Tag: J. Walter Thompson

  • Post Ola Micro and Amazon.in, industry opinions on social media backlash

    Post Ola Micro and Amazon.in, industry opinions on social media backlash

    MUMBAI:  The digital marketing era warrants brands, advertisers and creatives churn out advertisements that go viral. But they better toe the line very carefully in the process. The recently released campaign by Ola for its new super cheap Ola Micro service certainly had people talking online – but they weren’t talking about the things the company wanted to hear. Netizens by the thousands took to Twitter and Facebook to express how disgruntled they were with the TV spot which they found ‘sexist’. So much so, that the company had to take off the spot from TV.  A similar situation occurred in Kerala where a public hoarding by eCommerce giant Amazon.in spurred an angry agitation on the social networks.

    While it isn’t the first time that people have expressed their displeasure over an ad film, seldom has public reaction gotten such a quick and effective response from the brands. The question these incidents raise is how are brands, creative agencies and planners to handle this new breed of trigger happy consumers who are armed with social media?
    People have always discussed campaigns that leave a mark on them, while there were some that were praised, there were also a few that were criticised. With social media coming into the picture, the issue isn’t that people are expressing their view; more often these views are a knee jerk reaction rather than a well-considered opinion. “Everything has become like an instant poll if you ask me. An individual having an opinion over something can immediately share that, and several others with a similar voice can add to that. People have suddenly discovered that their voice too has power and they want to put it out in the public domain as much as they can. Sometimes it can be justified, but sometimes it is not,” opined Ogilvy and Mather creative director Sumanto Chattopadhyay. He however stressed the fact that brand communications have to be sensitive to consumers, “At the end of the day advertising exists to appeal a broad spectrum of people. So one has to take cognizance of that, especially now that people’s opinion is a part of the public domain almost instantaneously,” he expressed.

    When asked, as a creative what his reaction would be if one of his own works was pulled down, Chattopadhyay quipped. “As a creative person when I do a piece of work I obviously believe in it, I stand by it. There is no negative intent in it. But I have to also keep in mind that as an agency, we work for a brand, so sometimes we have to respect public opinion and go with the call the brand is taking so that the brand doesn’t suffer.”

    J. Walter Thompson Delhi managing partner and head Sanjeev Bhargava also advised creatives and agencies to tread carefully when it came to public opinion. “We are becoming a reasonably trigger happy nation when it comes to protesting now that we have the tools in our hand.  It started off with a political thing but now it’s transcending into the corporate world as well. At the same time, brands are getting increasingly sensitive about the chatter online as they have the measuring tools that gauge the impact of such negative comments online”.  

    While Bhargava suggested that brands, advertisers and agencies be extra careful so as not to ruffle any feathers he admitted that this would affect the creative process to a certain extent. “It is hard to be politically correct and have the freedom of expression in creating something. There is a fine line between meaning well based on consumer insights etc., and at the same time hurt sentiments. For example in the case of Amazon’s #WeIndians campaign, things might not have triggered this way had Amazon not been a foreign company. So it’s hard to say what will offend someone or not. In this increasingly wired world, industry needs to be careful till this frenzy wears off.”

    Bhargava cited an example of an old Naukri.com advertisement to add perspective, “Years back when Naukri’s Hari Sadu campaign came out, someone with the same name had filed a defamation case against the brand in court, saying his employees thought him to be a bad boss because of the ad. He lost the case. But in today’s day and age, that same person could make it go viral, as virality does not follow predictable metrics. He wouldn’t have needed a court of law.”

    Since public backlash is easy to create in today’s day and age, how does an industry body, tasked to self-regulate and monitor such offensive ads, react to such the public opinion? ASCI’s secretary general Shweta Purandare said, “I agree that social media is a very powerful tool. In fact, ASCI has consistently paid heed to it and followed the chatter by being active on social networks. If there is a negative chatter about brands or a particular campaign, many times, unaware that ASCI exists, they vent their feelings on social media. One is if an advertiser listens to that and takes action on its own, and another is that we guide such consumers to register a complaint and then take it up as per ASCI’s policies”.

