Tag: IPRS

  • Art Meets Tech: IPRS unravels the dynamics of AI and creativity at Kala Ghoda Art Festival 2024

    Art Meets Tech: IPRS unravels the dynamics of AI and creativity at Kala Ghoda Art Festival 2024

    Mumbai: The Indian Performing Right Society (IPRS), the forefront organisation in safeguarding the rights of creators and publishers in music is hosting an insightful panel at Kala Ghoda Art Festival 2024 on 28 January at 11 AM. The panel will take place at The Blue Box by Antiquity Natural Mineral Water at YB Chavan Centre. The session promises an insightful discussion on the integration between Artificial Intelligence (AI) and creativity with a distinguished panel of speakers including leading creators and industry experts Shalmali Kholgade – Singer-Songwriter, Raghav Meatle: Singer-Songwriter and founder First.wav; Sherrin Varghese (Band of Boys) – Musician-Actor, Himanshu Bagai – Senior Advocate IP and Copyright. The session will be moderated by Chaitanya Chinchlikar educator in the Film, Media, and Creative Arts industry.

    The session will explore the significant impact of Artificial Intelligence (AI) on Creators and Creativity, shedding light on its rapid integration into the creative industries. Drawing examples of AI applications in music, art, writing, and various creative fields the panel will showcase AI’s growing role and adaptation. The panel will emphasize AI’s potential to enhance the creative process for artists, emphasizing collaboration over replacement. Furthermore, the discussion will address concerns about job displacement and contemplate the ethical implications of integrating AI into the creative process. Deliberations will also extend to the adaptation of copyright laws to accommodate the distinctive features of AI-generated works.

    Speaking about the panel, Singer-songwriter Shalmali Kholgade expressed, “As an artist, I’m thrilled to be part of the upcoming panel discussion at Kala Ghoda Art Festival with IPRS, speaking about the fascinating realm of Artificial Intelligence and its impact on creativity. It’s an exciting opportunity to explore how AI is becoming an integral part of the creative industries, shaping the way we approach music, art, and writing. Looking forward to the engaging session that sparks new ideas and perspectives in the ever-evolving landscape of creativity and also to see the collaborative possibilities between human creativity and technology”.

    Commenting on the topic of the panel,  IPRS CEO Rakesh Nigam said, “This discussion is pivotal for addressing the dynamic landscape of music in the era of AI-generated content, navigating job concerns, and ensuring the protection of creators’ rights through appropriate IP laws. It’s time to delve into the challenges and opportunities presented by AI, examining its impact on creators and their careers. IPRS eagerly hosts this dialogue to explore the synergy between AI and human creativity. We envision a future where technology and human ingenuity collaboratively produce extraordinary results.”

    Attendees can expect an exploration of potential AI innovations and advancements that hold the power to transform the way creators operate, paving the way for a dynamic and innovative future at the intersection of technology and artistic expression. Fostering an interactive and inclusive environment, the session will encourage a lively exchange of questions and insights from the audience. Join IPRS at the Kala Ghoda Art Festival 2024 for an insightful discussion on the evolving relationship between AI and creativity, and the boundless possibilities it presents.

    Event details:  

    Panel Discussion: AI and its impact on Creators and Creativity at the Kala Ghoda Art Festival 2024

    Speakers: Shalmali Kholgade: Singer-Songwriter; Raghav Meatle: Singer-Songwriter; Sherrin Varghese (Band of Boys): Musician-Actor; Himanshu Bagai: Senior Advocate IP and Copyright

    Moderator: Chaitanya Chinchlikar educator in the Film, Media, and Creative Arts industry

    Date: 28 January 2024

    Time: 11 AM IST

    Venue: The Blue Box by Antiquity Natural Mineral Water at YB Chavan Centre

  • The year that was: 2023 and the forecast for 2024 in the Indian music industry

    The year that was: 2023 and the forecast for 2024 in the Indian music industry

    Mumbai: The sonic landscape of the Indian music industry underwent a profound transformation in the year 2023. As it is constantly colliding with international styles and ideas, fresh and transformative compositions are widely noticeable in the current music scene. Artists, emboldened by the freedom afforded by online music streaming platforms, experimented with novel sounds, pushing the boundaries of creativity. This surge in experimentation marked a departure from traditional norms, fostering a rich tapestry of diverse musical expressions that resonated with audiences across linguistic and cultural divides.

