Tag: ISI

  • Bleeding Pak theatres may become ‘Raees’ again

    Bleeding Pak theatres may become ‘Raees’ again

    MUMBAI: Four months after Pakistan stopped screening Hindi films in its cinemas responding to Bollywood’s unofficial ban on Pakistani artistes following the Uri attack, Pakistan is again attempting to allow screening as theatre-owners are bleeding financially.

    PEMRA (Pakistan Electronic Media Regulatory Authority) had then banned Indian TV channels and entertainment programmes and cinema hall owners decided not to screen Bollywood films, the Times of India reported.

    Pakistan’s prime minister Nawaz Sharif has constituted a panel to consider a request by distributors and theatre-owners to resume the import of Bollywood films. Distributors are hoping to get the permission before SRK’s ‘Raees’ releases on 25 January.

    The Sharif committee is headed by minister of state for information Maryum Aurangzeb and includes the secretary of commerce, advisor to the PM on national history and literary heritage and a representative of ISI.

    Films from India are in the list of items banned in Pakistan. But, the commerce ministry, under the import policy order, had issued NOCs (no-objection certificates) at per information ministry request thus allowing the import of 2-3 Indian films each month.

    Sources told the Hindu that business in cinema halls in Pakistan was down after the unofficial ban on Indian movies and revenues had fallen up to 75 per cent in some theatres. Around 50 per cent of workers in halls lost their jobs. Bollywood films are also widely available through pirated DVDs in Pakistan.

    Atrium Cinema owner in Karachi Nadeem Mandviwalla had earlier said that 70 per cent of their business comes from Bollywood and Hollywood. He said that they could only survive a temporary suspension, and not a continued one.

    Also Read :

    Pak theatres showing Indian films again

    States may decide Pak artistes films fate

    Pakistan gets tough on Indian DTH & content

  • Bleeding Pak theatres may become ‘Raees’ again

    Bleeding Pak theatres may become ‘Raees’ again

    MUMBAI: Four months after Pakistan stopped screening Hindi films in its cinemas responding to Bollywood’s unofficial ban on Pakistani artistes following the Uri attack, Pakistan is again attempting to allow screening as theatre-owners are bleeding financially.

    PEMRA (Pakistan Electronic Media Regulatory Authority) had then banned Indian TV channels and entertainment programmes and cinema hall owners decided not to screen Bollywood films, the Times of India reported.

    Pakistan’s prime minister Nawaz Sharif has constituted a panel to consider a request by distributors and theatre-owners to resume the import of Bollywood films. Distributors are hoping to get the permission before SRK’s ‘Raees’ releases on 25 January.

    The Sharif committee is headed by minister of state for information Maryum Aurangzeb and includes the secretary of commerce, advisor to the PM on national history and literary heritage and a representative of ISI.

    Films from India are in the list of items banned in Pakistan. But, the commerce ministry, under the import policy order, had issued NOCs (no-objection certificates) at per information ministry request thus allowing the import of 2-3 Indian films each month.

    Sources told the Hindu that business in cinema halls in Pakistan was down after the unofficial ban on Indian movies and revenues had fallen up to 75 per cent in some theatres. Around 50 per cent of workers in halls lost their jobs. Bollywood films are also widely available through pirated DVDs in Pakistan.

    Atrium Cinema owner in Karachi Nadeem Mandviwalla had earlier said that 70 per cent of their business comes from Bollywood and Hollywood. He said that they could only survive a temporary suspension, and not a continued one.

    Also Read :

    Pak theatres showing Indian films again

    States may decide Pak artistes films fate

    Pakistan gets tough on Indian DTH & content

  • Uncertainty over ratings dark period grows as b’casters stay away from renewing TAM subscription

    Uncertainty over ratings dark period grows as b’casters stay away from renewing TAM subscription

    MUMBAI: With anxiety comes confusion, and that’s exactly the undercurrent right now in the Indian broadcast industry. When Indiantelevision.com asked broadcasters and media planners about the status of TV ratings in the coming weeks, all we got was uncertainty.

     

    To set things in perspective, the TAM TV ratings subscription of most of the broadcasters including Star, Zee, Colors, Sony and NDTV amongst others expired on 31 March, 2015. What’s more, none of these broadcasters have renewed their agreement with the ratings body. 

     

    Not only this, earlier in March, the Advertising Agencies Association of India (AAAI), Indian Society of Advertisers (ISA) and the Indian Broadcasting Foundation (IBF) had issued a directive asking broadcasters to opt for Broadcast Audience Research Council (BARC) and to review and close off on any of the existing arrangements (read: TAM).

     

    To add to this, while BARC is ready to roll out its data, no formal announcement on the date has been made so far. In such a scenario, the most pertinent question remains – ‘Will the industry see a ratings blackout for a week or two?’

     

    “We haven’t renewed our subscription with TAM, but there is still no clarity on when BARC will start rolling out its data. While a few say it’s April, a few also say it could be extended to May. There is confusion,” said an official from a channel, on condition of anonymity.  

     

    Meanwhile, several media agencies have been informing their clients through email about the current situation. One such email says, “The industry bodies have agreed to cease using TAM ratings from 4 April. Rating blackout period will kick in from 5 April, until such time that BARC is available. Data for blackout period will not be available in the future too.”