    But there are also situations when a simple opinion may blow out of proportion and affect the brand. “Without taking any brand’s name, I would mention that there was a case when a brand came under fire on the social media, but when the complaint was taken up in ASCI, it was found that the advertisement was not against the ASCI code. Apart from taking voluntary calls to pull down ads, which the brands are free to do, if brands want a fair hearing of their argument they can approach ASCI for a proper analysis,” Purandare asserted.

    Whether it is right to target a brand over a cause or not, the fact remains that social media metrics matter to brands, and playing with public opinion is like playing with fire for them. And sometimes that means to bow down to public opinion and take off the ad at the cost of brand value.

    Not to mention the fact that creatives are also taking risks with edgier brand communication to draw more eyeballs to themselves.  “We are seeing a positive move from a mundane to more strategic insightful work in the creative industry.  In process they work around the delicate edge of safe versus edgy communication. Sometimes with such creative push things do go haywire. But these few instances must not hinder the positive moment in creativity.  So, brands have to do what was expected – self-censor and self-discipline.  It is their responsibility that the ad does not discriminate or offend any sensitivities,” explained Intradia world, brand and marketing advisor, Sanjeev Kotnala.

    “Brands always have two choices. If they feel they have really gone beyond the edge, they must withdraw. And they must do that gracefully with due apologies. If this is the strategic action, then it must be swift. The other option is they can stand by their communication and let the social media movement fizzle out,” he added.

    Kotnala also advised that while finding a fine balance between edgy and offensive content maybe like walking on a tightrope. Brands and creatives can be on the safer side if they do a concept research to determine if the ad is offending.  “Surprisingly and unfortunately many forget to do so. It may then be possible to shoot or create an alternative flow which can be integrated as a part of the campaign to kill a reaction without compromising on communication.”

    After all, brand value is created over time but it can be destroyed very fast. It can be protected with a swift response rather than silence, advises Kotnala in parting.

  • Post Ola Micro and Amazon.in, industry opinions on social media backlash

    Post Ola Micro and Amazon.in, industry opinions on social media backlash

    MUMBAI:  The digital marketing era warrants brands, advertisers and creatives churn out advertisements that go viral. But they better toe the line very carefully in the process. The recently released campaign by Ola for its new super cheap Ola Micro service certainly had people talking online – but they weren’t talking about the things the company wanted to hear. Netizens by the thousands took to Twitter and Facebook to express how disgruntled they were with the TV spot which they found ‘sexist’. So much so, that the company had to take off the spot from TV.  A similar situation occurred in Kerala where a public hoarding by eCommerce giant Amazon.in spurred an angry agitation on the social networks.

    While it isn’t the first time that people have expressed their displeasure over an ad film, seldom has public reaction gotten such a quick and effective response from the brands. The question these incidents raise is how are brands, creative agencies and planners to handle this new breed of trigger happy consumers who are armed with social media?
    People have always discussed campaigns that leave a mark on them, while there were some that were praised, there were also a few that were criticised. With social media coming into the picture, the issue isn’t that people are expressing their view; more often these views are a knee jerk reaction rather than a well-considered opinion. “Everything has become like an instant poll if you ask me. An individual having an opinion over something can immediately share that, and several others with a similar voice can add to that. People have suddenly discovered that their voice too has power and they want to put it out in the public domain as much as they can. Sometimes it can be justified, but sometimes it is not,” opined Ogilvy and Mather creative director Sumanto Chattopadhyay. He however stressed the fact that brand communications have to be sensitive to consumers, “At the end of the day advertising exists to appeal a broad spectrum of people. So one has to take cognizance of that, especially now that people’s opinion is a part of the public domain almost instantaneously,” he expressed.

