Tag: Jiostar

  • Udit Sharma gets back to sports at JioStar

    Udit Sharma gets back to sports at JioStar

    MUMBAI: He left Hotstar as head of ad sales in June 2022 after working there for more than five years. Udit Sharma then joined Sharechat as chief revenue officer for less than two years, and One Impression as chief business officer for around a year.

    Now the hardcore sales professional is back with his old colleagues at JioStar as executive vice-president, business head – for premium sports and agency relationships. Announcing his joining the firm on linkedin, Udit said: “’India should not and will not be a one-sports country’ – With this conviction, I am super excited to be joining Ishan Chatterjee, Kiran Mani and Sanjog Gupta to lead with the premium sports business at Jiostar.”

    The Singapore (Masters in Engineering  in microelectronics from Nanyang Technological University)-educated Udit, completed his MBA from Tuck School of Business at Dartmouth in 2010.  After his bachelors in engineering, he was placed at ST Microelectronics as an IC design engineer where he worked for four years and even completed his master’s degree. He was then hired by Samsung Electronics as a global strategist in the chairman’s office in Seoul before being promoted to business development manager -Samsung Pay in 2013.

    Returning to India (Gurugram), he had a short stint with Zomato as vice-president global business head -cashless, after which he joined Freecharge where stayed for a year and quit as assistant vice-president – head category management & business development to join Hotstar.

  • 2024 The Change makers: Subhash Chandra, the corporate warrior

    2024 The Change makers: Subhash Chandra, the corporate warrior

    MUMBAI: Subhash Chandra. No idea if today’s GenZ AND Gen Alpha know who he was. The freedom fighter in the 1940s believed in the use of guns as much as Mahatma Gandhi did in ahimsa. He did his best to trouble the English during their occupation of India. For many he is just a name in the history books.

    The modern day Subash Chandra that we know is also a doughty fighter. Excepting that he had a Goyal to his surname which he dropped.  Excepting that  he is an entrepreneur and a corporate warrior. The pioneer of lamitubes in the country. Now they are common place in this nation of ours but when he launched the tubes in India in the nineties as a replacement for the old aluminium toothpaste packaging, they were unfamiliar. T hey were an immediate success.  Soon his Essel group was the largest manufacturer of the tubes in the worldThe pioneer of entertainment pay TV in India.

    Then he launched his general entertainment television channel Zee TV, which was again a major runaway hit. It seemed whatever he touched turned to gold, or at least had to have long-term value.

    Subhash Chandra

    Cut to two years go. In 2022, Zee got into a conversation with Sony – oops we should say Culver Max Entertainment – to merge in readiness for the media gorilla that would be formed with the merger of Reliance-Viacom18 and Disney Star India. Due diligences had been done, valuations had been arrived at, exit clauses and penalties agreed upon.

    All seemed to be going well. Until dirt hit the fan and banks started calling in his loans he had taken against his equity holding in Zee to realise his grandiose ambitions to get into the development sector, that is infrastructure. The amounts were large and fingers of suspicions were pointed towards him and his son Punit the CEO of the company. Allegations that the Zee books were not all clean flew, the goateed entrepreneur was forced to step down as a director and chairman from his own company. As was his son as a director.

    The banks continued to bay for his blood and some of the FIIs actually cashed in their holdings and the promoters’ equity in a company which he had built from scratch fell to sub-five per cent levels.  He was suddenly a minority shareholder, with no control, no say, over the once entertainment power house he ruled with a tight fist.

    Through all of this, Sony continued to say it would go ahead and wed Zee. Of course, negotiations were hard as the Zee share price had meanwhile tanked. After much discussion, a peace accord was arrived at that Punit would be MD.

    Things seemed to be proceeding when before they could say hello, the proposal to form a joint venture with Sony collapsed with no hope of revival. In January earlier this year, Sony decided to officially call of their discussions with Zee TV.  Two years of laborious discussions and getting ready for the merger went down the drain.

    The two litigated against each other internationally and within India – Zee to get the NCLT’s order to Sony to go ahead with the joint venture and Sony seeking $90 million as penalties.  They finally smoked the peace pipe in August 2024, calling of their disagreements with each other.

