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Tag: Jimmy Shergill

  • Fugly…Ugly!

    Fugly…Ugly!

    MUMBAI: If Fugly is based in Delhi, it can only be attributed to Delhi’s reputation of being lawless where anything works. The film’s title warns you of the challenge lying ahead; if you don’t understand the meaning of the title, you will not understand what is going on thereafter.

    Mohit Marwah, Vijender Singh, Arfi Lamba and Kiara Advani are childhood friends who have stuck together through thick and thin. For quite a while you see the gang just hang around and have fun and you have no clue what the film is all about. That is when the makers decide to do something about it. Kiara’s mother supplies some edible stuff to local grocery stores and Kiara helps by delivering it. A local storeowner, the thirkee kind, acts fresh with her and gets a slap in return. He tries to defame her instead. Her three friends decide to teach the man a lesson. First they bash him up in his shop and when he threatens them, they kidnap him. He is dumped in the car bonnet and taken for a rough ride.

    The fun ride soon ends when they are stopped by Jimmy Shergill, an unscrupulous and dishonest police man. Vijender makes the mistake of dropping the name of his father, a Delhi minister, which riles Shergill. Shergill finds the shopkeeper in the boot of the car and kills him with an iron road, framing Vijender for the murder. From here starts the extortion and blackmail of the four by Shergill. He makes them get into all illegal work like arranging rave parties to even killing. All this while, Shergill’s right hand man, another cop, keeps vigil on the four to check they are doing as instructed.

    Producers: Alka Bhatia, Ashvini Virdi.

    Director: Kabir Sadanand.

    Cast: Jimmy Shergill, Mohit Marwah, Vijender Singh, Arfi Lamba, Kiara Advani.

    This goes on and on as the four friends are shown to be totally helpless and there is nothing to stop Shergill; this is rather too much to digest and the film becomes senseless and boring.

    The script is bad with direction being poor; don’t know how a murder can be made to look like a suicide with a bullet in the back! Why do all the cops in all Delhi-based Hindi films have to be Haryanvi? Music is no help either. While Mohit, Virender and Arfi are not cut out to become actors, Kiara is better. Shergill goes overboard. The film is described as comedy but there is no humour except for the toilet kind.

    Fugly has nothing to offer and is a poor film on all counts.

    ‘Chal Bhaag’…Warning?

    Chal Bhaag is yet another film based in old Delhi, which builds some sort of story around the triumvirate of youth, politicians-cum-underworld, and police. The theme is overused and fatigued. The film brings together three differently tuned young men together. Initially, the trio has two pitted against one but, when trapped and fighting for their lives, they unite for the sake of their survival.

    Deepak Dobariyal is Munna Supari, a razor slashing guy whom the mohalla fears. Varun Mehra rides roughshod; his vocation is to chase the woman, Keeya Khanna, who has caught his fancy and bashing up anybody who tries to mess with her. Tarun Bajaj is a typical bike-riding chain snatcher who makes the mistake of snatching the chain of a police station in-charge’s wife (Yashpal Sharma). The trio is not aware or concerned with the fact that a loudmouthed ex-MLA who is expected to win the forthcoming elections is shot dead and, though there are no eyewitnesses or survivors, miraculously the police decide there were three shooters! (The film is filled with such inconsistencies.)

    Producers: Mohammad Zaheer Mehdi, Fatima Zaheer Mehdi, Ali Zaheer Mehdi, Tamkanat Ali Mehdi.

    Director: Prakash Balwant Saini. Tarun Bajaj, Sanjay Mishra, Yashpal Sharma, Mukesh Tiwari, Keeya Khanna.

    Cast: Deepak Dobariyal, Varun Mehra.

    Bajaj is taken into custody for chain snatching as are the other two who follow: Mehra for bashing up two roadside Romeos who dare to make a pass at Keeya and Dobariyal because of his bravado in the process of coming into good books of the local don and his brother, Manish Khanna and Kuwar Aziz. When the don’s three shooters are being picked up by the police, Dobariyal decides to get arrested too to show his loyalty to the don.