    Despite the challenges, India’s music publishing industry has shown promising growth, reaching *Rs 850 crore plus in the fiscal year 2022-23. The support from the Government of India and the increasing compliance of music users with publishing requirements have contributed to this success.

    At the heart of this musical revolution was the influence of online music streaming platforms. These platforms not only facilitated the discovery of new genres but also played a crucial role in breaking the language barrier. With sophisticated algorithms curating personalized recommendations, listeners were introduced to a spectrum of music beyond their linguistic comfort zones. This democratisation of musical access paved the way for cross-cultural appreciation and marked a significant step towards fostering inclusivity within the industry.

    One of the standout features of 2023 was the substantial increase in artist revenues. With the advent of streaming platforms and the surge in digital music consumption, artists found new avenues to monetize their craft. Streaming services not only provided a wider audience reach but also contributed significantly to the overall revenue generated by the music industry.

    Also, a heartening development was the post-pandemic reemergence of live shows and public performances. This opened up long-clogged revenue-generating avenues for interested parties while rejuvenating the performers and music creators with a deluge of opportunities most of which had practically disappeared during the pandemic.

    The year 2023 witnessed the growth of independent artists and continued to flourish, breaking away from traditional industry constraints. With the democratisation of music production and distribution, these artists found platforms to showcase their talent and build dedicated fan bases. The growing trend of supporting independent artists marked a shift in the dynamics of the music industry, allowing for diverse voices to be heard.

    Independent musicians in the year have been bolstered by the ready acceptance of their tracks in adorning film soundtracks, thus thinning the line between mainstream and alternative music. With collaborations between Carnatic musicians and hip-hop, jazz, rap performers, gaining traction in unexplored turfs in far-flung locales, the distance music bridges is limited only in the mind. Going ahead, collaboration between musicians across the planet is sure to add a newly-harvested dimension to the global music ecosystem.

    In an era where opportunities and challenges coexist, the equitable compensation and fair-trade practices in music will undoubtedly shape the future of the industry. Every little increment in revenue generation earnings is a welcome addition to the continued growth of any industry. The music business, fortified by the amazing incremental growth curve ushered in by a level playing field, is at an inlection point where revenue opportunities for musicians are being generated at every level. The larger picture though, would be far more salubrious if the benefits accruing trickle down in fair proportion to all entities in the mix including the promoters and the creators. Complying austerely to these significant lead-ups over the year is the only way to see that the creators – the heart of the music industry- are benefited in the right proportion and fairly thus encouraging even better musical content and a vibrant music industry in the coming times.

    In the context of India’s thriving music industry, The Indian Performing Right Society (IPRS) emerged as a key player, actively contributing to the growth and sustainability of the sector. With over 13,500 authors as its members, IPRS has been instrumental in ensuring that music creators receive their due royalties. The manifold increase in revenue collection in the year creating a new benchmark of Rs 564 crores also made room for a much bigger purse for the creators as the IPRS went on to disburse frequent and better royalties to its members.

    A noteworthy development this year includes IPRS’s partnership with LyricFind, presenting fresh opportunities for monetizing lyrics and acknowledging the significance of this frequently overlooked element in music creation. Furthermore, the recent collaboration between IPRS and the Korea Music Copyright Association (KOMCA) underscores IPRS’s dedication to providing its members with novel avenues for creative expansion, nurturing innovation, and elevating Indian talent onto the global stage.

    Affirming its position as a prominent music copyright society in the Asia Pacific region, IPRS recently organized the dynamic International Musical Creators seminar in Mumbai, on behalf of CISAC and the Asia Pacific Music Creators Alliance (APMA). This gathering, attended by key figures in the creative, administrative, and music industry sectors on a global scale, also marked the release of a meticulously crafted report by EY titled “The Music Creator Economy: The Rise of Music Publishing in India.” This groundbreaking report aims to encapsulate the state of music publishing in India, offer perspectives on its relevance and market potential, and, notably, present the results of a survey featuring insights from 500 music creators—a first-of-its-kind initiative in India.