    But some damage had been done by the banks which name called him, Sony’s backing out, all the bad press, and the impending merger between Disney-Star-Viacom18-Reliance. The Zee Entertainment share lay in the doldrums – a far cry from the Rs 500 zone it once roamed.

    Zee would collapse was what many a media observer foretold:  after all, from media baron Chandra was now a media fallen. Every company in his media empire – whether Zee Entertainment or Zee Media or Siti Networks or Dish TV – was facing flak from all quarters. 

    Subhash Chandra

    But not Subhash Chandra. He does not believe in giving up easily even if the powers that be in the Centre are not looking upon him kindly. Even if all the naysayers and rivals are ranging against him.

    In fact, being down and out gave the 74 year old a new infusion of energy. He had something to prove to himself: that he could turn around the venture he had given birth to, nurtured, until, because of circumstances beyond his control, had gone out of his hands.

    He came up with a plan to keep costs under control, let go of the flab that had accumulated in Zee Entertainment, trimmed the workforce and went back to the drawing board to begin almost as if anew. He got the professional Zeel’s  board approval to back him and his rescue plan.

    Along with his sons Punit and Amit, he went out into the market, calmed jittery nerves of banks, financial institutions, lenders, and the markets as a whole. He also hit the international markets and managed to get international financial institutions to invest in his abilities to get Zee back into fine fettle. He raised Rs 2,000 crore to almost every financial analyst’s disbelief.  But that’s Subhash Chandra for you.

    These days Subhashji or chairman (as he is called) is back on the shop floor – or should we say studio floor.

    He’s rolled up his sleeves and he is back to doing what he did best in the early days of Zee TV: go by his gut and select the right stories and make them into TV shows. His goal:  get Zee back to the top of the ratings charts.  And be ready for the behemoth JioStar when it starts stomping its way into the marketplace with its large platter of offerings soaking up advertising and subscription revenues.

    Will his magic work in today’s D2C world?

    Will he win over his lost TV viewers again in an era where streaming is gnawing away at linear TV consumption?

    Will he manage to get Zee5 to fire on all cylinders?

    He will. That’s what he is betting on.

    And we at indiantelevision.com also tend to agree.

    For the gent from Hissar, Haryana, carries a name he has to live up to: Subhash Chandra.  

    (We asked Microsoft image generator to re-imagine Subhash Chandra as a corporate warrior and the main image of the executive with the sword  is one of the images it came up with. No offence is intended to Subhash Chandra nor to anyone at Zee TV nor his family. No copyright infringement is intended either)

    Pictures of Shubash Chandra courtesy his X account. 

  • 2024 The year that was – Convergence redefines India’s media landscape

    2024 The year that was – Convergence redefines India’s media landscape

    MUMBAI: As 2024 draws to a close, India’s media and entertainment sector has undergone a profound transformation, reshaping how content is created, distributed, monetised and consumed. The industry’s trajectory is no longer defined by linear growth but by convergence – a blending of formats, technologies, and audience experiences. This article explores the standout trends of 2024 that have positioned India at the forefront of the global media revolution. 

    The Rise of Unified Media Ecosystems 

    In 2024, the fragmentation of content across platforms prompted a surge in unified media ecosystems. Major players integrated cable, satellite, and OTT services into seamless bundles. Partnerships like those between Tata Play and JioCinema offered consumers a singular subscription covering live TV, streaming, and interactive content. The merger of Disney+ Hotstar and JioCinema under the JioStar brand will further demonstrate this trend, combining Disney’s extensive content library with Jio’s robust technological and distribution infrastructure.  

    These developments addressed subscription fatigue by offering cost-effective and convenient bundled services. As telcos and streaming players increasingly leaned towards unified offerings, the next pivotal step emerged – creating singular OTT platforms to integrate multiple streaming services under one roof. Scalable and modular architectures have become essential, enabling flexibility and customisation to accommodate evolving service bundles and diverse consumer preferences. This shift underscores the industry’s adaptability in meeting the complex demands of modern consumers. 