    The don’s three men have shot the ex-MLA and have been arrested. However, Yashpal is on the don’s take and is asked to free the don’s men. Since money speaks louder, a deal is struck and Yashpal decides to free the don’s men and frame and kill the other three petty criminals his people have rounded up. The three boys are taken to a lonely place and told that they are now free and to run. Mehra knows what is in the offing and guides the other two. As for Yashpal, his gun which was jammed, suddenly goes off and it has killed somebody who is neither any of the three boys nor any of his men. Though expected, that is an interesting turning point which could have been cashed in on in the second half. Alas!

    The man killed is the don’s brother and Yashpal pushes the blame for shooting him on the three boys. Now, just about everybody is after the boys to kill them without asking any questions. While the boys are on the run, Keeya helps them and the romance grows between her and Mehra. The chase has gone on for long enough and no sure how to close it, so guys from the Intelligence Bureau are brought in!

    The film has a decent idea that needed better scripting. This is a rather piggy-bank-budget film and looks crude. While Dobariyal is okay, Mehra is stiff while Bajaj overacts. The supporting cast of veterans Sanjay Mishra, Yashpal Sharma and Mukesh Tiwari make the film somewhat watchable. Direction is average. Musically, Teri maujudgi…. is hummable. Other aspects are okay.

    Chal Bhaag has no hope of lasting through the weekend.

  • ‘Highway’…road to nowhere

    ‘Highway’…road to nowhere

    MUMBAI: A road movie is a genre with its roots in the United States (US) where it became more popular with the post World War II auto boom and peaked in the 60s when a lot of things changed in how the youth looked at life. America had the road, the spirit of adventure and the type of cars and bikes coupled with social movements which did not tie one down. In India, road movies are rare and far in-between and gained some momentum only thanks to inspiration through easy accessibility to DVDs. Despite a few attempts in the last decade or so, the only memorable Indian road movie I can think of is the 1972 Mahmood film, Bombay To Goa. (I would even call Mahmood’s Sadhu Aur Shaitaan a road movie; so what if it was shot only within Bombay limits!) Probably because it was not a DVD inspired film and if it was inspired from external forces, it was very well adapted to suit the Indian taste. A road movie formula is one where the lead characters come of age, grow or improve in the process of the journey.

    Highway, going by the definition of a road movie, is a copybook road movie as far as its characters go. The tough as tungsten male protagonist melts like a candle while the female matures enough to break all shackles of social norms and bindings. The problem with Highway is that, while the rules of road movies are already laid down for it, sadly, the content for the length of the film acceptable to Indian audience, where you can’t remain indifferent to romance and fitting in songs, does not come with the formula. Probably, that is why the percentage of Hindi road movies working at the box office is so small. (Some films I can recall: Bombay To Goa, Ginny Aur Johny, Chalo Dilli, Zindagi Na MIlegi Dobara, Dil Hai Ke Manta Nahi and Daud)

    Producers: Sajid Nadiadwala, Imtiaz Ali.

    Director: Imtiaz Ali.

    Cast: Randeep Hooda, Alia Bhatt.

    Randeep Hooda works for a gang which is for hire; they commit crimes on contract basis. On a mission to loot a petrol pump, Hooda comes across Alia Bhatt who is out to get some fresh air with her boyfriend. To make good his escape, Hooda dumps Alia’s boyfriend but takes her as a hostage till he reaches his partners and own vehicle. Kidnapping Alia was not on his agenda and why he does not dump her is a question. Alia comes from the house of a very influential man in Delhi and the gang members expect trouble. On account of this, Hooda decides to go on his own and demand ransom for Alia. This is a road movie so instead of cooling his heels in one place, he just takes his truck around the country (except Southern parts). In the era of electronic surveillance, he manages to hide from the authorities merely by changing the number plates of his truck; description of the vehicle does not matter.

