Tag: Josy Paul

  • Scope of Innovation in Print Advertising

    Scope of Innovation in Print Advertising

    On 16 April, 2000, The Times of India arrived on the doorsteps of millions of Indian households with its front page blank! It carried only the masthead, but no editorial. Blank!! That was the surprise of all surprises. It was our way of telling the world that the dot com revolution had arrived with the launch of indya.com. It took the country by shock! It hit newsreaders right between their disbelieving eyes. You couldn’t help but notice it. Unbelievable, even to us! 

    When we thought of the idea, we didn’t use fancy words like ‘innovation in print’. All we wanted to do was dominate the news! Take over everything. To shell-shock the world, to be remembered! Nobody had dared mess with the front page of Times of India until then. It took a great client like Sunil Lulla, the then CEO of Indya.com, to inspire, appreciate and see this idea right through. 

    Today we see a lot of messy stuff on the front pages of most newspapers. These are not innovations, but desperations. If we want to truly break through, we’ll have to do much better than what we currently see. More importantly, we’ll have to have the inventive fire of a madman and the inspired blessing of a visionary client. Else all we’ll get is paper pulp.

    It is getting harder for advertising to stand out in print. Because editorial is so much more exciting. And it’s being generated at the speed of life. So forget about creating print ads like we did before. We are competing with gripping news. And the only way to fight news is to make news. 

    Which explains the work many of us have seen for Benetton a few years ago. The ‘Unhate’ campaign. It dared to create news. A childlike argument for peace and reconciliation, it created huge buzz. The big pictures of world leaders kissing each other in the print ads incited strong reactions. The campaign was withdrawn but the brand’s point was made. The work won worldwide accolades and the Grand Prix at Cannes.

    To truly innovate in print advertising, it’s important to remember that we are not competing with other ads, we are competing with news. What’s your news? If you have inspired guts, you’ll find the answer. Innovation in print is not a topic of discussion. It’s not an ad… it’s an act!

    (These are purely personal views of BBDO India chairman and chief creative office Josy Paul and Indiantelevision.com does not necessarily subscribe to these views.)

  • Missed being at Cannes Lions? Don’t fret, take a look

    Missed being at Cannes Lions? Don’t fret, take a look

    MUMBAI:  At the 61st edition of Cannes Lions a lot has happened that one would want to a keep a note of.

    Think of any big name from the media, marketing, advertising industry and they were there, sharing their experiences and views on the industry. Keeping those who couldn’t attend the festival of creativity, the organisers promotes its major happenings real time across Twitter, Facebook and YouTube.

    From session highlights to picture updates; ad men, agency networks, other attendees were all out on social posting.

    Indiantelevision.com lists down 20 thought provoking tweets and tidbits to bring home the flavour of Cannes Lions 2014…

     

     

     

    Unilever News @Unilever  

    “Marketing was about making a myth and telling it. Now it’s telling a truth and sharing it” — Marc Mathieu @Unilever #CannesLions

    Ogilvy & Mather @Ogilvy  

    “You achieve more from failure than you do from success.” –@JaredLeto at #CannesLions #OgilvyCannes MT @ThamKhaiMeng

    Ogilvy & Mather @Ogilvy 

    We are all born creative. We just got it educated out of us. –@ThamKhaiMeng #OgilvyCannes #CannesLions

    Ogilvy & Mather @Ogilvy  

    Selling ideas is a hard job… Avoid those who make it more complex. They often nitpick without real solutions. #CannesLions #OgilvyCannes

    Ogilvy Cape Town @OgilvyCT

    Use creativity to solve a problem you’ve never seen. That’s what drives the world. @neiltyson #canneslions #ogilvycannes

    Ogilvy & Mather @Ogilvy  

    Successful people lose more than they win… Find insight after losing. Find faults after winning. #CannesLions #OgilvyCannes

    Ogilvy & Mather @Ogilvy  

    Your first job is the second part of your education. #CannesLions #OgilvyCannes

    Cannes Lions @Cannes_Lions

    “The best thing about the fall of BlackBerry and the rise of Apple is the win of creativity,” – @kanyewest @PulseofCulture #CannesLions

    Cannes Lions @Cannes_Lions

    “If people are saying you’re wrong, that’s a good sign that you’re probably a genius” – @SteveStoute @PulseofCulture #CannesLions

