Tag: Jiostar

  • Disney+ Hotstar to stream Coldplay live in Ahmedabad on Republic Day

    Disney+ Hotstar to stream Coldplay live in Ahmedabad on Republic Day

    MUMBAI: Brace yourselves, Coldplay die-hards and Insta-story enthusiasts alike!

    The gods of stadium rock are descending upon Ahmedabad, and this time, you won’t need to sell a kidney—or fight bots online—to snag a ticket. If you’ve been crying your eyes out because your name didn’t make it past the virtual queue, wipe those tears because Disney+ Hotstar has your back.

    This Republic Day, as the nation waves its tricolour, you can sway to the cosmic vibes of Coldplay’s Music of the Spheres World Tour right from your couch. Yes, live, straight from Ahmedabad’s grandest stadium to your screen. Fire up the popcorn (and maybe your Hotstar subscription), because this isn’t just a concert; it’s a galaxy of magic, melodies, and Chris Martin’s moves delivered to your doorstep.

    So, whether you’re a bona fide Coldplay disciple or just there for “fixing your feed”, 26 January is about to be unforgettable. And who knows? Maybe your live-streamed “Yellow” moment will shine brighter than any stadium seat ever could.

    Your ticket to a world-class concert, minus the travel.

    Disney+ Hotstar combines its cutting-edge streaming technology with unmatched reach to bring every note, every beat, and every Chris Martin smile right to your screen. And the magic doesn’t stop there. Fans will also enjoy exclusive behind-the-scenes glimpses of the band, creating a truly immersive #ParadiseForAll.

    JioStar – sports CEO, Sanjog Gupta shared, “At Disney+ Hotstar, we have revolutionised India’s entertainment and sports consumption by captivating viewers with unparalleled immersive experiences and consistently delivering value to our partners, advertisers and audiences. Our partnership with Coldplay reflects our commitment to bringing iconic cultural experiences to audiences nationwide. By leveraging our advanced technology and unmatched reach, we are breaking the barriers around privileged access to premium entertainment, and making it available for all, fostering a shared celebration across the country.”

    But wait, is it Coldplay without a little personal touch? In a heartfelt message, lead singer Chris Martin said, “Namaste to all our friends in India. We’re thrilled to share that on 26 January, our show from Ahmedabad will stream live on Disney+ Hotstar, so you can watch it from anywhere. We’re excited to visit your beautiful country. Sending lots of love!”

    The Music of the Spheres World Tour has already earned the title of the highest-grossing rock tour of all time. Known for its fusion of music, sustainability, and creativity, the Ahmedabad leg promises a spectacular celebration of sound and visuals. From sustainability initiatives to ground-breaking production values, the tour is a testament to Coldplay’s enduring legacy.

    Why is this a game-changer for brands? Disney+ Hotstar transforms live events into powerful branding opportunities. From pre-show sponsorships to exclusive fan contests and post-concert highlights, brands can connect with millions of engaged viewers while capitalising on Coldplay’s universal appeal.

    Presented in partnership with Cisco, this live-stream event proves that digital platforms can go beyond mere streaming—they can create experiences that resonate deeply.

    Ready to celebrate Coldplay like never before? Get your streaming set-up ready, grab your friends, and prepare to sing along to hits like Paradise and Fix You. After all, why should Ahmedabad have all the fun?

    Mark your calendars: 26 January 2025, Live on Disney+ Hotstar.

    Will you tune in to make your Republic Day extra special? Let the countdown begin!

  • Kiran Mani-speak about  Indian OTT at the India Digital Summit

    Kiran Mani-speak about Indian OTT at the India Digital Summit

    MUMBAI: During the India Digital Summit, Kiran Mani, CEO – Digital at Jio Star, spoke compellingly about the urgent need for the over-the-top (OTT) industry to embrace multiple economic models beyond the traditional revenue streams of advertising and subscription. Engaging in a lively fireside chat with Ashish Pherwani of EY India, Mani underlined that sustainable storytelling in the digital age hinges on innovative business strategies.     

    “If you want to justify the economics of storytelling, it has to follow more economic models,” Mani stated, emphasising that a reliance solely on advertising is inadequate. He expressed optimism about the growth potential of both advertising and subscription revenues in India due to robust economic tailwinds. However, he also noted that the true potential of the subscription market has yet to be realised. 

