Tag: Jon Niermann

  • BAF Awards get bigger, attract global personalities

    BAF Awards get bigger, attract global personalities

    MUMBAI: The excitement, the nervousness, the anticipation, the honor… that’s what make award ceremonies exciting and the BAF Awards held yesterday at the Frames convention was no different.

    The BAF (Best Animated Frames) Awards have grown bigger in terms of scale, which was evident also from the fact that the handing out the trophies were some of the best international personalities of the industry, including Barrie Osborne and Jon Niermann.

    Each awards ceremony has its moments and amongst the best moments at BAF was when Indian animation veteran Bhimsen Khurana received the Special contribution to the Animation Industry(Indian) and his trophy was presented to him by none other than Lord of The Rings Producer Barrie Osborne.

    Khurana has to his credit many firsts in Indian animation, including the first Indian animated TV series `Lokgatha’ and `Vartaman’.

    In a jovial mood, Khurana took a jibe at the long citation read out in his honor when he quipped,”Was it me?” Later on, he told Indiantelevision.com,”With this recognition, I feel that hardwork pays. Though they take their own time, results do come.”

    The BAF award for Special contribution to the Animation
    Industry(International) went to Mike Young of Mike Young Productions. Mike, who could not make it to India, sent in a special recorded message that was played out as a representative from his company collected the award.

    Some of the other memorable moments included the ecstatic JWT team when Bhaskar Mani went onstage to receive his BAF Award for the Best Social Welfare Film (Professional) for ‘Bust that Noma’. MAAC student Neha Gupta was overwhelmed as she went on stage to receive her BAF award for Best Promo Students) for ‘Concept Ad Motorola V3’.

    Indian studios that figured in the winning list included Crest Animation, Paradox Studios, Dhruva Infotech and Vaibhav Studios. Electronic Arts, Turner Entertainment and Studio Nix were amongst the international winners.

    THE COMPLETE LIST OF THE WINNERS:

    Short Films Professional –
    Studio Nix, Australia for ‘Twelve Months’

    Short Films Students –
    Eva Steegmayer, Institut of Animation, Visual Effects and Digital Post Production Germany for ‘Das Flops’

    Special Jury Award –
    Sudhanshu & Harun from NID for ‘Once upon a Tree’

    TV Episode –
    Crest Animation/Mike Young Productions, USA for Rain Rain go away -Jakers

    AD Film
    Vaibhav Studios for Amaron -Pandu Mangal

    Promos Professional
    Turner Entertainment for Marinate You

    Promos Students
    Neha Gupta (MAAC) for ‘Concept AD Motorola V3’

    VFX (in film)
    Yashraj Films – Dhoom

    Social Welfare/NGO (Professional)
    J Walter Thomson for ‘Bust that Noma’

    Gaming
    Electronic Arts, USA, for ‘Harry Potter and the prisoner of Azkaban’

    Special Jury Award
    Paradox Studios for Bomberbabe

    Mobile Gaming
    Dhruva Infotech for Pat Cash Tennis Pro

    Special Contribution to the Animation Industry (Indian)
    Bhimsen Khurana

    Special Contribution to the Animation Industry (International)
    Mike Young

  • Convergence, animation, gaming to receive special attention at FICCI Frames 2004

    Convergence, animation, gaming to receive special attention at FICCI Frames 2004

    MUMBAI: Convergence, animation and entertainment will receive special focus at the fourth edition of the Federation of Indian Chambers, Commerce & Industry’s (Ficci) convention for the entertainment industry – Frames 2004 – in March this year.

     
    This time, there will be 15 sessions instead of the 23 that marked last year’s event, as feedback from the attendees indicated that the proceedings were too exhaustive to absorb, according to Ficci entertainment committee chairman Yash Chopra. Addressing a media briefing here this afternoon, Chopra said that at any point of time, there will be a maximum of three sessions. Sometimes, there could be just two. Last year, there were as many as five sessions running simultaneously.

    Since convergence is a major theme, on 17 March, Reliance Industries chairman and MD, Mukesh Ambani will deliver a presentation on the entertainment opportunities and challenges in the digital age.

    Ficci entertainment committee co-chairman and SET India CEO Kunal Dasgupta pointed out that convergence was increasingly becoming a reality. These days broadcasters, mobile phone operators and cable companies are all turning towards making and distributing content, he said. One session will deal with improving the return on investment (ROI) for TV channels. The catchphrase for this session is ” If programmes were brands, would Kotler need to be rewritten?’