    In another milestone, IPRS hosted the CISAC Asia Pacific Committee Meeting 2003, further solidifying its commitment to represent India on a global forum.

    Commenting on the future, in 2024, Artificial Intelligence (AI) will emerge as a transformative force in the music industry, reshaping the creative landscape. Creators navigate an AI-driven world, exploring new dimensions of music creation through intelligent algorithms, while industry experts will provide insights, guiding creators in adapting to AI tools and technologies.

    The coming years, will witness the transformative influence of artificial intelligence, ready to influence the course of musical evolution by harmonizing technology and creativity. Situated at the crossroads of tradition and innovation, it will be critical for the Indian music industry to utilize AI to advance artists, nurture emerging talent, and extend its global presence, while ensuring robust regulatory frameworks upholding creators’ rights.

    Striking a harmonious balance between technological advancements and preserving the essence of cultural music forms will be pivotal. The industry stands at the cusp of navigating these challenges, presenting opportunities to shape a future where technology and tradition coalesce to create a musical panorama that resonates with the hearts of a global audience.

    This year has seen digital revenue surpassing other sources, and this trend is expected to persist in the coming years. Nevertheless, a key focal point will be compliance, necessitating a societal shift towards recognizing the value of paid music consumption. As I always say, ‘music isn’t free’. Music holds a special place in our hearts and is a beautiful outcome of the dedication and passion of creators who invest their lifetimes crafting songs that enrich our moments of joy and sorrow. And I believe it’s time we acknowledge and value it.

    *Source: The Music Creator Economy: The Rise of Music Publishing in India study by EY India

  • IPRS marks 54th anniversary with launch of “IPRS Learn & Earn – Indie Edition”

    IPRS marks 54th anniversary with launch of “IPRS Learn & Earn – Indie Edition”

    Mumbai: The Indian Performing Right Society (IPRS) is delighted to announce the launch of the IPRS Learn & Earn – the Indie Edition on 23 August. Building upon the success of the previous IPRS knowledge series ‘Learn And Earn,’ which gained remarkable momentum among IPRS members nationwide last year, this year’s initiative aims to take the program to new heights. Designed to engage budding creators and independent artists, the event’s launch on IPRS’s anniversary day holds special significance.

    Expanding from its role as a copyright society, IPRS is dedicated to nurturing and promoting fresh talent. The objective of the IPRS Learn & Earn – the Indie Edition is to empower budding musicians by offering them an exclusive avenue to interact with industry experts and established creators. Through this event, IPRS reaffirms its commitment to fostering emerging talent, facilitating the growth of music creators, and advocating for essential causes within the music community.

    The initiative is not just about copyright protection; it’s also about shaping the future of music. The event is a testament to IPRS’s pivotal role in uniting music creators, industry pioneers, and stakeholders. This dynamic platform strengthens the music community while highlighting IPRS’s contribution to promoting creativity, growth, and positive transformation.

    The event’s diverse line-up includes knowledge sessions tailored for independent artists, covering the Art of Songwriting, Establishing a Career as an Independent Artist, and Managing Rights as a Creator. Moreover, the event will feature a Creators Showcase & Music Listening session, providing emerging talents the opportunity to present their original works directly to influential A&R representatives and industry experts.

    Event Details

    Learn & Earn – Connecting New Age Creators

    Date: 23rd August

    Time: 3 pm – 7 pm

    Location: Versova SOCIAL, Mumbai

    This event offers an unparalleled chance for creators at all stages of their journey to be part of something truly extraordinary. Whether an aspiring musician eager to forge a successful music career or an experienced creator seeking fresh insights, this event is tailor-made to elevate their musical journey and equip them with invaluable knowledge.

    Event Highlight

    Crafting Melodies and Words – The Art of Songwriting: Led by singer-songwriter producer Shashaa Tirupati and renowned lyricist and screenwriter Mayur Puri, this workshop is a deep dive into the heart of songwriting. Participants will explore the intricate interplay between melodies and lyrics, mastering the art of music production that resonates with the audiences.

