Tag: Jassi

  • Reliance Webworld enables Sony’s Jassi to talk to fans across 13 cities

    MUMBAI: The hype created around Sony’s Jassi Jaissi Koi Nahin contest called ‘forgive or revenge,’ which was a contest promoted via short code 2525; was essentially to build interactivity around the show and recreate the buzz and excitement around the current plot. That being, whether Armaan Suri should be forgiven or be avenged by Jassi.
     
     
    Over the weeks loads of fans across the nation visited Reliance WebWorld centres all over India to leave a video message for the television icon Jassi guiding her to make her final decision. Viewers sent their message via SMS and the Internet as well. Viewers could also tune in to Red FM in Mumbai, Delhi & Kolkata with their advice for Jassi. The best messages were selected by Red FM and played out across all their stations. The lucky winners were today treated to an exclusive tete a tete with Jassi herself via a video conference connecting 13 cities organised by Reliance WebWorld in Mumbai.

    Reliance WebWorld received a total of 600 video messages whereas setindia.com garnered a total 10539 messages of which 43 per cent, that is 4572 messages said that Jassi should forgive Armaan and 56 per cent i.e. 5967 messages wanted Jassi to avenge Armaan. A total of 26676 responses via SMS were also received of which 16852 said Jassi should take revenge and 5037 said that Jassi should forgive Armaan.

    In tandem with the public verdict, Jassi now is all set to get into pay back mode.

     
     
    Speaking on this unique initiative SET VP marketing and communications Tushar Shah said, ” Jassi has always interacted with her fans and sought their advice and guidance at crucial points in her life. For this unique ‘forgive or revenge’ promotion we are happy to have partnered with Reliance WebWorld who made it possible to take Jassi across 13 cities using their high-end video conferencing facility.”

    Reliance WebWorld marketing head Sunil Buch said, ” Jassi seeking advise via video messages from her fans is the beginning of a revolution in the way events will be conducted in the future. We at Reliance WebWorld have and will always provide Broadband solutions that touch and impact lives of Indians. It was also a great move from Sony to weave Broadband technology to interact with their viewers and we shall have more of these to come.”

     
     
    Sony has consistently come up with innovative and unique promotions that impact their shows. This must be therefore one of the primary reasons for the channels shows becoming talking points irrespective of their performance.

  • Paro, Jassi’s art jeweler opens outlet in Bangalore

    BANGALORE: SIA Art Jewelry launched their first outlet in Bangalore today. This will be SIA’s tenth in the country.

    Jewelry from Sanjay Leela Bhansali’s love saga Devdas titled the ‘Devdas Collection’ was also launched. The jewelry adorned by Aishwarya Rai in the movie crafted in Bengali legendary kundan style was unveiled.

     

     
    SIA Art Jewelry has also been used by Kiron Kher in Hum Tum and by Rani Mukherjee in the upcoming film 1857 – The Rising. SIA Art Jewelry also boasts of the strong tie-up with many hit sitcoms including Jassi Jaise Koi Nahin for providing latest designer jewelry.

    The collection showcased at the Bangalore outlet comprises over 200 designs and uses natural gems in various colors and cuts. The collection priced Rs 500 onwards caters to all preferences and features jewelry for all occasions’ i.e. wedding, gifts, casuals and fashion. The range of jewelry include ‘tikas’, ‘haath panja,’ payal, kundan, rasrava, and a host of traditional wedding jewelry

     
     
    SIA Art Jewelry operations manager Hitesh Chheda said, “Bangalore is a key market for us and we plan to set up 10 new stores across India in the current fiscal out of which two more will be opened to tap the southern markets. By the end of the year, we plan to set up stores in Hyderabad and Chennai.”
     
     
    He added further, “With international and cross-cultural trends coming in, jewelry is also evolving. Every one wants to look striking and different. With an increasing awareness of fashion trends and variety of jewelry available, jewelry shopping can be complex and confusing. Our collection addresses all these issues, where everything that a jewelry buyer might need.”
    “Today the jewelry industry is witnessing a change in the emerging lifestyle and buying habits. In India, the consumers are not looking at jewelry as a mere investment or savings. It has turned into a status and fashion symbol. It has also become an attractive gift option. Consumers are moving slowly away from contemporary jewelry to designer wear. They have also become very quality conscious,” he said.