    To illustrate this point, Mani provided striking statistics indicating that while India boasts a massive 700-million OTT viewership base, the actual number of subscriptions currently stands at around 60 to 70 million. He attributed part of this gap to challenges in the payment gateways available in India, stating, “Payment gateways are built for transactions, not for mandates,” which hinders the ability for consumers to engage in subscription models effectively.

     Mani highlighted the extraordinary success of Jio Cinema Premium, which gained an impressive 20 million subscribers in record time. This achievement was largely driven by the platform’s disruptive pricing strategy of just Rs 29, which strategically bypassed middlemen to reach consumers directly. He commented on existing subscription models, saying, “A one-size-fits-all subscription, saying that you can eat all the menu items in a buffet for a fixed price, has its limitations.”

     Drawing on his previous role at Google, Mani criticised the outdated methods commonly used in the advertising sector, which he argued are overly reliant on gut feelings rather than data. “We’re still at the early stages of adopting a data-driven approach to consumer targeting,” he acknowledged. “Once we fully embrace it, we’ll realize we’ve been overspending money in cities while neglecting smaller towns.” Mani assured attendees that the future of advertising will be marked by continued growth and the need for more informed marketing decisions.

    He further pointed out the ineffectiveness of a one-size-fits-all advertising model, stating that platforms which focus solely on brand advertising have specific limitations. “What we offer our advertisers is a dual approach. We say, yes, we are a mass-reach platform, and we will always get you the reach, but we also offer a premium reach platform,” he said.

    As Jio Star—formed from the merger of Star India and Viacom18—continues navigating the rapidly expanding digital ecosystem, Mani noted an exhilarating convergence of connectivity and creativity. “India today is a billion-screen connected audience,” he emphasized, highlighting how various content segments—sports, entertainment, short-form content, and gaming—are flourishing. He credited the influx of venture capitalists into nearly every area of this ecosystem as a testament to the ongoing growth.
     

    Mani Kiran

    Mani also pointed out the seismic shift in the media landscape, noting that digital has recently overtaken television to become the largest segment of the Indian media sector. “There are 325 million households in India, yet the number of households actually paying for digital content remains below 15 million,” he stated, raising important questions about whether digital will ever become a mass product or if subscription models will be left behind compared to traditional TV.

     The CEO was particularly encouraged by the emergence of audiences from Tier 2 and Tier 3 towns, many of whom are gaining access to content for the first time through affordable devices costing less than Rs 5,000. He remarked on the impact of live-streaming events like the IPL on JioCinema, stating, “We saw six million viewers who were previously content-dark join our platform.” This underscores how OTT platforms are unlocking a broader content segment in terms of both depth and reach.

     Mani elaborated on the necessity for subscriptions to adopt sustainable economic models, stressing that “advertising alone cannot support premium content or great storytelling.” He urged industry stakeholders to unlock better economic models while ensuring sustainability for everyone involved. He asserted, “The digital ad market in India is now valued at $9 billion.”

    He elaborated further on the complexities of advertising, stating, “Advertising is about reaching consumers and delivering value. Our role is to ensure advertisers see impactful returns.” With an expanding middle-class consumer base, Mani believes India’s advertising market will surely grow. Nonetheless, he cautioned that the market still operates with outdated practices, such as generic solution models that fail to meet diverse audience needs.

    A noteworthy point in Mani’s discussion was the evolving nature of storytelling in Indian entertainment. He mentioned that narratives are transitioning from “Shiksha” (education) and “Sushil” (docile) to “Saksham” (empowerment) and “Swabhiman” (self-respect), reflecting broader societal progress in India.
         
     Multi-lingual content also emerged as a focal point, especially in sporting and international contexts. Mani proudly remarked on JioStar’s multilingual broadcast of the Olympics, which garnered a seven-fold increase in viewership, adding, “Hindi is now the number one language for Hollywood viewership in India.”      

     When prompted about his investment priorities, Mani chose to invest in platforms over content production or e-commerce, stating, “Platforms scale creativity and monetization like nothing else.” He underlined the transformative power of connectivity in driving the next wave of growth.

     In concluding his remarks, Mani addressed the collective responsibility of the media and tech industries. “As content creators, we must prioritize sustainability in storytelling,” he urged. “For me, I owe it to you all to build a platform where monetization models extend beyond just advertising or subscriptions.”