    Sports Broadcasting Reinvented 

    India’s sports media landscape saw unprecedented innovation in 2024. Beyond traditional cricket broadcasts, kabaddi, football, and esports embraced hybrid delivery models. Augmented reality (AR) features allowed fans to experience matches with real-time statistics and dynamic visuals, while 5G-enabled immersive experiences brought stadium energy into living rooms. 

    Regional sports leagues also thrived by leveraging vernacular commentary and localised marketing, broadening their appeal and strengthening connections with diverse audiences. These efforts not only amplified audience engagement but also positioned regional sports as valuable contributors to India’s overall sports media ecosystem. 

    AI, Advertising, and Live Commerce Converge 

     Artificial intelligence, innovative advertising, and live commerce emerged as interconnected forces shaping the media landscape in 2024. AI-driven personalisation powered hyper-targeted recommendations and dynamic content delivery, tailoring experiences to individual, regional, or similar preferences. This capability extended into advertising, where AI analytics enabled micro-segmentation and dynamic ad formats. Brands also experimented with shoppable media embedded directly into OTT platforms, allowing users to interact with ads and make purchases seamlessly. 

    Live commerce further transformed engagement by integrating real-time shopping into live events. Cricket telecasts, for instance, featured exclusive merchandise drops available for purchase during key moments. Platforms with modular architectures and seamless third-party integrations supported these innovations, unlocking new revenue streams and enhancing viewer interactivity. These advancements reflect a significant evolution in how audiences engage with content and commerce simultaneously. 
     

    Deltatre

     Content Without Borders 

     In 2024, Indian content flourished on the global stage. Platforms like Netflix and Amazon Prime Video promoted Indian originals, while regional OTT platforms expanded into south Asia, the Middle East, and Africa. This cross-border success highlighted the universal appeal of culturally rich narratives. 

    International co-productions became more common, with Indian creators collaborating with global studios. Flexible monetisation models, including ad-supported, subscription-based, and hybrid offerings, enabled experimentation and growth, allowing platforms to cater to diverse audience needs. This trend underscores the global demand for authentic storytelling and India’s role as a leading content powerhouse. 

    Collaborative Ventures and Audience Co-Creation Redefine Engagement 

    Collaborative ventures between creators, platforms, and brands surged in 2024. Co-productions between Indian and international studios introduced fresh storytelling perspectives, while brands acted as content producers, funding original series that aligned with their ethos. 

    Audiences also became active contributors, engaging in interactive storytelling, user-generated content campaigns, and fan-led initiatives. This participatory approach fostered loyalty and transformed viewers into brand advocates. Platforms embracing flexible monetisation strategies and modular architectures capitalised on this trend, delivering sustainable revenue through community-driven content models. Such initiatives highlighted the importance of deeper connections between creators and audiences in driving content innovation. 

    Looking Ahead: 2025 and Beyond 

    As we step into 2025, the role of technology in shaping India’s media landscape cannot be overstated. Scalable, modular platforms will be critical in enabling media companies to grow and adapt without overhauling their infrastructure.  

    These technological advancements will not only enable cost-effective scaling but also foster innovation, allowing the industry to explore new content formats, distribution models, and audience engagement strategies. 

    India’s media and entertainment sector is poised to lead the way in leveraging technology for inclusivity and innovation. By embracing modularity, scalability, and flexibility, stakeholders can address the complexities of a rapidly evolving market, ensuring sustained growth and global relevance. 

    The author is country manager India, Deltatre.

    (The picture  for this article featured on Indiantelevison.com’s home page was generated using Microsoft’s AI Image generator. No copyright infringement is intended)

  • The ChangeMakers of the year that was 2024: Uday Shankar

    The ChangeMakers of the year that was 2024: Uday Shankar

    Indiantelevision.com brings you the folks who made a difference in 2024 to the media and entertainment industry. It will cover an eclectic bunch of executives and talent from television, film, OTT, advertising, marketing and media industries. Our hope is we end up doing a good job in selecting the right candidates as we write about their achievements in the year just gone by and challenges that lie ahead of them in 2025.

    Any errors of selection or perspective or narrative are inadvertent and unintended. 