    Mastering The Indie Music Scene by Leslie Lewis: New-age creators get an opportunity to join music maestro Leslie Lewis to unlock the secrets of thriving as an independent musician and gain invaluable advice, proven strategies, collaboration insights, and a dose of inspiration to flourish in the competitive music landscape.

    Managing rights as a creator: The session is designed to arm the artists and songwriters with the knowledge needed to safeguard their creations, ensuring they receive the recognition, credit, and value they deserve.

    Creator showcase & networking: The event will offer a platform for budding talent to present their original compositions to influential A&R representatives and forge connections with fellow musicians, leading creators, and industry experts, laying the foundation for future collaborations and opportunities.

    IPRS CEO Rakesh Nigam commented on the event stating, “As we assemble under one roof on August 23rd, we’re not only commemorating a milestone; we’re celebrating the spirit of innovation and transformation that defines IPRS. As the music industry evolves, IPRS continues to lead this change, steadfast in creating a dynamic and inclusive community for music creators. With a focus on education, collaboration, and empowerment, IPRS reaffirms its role as a driving force behind the success of creators in the ever-evolving landscape of the Indian music industry. I take this opportunity to thank all distinguished guests, mentors, and our panel of experts, without whose wholehearted support this event wouldn’t have been possible.”

  • Indian Performing Right Society targets Rs 60 crore revenue from public performance, says CEO Rakesh Nigam

    Indian Performing Right Society targets Rs 60 crore revenue from public performance, says CEO Rakesh Nigam

    Mumbai: During the past two Covid infected years on-ground events took a severe hit. This had an extremely negative impact on the revenues generated from live events and public performance of music. However, with normalcy returning The Indian Performing Right Society (IPRS) CEO Rakesh Nigam is optimistic about generating revenue of Rs 60 crore from public performance for the current fiscal. The revenue generated will increase from fiscal 2019-2020 (pre-covid), which was Rs 52 crore. The overall revenues generated at IPRS from across verticals for the fiscal are pegged to be above Rs 300 crore.  

    “IPRS has started engaging with a lot of people. We have taken a proactive stand with the users, who are also coming out of the pandemic. We will consider giving them discounts and ask them to pay for music.  People are now positive about taking licences. We have boosted our on-ground team to meet the growing requirement. We have adopted a 360-degree approach and are trying to motivate people to get licences to play music in public. We also try and give discounts to coerce them to take licences.”

    He adds that there is more advertising taking place on digital platforms like YouTube which will benefit the music industry. There is a revenue share and so there will be income growth. However for subscription-driven OTT platforms or music used for television, there won’t be an impact from ad revenue. The festive season has more of an impact on public performance and on anything that is driven by revenue share. “The festive season for us in public performance is a full six-month period. It starts in October and goes on till March. In the summer, things slow down and during the rainy season not much happens. Apart from this, in October corporate events, general events, parties, etc., all start taking place.

    The mood today is very positive. We expect a growth in consumption, which was on a standstill for the past two years.  As malls have opened, footfalls in theatres have increased. Things are looking bullish across the country. Recently, malls had stopped using music to cut down on costs and save every penny. Now they are willing to spend money and take licences. They use music in the background to create the right ambience.,” Nigam points out further.

    “The fervour is across the country. Everyone is waiting to go out and break the shackles, be free and enjoy. So, retail sales are going up. Malls are quite positive. The mood picked up in August. The festive season is Diwali through Christmas.” IPRS, he says, has started engaging with clients. They had asked for discounts in the previous two years which the IPRS had agreed to help during a very difficult period.

    In terms of the growth in the number of artists and music publishers, the growth has been over 50 per cent, he says. “During the lockdown, we made everything digital. We made the online application process as smooth as possible. Only the signature on the statutory documents has to be done offline. We have also held digital seminars and campaigns to reach out to music creators and publishers to tell them that IPRS is a society to extend support. We also reached out to music authors and composers who felt the brunt of Covid. We gave financial support. This sent out a positive message that we are an organisation that does not just collect royalties. We also help when it is required. As a society, we help the less privileged members. We gave financial relief to a lot of members during the pandemic. As a result of all our initiatives to help and support we have also grown in numbers. From 4,000+ we are now a community of over 9000 songwriters, composers and music publishers from across the country. We have seen this growth in the past three years. During seminars, we focused on the fact of learning and earning. We educated people on the new things that are shaping the music industry and careers of those associated with it. How can they be at par with things happening around beyond music creation? What is happening on platforms like Youtube? What is metadata? And all that is relevant for them to reap the best benefits as a creator and publisher.”