    When asked, as a creative what his reaction would be if one of his own works was pulled down, Chattopadhyay quipped. “As a creative person when I do a piece of work I obviously believe in it, I stand by it. There is no negative intent in it. But I have to also keep in mind that as an agency, we work for a brand, so sometimes we have to respect public opinion and go with the call the brand is taking so that the brand doesn’t suffer.”

    J. Walter Thompson Delhi managing partner and head Sanjeev Bhargava also advised creatives and agencies to tread carefully when it came to public opinion. “We are becoming a reasonably trigger happy nation when it comes to protesting now that we have the tools in our hand.  It started off with a political thing but now it’s transcending into the corporate world as well. At the same time, brands are getting increasingly sensitive about the chatter online as they have the measuring tools that gauge the impact of such negative comments online”.  

    While Bhargava suggested that brands, advertisers and agencies be extra careful so as not to ruffle any feathers he admitted that this would affect the creative process to a certain extent. “It is hard to be politically correct and have the freedom of expression in creating something. There is a fine line between meaning well based on consumer insights etc., and at the same time hurt sentiments. For example in the case of Amazon’s #WeIndians campaign, things might not have triggered this way had Amazon not been a foreign company. So it’s hard to say what will offend someone or not. In this increasingly wired world, industry needs to be careful till this frenzy wears off.”

    Bhargava cited an example of an old Naukri.com advertisement to add perspective, “Years back when Naukri’s Hari Sadu campaign came out, someone with the same name had filed a defamation case against the brand in court, saying his employees thought him to be a bad boss because of the ad. He lost the case. But in today’s day and age, that same person could make it go viral, as virality does not follow predictable metrics. He wouldn’t have needed a court of law.”

    Since public backlash is easy to create in today’s day and age, how does an industry body, tasked to self-regulate and monitor such offensive ads, react to such the public opinion? ASCI’s secretary general Shweta Purandare said, “I agree that social media is a very powerful tool. In fact, ASCI has consistently paid heed to it and followed the chatter by being active on social networks. If there is a negative chatter about brands or a particular campaign, many times, unaware that ASCI exists, they vent their feelings on social media. One is if an advertiser listens to that and takes action on its own, and another is that we guide such consumers to register a complaint and then take it up as per ASCI’s policies”.

    But there are also situations when a simple opinion may blow out of proportion and affect the brand. “Without taking any brand’s name, I would mention that there was a case when a brand came under fire on the social media, but when the complaint was taken up in ASCI, it was found that the advertisement was not against the ASCI code. Apart from taking voluntary calls to pull down ads, which the brands are free to do, if brands want a fair hearing of their argument they can approach ASCI for a proper analysis,” Purandare asserted.

    Whether it is right to target a brand over a cause or not, the fact remains that social media metrics matter to brands, and playing with public opinion is like playing with fire for them. And sometimes that means to bow down to public opinion and take off the ad at the cost of brand value.

    Not to mention the fact that creatives are also taking risks with edgier brand communication to draw more eyeballs to themselves.  “We are seeing a positive move from a mundane to more strategic insightful work in the creative industry.  In process they work around the delicate edge of safe versus edgy communication. Sometimes with such creative push things do go haywire. But these few instances must not hinder the positive moment in creativity.  So, brands have to do what was expected – self-censor and self-discipline.  It is their responsibility that the ad does not discriminate or offend any sensitivities,” explained Intradia world, brand and marketing advisor, Sanjeev Kotnala.

    “Brands always have two choices. If they feel they have really gone beyond the edge, they must withdraw. And they must do that gracefully with due apologies. If this is the strategic action, then it must be swift. The other option is they can stand by their communication and let the social media movement fizzle out,” he added.

    Kotnala also advised that while finding a fine balance between edgy and offensive content maybe like walking on a tightrope. Brands and creatives can be on the safer side if they do a concept research to determine if the ad is offending.  “Surprisingly and unfortunately many forget to do so. It may then be possible to shoot or create an alternative flow which can be integrated as a part of the campaign to kill a reaction without compromising on communication.”