     

    The email further reads, “The old data, i.e. till 4 April, will be available during the period of the blackout and beyond. During rating blackout, we plan to use past TAM data as the basis for TV plan creation. All industry bodies- ISA, AAAI and IBF are aligned on this method for ratings in data dark period. The same methodology will be used by all constituents for media planning, buying.”

     

    “Yes, we are informing all our clients, depending upon how it will affect them. There is curiosity and uncertainty and to address that I am sure every agency must be writing to their clients to brief them about what is happening, whether ratings will be there or not and how it will be tackled,” said Dentsu Aegis Network chairman & CEO South Asia Ashish Bhasin. 

     

    TAM, on the other hand, will continue generating ratings data and give it out to broadcasters whose subscription hasn’t expired. “The data will be available, but if broadcasters haven’t renewed their subscription, of course it will not be available to them. Those whose subscription is in place will get the data as usual. So there is no ratings dark period from TAM’s side,” said a source. 

     

    A veteran media expert informed, “TAM can continue coming out with its data, but it will no longer be a viewership currency. It will just work as information.”

     

    A news broadcaster, on condition of anonymity, said, “Our subscription with TAM got over on 31 March. We haven’t heard from BARC on the exact date for rollout of data. We have received a letter from AAAI and IBF asking us to re-evaluate ourselves and take the decision on whether we would like to opt for BARC or TAM, once the former comes out with its ratings.”

     

    The broadcaster added, “Given the fact that our subscription with TAM got over on 31 March and the date for BARC data rollout isn’t yet announced, logically, there could be a 15 day ratings gap.” 

     

    A media planner informed that as per the advisory issued by AAAI, ISA and IBF none of the members should renew their subscription with TAM, until BARC comes out with its data. “I feel there could be more four weeks, until BARC comes out with its data,” the media planner said.

     

    A clearer picture will emerge after BARC’s meeting on 6 April, which will be attended by advertisers, agencies and broadcasters. In the meeting, the debutant monitoring body will be sharing data with those present.

     

  • China’s ‘Emmy’ wins MipJunior International Pitch of the Year

    China’s ‘Emmy’ wins MipJunior International Pitch of the Year

     CANNES: Kids content creators have a huge task in hand: to be able to woo the broadcasters who are looking for content that is unique, has great visual and concept, is innovative and has educational eminence, while avoiding cliché and having original ideas.

     

    Looking at all these aspects was the MipJunior International Pitch of the Year, which this year saw 130 entries. Of this, six projects made it to the finals of MipJunior International Pitch of the Year, the winner of which was Emmy produced by LeftPocket Animation Studio, China.

     

    Emmy is a story of a little girl who is not only brave, creative and clever, but she lives next door to a magical forest filled with the most wonderful creatures, including her best friend Gru. In every episode Emmy uses her own practical, common sense approach to life to help solve the very unusual problems that arise in the magical forest.

     

    This year, the International Pitch also saw a special prize being given to a very creative concept showcased by Belgium’s Contentinuum, called My Dream Job: A Customized series with Dad, Mum and Me!

     

    The series focuses on a kid who wakes up every morning, with different dreams of his parents being in different professions. The show has paper dolls animated via stop motion, CGI and FX.  A custom app lets kids produce their own versions of the series, putting their faces, and their parents’ faces, in place of the existing protagonists.

     

    The other projects that made to the finals were QB9 Entertainment’s (Argentina) Krakatoa, a 12 minute episode series, Isi by Edebe Audiovisual Licensing, Spain, Larva in New York by Tuba n Co, South Korea and Oongu Loongu: Animal Palace by OOMPH! Animation, South Africa.

  • Geo TV blacked out by Pemra

    Geo TV blacked out by Pemra

    MUMBAI: In April, this year, Pakistan’s popular television channel, Geo TV’s news anchor Hamid Mir was attacked. The channel believed and linked the country’s intelligence agency, Inter Services Intelligence (ISI), to the attack.

     

    Since then, the channel has been entangled with a defamation  row with ISI. However, things took an ugly turn when Pakistan’s Electronic Media Regularity Authority (Pemra) suspended the licence of the TV station for 15 days.

     

    In a statement, Pemra said that they had made the decision following a complaint against Geo TV filed by the Defence Ministry.

     

    Pemra said it “took a strong notice of violations committed” by the channel and “unanimously decided” immediately to suspend its licence in addition to imposing a 10 million Pakistani rupees ($100,000) fine.

     

    It added that if the fine was not paid before the end of the suspension period, the channel would remain off air.

     

    As per various reports, even before Friday’s (6 June) suspension, Geo News and its sister channels were off air in much of Pakistan as cable operators had pulled them off, under pressure from the military.

     

    However, Geo argues that it has already publicly apologised to the ISI for its coverage and hence the ban is unfair.

     

    The move has been criticised not only by the media fraternity in the country but internally as well.

     

    On its website, Geo TV has carried a report on what Amnesty International said on the matter. The statement read: “The Pakistani government’s suspension of Geo TV, the country’s largest private broadcaster, is a politically motivated attack on freedom of expression and the media.”

     

    “The suspension of Geo TV is a serious attack on press freedom in Pakistan. It is the latest act in an organised campaign of harassment and intimidation targeting the network on account of its perceived bias against the military,” said Amnesty International’s Asia director Richard Bennett.

     

    In a report released on 30 April, Amnesty International had documented how media professionals in the country live under constant threat of harassment, violence and killings from a range of state and non-state factors.