    Regarding revenues Chheda said that they had grossed Rs 400 million and were bullish about revenues reaching Rs 1 billion with the addition of new outlets.

    SIA Art Jewelry has also launched international franchise system to meet NRI’s and overseas customers need.

  • Jassi jaisa branding nahi!

    Some would say that this particular brand was the turning point for the Sony channel and others would look at it as television’s biggest contradiction. The point, however, is when one talks of one of the best packaged shows on Indian television, this brand scores very high on advertisers’ radar.

    With an overall understanding of the female prosumer psyche and the key insight being ‘The birth of the woman as a strategist,’ Sony Entertainment Television (SET) launched its first ever tellenovella – Jassi Jaissi Koi Nahin. The show is an adaptation of the hit Colombian series Yo Soy Betty La Fea (I am Betty the ugly one).

    The challenge really was to create and sell a distinct viewing alternative, going beyond the clichéd family dramas with storylines revolving around family conflicts and kitchen politics, which was and is the predominant fare on general entertainment channels today.

    While the content clearly stood apart, the real story is how the channel pitched and packaged this property, which has emerged as a brand by itself. Instead of the platform giving a boost to the property it launches, Jassi… in many ways has elevated the standing, recall value and preference of many a consumer and advertiser.

    Interestingly, although the show took off with great number delivery; constant ratings have not come from the Jassi… stable. Despite that, the property has managed to share television’s most innovative alliances in terms of advertising. Says Mediacom president Jasmin Sohrabji, “An association has to be for the long haul, for the association and character fit, not just for ratings! Obviously, those who have associated with Jassi have seen the merit, or there would be no advertiser flock.”

    ‘Hum Tum’ star Saif Ali Khan with Jassi

    Brands today have shown a clear affinity to partner with Jassi.. to reap mileage. Some of the brands that have engaged in product placement are Kelloggs, Maruti Zen, Loreal, Satya Paul and most recently VLCC. Apart from that, there was also an association with Yash Raj Films’ flick Hum Tum starring Saif Ali Khan and Rani Mukherjee. Khan had made a special appearance in Jassi…

    Why ‘Jassi Jaissi Koi Nahi’?
    According to SET officials, the first attribute to touch the chord of advertisers was the fact that the protagonist (Jassi) represented the aspirations of millions of people in India. Also, another point that came across was all the other channels at that point in time had run-of-the-mill saas-bahu sagas, with buckets of tears being the high point. Hence, according to Mindshare Delhi GM Sunder Raman, “Only tissue paper companies could have a brand association with these soaps. Jassi… came as a breath of fresh air and had amiable content which allowed for branding opportunities.”

    Speaking on the flock of advertisers on Jassi… by way of brand placements, Sohrabji says, “Jassi… has been one of the most successful serials from the Sony stable pre-Indian Idol! More importantly, the characterisation of Jassi is a very effective balance of tradition and independence! A product acknowledgment from Jassi will bring with it values that brands may look for in an association, hence the high interest levels.”

    Loreal marketing manager Ashwin Rajgopal points out, “Jassi shaped up as a role model for the average Indian woman who could identify with the plain Jane who was able to achieve.”

    The second was the out of the box, off beat marketing style that Sony adopted. For the first time on Indian television, a TV show had the likes of flash mobs, viral marketing initiatives, merchandise being distributed and moreover the intrigue built around the protagonist, who was never unveiled.

    Madison Mumbai general manager Ajit Verghese says, “The sole reason why so many brands have associated with Jassi… is because of SET’s aggressive marketing fanfare.”

    Says SET executive vice president (ad sales and revenue management) Rohit Gupta, “The marketing done for the show has been an absolute differentiator compared to the general marketing norms one followed in the TV space. Most shows in general are hyped during the launch, but if you look at Jassi…, the saliences of the show have been abreast throughout the lifecycle of the show.”

    Group M’s Rajeev Berry believes that Jassi… is an excellent format in the cluttered space of the television soaps. “Jassi… possibly is the only one who looks ‘rooted in reality’ with a fair mix of comedy and ‘turns and twists.’ Sony has not only done an excellent job in marketing the serial but deserves full credit for being open to brand integrations with their top show!”