    After all, brand value is created over time but it can be destroyed very fast. It can be protected with a swift response rather than silence, advises Kotnala in parting.

  • Turner India announces Deepa Sridhar as CNN’s marketing head for South Asia

    Turner India announces Deepa Sridhar as CNN’s marketing head for South Asia

    MUMBAI: Turner India has appointed Deepa Sridhar as head of Turner Corporate Communications and CNN marketing for South Asia effective from today, April 11, 2016.

    Prior to joining Turner India, Sridhar was director of Corporate Communications, South Asia, for J. Walter Thompson

    Based out of Mumbai, Sridhar is responsible for overseeing corporate communications for Turner India and all communications for Turner India’s kids, entertainment and news brands in South Asia including Cartoon Network, POGO, Toonami, HBO, WB and CNNInternational. Sridhar will also oversee CNN affiliate and brand marketing in the region. She will support Turner India MD Siddharth Jain and his senior leadership team on all communications initiatives.

    Sridhar would report to Turner Asia Pacific Corporate communications and marketing VP Gregory Ho. “Deepa is a seasoned communications professional with an impressive track record and in-depth understanding of the South Asia market. 2016 is a hugely important year for Turner given the high interest in the US Presidential elections, the Olympics in Rio and the European Championships in France on the news front, while we will also launch the new Powerpuff Girls and Ben 10 cartoon franchises globally, as well as a host of new initiatives for our entertainment brands. Deepa joins us at a very exciting time and will be a valuable addition to our team of communications professionals, building upon the strength of the Turner brands in the region,” said Gregory Ho.

     

  • Turner India announces Deepa Sridhar as CNN’s marketing head for South Asia

    Turner India announces Deepa Sridhar as CNN’s marketing head for South Asia

    MUMBAI: Turner India has appointed Deepa Sridhar as head of Turner Corporate Communications and CNN marketing for South Asia effective from today, April 11, 2016.

    Prior to joining Turner India, Sridhar was director of Corporate Communications, South Asia, for J. Walter Thompson

    Based out of Mumbai, Sridhar is responsible for overseeing corporate communications for Turner India and all communications for Turner India’s kids, entertainment and news brands in South Asia including Cartoon Network, POGO, Toonami, HBO, WB and CNNInternational. Sridhar will also oversee CNN affiliate and brand marketing in the region. She will support Turner India MD Siddharth Jain and his senior leadership team on all communications initiatives.

    Sridhar would report to Turner Asia Pacific Corporate communications and marketing VP Gregory Ho. “Deepa is a seasoned communications professional with an impressive track record and in-depth understanding of the South Asia market. 2016 is a hugely important year for Turner given the high interest in the US Presidential elections, the Olympics in Rio and the European Championships in France on the news front, while we will also launch the new Powerpuff Girls and Ben 10 cartoon franchises globally, as well as a host of new initiatives for our entertainment brands. Deepa joins us at a very exciting time and will be a valuable addition to our team of communications professionals, building upon the strength of the Turner brands in the region,” said Gregory Ho.

     

  • JWT CEO Gustavo Martinez steps down, Tamara Ingram to replace him

    JWT CEO Gustavo Martinez steps down, Tamara Ingram to replace him

    MUMBAI: WPP has released an official notice announcing that  JWT CEO and chairman Gustavo Martinez, who recently made headlines for being accused of “an unending stream of racist and sexist comments”, has stepped down from his role, and will be replaced by Tamara Ingram who is currently the chief client team officer at WPP.She will step into Martizen’s shoes as the CEO of the company.

    The company statement read: “By mutual agreement, Martinez has resigned in the best interest of the J. Walter Thompson Co. George Rogers succeeds Ingram as WPP’s Chief Client Team Officer with immediate effect, in addition to his current duties as WPP’s Global Business Development Director.”

    Tamara Ingram has led the P&G business at WPP since joining the company in 2004; she was previously group CEO of McCann Worldgroup, and her promotion to chief client team officer in 2015 made her one of the most powerful women in advertising.