    Key Points:
    * The OTT industry needs to diversify its economic models beyond traditional revenue streams of advertising and subscription.
    * Relying solely on advertising is insufficient for building a sustainable OTT ecosystem.
    * The true potential of the subscription market is yet to be unlocked.
    * Payment gateways in India are built for transactions, not for mandates.
    * A data-driven approach to consumer targeting is necessary for effective advertising.
    * A one-size-fits-all approach is ineffective in advertising.
    * The digital ad market in India is valued at $9 billion.
    * Advertising is about reaching consumers and delivering value to advertisers.
    * Sustainable economic models are necessary for the OTT industry.

  • Vani Rane transitions  to JioStar as creative head of network branded content

    Vani Rane transitions to JioStar as creative head of network branded content

    MUMBAI: Vani Rane, has recently taken on the role of creative head for the expanded branded content vertical for the network at JioStar, following the merger of  the two media powerhouses – Disney Star TV India  and Viacom18 Media under the Reliance Industries umbrella.  With over 18 years of experience in content development and production, Vani is eager to leverage this new opportunity to push creative boundaries and deliver innovative content.

    Expressing her excitement about the transition, Vani stated, “My playground just got a whole lot bigger and better!”

    She is enthusiastic about leading a talented team, emphasizing that their collaboration will enable them to create compelling stories and branded content. The merger has opened up expansive possibilities for content creation, positioning the team to explore exciting new directions in both television and OTT platforms.

    Prior to her move to JioStar, Vani served as the creative Head at Viacom18, where she honed her skills in both fiction and non-fiction content development. Her impressive portfolio includes successful projects like Swipe Ride with Shruti Haasan and various brand partnerships across different media formats. Vani’s tenure at prominent companies such as Zee Entertainment, Zoom, Maxus ESP and Culture Machine further cements her reputation as a leader in branded content.

    With her new role, Vani aims to elevate JioStar’s content strategy, focusing on creative solutions and partnerships that resonate with audiences. 

  • Jiostar gives Vipul Nagar programming responsibility for Star Bharat as well

    Jiostar gives Vipul Nagar programming responsibility for Star Bharat as well

    MUMBAI:  JioStar network has expanded  Gujarati language business head  Vipul Nagar’s role to include Star Bharat programming, starting earlier this month. Earlier in November 2024, Vipul had transitioned from Viacom18 Media  where he was heading content for Colors Rishtey to Jiostar where he was given the responsibility of the Gujarati language business.

    Prior to Viacom18 Media, Vipul spent nearly 15 years at Radio Mirchi which he finally quit as senior vice-president & national creative director (brand solutions) in September 2021.

    Nagar’s career highlights include working as AVP & cluster programming head, Gujarat at Mirchi, where he handled programming of four Gujarat stations. He also served as AVP & station director in the Varanasi area, India, and cluster programming head at Lucknow, Kanpur, and Varanasi.

    In his current role, Nagar will oversee programming for Star Bharat and business development for the Colors Gujarat Cluster at JioStar Network. His appointment is a testament to his exceptional leadership skills, creative vision, and industry expertise.

    Nagar holds a post graduate diploma in digital marketing from Narsee Monjee Institute of Management Studies, Mumbai, and a bachelor’s degree in mathematics from Veer Bahadur Singh Purvanchal University, Jaunpur.

  • Star Sports’ ‘SKYball’ campaign soars ahead of India-England T20I series

    Star Sports’ ‘SKYball’ campaign soars ahead of India-England T20I series

    MUMBAI: Ready for cricket balls orbiting the moon?

    Get your beers ready, because cricket’s biggest showstoppers—India and England—are set to light up your screens with a five-match T20I series starting 22 January. With Suryakumar Yadav leading the Blues and England bringing their explosive Bazball approach, this series is not just a clash of cricketing heavyweights—it’s a fireworks display in the making.

    What’s more? Star Sports Network and Disney+ Hotstar have launched the quirky and entertaining ‘SKYball’ campaign, and trust us, it’s out of this world—literally. But before we spill all the details, ask yourself: Can the moon survive SKY and Bazball’s six-hitting spree?

    The campaign film, featuring India’s T20I skipper Suryakumar Yadav, takes cricket fandom to a whole new level—space. Set in a mission control room, it hilariously shows cricket balls zooming toward the moon like mini rockets. Suryakumar, aka SKY, even apologises to the celestial body before delivering his punchline: “Moon, see you soon!”

    Suryakumar Yadav

    If that’s not enough, the film cheekily teases England’s big hitters joining the action, as sirens blare and cricket balls whiz past the control station. The message? This series isn’t about boundaries—it’s about breaking them.