    Turner Intl Asia Pacific president, MD Steve Marcopoto will deliver the keynote address. Other speakers include BBC World’s director Jonathan Howlett, SET’s executive VP Sunil Lulla and NDTV Media CEO Raj Nayak. Today the need for tracking viewers’ mindsets to arrive at the proper balance between content and marketing is growing. The speakers will talk about the marketing mechanisms used to push new content to entice viewers away from rivals.

    Given the continuing CAS imbroglio, an important session on 17 march will deal with the question Addressability Where Do We Go From Here? CNN’s Andrew Stevens will host the discussion which will feature Reliance Entertainment chairman Amit Khanna , SET Discovery president Shantonu Aditya among others.

    Another side to television is how the ad agencies use the medium to ensure greater ROI for their clients. CNBC India corporate editor Govindraj Ethiraj will host the session which will see speakers like O&M chairman Piyush Pandey and Group M South Asia CEO Andre Nair. The session will look at how local brands have taken advantage of television as well as what innovative media strategies global companies have done to make sure that their brands are more desirable.

    Animation as an industry is taking off in India. The question is what opportunities exist for Indian companies to move up in the value chain and avoid working as mere sweatshops. This is one of the key issues Frames will seek to address with three animation sessions. The first one looks at co-production and production values from India as well as the kind of output expected from us. The issue is whether we can develop strong local and international properties for our market and abroad while maintaining the international level.

    The speakers include Jadoo Works CEO Ashish Kulkarni, Turner Intl original programming VP Susan Simensky and Red Kite Productions MD Ken Anderson. Another session will look at the quality of work that broadcasters like Nickelodeon, Cartoon Network expect from production houses. The third session titled Walk The Talk will scrutinise the relationship between animation and IT. Could the next Pixar come from an Indian IT major?

    Frames’ involvement with animation will go beyond just seminars. It has instituted the Best Animated Ficci Frames Awards (BAFF). The aim is to set new benchmarks for our animation industry.

    Gaming is an area that is expected to see a major boom in the coming years. Indian software companies are beginning to bag contracts to create games for foreign media conglomerates. Electronic Arts president Jon Niermann will deliver the keynote address. His company sees tremendous potential for growth of the gaming industry in India for MNCs.

  • Disney Channel to debut on DTH service in Korea 1 June

    Disney Channel to debut on DTH service in Korea 1 June

    Mickey Mouse is coming to Korea. Come 1 June, viewers in Seoul will be able to tune into the antics of Disney’s rodent on television. The Disney Channel will be carried on Korean DTH service provider, Korea Digital Satellite Broadcasting (KDB) on channel 654 under the “Skylife” brandname.

    KDB president & CEO Hyeon-Dew Kang, and Walt Disney Television International managing director for branded television – Asia Pacific – Jon Niermann had earlier signed an agreement sealing the deal on 9 April.

    Making the announcement of the 1 June debut, Walt Disney Television International president David Hulbert said: “Korea is a market that shows tremendous potential for growth in the cable and satellite industry. This is an important step in expanding our presence throughout the region.”

    The Korean Broadcasting Commission granted Disney Channel approval as a foreign re-transmission channel early this year. Negotiations between KDB and Disney began in the middle of 2001 and culminated in an agreement recently. On 1 March 2002, KDB launched its Skylife service with a ceremony held in Seoul which was attended by Korean President Kim Dae Jung. Disney Channel has offered KDB customers a “preview” channel since 26 March. With Disney launching, KDB expects Skylife to reach 500,000 Korean households by December 2002.

    Disney Channel Asia, which is headed by managing director Raymund Miranda, is now available in five countries around the region: Korea, Malaysia, Singapore, Brunei and the Philippines. It was launched in January 2000 and is a multi-language feed with both dubbing and subtitling in Mandarin, and a main feed in English. The Korean feed will be broadcast in English with Korean subtitles.

    The Asian television service is available in seven countries in the Asia Pacific region: Australia, Korea, Malaysia, South Korea, Singapore, Brunei and the Philippines. The Korean feed will be broadcast in English with Korean subtitles.

    Disney branded programs are broadcast on local free-to-air networks in 12 countries around the region, reaching a total audience of 300 million in the Asia-Pacific.

    In India Disney programming is watched on Sony Entertainment Television, Eenadu TV, and Doordarshan. Disney which normally takes time to enter a new country, has been studying a foray into India with its 24-hour service for the past three to four years but has held back because its cable TV networks are not truly addressable. It has recently applied to the country’s foreign investment promotion board for clearance to get into broadcasting activities.