    According to the WPP statement, she will be replaced in that position immediately by global business development director George Rogers, who will occupy both roles.

    The move comes a week after Erin Johnson, chief communications officer at JWT, filed a detailed 28-page lawsuit in New York on March 10 claiming, among other things, that Martinez made multiple “racist and sexist slurs.” The suit details numerous incidents, and names other senior executives at the agency that allegedly witnessed the claims or were told by Ms. Johnson that they happened.

  • JWT CEO Gustavo Martinez steps down, Tamara Ingram to replace him

    JWT CEO Gustavo Martinez steps down, Tamara Ingram to replace him

    MUMBAI: WPP has released an official notice announcing that  JWT CEO and chairman Gustavo Martinez, who recently made headlines for being accused of “an unending stream of racist and sexist comments”, has stepped down from his role, and will be replaced by Tamara Ingram who is currently the chief client team officer at WPP.She will step into Martizen’s shoes as the CEO of the company.

    The company statement read: “By mutual agreement, Martinez has resigned in the best interest of the J. Walter Thompson Co. George Rogers succeeds Ingram as WPP’s Chief Client Team Officer with immediate effect, in addition to his current duties as WPP’s Global Business Development Director.”

    Tamara Ingram has led the P&G business at WPP since joining the company in 2004; she was previously group CEO of McCann Worldgroup, and her promotion to chief client team officer in 2015 made her one of the most powerful women in advertising.

    According to the WPP statement, she will be replaced in that position immediately by global business development director George Rogers, who will occupy both roles.

    The move comes a week after Erin Johnson, chief communications officer at JWT, filed a detailed 28-page lawsuit in New York on March 10 claiming, among other things, that Martinez made multiple “racist and sexist slurs.” The suit details numerous incidents, and names other senior executives at the agency that allegedly witnessed the claims or were told by Ms. Johnson that they happened.

  • Amish Tripathi turns five kids into storytellers for Airtel

    Amish Tripathi turns five kids into storytellers for Airtel

    MUMBAI: The newly released video from Airtel titled Udaan is sure to take one down memory lane to childhood days which were full of ideas, however fantastic they were.

    Created by J. Walter Thompson the three minute video featuring bestselling author Amish Tripathi plays on the ‘dreams come true’ theme, where these children bring their stories to the people through an unexpected platform.

    Through the five kids — Nisha, Arya, Anshu, Anjali and Eklvaya — one is reminded how easy it is to be honest with our ideas without any fear of judgement. The viewers are won over by their innocent yet powerful imagination, which creates ample impact when we realise that these stories would have remained untold and the kids have would grow up eventually, shunning their unbashful creativity.

    That is when Amish Tripathi came into the picture and urged the kids to finish a story with him, a story that was eventually showcased at the Jaipur Literature Festival, where the kids took to stage in front of a hall full of audience. The effectiveness of the ad comes to light as we find out that the kids never really met Amish Tripathi in person, and their presence at the literature festival was through 3D imaging and hologram, possible through Airtel’s strong connection. While the association with Jaipur Lit Fest came from Airtel, it was JWT Delhi team’s vice president and executive planning director Shujoy Dutta who conceptualised the ‘entire scheme of getting a writer to inspire the kids to write.’

    When asked what the mandate from the client was, J. Walter Thompson Delhi managing partner and head Sanjeev Bharagava said, “The mandate really was what kind of presence that the brand should have at the Jaipur Literature Festival, so we had to devise something that could be associated with it and also create a positive awareness for the brand.”

    Carried out through phases spanning across six weeks, JWT’s rural team scouted around gramin (rural) areas at several less privileged schools to identify these five bright minds.

    “It was difficult because we required a different expertise to put everything together as wonderfully. There was an outreach team that worked rurally, there was a strategic team that thought of the idea, there was a digital team that carried out the campaign online — four different disciplines that were really involved to bring this idea live. That we carry it out seamlessly was the real challenge,” Bhargava shared.