    While Hooda may give Alia a slap or two, he never tries any sort of mischief with her. As expected, Alia is drawn towards him and won’t let him go. She does not want to go home where she is being molested by an uncle since she was nine. She wants to hang around with Hooda and keep travelling. They end up somewhere in the mountains, borrow a house and set up a kitchen with Maggi noodles! By now you have had enough and decide that if the police won’t find them, you yourself will call them when there is a bang. The police who did not manage to nab him while he roamed about the highways of India, passing state check posts, finally find him in this remote mountain and without warning just shoot him down.

    There is nothing such as a story in this movie. This has been shown in a number of films where the captive falls for the goon. Otherwise, this film is a kind of Bharat Darshan taking you to places you would not go to otherwise. In a weatherman’s parlance, the film is 133 minutes but feels like 300 and with just two characters to carry it off, offers no distraction except change of scenery.

    Highway is touted to be aimed at the gentry audience but one would assume even gentry go to cinema for entertainment, which this film is lacking.

     

    Darr @ the Mall

    Stolen ideas…

    Horror has not really been a favourite Indian genre and neither are there original writers for this breed of film. The preference here is mainly feel good fare or soaps or romance. Obviously, the ‘inspiration’ has to come from Hollywood films. Horror movies don’t have repeat value, in most cases does not even gain a first-time audience, provides no scope for music which is a must in Indian movies and, generally, don’t entertain. In which case, why would anybody want to make one is a mystery! As suspected, Darr @ The Mall comes from a 1989 Hollywood film called Phantom of the Mall: Eric’s Revenge.

    Contiloe Entertainment is a TV content providing company making a foray into film production and the film will be learning experience for the company.

    Producers: MSM Media Motion Pictures, Contiloe Entertainment.

    Director: Pavan Kriplani.

    Cast: Jimmy Shergill, Nushrat Bharucha, Arif Zakaria, Asif Basra.

    Phantom of the Mall: Eric’s Revenge was about one Eric Matthews who lives in a huge house which burns down; Eric is reported dead but he has been able to save his girlfriend. Soon, a mall comes up where his house was. Eric is not dead though badly burnt. He haunts the mall, killing people, especially those who set an eye on his girlfriend.

    Darr @ The Mall is about a mall, ironically called Amity Mall, that has come up at a location where an orphanage run by a kindly nun stood once. The orphanage burns down killing the nun as well as all the children save for one child who, though wounded, manages to escape. A mall has come up where the orphanage stood. Soon, the mall is in the news for all the wrong reasons. Workers and sentries get killed at random at the mall. As a result, nobody is willing to take charge of the security at this mall when Jimmy Shergill, an ex-army man, gets an offer he can’t refuse. He accepts the job at the mall.

    Even as Shergill takes charge, the killing spree continues though no harm comes to him. From the sundry staff, the killing progresses to the families of the owners. To salvage the reputation of the mall, the owners decide on an evening party at the mall paving way for an item number too! That evening, which is never-ending for the viewer in this film, lasts most of the film. There are purposeless killings and illogical incidents. Why, when the culprits are available for the picking, does the revenge seeker kill innocent sentries and others?

    Darr @ The Mall is a poorly written horror film where nothing works. While in the original, it was a private property, an orphanage is not owned by the orphans, and just by killing its inhabitants one can’t take over the premises! This is a pathetic effort by Pavan Kriplani. There is no horror, only gore to pass of as horror. Writer director Kriplani is totally at a loss with this project. While the rest are caricatures, it is sad to see Shergill being totally wasted in this whim of fancy. Excuses have been created to fit in a few songs but in vain. Editing is poor. Photography is passable. Background score is jarring.

    Darr @ The Mall stands no chance at the box office.