    Cannes Lions @Cannes_Lions  

    Global advertising doesn’t work. It glides past people, isn’t part of their culture, doesn’t touch them-John Hegarty @bbhlondon #CannesLions

    Cannes Lions @Cannes_Lions 

    ‘You cannot market an artist like a yogurt, but you can definitely market a yogurt like an artist’ Olivier Robert-Murphy @UMG #CannesLions

    Cannes Lions @Cannes_Lions  

    ‘Bad advertising online is shit. Bad advertising on mobile is just offensive’ – @ddroga #CannesLions

    Weber Shandwick US @WeberShandwick 

    “If you’ve got nothing to say, the technology doesn’t matter” #profaneandpolitical #wscannes2014

    Tracy @TracybradyHH · 

    The biggest risk is not to take a risk. Be brave. #ipgCannes2014 #HHCannes #CannesLions @WeberShandwick #unapologetic

    Rufus Leonard @rufusleonard 

    “Risk is the mother of #innovation” says Tim Webber @Framestore @Cannes_Lions #CannesLions

  • Mirchi Kaan Awards 2014 names Scarecrow as Agency of the Year

    Mirchi Kaan Awards 2014 names Scarecrow as Agency of the Year

    MUMBAI: The 11th edition of Mirchi Kaan Awards saw some of the big names of the ad and corporate world such Josy Paul, Pops, Sajan Raj Kurup, Rekha Nigam, Sunil Lulla, Sanjay Tripathi, Gaurav Seth and Sripad Nadkarni present at the awards as the winners were felicitated in front of a packed audience.

     

    Scarecrow Communications emerged as the ‘Agency of the Year’, with a total of 6 awards, including 5 Gold and 1 Bronze. JWT Mumbai bagged 2 gold, 2 silver and 3 bronze awards. Linen- A Lintas Group Company, walked away with a total of 11 awards, including 4 silver and 7 bronze.

     

    Last year’s agency of the year, Ogilvy & Mather, bagged 2 silver and 1 bronze award. Scarecrow Communications also won the ‘Crystal Award’ and ‘Best Radio Creative of the Year – Client’s Choice’ for the Nitco Tiles radio spot captioned ‘Pinkesh’. Kapil Tammal, Manish Bhatt, Raghu Bhat and Sarvesh Raikar walked away with the ‘Radio Writer of the Year’ award.

     

    NITCO was honored with the title of ‘Client of the Year’. Sounds Good Production won ‘Excellence in Production’ while Madison Media Pinnacle won the ‘Best use of Radio as a Medium’ for Cadbury Celebrations – Songs for Sisters campaign. At a regional level, Radio Mango won 2 bronze awards.

     

    The Mirchi Kaan Awards was introduced in 2004 to celebrate creativity in the challenging field of radio advertising. The 11th edition of the awards, centered on the theme of ‘Mute the Clichés’, attracted over 250 entries from 36 agencies across 20 categories.

     

    Commenting on the success of the event, GG Jayanta, National Marketing Head, ENIL (Radio Mirchi), said, “We are extremely delighted to see the turnout of our initiative in acknowledging the potential of radio. The surge in participation is a testament to the acceptance of radio as an important medium in creative communication. This year we have opened the way for regional entries too. We hope to continue our efforts in awarding and showcasing some of the most innovative advertising campaigns on radio. We congratulate all the winners and take this occasion to thank the jury.”

     

    This year’s jury included eminent creative personalities such as Josy Paul, Prathap Suthan, Agnello Dias, Anurag Agnihotri, Priti Nair, Amit Akali, Manohar Nayak, Tista Sen, Rekha Nigam , Prateek Bharadwaj & Tapas Sen.

     

  • AD Club to conduct ad review in Gurgaon, Delhi

    AD Club to conduct ad review in Gurgaon, Delhi

    MUMBAI: The Advertising Club is completing 60 years of its successful existence this year.  The Managing Committee with a view to celebrate this momentous occasion has planned a series of new activities.