    Speaking about the campaign, SKY said, “Every time we take the field, we are always looking to push the boundaries that help aim consistently for the moonshot. This rivalry has been among the most iconic and competitive ones for decades now, and even more so for the fans who are looking forward to witnessing some exciting cricket in our backyard.”

    Adding to the hype, JioStar head of marketing – sports, Vikram Passi noted, “The campaign is a tribute to how the Blues, under the leadership of Suryakumar Yadav, have taken power-hitting to a new high. Add the English power-hitters into the mix, and a sumptuous buffet of sixes is about to be served.”

    With England’s much-hyped Bazball tactics facing India’s SKYball, fans can expect a high-octane contest where cricket balls will spend more time in the air than on the ground.

    The stakes are sky-high. This five-match T20I series at Kolkata’s Eden Gardens kicks off India’s first home series of 2025 and serves as a crucial warm-up for the ICC Champions Trophy in February. With India ranked number one and England at number three, the battle promises to deliver top-tier cricketing drama.

    Clear your evenings; you won’t want to miss a single six.

    As cricket fans count down to 22 January, the question remains: Who will win the battle of the big hitters? Will SKY’s fireworks outshine England’s Bazball pyrotechnics? One thing’s for sure—this series will be unmissable.

    Catch all the action live on Star Sports Network and Disney+ Hotstar.

    Series schedule: Mark your calendars

    Match

    Date

    Day

    Time

    1st T20I

    22.01.25

    Wednesday

    7:00 PM

    2nd T20I

    25.01.25

    Saturday

    7:00 PM

    3rd T20I

    28.01.25

    Tuesday

    7:00 PM

    4th T20I

    31.01.25

    Friday

    7:00 PM

    5th T20I

    02.02.25

    Sunday

    7:00 PM

     

  • Bigg Boss18 used to reveal IPL team Punjab Kings’ skipper Shreyas Iyer

    Bigg Boss18 used to reveal IPL team Punjab Kings’ skipper Shreyas Iyer

    MUMBAI: There are many synergistic benefits that the merger between Star India and Viacom18 under Reliance can  -and will-  bring. And this was  an obvious one – the low hanging fruit –but it was not expected.  An IPL team announcing its captain on an entertainment reality show.

    Yes, that did happen. And it’s kudos to JioStar vice-chairman Uday Shankar and his band of merry executives. Can’t forget our man from Endemol, Deepak Dhar and his creative bunch. And to the team which ventured to do it.

    The 12 January weekend  episode of Bigg Boss18 saw, for the first time in IPL history, the Punjab Kings unveiling their captain in a way that’s never been done before—on the Bigg Boss18 stage, hosted by none other than Salman Khan! And of course the Punjab Kings skipper was revealed to be Shreyas Iyer, the swashbuckling batsman and leader.

    “We are breaking barriers between sports and entertainment. This iconic collaboration between cricket and entertainment celebrates innovation and ambition, setting the tone for IPL 2025. Shreyas Iyer, our leader, is ready to guide PBKS to new heights,” said the Punjab Kings in a post.  

    It went to congratulate “the visionary teams at Punjab Kings and Endemol for making this happen. Satish Menon (CEO) and  Saurabh Arora (CCO).”

    Added  London-based sports consultant Anduhav Roda on Linkedin: “This unprecedented move not only captured the attention of cricket fans but also showcased a brilliant marketing strategy that leverages one of India’s largest entertainment platforms By choosing Bigg Boss18 as the stage for their announcement, Punjab Kings effectively tapped into the show’s massive viewership, reaching millions of potential fans in a single broadcast The involvement of Bollywood superstar Salman Khan and the involvement of players with housemates added a layer of excitement to the announcement, making it a memorable moment for both cricket and reality TV fans This approach allowed for a more personal connection with fans, as they witness their favorite players in a familiar entertainment setting. This not only sets a new precedent for how sports franchises can engage with audiences but also highlights the growing intersection between sports and entertainment in India.”

    However, a senior media planner who was not willing to be identified said this was only possible as both the streaming and television telecast rights for the IPL are now  under one roof –that of JioStar. Says she: “Earlier it was not possible as both Viacom18 and Disney Star had to be on tenterhooks in case one objected to the other’s innovation.”

    Let’s hope the merger gives us a lot more surprises – like the one Punjab Kings did. 