    IPRS also aims to educate music users through our campaign that speaks about fair pay and fair play of music. #LicenseLiyakya? is the message. “Why not pay fairly for the usage of music? This encourages creativity. 90 per cent of people online listen to music. We are bullish. Why not ensure that you subscribe and pay for music? That is how we have come up with the campaign. If there is no music at your event, how will it sound? Please help us serve you better by paying for the music. This will encourage authors and composers to create better music for them.” In terms of IPRS members, he said that they can play their role by letting copyright societies like IPRS know where their music is being played. “They also have to push to see that those places obtain a licence as that will only benefit the music creators and publishers.”

  • IPRS launches awareness drive on music licensing

    IPRS launches awareness drive on music licensing

    Mumbai: The Indian Performing Right Society (IPRS), India’s only copyright society representing authors, composers, and publishers of music is commencing a three-month-long campaign ‘License Liya Kya’ to educate music users on the different licensing needs and kinds of music licenses available.

    It will highlight the benefits of music licensing and the ease of procurement through a copyright society like the IPRS. Topics covered will include music licensing scenario in India, why music licensing matters, and the future of music licensing in the digital era. The campaign will witness talks with industry insiders and experts via virtual events, influencer programmes, and awareness-building initiatives.

    “We are glad to announce this campaign which will not only bring in awareness but will also highlight the importance of music licensing. We have always believed in creating a secure community for authors, composers, and music publishers,” said IPRS chairman Javed Akhtar. “Through this campaign, we aim to bring about gradual transformation and a mindset shift towards respecting and acknowledging ‘Fair Pay and Fair Play’ of Music. We have received a great response for our previous campaigns, and we look forward to receiving wholehearted support for this initiative as well.”

    According to the Music Consumer Study 2018, the old licensing process or the physical licensing process contributed only 10.7 per cent to the streaming revenue of the overall market. Only five per cent of the businesses took a license for the public performance of the music they play. However, after the introduction of digital licenses where people can take online licenses as well as can make online payments, digital sales began contributing 78.5 per cent to the revenue.

    As per a recent study by FICCI & EY Indian consumers spent 21.5 hours per week listening to music in 2020. While India’s average of 21.5 hours/week is higher than the global average of 17.8 hours/week, royalties to authors and composers make up only a small percentage of the media and entertainment industry’s total revenue.

    The objective of the IPRS with this campaign is to drive awareness towards Fair Pay and Fair Play in music by emphasising on the significance of abiding by licensing norms. The IPRS, registered under section 33 (3) of the Copyright Act, 1957 is entitled to grant licenses for usage of musical and literary works of its members for public performance and/or communication. There are different categories of tariffs depending on the premise, event, and medium – television, radio, internet streaming, etc where such musical work is used.  IPRS currently administers two types of licensing rights namely performing rights and mechanical rights.

    “With the launch of this campaign, we aim to create awareness on licensing and simultaneously felicitate our partners who have extended their support in endorsing fair trade music and upheld transparent and ethical value chain for authors, composers, and all music rights holders,” stated IPRS CEO Rakesh Nigam. “Through this initiative, IPRS would educate, inform and reinstate the need to listen to licensed music, thereby paving the path towards a flourishing future for the music industry and its creators.”

    Some of the earlier campaigns executed by IPRS include ‘Credit The Creators’ (addressing the need to acknowledge and credit creators of music), ‘Know Your Music’ (an initiative to promote different genres of Indian music and initiate transformation in the way audience engage with music) and ‘Her Music’ (addressing lack of women representation in the music industry and creating a forum to empower, encourage and celebrate women in music).