     

    We kick start with the 2013 Creative Review, one of the most erstwhile popular programs of the Ad Club.  This event will happen on Friday, 28th February, 2014 at Vivanta by Taj – Gurgaon, NCR, Sector 44, Gurgaon-122 004 at 6.30 pm and will be presented in an interesting new format where two Creative stalwarts Agnello Dias (Chief Creative Officer), Taproot India Communication India Pvt. Ltd.) & Josy Paul (Chairman & CCO, BBDO India Pvt. Ltd.) will present the Review.

     

    COLORS have come on board as Presenting Sponsor where as Bharti Airtel Ltd.  & PepsiCo India Holdings Pvt. Ltd. will be the Associate Sponsors.

     

    The donor passes will be charged at Rs.850/- per head and will be available from 26th February, 2014 from 3 pm to 6 pm at the reception of DLF City Club, Moulsari Road, DLF City Phase – III, Gurgaon – 122002, Haryana Ph: +91 124-4999100.  The passes will also be available from 4 pm at the venue on 28th February, 2014.

     

    The event will be followed by Cocktails & Dinner.

     

    Further details can be had from The Ad Club at 23894091 / 23810213 OR www.theadvertisingclub.net 

     

    Kindly feel free to send an email at adclub@vsnl.com

  • AD Club to conduct ad review in Gurgaon, Delhi

    AD Club to conduct ad review in Gurgaon, Delhi

    MUMBAI: The Advertising Club is completing 60 years of its successful existence this year.  The Managing Committee with a view to celebrate this momentous occasion has planned a series of new activities.

     

    We kick start with the 2013 Creative Review, one of the most erstwhile popular programs of the Ad Club. This event will happen on Friday, 28 February, 2014 at Vivanta by Taj – Gurgaon, NCR, Sector 44, Gurgaon at 6.30 pm and will be presented in an interesting new format where two Creative stalwarts – Agnello Dias (Chief Creative Officer, Taproot India Communication India) and Josy Paul (Chairman & CCO, BBDO India) will present the Review.

     

    COLORS have come on board as Presenting Sponsor where as Bharti Airtel and PepsiCo India will be the Associate Sponsors.

    The donor passes will be charged at Rs 850 per head and will be available from 26 February, 2014 from 3 pm to 6 pm at the reception of DLF City Club, Moulsari Road, DLF City Phase – III, Gurgaon, Haryana, Ph: +91 124-4999100.  The passes will also be available from 4 pm at the venue on 28 February, 2014.

  • Ads piggyback kids

    Ads piggyback kids

    MUMBAI: The latest advertisement to hit television screens is testimony to the fact that advertisers can’t seem to get enough of children when it comes to publicising brands. And this includes brands which don’t target kids; not even remotely.

    The ad in question is for IDBI Bank and rolls with a little girl sitting beside her friend, saying she loves to eat ganna (sugarcane) but can’t until she gets a new set of teeth which is why her pal is busy peeling it for her. The commercial ends with a voiceover: ‘Bank aisa, dost jaisa’. Two other ads are part of the campaign conceptualised by Ogilvy & Mather (O&M) and have children speaking of their friends in different scenarios.

    O&M NCD Abhijit Avasthi exults: “When we started work on the new campaign of IDBI Bank, we were very clear that we are changing the campaign and not the values that the bank stands for. The idea we came up with does exactly this. In an innocent and charming way, we are telling people ‘What if a bank would do what a friend would do’. When you say something like this, you really don’t need to say much more.”

    Indeed, the ad has charmed its way into people’s hearts, especially on social media. But that doesn’t stop one from wondering what kids can possibly have in common with a bank!

    Again, this isn’t the first instance where children have been used to sell products and services which they have nothing to do with; be it detergents, power inverters, cars, insurance policies or e-commerce websites. So what is it about kids that advertisers find so attractive? Ad veteran Alyque Padamsee reasons that people notice kids more than they do adults. “It is heart warming to see kids on screen. And who does not love them?” says he.

    Padamsee gives the example of Vodafone’s earlier campaign. “Vodafone used a little boy and her dog for its ‘everywhere you go, our network follows’ campaign, and it worked for them. Everyone remembers the commercial and it beautifully conveys the message the telecom company wants to tell people.”

    “Anything in life can be told through the eyes of a child. It’s not difficult,” says BBDO’s chairman and chief creative officer Josy Paul who elaborates on the point by giving the example of the agency David (founded in 2000 by BBDO) and adds, “When you joined the agency you got a resignation letter, not an appointment letter. You had to resign from adulthood to join David. The whole philosophy was to think like a child.”