    SET Speak
    SET business head Tarun Katial says, “One primary reason that Jassi.. has taken to marketers is the fact that it is an upmarket brand and has always delivered in the SEC AB segment. While a lot of SEC B brands identify with Jassi’s persona, many SEC A brands identify with the backdrop of the Gulmohar Fashion House. Also, the execution is very different, it’s very top of the line and has the ability to integrate the brand seamlessly.”

    Pointing out another interesting factor, Katial says, “Jassi… has never been over the top loud, whether its been her character, its marketing or the show itself. The creative root and the brand never shouts for attention. And that makes it even more enduring to advertisers and consumers.”

    What’s in it for SET?
    Throwing light on the same, Gupta reveals, “SET does about six to seven brand innovations in a year, essentially providing a value add to advertisers who are strong supporters of the network and have large outlays.”

    Is there a monetary value attached? Gupta explains, “These brand alliances cannot be valued in terms of a price as the mileage a brand receives cannot be measured. Also most agencies and clients put money in big shows and believe there is life beyond ratings and Jassi… is a clear indicator of that. Today every brand wants to be associated with Jassi… but finally there are only a fixed number of brands one can allow that have a brand fit.”

    The creative process of brand innovations interestingly is something that the channel initiates. According to Gupta, the whole effort is a combined consensus between the ad sales and programming team and the client. “Every client today is looking beyond the FCT (free commercial time), and that’s were our role comes in as broadcasters.”

    The whats and hows of brand placements in ‘Jassi…’
    For probably the first time, Sony along with Intel weaved a special vignette around Jassi… Intel’s core brand proposition is that of creating the relevance of computers in the everyday lives of people. An Intel spokesperson says, “Intel’s aim is to ensure a bright future for the family and Jassi was a good brand fit as she fights all odds and transforms her life by her sheer hard work and will power. Intel too aims at doing the same – transform people’s lives.”

    Satya Paul already unveiled a special ‘Jassi designer collection’ last year. Other brands that will see a mention in the coming days are Kaya Skin Clinic and Baush & Lomb, which will play an integral part in Jassi’s transformation. Says Verghese, on the association of Kaya with Jassi…, “We were not looking at Jassi… only, instead we were looking at all options where the brand Kaya could have a real time connect and fit. We had approached Sony a year ago asking them if any branding opportunities arise for Kaya, we would be interested in getting the product integrated. And surely, they did when it was Jassi’s time to undergo a transformation.” Kaya will be looking at giving skin care tips to Jassi, which will be an integral part of her makeover. Baush & Lomb, on the other hand will be providing contact lenses to the bespectacled Jassi.

    Another brand – Kurkure, which has the vivacious Juhi Chawla featuring in the ads, is a take off on Jassi…, which has been aired across channels. Kurkure had earlier spun an ad around the character of Tulsi from Star Plus’ Kyunkii Saas Bhi Kabhi Bahu Thi. Says Raman, “Kurkure ads are based on any new hot topic of discussion among people. So it was not only Jassi that we zeroed on, we also tapped the characters of Tulsi and that of Anaarkali from Mughal-E-Azam.”

    Speaking on product placement on television especially on Jassi…, Raman says, “Product placement on television has been there for a while now. The reason why Jassi… has been seeing more of it is because the channel is aggressive on the marketing front and provides affordable prices to advertisers to integrate content and communication.”

    Sustaining the buzz post launch
    What cannot be ignored is the ‘Shaher Shaher Mein Charcha’ (Buzz in every city) campaign, which although kickstarted during the launch phase, continued to fuel the buzz on TV and billboards, simultaneously embarking on other unconventional activities like the introduction of Jassi’s Pals club.

    In addition Jassi merchandise was made available – the ring tone and the mobile game download being the first in a series of items to be launched.

    So much hype was created around Jassi… that in the recent past, the channel actually launched a book on Jassi titled Jassi’s 7 Steps to Success as well as Jassi colouring books, which were made available at Popular Prakashan outlets priced at Rs 125 and Rs 25 respectively.

    Another off beat publicity innovation was the Jassi… tie up with the Indian Postal Department wherein Jassi branded envelopes and postcards were made available to the public. This was done to celebrate the show’s first anniversary.

    Having hidden her all this while, the channel decided that it was time to get the viewers to interact with Jassi in character to drive further connect and empathy. Says Katial, “The channel took Jassi to Delhi where she was the talk of the town. She was interviewed live in the studios of Aaj Tak and Red FM, feted by the Delhi Secretary’s Association. The frenzy on seeing her was akin to that generally reserved for film stars.”