  • Kobalt becomes the first international publisher to sign with IPRS

    Kobalt becomes the first international publisher to sign with IPRS

    Mumbai: Indian Performing Right Society Limited (IPRS), the copyright society in India, has announced its association with international music publisher Kobalt. 

     
    Kobalt is the first international publisher to sign with IPRS since its re-admittance into the International Confederation of Authors and Composers Societies (CISAC) as a full member in December 2018. The company has entered the Indian music publishing market via a sub-publishing deal with Turnkey Music & Publishing Pvt Ltd.

    IPRS will administer both the performing and mechanical rights of the international catalogues signed to it, which means that all rights licensed to audio streaming services, FM and AM radio, and public performance can be licensed in totality. For synchronisation licenses to television and OTT audio-visual platforms, the publishers will continue to issue licenses, the organisation said in a statement on Monday.

    Speaking on the development, Turnkey Music & Publishing Pvt Ltd’s MD, which represents Kobalt’s catalogue in India, Atul Churamani, said, “This has taken a long time coming and we are delighted that finally the IPRS is administering the international works we represent for India. You can’t be a publisher of foreign works in any country and not be a part of the performing rights society. This association will open up revenue streams for the Kobalt, Fairwood, and other catalogues that we represent.”

    IPRS CEO Rakesh Nigam said, “We are very glad to have an international publisher like Kobalt onboard. With international publishers joining us it would help us enhance the valuation for all the stakeholders, including them. The streaming platforms have witnessed an upsurge in the consumption of international content. With associations similar to the one we have entered into with Kobalt, IPRS will now be able to derive the desired value for the international works in India as so far we haven’t been licensed to do so” he further added “We are open for negotiations with publishers to suit the needs. IPRS would like to sit across the table, come to an agreement and then make the necessary adjustments or changes as required.”

    Kobalt Music Publishing Limited represents over 25,000 songwriters, 600 publishers, and 20,000 independent artists like Dua Lipa, The Weekend, Marshmello, Diplo, Childish Gambino, Dave Grohl, the Foo Fighters, Enrique Iglesias, Lauv, Pitbull, and Lewis Capaldi as well as legends like Paul Mc. Cartney, Elvis Presley, Bob Marley, Stevie Nicks, and Max Martin.

  • IPRS launches #KNOWYOURMUSIC campaign ahead of World Music Day

    New Delhi: The Indian Performing Right Society Limited (IPRS) and Dolby Laboratories have come together ahead of the World Music Day on 21 June, to launch the #KNOWYOURMUSIC campaign highlighting multiple genres of Indian music and creating a more engaged audience.

    The launch will commence with a panel discussion on 21 June at 5 pm with eminent personalities from the music industry including Turnkey Music & Publishing Pvt Ltd, managing director, Atul Churamani, music composer Shantanu Moitra, Veena Music Pvt Ltd, director, Hemjit Maloo, popular Indian folk musician Abha Hanjura and Anahad Foundation, founder-director, Abhinav Agarwal. The session will be moderated by lyricist, screenwriter and actor Mayur Puri.

    Anahad Foundation, an NGO that works for the recognition, preservation, and evolution of Indian Folk Music has also come on board and as part of the initiative and IPRS will enrol over 100 folk artists, who are authors and composers as its member.

    IPRS chairman, Javed Akhtar said the #KNOWYOURMUSIC campaign was launched to unfold India’s rich musical heritage and create a forum to initiate engagement with music. “Enriched over millennia, Indian music has always stood out by its vast cultural diversity. Music styles like Folk, Ghazal, Devotional, Instrumental, etc. have been presented by the music creators in unison to celebrate life, love, joy, loss, and the human condition. However, a vast number of today’s audiences have limited exposure and knowledge of these styles of music and their creators. It is time we purposefully indulge in music and help to build a community of a more engaged audience, thus fuelling a flourishing future for music and its creators,” said the noted lyricist.

    IPRS CEO Rakesh Nigam said with this campaign, IPRS aims to initiate a transformation in the way people are consuming music, thus making music just not a passive consumption habit but a work of art and creation that the audience would take notice of and love to engage with. “Through the wide-ranging performances and sessions every month, IPRS looks forward to educating the audience on different styles of songs and music and the stories behind their creation. The more the audiences know about the music they are listening to, the more informed decisions they will make,” he added.