  • Saif Ali Khan’s ‘Bullett Raja’ set for World TV Premiere on Star Gold

    Saif Ali Khan’s ‘Bullett Raja’ set for World TV Premiere on Star Gold

    MUMBAI: Saif Ali Khan is all set to increase the ‘garmi’ on all television screens this February! Star Gold, the Home of Bollywood Blockbusters, is geared to kick start the year 2014 with the World Television Premiere of the widely acclaimed action film Bullett Raja on Saturday, 22nd February 2014 at 8 pm. Besides Bollywood superstars Saif Ali Khan, Sonakshi Sinha, the film also stars actors Jimmy Shergill, VidyutJamwalandhas been directed by National award winnerTigmanshu Dhulia

    Star Gold has been entertaining the ardent movie buffs showcasing the best of Bollywood entertainers such as Dabangg, Singham, Bodyguard, Ra.One, Housefull 2, BolBachchan, Son of Sardaar, Dabangg 2, BhaagMilkhaBhaag and others. As a one stop destination for the latest Hindi blockbuster releases, the channel is all set to once again recreate an action packed entertaining experience with the premiere of ‘Bullett Raja’, a des-chic, guns and gore affair, set against the backdrop of conniving UP politics and mafia

    Commenting on the premiere, Hemal Jhaveri, Executive Vice President, Star Gold said, “We have always focused on showcasing a mix of all genres to our viewers with entertaining content; and have always received a phenomenal response for our premieres from the viewers.  Besides a great star cast, Bullett Raja isone of the few critically acclaimed commercial entertainers of 2013. With this premiere, Star Gold once again reiterates its promise of bringing the latest and biggest Bollywood premieres on TV”

    World TV Premiere of Bullett Raja on Star GOLD, Saturday 22nd February at 8pm

     

  • Jimmy Shergill promotes his next with quirky tweets

    Jimmy Shergill promotes his next with quirky tweets

    MUMBAI: Actor Jimmy Shergill, who will be next seen playing a security officer in upcoming horror flick ‘Darr@The Mall’, found an amusing way to deal with the exhaustion on the sets of the film, which was mostly shot at night at various malls in the city.

     

    Jimmy said, “During the night shoots, we all used to be sleepy and exhausted as we had to go about our daily routine during the day too. So, whenever I used to see members of the cast catching a nap in a chair or something, I would click their pictures and put them up on social networking sites, with funny comments accompanying them about how the director was making us work so hard.”

     

    Apparently, Jimmy’s friends and associates found this quite amusing and they got back to him to tell him about how much they enjoyed the funny tweets. Hopefully, they will enjoy the movies that much as well.

     

    The film is directed by Pavan Kripalani and produced by MSM Motion Pictures and Contiloe Entertainment stars Nushrat Bharucha, Arif Zakaria, Asif Basra, Nivedita Bhattacharya, Shraddha Kaul and Neeraj Sood and is slated to release on 21 February.

  • …bites the bullet

    …bites the bullet

    MUMBAI: The tendency of filmmakers from the North and other Hindi speaking regions is to opt for a subject with a local flavour typical to their home turf. Tigmanshu Dhulia does just that. In Bullett Raja he creates an oft-seen UP drama about guns and goons and politician puppeteers. This is the region where either the other person is your enemy or he is a prospective backstabber. Like in all such films, the educated youth is unable to find jobs so they take to guns and join the underworld.  Not long ago, such films fitted in a slot described as B Grade films, and also enjoyed the patronage of masses; the gentry were usually oblivious of such fare. What worked for such films was that their budgets were sensible. Now when big bucks are spent, the cast and promotion had better guarantee an initial to secure the investment and guard a lot of reputations.

    Saif is Raja Mishra, a Brahmin from Lucknow looking for a decent job when he gets into trouble with a bunch of goons. He fights his way through while on the run. He spots a baraat and blends in with the crowd, landing up at Sharat Saxena’s house where he meets and befriends Jimmy Shergill. The occasion is Saxena’s daughter’s wedding, an excuse for the performance of something like a mujra performed by Mahie Gill, through which Shergill and Saif clink glasses of alcohol and strengthening their friendship further. 