    Each of these initiatives continues to drive audiences and build viewer affinity to Jassi and the show.

    Come to the present day scenario and Jassi has gone to Mauritius to work on a VLCC beauty pageant along with Nandini (Neena Gupta). Thus come in two more names – Mauritius Tourism and VLCC.

    What is ironic is that while Jassi in terms of ratings numbers is not such a success story on Indian television, its brand equity seems to be one of the highest on the tube today. As Gupta points out, “There is life beyond numbers,” this probably stands correct in Jassi’s case. With the attention this show has garnered from the day of launch till date, it has definitely proved to be worth the advertiser’s while.

    Now, it’s time for the ugly duckling to take on her much awaited new ‘avatar’. Will Jassi… lose its USP (unique selling proposition) of the plane Jane making waves in the glamour world? Katial replies, “The new Jassi will still be very distinct. She will appeal to the Indian woman who is looking for a success story. The way forward will ensure that Jassi remains to be a larger than life figure even after the makeover.”

    Sohrabji too is upbeat. “Jassi took off really well and had a very good run. It has now seeing a renewed interest with viewers and advertisers with the current story line movement,” she says.

    While the plain Jane has been a favourite among advertisers, it remains to be seen if she delivers afresh on the ratings front!

  • Star News gets soapy with ‘Saas Bahu Aur Saazish – Kyunki Har Serial Kuch Kehta Hai’

    Star News gets soapy with ‘Saas Bahu Aur Saazish – Kyunki Har Serial Kuch Kehta Hai’

    MUMBAI: The latest offering in the news genre is from the Star News pad. Taking off from the warm response the saas bahu soaps have received, Star News is all set to launch its latest offering Saas Bahu Aur Saazish – Kyunki Har Serial Kuch Kehta Hai, debuting on 11 October from Monday to Friday at 2.30 PM with a repeat telecast at 11.30 am the next day.

    This show will have different segments to capture the excitement of the popular serials and the tele-world. One segment will provide a racy recap of the popular serials aired every day across channels. This segment will also do a prediction of the likely turn of events in the following episodes.

    Another segment will profile a story of the day, for instance – what is the new hair style being donned by Komolika of Kasautii Zindagii Kay, or when is Jassi likely to have her image change.

    And finally one segment will feature an exclusive interview with a popular television celebrity everyday & delve in-depth into their lives.

    “In a large number of Indian households while the activities of the Laloos, the Pawars & the Modis make important news, the Tulsi’s, the Parvati’s, the Jassi’s & the Kkusum’s make as much news to some other members of the very same household. This program is an attempt to address their peculiar news need.” says Star News CEO and Editor Uday Shankar.

    ‘Saas Bahu Aur Saazish – Kyunki Har Serial Kuch Kehta Hai’ is being touted as the first show of its kind on Indian news television.

  • After Max, Sony comes out with branded postcards

    After Max, Sony comes out with branded postcards

    MUMBAI: “The postal department has met Sony Entertainment Television half way to make it possible,” Maharashtra Circles’ chief post master general K Noorjehan was quick to offer. The occasion  to inaugurate the special cover with cancellation and Meghdoot postcards marking the first anniversary of Sony’s flagship show Jassi Jaissi Koi Nahi.

    Showering the show (Jassi…) with a liberal dose of praise, Noorjehan said that she had been flooded with numerous calls from media about the preferential treatment meted out to Jassi. Rightly so, as she and the speaker before her – Sony Entertainment Television India’s CEO Kunal Dasgupta – informed that the special cover with special cancellation was normally offered only to commemorate meretious services of over 50 years and above.

    “Even to consider the proposal and to process the demand, the postal department requires one year’s time,” Noorjehan said. So what makes Jassi so special that she could jump the queue? “She rescued us from the weepy dramas. General masses like you and me can identify with her. She has shown us that its is not really important to be good looking but you can succeed if you have enough grit and determination,” she said.

    The same sentiment was echoed by the Sony team and as executive vice president programming and response Tarun Katial put it in his inaugural speech, “One year already since we introduced the masses to this unlikely heroine with spectacles and braces. Despite being labeled an ugly duckling, she has shown the world that you can succeed just on merit with your grit, determination, intelligence and hard work.”