    In the meanwhile, enjoy reading about the first of our selection: Uday Shankar who is ushering in change in the media and entertainment space in the streaming era just like Zee TV did in the nineties in satellite broadcasting. Read on to know our perspective on The Man who sees the future, not just tomorrow.

    Uday Shankar: The executive who sees the future, and bets on it

    He looms like a giant over all other executives in the media sector though  from shoes to the tip of his head , he does not exceed 6 ft in height. 2024 was Uday Shankar’s year by far. As will 2025 be.

    A master planner. 

    A master deal maker; he convinced James Murdoch to partner with him to invest in the Indian market  through Bodhi Tree.  More than that, he managed to get the third most powerful man in India (after prime minister Narendra Modi and home minister Amit Shah) Mukesh Ambani to agree to get into bed with Disney Star India (a company he once headed as CEO).

    On top of that, he got the by-then willing Disney CEO Bob Iger to nod in the affirmative for the alliance where the mouse house would cede management control to the Reliance group. The icing on the cake was that he convinced the two of them to give James and himself a piece of the pie in the joint venture that emerged – JioStar.

    Uday now leads a much bigger company – almost twice the size of Disney Star which he once headed. Yes, he has Mukesh’s wife Nita Ambani as chairperson and son Akash Ambani having oversight over his moves. But the reality is what Uday wants, he gets.  He can be persuasive with his cogent arguments and long-vision thinking and projections. Unlike other leaders in the media, Uday sees the future like others don’t. Probably only one other businessman has his way of thinking –  Mukesh Ambani. That’s why he got Asia’s richest businessman’s buy-in for his strategic and tactical moves. Both love to disrupt the status quo  – that’s the common thread between Mukesh and Uday. 
     

    Uday Shankar

    And Uday bets on that future. In most cases, his “third eye” gets it right.

    Now that the joint venture has got past regulatory clearances, Uday has been working on putting his core team in place. And his core team is working on putting their core teams in place. 2025 might see some blood-letting with the excessive manpower (which has emerged on account of  duplicated roles in the two companies)  being jettisoned. Already senior executives who did not fit into his plans for the corporate structure have been eased out.  The merger and joint venture will take some time to digest. Channels have to be shuttered.  Synergies need to be established. But eventually everything will fall into place. It normally does for Uday.

    And then it will be back to business for him. He is an executive on steroids. He, along with Mukesh and team, have probably already decided which streamer is going to lead – Hotstar  or JioCinema. But no announcements have been made. Executives have been told to port Hotstar’s shows on to JioCinema. However, the former’s technology stack is believed to be much more robust than the latter’s.

    The best part about Uday is that he knows how much he knows and how much he needs to know. He supplements what he does not know through his team mates who know a lot more about what  he does not know. (In simple English, he brings in  the best talent to help him). He then trusts them implicitly and delegates fully, something which the Murdochs did with him when he ran their Indian empire. That’s a trust which Mukesh Ambani has also put in him. Of course, there will be the checks and balances that the Ambanis put in the way they manage. But there’s entrepreneurial spirit a-plenty in the world of Reliance. 

    He will need a lot of that if one considers the IPL rights’ investments which both companies made three years back. The figures seem monstrous; but in Uday’s mind, these were bets which had to be made. So far, both advertising and subscription revenues have not matched the money pumped in. He and his troops have to ensure that the gap is reduced. That could prove challenging as the ad market for certain products was soft during the main spending festival period which went by a couple of months ago. There is no doubt he will drive his  foot soldiers hard like a general on the war front to get to their targets even if it seems difficult with bullets and bombs flying around.  And, like he is vaunt to, he will in all likelihood don his uniform and enter the battlefield himself. 

    To his advantage, if the external environment is rough, then there is enough spending ammunition available in-house in the rapid expansion and diversification drive that the Reliance Industries group is making into retail and fast-moving consumer goods. It is already the leading retailer in the country. As well as the leader in telecom and broadband delivery. On the FMCG side, Campa Cola has been relaunched. Snacks have been launched. Many more forays are in the planning stages.