    Producer: Rahul Mittra, Nitin Tej Ahuja, Tigmanshu Dhulia.
    Director: Tagmanshu Dhulia.
    Cast: : Saif Ali Khan, SonakshiSinha, Vidyut Jamwal,
    Jimmy Sheirgill, Gulshan Grover, Raj Babbar, Mahie
    Gill (sp App), Chunky Pandey, Ravi Kissen, Vishwajeet Pradhan,
    Sharat Saxena, Vipin Sharma.

    Mahie Gill notices Saif ogling her and is game for a fling. As the pair move towards the woods for some privacy, Saif eavesdrops on a conspiracy to raid the Saxena house by surprise and kill everybody present. The conspirer is Chunky Pandey, who has been brought up by Saxena as one of his own. He has now joined Saxena’s rival, Vishwajeet Pradhan.

    Saif feels he owes allegiance to the Saxena household and to Shergill for the shelter he got there. He rushes to alert them. The Saxena clan is ready for the gunfight; Saif and Shergill form a formidable team as they shoot one raider after the other while also covering each other. The fight gets over and Saxena is impressed by the duo’s heroics and Saif’s in particular since he had nothing to do with the family. Saxena asks them to join his gang where he will be rewarded well as against a job outside. Their desires to stay within law and find a job notwithstanding, both finally give in and take to guns for Saxena. They take refuge in jail while things blow over, where they meet a very influential prisoner, Vipin Sharma, who is always on one of his multiple cell phones.He is a fixer and wheeler-dealer for local politicians, Raj Babbar being a prime one.

    Babbar is the most powerful politician in the region and on Vipin’s suggestion he takes Saif and Shergill under his wing. Now they shoot for him. Babbar asks them to attend a fundraising pre-election conference headed by Gulshan Grover, who is described as Kuber, the Lord of Wealth. The duo rubs Grover the wrong way and he in turn insults and humiliates them. The pair decide to take revenge. They barge into a hotel room where Grover has planned a casting couch session for a film he is financing. The aspirant is Sonakshi Sinha who is offering to kiss Grover on the cheek because that is as far as she will go when the duo arrive. They kidnap Grover and later release him for five crore rupees.

    A bit late in the film but it is time for some romantic light moments between Saif and Sonakshi. Luckily, both take no time to say ‘I Love You’ to each other with Gill as a bystander. In celebration, they fly to Mumbai, sing a song and return to base and back to business. A very angry Grover is waiting for them as he wants revenge for what they did to him. Grover has also sought the services of Ravi Kissen, a sharpshooter who can shoot somebody dead from 100 yards. They catch Shergill alone with Sonakshi in the house. It is time for Shergill to die so that Saif can justify the title Bullett Raja as well as find the motive to wipe out all enemies. The second half is left to Saif to carry on his shoulders.

    But Saif can’t carry on a film that has no story, only people planning and plotting against others. To liven up things, Vidyut Jamwal is introduced in the story. Jamwal has already proved his prowess in martial arts with his earlier outing on the big screen and here, in measured doses, it is fun to watch him in action. He and Saif also plan and plot but only for the sake of creating an opening for the sequel!

    UP-Bihar background with totally local issues and flavour don’t appeal. Even an interesting film like Sehar had not worked. They offer nothing novel in their local bahubalis and gun wielding goons. Bullett Raja lacks romance, emotion, music and drama. It becomes monotonous as somebody or the other is trigger happy at all times. If this was Dhulia’s idea of a full-fledged commercial film, he is about half a century behind. The trick now is to cater to a mixed audience of multiplexes, single screen, overseas and satellite. If first two are drawn, a film is safe and rest is assured. Dhulia’s creative touch is missing here. Music fails to prop up the film. Photography is good. The film can be trimmed a little. Despite so many enmities, the dialogue is uninspiring; real fights are provoked by cutting edge dialogue and keep the audience along. The film was somewhat interesting till Saif and Shergill operate as a pair but loses steam thereafter except when Jamwal makes an entry.