    But hasn’t the show been slipping lately. “Not really. It is just a cyclic phenomenon. In fact, we have quite a few changes in the pipeline to pump in the vigour.” Although he said that Jassi won’t really be shedding her braces and spectacles soon, but viewers will witness a transformation in her attitude, Katial informed. “Plus we will have a climax to the current build up of the plot, where Jassi becomes aware of Armaan and his devious plots and falls in love with Purab,” he added.

    What the show has offered to television besides a different storyline is a case study for marketing innovations.
    “We get numerous phone calls every day from educational institutes, who want to speak to us about the effectiveness of the marketing innovation and the excellent adaptation,” DJ Creatives producer Deeya Singh said. But she did admit that the story wasn’t following the original very closely. “But it has worked wonders for the show. Look at the way Purab’s track has been accepted by the masses,” she argued.

    A clear indication of the popularity of the show was the Centrium Auditorium at the World Trade Centre in Mumbai, where the press conference was held. Professionals working in the neighbouring offices were trying constantly to sneak in to get a peek of their favourite telly character.

    And what did the star of the show Jassi aka Mona Singh have to say about it, “I am extremely honoured and deeply humbled.”

    It needs to be noted here that in February this year, Sony’s sister channel Max had also introduced branded postcards wherein they had tied up with the Indian postal department. The post card, apart from carrying the Max logo, also promoted the 5 pm movies on the channel with a message: ‘Har shaam paanch baje dekhiye.’

  • Sony looks at building curiosity via innovations, specials

    Sony looks at building curiosity via innovations, specials

    MUMBAI: Watch out! That is the clear message that Sony Entertainment Television India’s executive vice-president Tarun Katial wants to send out.

    Innovations are the order of the day at SET. Right from beefing up the weekend content with special shows and ground events for the big one Indian Idol, to getting in new twists and adding new characters to its existing shows, Sony is all geared for action.

    Speaking exclusively to indiantelevision.com, Katial said that the channel is not yet done with the weekend franchise. But instead of launching new shows, weekend is going to be all about specials . We have received a great response to our Independence Day CID special. We are now going to launch a 90 minute start to finish CID special in the weekend slot

    That apart, the channel will also be airing the on ground events that they have canned during the special promotion of Indian Idol. “In addition to the on ground contest and press conference at various cities like Indore, Pune, Kolkatta, Bangalore, we had also flown in the three Indian Idol judges and the cast of various Sony shows. The cast of Jassi, Kkusum presented a special programme called ‘Aap Jaisa Koi Nahi’ in these cities. We will be airing the four ‘Aap Jaisa Koi Nahi’ episodes on the weekends,” says Katial.

    “In addition to performances from the stars, several interested participants even gave on the spot performances to impress the judges and obtain a ‘jump the queue’ pass, which we have included in the specials,”he added.

    But specials apart, SET is also seriously looking at buttressing its long running shows like CID and Kkusum. “We are introducing actor Smita Bhansal’s character in CID. She will essay the role of a psycho analyst, who will help in profiling criminals and putting the pieces together. It will be a sort of come back vehicle for Bhansal, who is returning after a brief hiatus post marriage and kid,” Katial offers.

    What about the long running soap Kkusum, which is in a new phase post the departure of original protagonist Nausheen Ali and the fast forward drama? “It has been our number one show,” Katial defends. We are steadily picking up, especially after the twist in the tale where Mahi is murdered and the main suspect is Kkusum. But you will see that there will be an attempt on Kkusum’s life and it will be discovered that some one in the family is behind all this.

    As for the Friday thriller, Devi, which has been off late reduced to supernatural mumbo-jumbo, a wrap up of the good-versus-extreme evil track is on the cards. Television biggie Aman Varma’s character Vasu (who was incidentally roped with much fan fare early this year) will be eased out and the story will now focus on the love triangle between Juhi Parmar’s character Kalika and new entrant Manish Goel’s character and Mohnish Behl’s Vikram.

  • Sony slated to launch youth-centric soap ‘Yeh Meri Life Hai’ in 10 pm slot

    Sony slated to launch youth-centric soap ‘Yeh Meri Life Hai’ in 10 pm slot

    MUMBAI: After Jassi what? That has been the question on everyone’s mind regarding Sony Entertainment Television’s programming plans for 2004.