    The other factor is that kids today play an important role in family decisions, say buying a car. Remember the ad with the Sardar kid whose car doesn’t run out of petrol ever – that’s how Maruti Suzuki tried to convince people about the car’s performance.

    Ernst & Young consultant (media) Mihir Date goes to the extent of calling present-day children decision makers. “What they watch on television is what they want. For example, my nephew only watches Cartoon Network but wants everything shown on the channel, be it a kiddie product or not,” he says.

    Peer pressure too plays an important part where kids want what their friends have; points out Date, adding, “And marketers have been smart enough to understand the GenY. It is working in their favour to use kids in advertisements wherein both kids and parents get targeted.”

    There are enough and more examples where brands and their creative agencies have used situations or scenarios where kids fit in beautifully, and the overall image is always happy and colourful. Say Nerolac paints, now being promoted by Shah Rukh Khan, which earlier had the jingle ‘Jab Ghar Ki Raunak Badhani Ho’ with happy scenes of children prancing around while the walls of their homes are being painted in bright colours.

    However, there’s a flip side as well to using kids in commercials.

    Says ad film director Prahlad Kakar, “If the brand value or what they stand for is not woven well into the story, then the message will be lost.”

    Padamsee agrees: “Amitabh Bachchan and Shah Rukh Khan are all over the place. They endorse so many brands; do we remember which commercial stands for which brand? Hardly… Similarly, one might notice and love the kids in an advertisement but that doesn’t mean that people will remember the brand. Many a times, the ad gets noticed but the brand isn’t.”

    While this is an open debate, it’s true that putting children in the ad is a sure way of getting viewers to like it, most of the times at least…

  • IAA Debates in Delhi: ‘Creative awards can also be given for differentiated one-off expressions’

    IAA Debates in Delhi: ‘Creative awards can also be given for differentiated one-off expressions’

    Mumbai: The third in the series of the International Advertising Association (IAA) India Chapter’s debates will be hosted in Gurgaon on Monday 13 May 2013.

    It will be presented by the Dainik Bhaskar Group.

    The topic for the third IAA Debates is ‘Creative awards can also be given for differentiated one-off expressions’.

    Speaking ‘For’ the topic will be BBDO India chairman and chief creative officer Josy Paul and DDB Mudra Group COO Pratap Bose.

    ‘Against’ the motion will be Pepsico India vice president marketing – beverage Deepika Warrier and Green Bean Ventures director Lloyd Mathias.

    The debate will be moderated by Future Brands MD and CEO Santosh Desai.

    IAA India Chapter president Srinivasan K Swamy said, “The first two debates – in Mumbai and Goa – have been extremely well received. I expect the third IAA debate to do as well. The topic chosen is provocative and is something in the minds of many after the recent Goafest-Abbys event. With the line up of speakers the debate in Delhi promises to be exciting, delivering viewpoints to help our perspectives evolve.”

    IAA debates co chairperson Partho Dasgupta added, “This is the good old classic format of debate where industry leaders debate serious issues. It‘s not a standard comfortable panel discussion sitting on a couch. We get to hear the best opinion backed by information on subjects with speakers defending their positions passionately.”

    The venue of the event is The Trident and it will be held from 4.30 pm to 6.30 pm.

  • Proximity India appoints Dinesh Swamy as creative leader

    MUMBAI: BBDO‘s CRM, digital and data arm Proximity India has appointed Dinesh Swamy as the creative leader.

    Swamy moves in from Law & Kenneth where he was working as the creative director- digital.

    He will report to BBDO India chairman and national creative director Josy Paul.

    Confirming the news to Indiantelevision.com Paul said, “Dinesh will take our philosophy of advertising ahead and explode it in the digital world. He will look after the social media, mobile and online activities.”

    Swamy began his digital journey as a web and graphic designer. In his career, spanning over 13 years, he has worked for brands such as Mercedes Benz, Emaar, Idea Cellular, MTV, Honda, Reliance Mobile, LIC, Volkswagen, Parle, Renault and Hero Motocorp. Prior to joining Law & Kenneth, he had also worked with Tribal DDB India, Flip Media and Red Apple Communications.