    Saif looks very un-UP like but he does okay. Shergill brightens up the goings on while he is around. Jamwal is good in a brief role. While Babbar, Grover, Saxena, Pradhan and Ravi Kisan stay true to their respective images, Pandey is a misfit. Vipin Sharma is sincere as ever. Sonakshi Sinha is ready to burst at seams and contributes nothing to the film.

    Bullet Raja has had a weak opening, failing to manage a draw even at single screens. It faces poor prospects at the box office.

  • Endemol India partners with Fox Star Studios on a movie

    Endemol India partners with Fox Star Studios on a movie

    MUMBAI: Endemol India has collaborated with Fox Star Studios for an emotional thriller, Traffic. This marks the foray of Endemol into the Hindi film industry and will be produced under the banner “Eyedentity Motion Pictures” – the film arm of Endemol India.

     

    Traffic, the Hindi adaptation of the critically acclaimed Malayalam blockbuster will release on 7 March, 2014. Based on a true life incident the film marks the coming together of an ensemble cast of Manoj Bajpai and Jimmy Shergill in the lead roles along with Bengali superstar Prosenjit, Parambrata (of Kaahani fame), Divya Dutta, Kitu Gidwani and Sachin Khedekar playing pivotal roles. The film will also see the debut of talented young actor Amol Parasher and Vishal Singh in critical roles.

     

    Endemol India MD and CEO Deepak Dhar said, “With Traffic, Endemol enters the Hindi film sphere and we are fortunate to have partnered with Fox Star Studios for such an incredible script that involves a diverse mix of characters caught in an unlikely situation. Brought to life by a brilliant screenplay that pits together all the characters in a race against time, the incredible casting is bound to keep the audiences hooked till the end.”

     

    Directed by national award winning film maker Rajesh Pillai, who also directed the original in Malayalam, the movie showcases a high voltage drama and a battle against time when stakes run high and life is in danger. What sets Traffic apart from other films is the fact that as an emotional thriller, it will also introduce the audiences to an altogether new genre of entertainment.

     

    Traffic has been adapted in Hindi by Suresh Nair with music by Mithoon.

     

    Fox Star Studios CEO Vijay Singh added, “We are excited to have partnered with Endemol India as they debut in the Indian film industry. Traffic comes with tremendous credentials – National award winning director plus commercial & critical success in Malayalam – it promises to be an emotionally thrilling experience! At Fox Star Studios, our endeavour has been to support path breaking entertaining cinema. We believe in the story of Traffic and that it must be told to a wide audience. Audiences today are seeking new and distinctive content and we continue to strive to deliver films that capture the imagination. The film is the first up on our slate for 2014 that will feature mega productions, massy entertainers and clutter breaking films.”

  • Bullet Raja takes the comic route

    Bullet Raja takes the comic route

    MUMBAI: He is a big comic book buff and it was just apt to launch one before the release of Chote Nawab’s upcoming release Bullet Raja. Interestingly, after the marketing team of Bullet Raja launched a graphic novel series built around the protagonist of the film in the digital space, Saif Ali Khan suggested the launch of a comic book as well.

     

    The idea was soon worked upon and the film’s team finally launched the comic book titled The Legend of Bullett Raja recently. The event was a high-octane affair with almost the entire team including Saif Ali Khan, Sonakshi Sinha, Jimmy Shergill, Tigmanshu Dhulia, Ravi Kissen, Gulshan Grover, Chunkey Pandey among others present at the event.

     

    The lead actors of the film entertained the audiences as they broke in to impromptu jigs as soon as the songs of the film started playing.

     

    Besides the comic book, the audiences were also introduced to highly entertaining and exciting dialogues from the film.

  • Saif Ali Khan and Sonakshi Sinha’s impromptu dance for Tamanche Pe Disco

    Saif Ali Khan and Sonakshi Sinha’s impromptu dance for Tamanche Pe Disco

    MUMBAI: The much awaited song Tamanche Pe Disco with our very own nawab of Bollywood Saif Ali Khan and Sonakshi Sinha is finally here!