    According to reliable industry sources, the “next big thing” from the SET stable is going to be a half hour daily soap slotted in the 10 pm slot.

    The show titled Yeh Meri Life Hai (YMLH) has a youth-centric plotline with Shama Sikander playing the lead protagonist. Another key character in the serial is Tanaaz Currim who essays a role different from her usual bubbly happy-go-lucky personna, which is what she has been more or less type cast into thus far. Currim plays a character, though not out-and-out villainish, that has plenty of shades of grey, say the sources.

    When confronted about it Currim said, “After a long time, I have got to do something other than comedy. Here, you will see me playing a negative role.”

    The show, produced by Optimystix Entertainment India Limited (promoted by Vipul D Shah and Sanjeev Sharma), is expected to go on air by end-March or beginning-April.

    As far as the time slot of the show is concerned, the lead-in will be provided by Jassi Jaissi Koi Nahin which precedes YMLH in the 9:30 pm to 10 pm slot. It will be taking on Star Plus’ heavyweight from the Balaji stable Kahaani Ghar Ghar Ki. YMLH will be the first show that Tarun Katial, who joined Sony Entertainment Television as the executive vice president – programming and response in January, pits against his programming “alma mater” Star Plus.

    When contacted by indiantelevision.com, Katial refused to be drawn into any discussion on the shows he was working on, except to say he would make the announcements at the appropriate time.

    For Optimystix’ this will be a big test since it doesn’t have any shows on Star Plus after Kismey Kitnaa Hai Dam and Kuch Kar Dikhana Hai (both game shows) wound up. When asked for his comments about the new show, however, Shah would neither confirm or deny the developments. According to information available with indiantelevision.com, aside from YMLH, Optimystix is pitching for another show on Sony, two on Star Plus and two on Sahara.

  • B4U Music salutes Mumbai’s spirit with ‘Salaam Mumbai’

    B4U Music salutes Mumbai’s spirit with ‘Salaam Mumbai’

    MUMBAI: ‘Celebrate the spirit of Mumbai with music’ was B4U Music and Sadbhavna Ke Sipahi’s agenda, when they bought the traffic to halt near Lokhandwala, Andheri for a peace concert Salaam Mumbai.

     
    The event was sponsored by Alto and LML Freedom. MP Sunil Dutts organisation Sadbhavna Ke Sipahi joined hands with B4U Music to salute to the unity, plural co existence and tenacity of Mumbaiites, says a company release.

    The street concert, Salaam Mumbai was held at Lokhandwala Circle, Andheri on 25 January 2004. Attended by over 10,000 mumbaiites, the concert was attended by famous bollywood personalities like Sanjay Dutt, Arshad Warsi, Boomen Irani.

    Sadbhavna Ke Sipahi’s national president MP Sunil Dutt, and Commissioner of Police Dr P S Pasricha inaugurated the musical celebration.

    Artists including Sonu Nigam, Shaan, Usha Uthup, Jassi, Kailash, Nitin Bali, Sneha Pant, Harry Anand, Raghav, Baba Sehgal and DJ Notorious entertained the audience.

    The event was conceptualized keeping in mind the effervescent tone and spirit of Mumbai, says the release. According to the release, the icon on the event the ‘dabbawala’ was an apt choice as he is the often unsighted but efficient and speedy and unique to the city.

    Speaking on the thought behind Salaam Mumbai , B4U Music marketing head Rajnish Lall said: “Mumbai never really stops – despite bomb blasts, riots etc all. This concert is to salute and celebrate the loving and resilient spirit of Mumbai. We want to stop the traffic just for a while to say Salaam Mumbai – a salaam to the mumbaiites and to our Police Force. To pause the city life to celebrate peace with all Mumbaiites. Mr Dutt and his organization Sadbhavna Ke Sipahi are the most credible body known world over for spreading the message of peace. We are privileged to have their support.”

  • “We need to build up strong emotional sagas on Sony” : Venita Coelho – SET’s VP: new product development

    “We need to build up strong emotional sagas on Sony” : Venita Coelho – SET’s VP: new product development

    ‘You see tourists stroll off hand in hand with children – and you wonder – am I being paranoid or is there more going on here than meets the eye? Unfortunately, there is. Paedophilia has taken root in Goa. It just made me angry and I realised I had to do something about it,” that’s Venita Coelho for you. A fervent womanist, who joined Sophia Polytechnic to get an idea of media as a young girl.