    Justifying why Amish Tripathi was the best person to connect with the kids as well as be the spokesperson for the brand Bhargava said, “I feel Amish is a kind of author who has depth in his writing. We didn’t want to go the populist way and chose just any bestselling author, we wanted someone who would resonate with the core thought of the campaign.”

    With six weeks’ worth of content that culminated in the ultimate showcase of experiential marketing when the kids came alive through holographs that were powered by Airtel, the tough nut to crack was the content code for the video. The crux of the effort is the digital proliferation which the campaign brings to the fore cleverly and masterfully.

  • Amish Tripathi turns five kids into storytellers for Airtel

    Amish Tripathi turns five kids into storytellers for Airtel

    MUMBAI: The newly released video from Airtel titled Udaan is sure to take one down memory lane to childhood days which were full of ideas, however fantastic they were.

    Created by J. Walter Thompson the three minute video featuring bestselling author Amish Tripathi plays on the ‘dreams come true’ theme, where these children bring their stories to the people through an unexpected platform.

    Through the five kids — Nisha, Arya, Anshu, Anjali and Eklvaya — one is reminded how easy it is to be honest with our ideas without any fear of judgement. The viewers are won over by their innocent yet powerful imagination, which creates ample impact when we realise that these stories would have remained untold and the kids have would grow up eventually, shunning their unbashful creativity.

    That is when Amish Tripathi came into the picture and urged the kids to finish a story with him, a story that was eventually showcased at the Jaipur Literature Festival, where the kids took to stage in front of a hall full of audience. The effectiveness of the ad comes to light as we find out that the kids never really met Amish Tripathi in person, and their presence at the literature festival was through 3D imaging and hologram, possible through Airtel’s strong connection. While the association with Jaipur Lit Fest came from Airtel, it was JWT Delhi team’s vice president and executive planning director Shujoy Dutta who conceptualised the ‘entire scheme of getting a writer to inspire the kids to write.’

    When asked what the mandate from the client was, J. Walter Thompson Delhi managing partner and head Sanjeev Bharagava said, “The mandate really was what kind of presence that the brand should have at the Jaipur Literature Festival, so we had to devise something that could be associated with it and also create a positive awareness for the brand.”

    Carried out through phases spanning across six weeks, JWT’s rural team scouted around gramin (rural) areas at several less privileged schools to identify these five bright minds.

    “It was difficult because we required a different expertise to put everything together as wonderfully. There was an outreach team that worked rurally, there was a strategic team that thought of the idea, there was a digital team that carried out the campaign online — four different disciplines that were really involved to bring this idea live. That we carry it out seamlessly was the real challenge,” Bhargava shared.

    Justifying why Amish Tripathi was the best person to connect with the kids as well as be the spokesperson for the brand Bhargava said, “I feel Amish is a kind of author who has depth in his writing. We didn’t want to go the populist way and chose just any bestselling author, we wanted someone who would resonate with the core thought of the campaign.”

    With six weeks’ worth of content that culminated in the ultimate showcase of experiential marketing when the kids came alive through holographs that were powered by Airtel, the tough nut to crack was the content code for the video. The crux of the effort is the digital proliferation which the campaign brings to the fore cleverly and masterfully.

  • JWT and McCann Worldgroup tie at No 1 spot in Gunn Report 2015

    JWT and McCann Worldgroup tie at No 1 spot in Gunn Report 2015

    MUMBAI: J. Walter Thompson and McCann Worldgroup have scored the most number of awards in India for their creative campaigns spanning across print, digital, film, and AGB as per The Gunn Report 2015.

    J. Walter Thompson Mumbai and Bangalore, and McCann Mumbai have their sum totals tied at 10 each, while J Walter Thompson’s South Asia group company Contract Advertising came in at the third spot with a tally of six.

    On the whole, India has jumped a position higher from it’s last year’s world rank of 14 to 13 in 2015, as per the GR Creative Ranking.