  • Vikas Khanna appointed cluster head emerging markets at Jiostar

    Vikas Khanna appointed cluster head emerging markets at Jiostar

    MUMBAI: Vikas Khanna has been appointed as cluster head for emerging markets at JioStar, bringing over 25 years of experience in media and entertainment. Known for driving business growth and scaling revenue above Rs 250 crore, Khanna has excelled in profit center-management, public policy advocacy, and sales across print, radio, television, and live events.
    Previously, Khanna led critical clusters at Viacom18, including Colors Marathi and Colors Gujarati, achieving significant revenue growth. He was in the driver’s seat doing sales for the kids’ cluster for five years, first only for the north and  east, and then on a national level.  His assignment with Viacom18 kept him occupied for 17 years in all. His strategic focus on analytics, collaboration, and team leadership has consistently delivered strong results. 

    Khanna’s expertise also includes launching branded content solutions, fostering government partnerships, and spearheading innovative revenue streams in the media industry. A graduate of Delhi University, with further qualifications from the Indian School of Business and Bhartiya Vidya Bhawan,  he has now moved to Mumbai from Gurugram.

  • Bikash Kundu transitions to JioStar as head of agency partnerships

    Bikash Kundu transitions to JioStar as head of agency partnerships

    MUMBAI: Bikash Kundu has moved on to JioStar as the  head of agency partnership, effective January 2025, from Viacom18 Media, following its merger with Star India. 

    Kundu held senior leadership positions at Viacom18 Media, where he spent 17 years. Most recently, he served as the senior vice president & head of revenue (regional entertainment), overseeing revenue operations for 14 regional channels across six languages. He also previously led sales and syndication for Viacom18’s kids cluster.

    With over 23 years of diverse experience in the media and entertainment industry, Kundu has  a wealth of expertise across broadcasting, digital, print, and advertising domains.

    Kundu’s extensive career spans reputed organisations such as Sahara One Media, UTV-Disney, Satyam Infoway, India.com, and Bennett Coleman & Co Ltd. His professional journey has covered various stages of business growth, including startups, steady-state enterprises, hyper-growth phases, and mergers and acquisitions.

    Known for his strategic thinking, problem-solving abilities, and adaptability, Kundu is highly regarded as a leader who builds and mentors high-performance teams. His innovative approach and unwavering commitment to integrity have defined his career trajectory.

    Kundu is a postgraduate in marketing management from the Times School of Marketing and holds a bachelor’s degree in economics from Delhi University.

  • Aditya Narayan transitions from Disney Star India to JioStar as regional sales head

    Aditya Narayan transitions from Disney Star India to JioStar as regional sales head

    MUMBAI: He’s got a premium job at JioStar. Aditya Narayan has just transitioned from Disney Star India  to the Uday Shankar-headed behemoth continuing with his earlier designation as regional sales head.

    At Disney Star India,  Aditya  spearheaded sales strategies for over three and a half years. His tenure there was marked by remarkable success in developing key partnerships and driving sales across multiple domains. At JioStar he has been charged with  integrated selling and raising revenue for premium sports  from the south. 

    Aditya’s professional journey also includes significant contributions at ByteDance India, where he led monetisation efforts, and Rajasthan Patrika, where he helmed business operations for Patrika TV. Notably, he  played a pivotal role in launching the Magicbricks Now channel during his time at the Times Network, showcasing his ability to lead large-scale projects with finesse. Following Times Network, he did short stints with Network18 and BTVI. 

    Throughout his career, Aditya has built a reputation for strategic thinking, interpersonal communication, and his ability to adapt to dynamic market conditions. His hands-on approach and visionary mindset have consistently delivered exceptional results, making him a trusted leader in the sales domain.

    In the early part of his career, Aditya spent almost four years working  in sales for FM radio stations beginning with Radio Mirchi (a year), followed by  Radio City (a  year nine months)  and then with RadiOne (a year and five months).

    As he steps into his new role at JioStar, Aditya is poised to bring his experience to the table, leveraging his deep understanding of the premium sports market to drive regional sales growth.

  • JioStar, Zee and Sony release new channel and bouquet pricing

    JioStar, Zee and Sony release new channel and bouquet pricing

    MUMBAI: It’s that time of the year when broadcasters disclose how much the distribution platform operators will have to pay for the channels they pipe into Indian TV homes. The three major networks JioStar, Zee and Sony Pictures Networks India have rolled out their reference interconnect orders  (Rios) regarding the broadcast tariffs that cable ops, DTH ops and IPTV players have to cough up for 2025. At first glance, it appears s if broadcasters have been reasonable in their rate increases by hiking channel prices between five and 15 per cent on the higher side. And quite a few channel prices have been maintained as well. The rates become effective 1 February 2025.