    She started her career with television software house UTV and has a long career history in the Hindi film and television industry as a writer and director. She has written over 12 film scripts – for directors like Santosh Sivan, has lectured on writing for several years at the Social Communications Department of Sophia College in Mumbai.

    In television, she has over 800 hours of programming to her credit as a writer – work that was done for Indian, Malaysian and Singapore television.

    After being a Mumbai person for several years, she moved to Goa three years ago, in search of an alternative lifestyle, and lived in an old Portuguese house along with four dogs. Interestingly, what got her back to the daily rigour of programming is Sony’s latest turn around soap Jassi.

    In this interview with indiantelevision.com’s Trupti Ghag, she spoke about her career, her decisions and her new role as Sony Entertainment Television’s vice president- new product development.

    Excerpts:

    The media industry is known to take its toll on professionals , so the question isn’t really why you left television some years ago but what got you back?
    Jassi got me back, literally! Although I have been off television for a while now, I haven’t been out of the loop completely. I have been doing films; a couple of Pantaloon films as well as a big one in the pipeline- Musafir. When Sony contacted me, I was least interested in television. After moving out from UTV, I hadn’t even watched television for three years. But they sent me the tapes of Jassi and here I am.

     

    And why is it that you decided to take a hiatus from television?
    Although it seems like ages that I have stopped working for television, it has just been around three-four years that I decided to bid adieu to television. It was the time when television started becoming a watered down version of its former self and I couldn’t help any in changing it.

    Now that I am back and I am in a position where I can influence, I am here for some time.

     

    What is going to be your action plan?
    The programming is going to be more research driven. We are getting in new energies, ideas, basically getting the fizz back. What I plan to do immediately is build up storytelling. I have been called in to offer fresh perspective. I haven’t been watching television at all for some time now, so I should be able to do that. The company has assigned me to develop as many new ideas as I can before the industry gets the better of me. (laughs)

     

    Have you actually managed to catch some television? What is your opinion about the current fare on the tube?
    I am aghast. It’s gone to being regressive and that’s a sad trend. But with Jassi being successful, there is is a pointer to the future that trends formed are likely to change.

     

    Since you are back from a stint with films, what is the essential difference you find between films and television?
    By and large, films have a structure in place; you have a story worked out, while the same cannot be said about television. Television today doesn’t really have a script to go by. I think in about five years’ time, the structure should be in place.

    Plus, television is so deadline driven! That’s not a bad thing necessarily, but it wears people out very fast. So the fatigue factor is high.

     

    What is your core team like? Are there any new additions to the team?
    I think the team that we currently have is more than enough. Since I am in charge of the new development, I will be working a core team of two-three executive producers. There is an addition to the team, a freelance filmmaker Salil Sand, who will be working with me closely.

     
    “It is a static talent pool in the industry, until and unless there are new and innovative ideas discussed and interaction encouraged we are just getting same ideas thrown over an over again”
     

    What is it that you will be working on?
    Daily soaps to begin with. It is a daily habit; you cannot do away with it. Unending sagas are really the order of the day (laughs).

     

    You don’t seem to be too convinced doing the soaps.
    No, that is not the case. Soaps are a tried and tested formula and they haven’t just been a three year old formula. It’s Balaji’s art of storytelling that has become popular but I see it spawning bad clones. What I aspire to bring in is a new era of storytelling. Something that is not riddled with clichés. Use cinema as a metaphor probably and get something within the parameters of the staple soap diet.

     

    What about experimenting with new genres?
    I think Sony has experimented with quite a few genres and we have many long running successful shows like CID and Heena. We have a strong weekend franchise. We are planning to revamp Heena soon.

    What we need to build up is strong emotional sagas. We are definitely looking at that in the near future.

    I would personally want to build up the telefilm genre, but unfortunately the market isn’t as conducive. We need to look at the business aspect as well.

     

    Do television shows work according to a rule book? Is there an evident need for a Censor Board?
    By and large, the television industry follows a three-part code. The first is the government code, the second is the channel code and third is the personal code.

    I don’t particularly think that there is a need for a separate censor board for television, but what I think should be eradicated is display of superstition. But again, I think it is a personal choice, as directors like B P Singh won’t indulge in propagating superstitions.