     

    This track is sung and composed by the UK based band RDB, making the rhythm very catchy and peppy.

     

    In fact we hear that when ace choreographer Ganesh Acharya, who has choreographed the song, made the actors listen to the song, both started grooving spontaneously to its fast and peppy tune.

     

    A source close to the team said, “The song has a very perky tune to it making a person stand up and dance. The same happened with Saif and Sonakshi, making them groove on the spot. Ganesh was very impressed with this unrehearsed and unplanned dancing so he decided to include that impromptu chemistry between Saif and Sonakshi in the song.”

     

    We feel that the definite USP of the song is its rusty look along with the impromptu and spontaneous dancing done by the leading stars of the movie.

     

    Looks like the Bullett Raja is not only good with his shooting skills but also with his dancing skills!

     

    Releasing 29 November, Bullett Raja is premised on fictional mafia based in Uttar Pradesh starring Saif Ali Khan, Sonakshi Sinha, Jimmy Shergill, Vidyut Jamwal, Gulshan Grover, Raj Babbar and Chunky Pandey.

     

    Fox Star Studios presents Bullett Raja produced by Tigmanshu Dhulia, Nitin Tej Ahuja, Rahul Mitra and is a Moving Pictures & BrandSmith Motion Pictures Production.

  • Saif Ali Khan gets fitter for ‘Bullett Raja’

    Saif Ali Khan gets fitter for ‘Bullett Raja’

    MUMBAI: Bollywood’s leading actor and fitness freak, Saif Ali Khan is all geared up for his forthcoming film Bullett Raja which is all set to release on 29 November.

    Saif will be seen in a very raw and rustic avatar in the film. And for this look the actor has been working out real hard. Insiders say that the films script is very demanding in terms of action and all the sequences are done by Saif himself.

    When asked Saif about his fitness in Bullett Raja he said, “I wasn’t fit when I did the Race 2 run. I was okay but I am way fitter now and it looks different. If you are fit, your body language changes. You are more agile and the kind of action you do, particularly like in Bullett Raja, it’s incredibly physically demanding. It’s a great feeling when you are fit and you are looking good when they shoot you”

    With a customised workout regime the actor sports one of his best look on screen till date.

    Bullett Raja which is back dropped against a mafia based in Uttar Pradesh will be a complete action packed entertainer. Produced by Select Media & BrandSmith Motion Pictures the film also stars Jimmy Shergill, Vidyut Jamwal, Gulshan Grover, Raj Babbar and Chunky Pandey.

    So get ready to witness the bloody badlands of director Tigmanshu Dhulia as Bullet Raja releases this November.

  • Saif Ali Khan gets fitter for Bullett Raja

    Saif Ali Khan gets fitter for Bullett Raja

    Bollywood’s leading actor and fitness freak, Saif Ali Khan is all geared up for his forthcoming film Bullett Raja which is all set to release on 29 November.

     

    Saif will be seen in a very raw and rustic avatar in the film. And for this look the actor has been working out real hard. Insiders say that the films script is very demanding in terms of action and all the sequences are done by Saif himself.

     

    When asked Saif about his fitness in Bullett Raja he said, “I wasn’t fit when I did the Race 2 run. I was okay but I am way fitter now and it looks different. If you are fit, your body language changes. You are more agile and the kind of action you do, particularly like in Bullett Raja, it’s incredibly physically demanding. It’s a great feeling when you are fit and you are looking good when they shoot you”

     

    With a customised workout regime the actor sports one of his best look on screen till date.

     

    Bullett Raja which is back dropped against a mafia based in Uttar Pradesh will be a complete action packed entertainer. Produced by Select Media & BrandSmith Motion Pictures the film also stars Jimmy Shergill, Vidyut Jamwal, Gulshan Grover, Raj Babbar and Chunky Pandey.

     

    So get ready to witness the bloody badlands of director Tigmanshu Dhulia as Bullet Raja releases this November.