiet life in a distant village in West Bengal. Her time is divided between her job and looking after her daughter. Her only wish is to take her daughter to the US for treatment so she can start walking again as she did earlier.

    Tunisha also has a past that gives her nightmares. Tunisha has been a victim of child abuse when she was six (played by Naisha Khanna).

    Arjun Rampal, the newly transferred cop from Kolkata, enters the scene. As Arjun delves into Vidya’s diary it emerges that Naisha is an orphan in care of her uncle and granny. And, there is something about her family that is making her uncomfortable. Vidya takes it upon herself to rescue the girl.

    Rampal has a reason to keep the case away from police record and his seniors.

    Kahaani 2 is thoroughly a script of convenience. It is predictable and leaves a few things unexplained at the end. Since it uses the title Kahaani, the comparison is inevitable and, to say the least, this one falls way short of the original.

    It is a VidyaBalan film but she is not seen doing any daring-dos here as would be expected Naisha Khanna is impressive. Tunisha does not have much to do and passes muster. Rampal is good. Jugal Hansraj and Tota Roy Chowdhary are okay in support.

    The film keeps the viewer engrossed through its first half, but it tends to get repetitive in the later half. What works to some extent is the film’s ‘please all’ climax. With a solo release and coming as it does following a trail of poor films recently, Kahaani2: Durga Rani Singh was expected to take a decent opening which has not happened. In absence of initial curiosity, the film stands poor chances at the box office.

    Producers: Kushal Kantilal Gada, Dhaval Jayantilal Gada, Aksshay Jayantilal Gada and Sujoy Ghosh.

    Director: Sujoy Ghosh.

    Cast: Vidya Balan, Arjun Rampal, Tunisha Sharma, Naisha Khanna, Tota Roy Chowdhary, Jugal Hansraj.

  • Jugal Hansraj to take animation master class at Melbourne fest

    Jugal Hansraj to take animation master class at Melbourne fest

    MUMBAI: Jugal Hansraj, who directed YRF and Disney‘s first collaborative animation film Roadside Romeo in 2008, will address a master class on animation at Indian Film Festival Melbourne, scheduled to go underway from 11 to 22 June.

    Hansraj will be present at the festival along with Rajkumar Hirani, Rituparno Ghosh and Sabyasachi Mukherjee, who will conduct master classes on expertise in their respective fields.

    In a 90-minute presentation, the actor-director will share his first hand experiences of directing Roadside Romeo because it was the first mainstream, non-mythological animation film.

    Hansraj, who last directed Pyaar Impossible in 2010, is ready with several new scripts. He is in talks with several producers and hopes to start work on one of these scripts by the end of this year.

  • Four Indian directors to conduct Master class at IFFM

    Four Indian directors to conduct Master class at IFFM

    MUMBAI: Rituparno Ghosh, Rajkumar Hirani, Sabyasachi Mukherjee and Jugal Hansraj will conduct master classes at the forthcoming Indian Film Festival Melbourne (IFFM) 2012.

    The festival will be held from 11 to 22 June.

    Hirani and Abhijat Joshi will talk about successful script writing collaborations (3 Idiots, Lage Raho Munna Bhai) in master class, ‘Thinking through Laughter’, with a special focus on the comedy genre.

    While Ghosh will discuss Art house cinema in India as an alternative to the mainstream commercial Bollywood cinema in his master class ‘Realism in Indian cinema’, Mukherjee will conduct ‘Talking through Fabric’, a master class looking at the role of costume and fabric design in creating a powerful narrative in film.

    On the other hand, Hansraj will conduct ‘Animation: The hotspot for co–production’, a master class discussing India’s booming animation industry and the possibility of Australian/Indian animation co-productions.