     

    If you were to describe Sony as a channel, how would you?
    It is a young and dynamic channel.The channel is not traditionalist. It is full of people who will want to bend the rules, carve a niche in different genres and yet offer staple fare as well. We at Sony aim to engage the viewers and keep them thrilled.

     

    What are you doing to ensure creativity?
    We have started organising workshops in tandem with writing. Just recently, we held a workshop on the thriller genre.

    It is a static talent pool in the industry, until and unless there are new and innovative ideas discussed and interaction encouraged. Right now, we are just getting the same ideas over and over again. You need to have a strong theoretical base to work upon, otherwise you get stuck in the routine fare.

     

    Do you feel there is a bias towards women professionals in the entertainment medium?
    In television, no. Since television is a relatively new field, and satellite television barely over a decade old in India, it was established on a seemingly corporate structure. People with drive can excel in television. It is difficult to manage both home and work and there are no concessions for women, but that’s fair enough.

    The same cannot be said about films, though. It is a little difficult for a woman to break though the patriarchal hierarchy. Plus, the workers too are male and not used to taking orders from ‘womenfolk’, so that can be a major problem.

     
    “Zee has a lot of sleeping loyalty”
     

    What has been your personal experience?
    Mumbai is a different story altogether. Here, a women can juggle a career and family. With me, I have been able to single mindedly focus on my career. I could work when I wanted and take off when I wished.

    I have a great support system right now. I have left my parents in charge of my place and my dogs. I go to Goa every weekend.

     

    Television is considered a woman’s medium. As a woman, how would you rate the portrayal of women on the small screen?
    I am aghast by the portrayal of women in the media. It’s regressive, totally absurd. That’s the reason why a simple story like Jassi is a breath of fresh air. We need to make a conscientious effort to change the way television is portraying women. Not only is the portrayal unreal, the stark black and white portrayal is quite unbecoming.

     

    What really helped ‘Jassi’ was the marketing spin, don’t you agree?
    Agreed that the marketing spin really helped a lot, especially so many innovative ideas like building up the curiosity, flash mobs and SMS. But I insist that it was an extremely well planned product and has a good story. It went on to dispel the myth that you need a big star to make it big, Sony got a complete nobody and look how well the show has done. That’s all because of its storyline.

     

    What is your opinion about the competition, both Star Plus and Zee?
    Star Plus has built up loyalty over the past three years with its soaps. They have really caught on with the people, have become a sort of habit. As far as countering that goes, I think we are the alternative to Star Plus programming. We have already built up the weekend franchise and will work on the weekdays.

    Zee has a lot of sleeping loyalty, which I think it has to take count of.

     

    What happens to your production company FireHorse now?
    It was established as a dream of two women, me and Deepti Datt. We produced two movies Bombay Stories and Monsters Under Bed, under the banner. We got a great response for both. I have received bouquets as well as brickbats. We have received monetary support, people just poured in money to help us tell our stories. Even now, we have a Canadian women filmmakers’ organisation, who have offered to help us out with the equipment.

    We have a couple of films in the pipeline, and are awaiting funds. We should start working on them in some months’ time.

     
  • ‘Jassi’ to be spiced with Mandira’s special appearance

    MUMBAI: With the lid having been blown off Jassi’s real identity in Sony’s latest claim to fame, (Jassi is actually model Mona Singh of the Asian Paints commercial), the channel and producers Tony and Deeya Singh have roped in Extra Innings hottie Mandira Bedi for a couple of special episodes in an effort to keep the hype up.
    Mandira will play herself in Jassi Jaissi Koi Nahin – as having recently landed from South Africa after India’s defeat in the finals.
    The story goes that Raj (Parmeet Sethi) and Armaan (Apurva Agnihotri) spot her in a party and offer her an entry to the Gulmohar House of Fashion – where the show is set – as a brand ambassador for the fashion house.


    After prolonged discussions, they convince Mandira that she should capitalise on the popularity she received after her glamorous contribution in the cricket World Cup.
    Mandira’s wardrobe in the serial will comprise of some ultra glamorous creations by Satya Paul.
    Mandira’s episodes are to be telecast on 5 and 6 November. Whether her tenure on the show will be extended or not has not yet been finalised.