     

    Uday shankar questions

    These initiatives will need platforms to reach out their advertising communications to consumers. What better ones can there be than Hotstar, JioCinema, Star Plus and Colors and of course the regional channels which are leading in their respective languages in different states. And then of course there’s the IPL which generates zillions of eyeballs in the country. Loyal ones. Still breakeven might be hard, is what observers are foretelling. However, should the wars  – one in the east and the other in the north – that are harming economies end – just like Donald Trumps wants them to – then we might be narrating a different story by this time next year. 

    At heart, Uday is a man who likes to create and tell stories. Under his tutelage, Star India flowered and bloomed like it had not in the past.  Uday understands what consumers want, and, what he did not, he picked up  from his colleague at Star India, the former Hindustan Unilever professional Sanjay Gupta who is now Google’s APAC head.  He  knows how to tell good stories but more than that he knows how to motivate other creative folks around him select good stories and tell them well. Just like he did earlier on in his career when he was a journalist at The Times of India, and  he led teams at the India Today group and at Star News.  

    Uday has been talking television, saying it has long legs within India with 90 million homes and almost 500 million individuals still watching it through pay TV platforms and free DTH from the public broadcaster. He’s determined to take JioStar’s TV channels deeper into India with stories that resonate with the audiences there. But there’s many a problem that plagues those in heartland India like power cuts and load shedding, that makes watching television continuously difficult on most occasions.  Hence, even if he succeeds with the drama series  and stories how will he ensure  continuous power supply? Or will he rely on innovation from within the Reliance group and its partners to help out on this front?

    Mukesh Ambani is quite in tune with prime minister Modi’s ambition to take Indian stories global just like south Korea and Turkey have been doing. Honest well-written Indian-made stories made with high production values, reflecting the modern India. And yes the content  will have to be made relatable to those in foreign lands. Netflix and Prime Video have done that in a small way by pushing India-made TV shows on their streaming platforms. But they have barely scratched the surface.

    It will be up to the likes of Mukesh Ambani and Uday Shankar – actually mostly up to Uday and his band of merry executives  – to take Indian content where it has not gone before.  Aggressive investments in developing original series and films need to be made either alone or as co-producers with international studios that have the know how and the distribution muscle. There’s Rs 11,500 crore that’s been pumped into the joint venture which needs to be deployed well. Some of that could be used to build the JioStar brand at markets like MipCom where the world’s biggest content creating studios congregate every year. 

     

    Uday Shankar gesticulating

    Within the country, Reliance Jio has distribution deltoids like no one else does.  With 400 million  plus subscribers consuming video – and hence data, either on mobile handsets or on connected TVs – it can only be win-win for the wireless and wired broadband telco. The more JioStar gets people to binge watch, the more the revenue that will come Jio’s way. Either as video on demand shows or as linear channels being streamed. They will contribute towards Jio’s top line as well as bottom line with data costs dropping – and dropping- and incentivising users to consume more.

    We are not sure if this will benefit Uday and his troops as much as it will Jio. But, on the other side, getting preferential carriage and promotional rates will, and could reduce costs for JioStar and its large bouquet of channels and streaming services.  Synergies there are a-plenty definitely, despite what we have been told. And what the regulators have been told too.

    2025 will keep Uday busy.  He is likely to emerge even stronger as the year goes by.  Most regard him as one of the top media – no, top business  –  leaders in India;  some say even globally (We, at indiantelevison.com tend to agree). And that’s no mean achievement for a media maverick who used to once travel on a two-wheeler to work every day as a journalist.  

  • JioStar bags Premier League broadcasting rights for next three year cycle

    JioStar bags Premier League broadcasting rights for next three year cycle

    MUMBAI: Premier League (EPL) fans in India can clink their beer mugs with glee. Especially if they are going to be watching the matches between their favourite clubs in a bar. JioStar has secured the media rights for the next three seasons beginning with the 2025-2026  one,  in a deal valued at $65 million, if a report in The Economic Times is to be believed. In all probability, the rights cover both live broadcasting on  television and  on streaming.

    The  audiovisual rights for the previous cycle (2022-2025) were with  Disney Star India’s Star Sports. However, with Disney Star India merging with Reliance Industries’ owned Viacom18 and Bodhi Tree Systems and being renamed as JioStar, it was the latter which put in the bid and acquired the rights.