    Let’s begin with JioStar.Its 134 channel offering after the merger of Star and Jio definitely looks impressive. As do the number of packs its distribution team has come up with: 83 in all packs, which includes 85 standard definition channels, 44 HD channels, five FTA channels. The bouquets also include 19 news channels from Network 18, infotainment channels from both National Geographic and AETN18, general entertainment channels in various languages from both Star and Colors, kids channels (including Disney), music channels (MTV and Maa Music), regional language channels and of course above all sports channels in various languages.

    On an a la carte basis, JioStar’s channels in various languages in standard definition have been priced at between Rs 25 (for Maa TV and Colors Kannada respectively)  and 10 paise (all its news channels).

    Its HD channels are priced between Rs 25 a(Maa HD, Star Plus HD, Vijay HD, Colors Kannada and Asianet) and 10 paise(VH1 HD, MTV Beats HD and MTV HD). .

    On the bundle side, its cheapest pack, apart from the free to air channels, is at     Rs 17 for the Disney Kids SD pack with the most expensive one being the Star Premium Pack Marathi Lite Hindi HD at Rs 240.

    The  Star Value Pack  SD Hindi pack,  priced at Rs 110 has 30 channels including both Star Plus and Colors, a chunk of news channels, movie channels, infotainment channels, kids channels – but no Disney – the sports channels Star Sports 1 Hindi, Sports 18, and Star Sports 3. The Star Premium Pack Lite Hindi HD which is priced at Rs 210 has 43 channels, including seven sports channels, Colors HD but no Star Plus.

    The broadcaster has built clever packs which are a mix of regional language channels only and it has also mixed regional languages to create special packs and regional language channels with its  Hindi channels to create even more niche packs to meet the requirement of nomadic domestic Indians.

    Network Status Action
     JioStar if you already have an agreement  click here  
      if you are new to Jiostar and want one click here
    Zee TV To get the Zee updated RIO form  click here
    Sony Pictures Networks India to get the a la carte pricing  click here
      to get the Happy India bouquet pricing  click here
    Source: networks and Indiantelevision.com 

    Let’s now take a look at Zee. Zee has kept the number of packs limited to 30 and it’s a la carte rates are also pretty much simpler. It’s mainline general entertainment channels in every language apart from Malayalam have been kept at a price of Rs 19 (Zee TV Hindi, Zee TV Marathi, Zee Bangla, Zee Sarthak, Zee Telugu and Zee Kannada). Zee Keralam, however, has been priced at Rs 10 on a la carte basis. Its movie channels have been kept between a band of Rs 19 (Zee Cinema) and 10 paise (Zee Classic). It has priced most of its HD channels at Rs 19 with the lowest one priced at Rs 3 (& prive HD).

    Zee TV has bundled its regional language channel packs at a higher price than its Hindi ones. For instance, the Zee all-in-one pack Hindi HD has a sticker price of Rs 89 while its all-in-one Telugu and Tamil packs are priced at Rs 120.It has also thrown in penetration incentives if the distribution platform operators place the channels in the preferred LCN number that are agreed upon between Zee and the DPO.

    Now on to Sony Pictures Networks India (SPNI). SPNI has increased the a la carte pricing for some of its  channels, while keeping them steady for others. For example, Sony Wah  which was priced at Rs 0.1, is now priced at Rs 1. Similarly, Sony Max 2 has increased to Rs 2 from Rs 1, and Sony Sports Ten 4 is now priced at Rs 19, up from Rs 17. Additionally, the pricing for bouquets has been revised which has gone up  between four per cent and 12 per cent. The Happy India Smart – Hindi pack is now priced at Rs 54 (previously Rs 48), while the Happy India Smart – Marathi pack is now priced at Rs 56 (previously Rs 51). The Happy Smart Bangla too has risen from 51 to Rs 56 but with the channel Max 1 being added to it.

    Hopefully, these marginal price revisions don’t start a battle between the  cable TV and DTH fraternity and broadcasters like they did the last time in 2023 when broadcasters had to resort to switch offs because cable TV operators resisted. The DPOs must remember the price of almost everything has gone up: the rupee is at Rs 85, potatoes are at Rs 60 and even petrol is at a high.

    Already, consumers are turning away from cable TV and DTH as is evident in the drop in the number of subscribers in the past six months. For the sake of the entire cable and satellite TV industry, the entire trade must work together and not battle against each other. Otherwise, the number of cord cutters and cord-nevers will only increase. And along with it, the tribe of streamers.