    When it comes to film category, JWT stole the show with the lead score of seven, closely followed by its sister arm Contract Advertising with five.

    McCann Worldgroup chairman Asia Pacific and McCann India CEO and chief creative officer Prasoon Joshi said, “I am excited with this outcome, the hard work and dedication that our teams put in has come to the fore with this recognition.  I also want to thank our clients who have always believed in us and value ideas and long term relationships.”

    JWT South Asia CEO Tarun Rai said, “To have two of our group companies right at the top of the creative charts is really satisfying. This is an unprecedented achievement. I am really proud of the fantastic teams led by Senthil and Ashish.”

    J. Walter Thompson India chief creative officer Senthil Kumar added, “It’s a great start to the year with J. Walter Thompson India topping the Global Gunn Report India agency ranking. We have always gone in with all guns blazing for our clients with sharp ideas that strike the bulls’ eye more often than not.”

    Contract Advertising NCD Ashish Chakravarty said, “While I am quite happy about the Gunn report rankings, I believe that awards (and, therefore, such rankings) are the by-product of the passion and rigour that we put into our work… so, the many creative awards, new business wins, and rankings, only go to show that we are doing it right. Maybe.”

    On the world stage however it was Always #LikeAGirl from Leo Burnett Toronto that emerged as the most awarded All Gunns Blazing in the World advertising campaign of the year 2015, while “Monty’s Christmas” by adam and eve DDB London took away the most number of awards in Film Commercial category. The title for Most Awarded Agency in the World this year was taken away by BBDO, followed by Leo Burnett and DDB.

    The Gunn Report 2015

  • JWT and McCann Worldgroup tie at No 1 spot in Gunn Report 2015

    JWT and McCann Worldgroup tie at No 1 spot in Gunn Report 2015

    MUMBAI: J. Walter Thompson and McCann Worldgroup have scored the most number of awards in India for their creative campaigns spanning across print, digital, film, and AGB as per The Gunn Report 2015.

    J. Walter Thompson Mumbai and Bangalore, and McCann Mumbai have their sum totals tied at 10 each, while J Walter Thompson’s South Asia group company Contract Advertising came in at the third spot with a tally of six.

    On the whole, India has jumped a position higher from it’s last year’s world rank of 14 to 13 in 2015, as per the GR Creative Ranking.

    When it comes to film category, JWT stole the show with the lead score of seven, closely followed by its sister arm Contract Advertising with five.

    McCann Worldgroup chairman Asia Pacific and McCann India CEO and chief creative officer Prasoon Joshi said, “I am excited with this outcome, the hard work and dedication that our teams put in has come to the fore with this recognition.  I also want to thank our clients who have always believed in us and value ideas and long term relationships.”

    JWT South Asia CEO Tarun Rai said, “To have two of our group companies right at the top of the creative charts is really satisfying. This is an unprecedented achievement. I am really proud of the fantastic teams led by Senthil and Ashish.”

    J. Walter Thompson India chief creative officer Senthil Kumar added, “It’s a great start to the year with J. Walter Thompson India topping the Global Gunn Report India agency ranking. We have always gone in with all guns blazing for our clients with sharp ideas that strike the bulls’ eye more often than not.”

    Contract Advertising NCD Ashish Chakravarty said, “While I am quite happy about the Gunn report rankings, I believe that awards (and, therefore, such rankings) are the by-product of the passion and rigour that we put into our work… so, the many creative awards, new business wins, and rankings, only go to show that we are doing it right. Maybe.”

    On the world stage however it was Always #LikeAGirl from Leo Burnett Toronto that emerged as the most awarded All Gunns Blazing in the World advertising campaign of the year 2015, while “Monty’s Christmas” by adam and eve DDB London took away the most number of awards in Film Commercial category. The title for Most Awarded Agency in the World this year was taken away by BBDO, followed by Leo Burnett and DDB.

    The Gunn Report 2015