    JioStar also has the rights to the  Indian Super League  – India’s premier soccer tournament – which came its way in the wake of the merger.

    “With this, the conglomerate will be driving the future of football in India,” says a sports media consultant.  “They are going to be putting a lot of marketing and promotional muscle behind the Premier League because if you look at the new deal with it, Uday Shankar and team Sanjog Gupta have apportioned $11 million for marketing EPL events in India during the cycle and $54 million for the audiovisual rights, according to the ET report.”

    However, how the live telecasts will be divided between Sports18 and Star Sports and Hotstar and JioCinema was not clear at the time of writing. Keep watching this space until some clarity comes in. 

    Manchester City had lifted the Premier League title in May 2024 with Arsenal emerging as the runner-up. 

    (Picture courtesy Premier League website)

  • Star Sports wins four awards at SportsPro Summit Madrid

    Star Sports wins four awards at SportsPro Summit Madrid

    MUMBAI: JioStar head – sports production services to all consumer functions & production technology Prashant Khanna is over the moon. Just last week, Disney Star India was handed out four awards at SportsPro Summit in Madrid. All under his watch as head of the innovation lab at Disney Star prior to the network’s merger with Viacom18.

    Amongst the awards that it won included:

    * Platform of the Year – network – Gold: 
    A record-breaking year for Disney Star Sports: sky-high viewership and cutting-edge technologies

    *  Innovation of the Year – Gold: 
    Disney Star and ICC introduce “MaxView” for 800m+ mobile friendly cricket audience in India –

    * Best Use of AI – bronze: 
    Star Sports used AI to translate international cricketers’ commentary into Indian regional languages

    *  Best Marketing Strategy – Gold
    Hotstar for its  marketing strategy which has driven awareness, engagement and consumption of sports content on an OTT platform.

    “What a year for Star Sports it has been! Being recognised on a world stage along side the sports industry stalwarts is a testament of this team and our amazing partners in ICC, BCCI and other boards and leagues that allow us to push boundaries every time across our platforms (lnear and digital),” said PK (as he is known to colleagues) on Linkedin. 

  • Shubhra Sethi joins Jiostar as head of entertainment Ad sales strategy

    Shubhra Sethi joins Jiostar as head of entertainment Ad sales strategy

    Mumbai: Jiostar has announced the appointment of Shubhra Sethi as its head of entertainment Ad sales strategy. Bringing extensive expertise in advertising sales and strategic leadership, Shubhra will be instrumental in driving Jiostar’s advertising initiatives and strengthening its entertainment ad sales strategies.

    In her new role, Shubhra will lead the ad sales division, focusing on developing innovative strategies to maximise revenue and enhance advertiser partnerships. Her appointment underscores Jiostar’s commitment to advancing its position in the competitive media and entertainment industry by leveraging cutting-edge advertising solutions.

    With a strong background in media and advertising, Shubhra has earned recognition for her ability to design impactful sales strategies and foster client relationships. Her expertise is expected to elevate Jiostar’s advertising offerings, ensuring sustained growth and stronger market presence.

  • Govind Shahi set to exit Indiacast after a 12 year stint

    Govind Shahi set to exit Indiacast after a 12 year stint

    Mumbai: Highly placed sources have revealed that Govind Shahi, the International Business Head at Indiacast, is stepping down after an impressive 12-year run. Known for his leadership in steering Viacom18’s international channels to major growth, Govind is likely to explore new opportunities. While there was strong speculation about him taking the reins of international operations at Jiostar, it seems that he could be charting a different course.

    With over three decades of experience in media, including top roles at Zee and Colors, as well as various entrepreneurial ventures, Govind has made a mark in global broadcasting. He’s credited with launching key channels and events, such as Zee Russia, Zee Carnival, Zee Cine Awards, Colors Gujarati, and Colors Rishtey along with digital products like Voot, while spearheading a range of successful global initiatives.

    Govind will be leaving Colors at a time when the network is at its peak, dominating several international markets. Under his leadership, Colors became the only Indian broadcaster with a unified FAST (Free Ad-Supported Streaming Television) presence internationally -an achievement largely driven by his strategic vision and ability to adapt quickly to market needs.