    One can register here to watch the panel discussion : link- https://bit.ly/2TDPrrN.

  • IPRS kicks off ‘IPRS for Fair Music’ campaign

    IPRS kicks off ‘IPRS for Fair Music’ campaign

    New Delhi: The Indian Performing Right Society (IPRS), representing nearly 6,500 authors, composers, and publishers from all over India, has launched the ‘IPRS for Fair Music’ campaign to strengthen the music ecosystem in the country.

    The week-long campaign that began on 26 April will witness a slew of activities including panel discussion, virtual knowledge sessions, felicitation of fair music partners to create awareness about the need to safeguard the creators’ right to fair compensation.

    “At IPRS, we strongly advocate why fair trade of music is critical and how it will help the original creators. Digitisation and other technological advancements have empowered creators and taken the music far and near. But at the same time, the creator stands a higher risk of his/her creative ideas getting copied. So, there is a need to protect the rights of the music right holders,” said IPRS CEO Rakesh Nigam. “We are pleased to launch this campaign to spread this message across platforms. Fairtrade music is a practice that needs to be accepted and followed in India.”

    On Monday, IPRS organised a virtual panel discussion in partnership with Indiantelevision.com and Iprmentlaw, which focused on the challenges and opportunities and the need to build a healthy ecosystem for music in India.

    It will also organise ‘Know Your Rights’ – a virtual knowledge session with eminent lawyer Ameet Datta. There will also be a session on music licensing and fair pay for music to address the frequently asked questions about different licensing options based on usage and platform. IPRS will also felicitate its fair music partners, for endorsing fair trade music.

    “The exploitation of any creative work is entitled to be duly credited and remunerated. We need to build more awareness about fair pay and fair play of music,” said noted lyricist, poet and screenwriter Manoj Muntashir.

  • T-Series joins IPRS, provides big boost to Indian music publishing industry

    T-Series joins IPRS, provides big boost to Indian music publishing industry

    New Delhi: Indian music label T-Series has finally joined the membership of The Indian Performing Right Society (IPRS), marking a watershed moment in the Indian music industry.

    The latest deal is set to provide a game changing impetus to the IPRS, the registered Indian Copyright Society representing music composers, lyricists and owner publishers of music, who have been persistently making efforts to bring all major music companies onboard.

    Super Cassettes Industries Ltd, popularly known as T-Series, will bring to IPRS a vast music library of more than 200,000 titles, including 50,000 plus music videos, comprising of more than 15,000 hours of music including musical compositions and lyrics forming part of songs/music videos spread across more than 15 Indian languages such as Hindi, Punjabi, Bhojpuri, Haryanvi, Bengali, Gujarati, Marathi, Rajasthani, Tamil, Telugu, Kannada, Malayalam and Oriya, read a joint statement issued by the company on Friday.

    Terming it as a homecoming for T-Series, IPRS chairman and renowned lyricist Javed Akhtar said, "This is a win-win proposition for T-Series and for our author and music composer members who will benefit tremendously. The entire music industry is united today in its determination that creators, music businesses all will work together for the common cause. I am joined by my fellow directors of IPRS in saying I also look forward to welcoming Bhushan Kumar on the Board of IPRS”.

    T-Series’ presence as a member of IPRS will not only significantly enhance the music publishing ecosystem in India, but improve the ease of doing business for numerous music licensees including broadcasters, digital services, telcos and various other small businesses.

    T-Series chairman & MD Bhushan Kumar said it was a logical progression for the company. "Copyright is in the heart and soul of what T-Series creates. Today the entire industry, creators, music businesses, all united, represent a seamless coalition of stakeholders contributing to our country’s progress and working together in our common interest.”

    Over the years, IPRS has been roping in music publishers, lyricists, and composers as members. Other industry majors including Saregama, Universal Music, Sony Music, and Times Music are already a part of it.

    Universal Music Group, managing director and CEO (India and South Asia), Devraj Sanyal, Managing Director & CEO said it was important for all the major players to band together to push the agenda of fairness, transparency, equitable remunerations for both owner publishers and author composers. "I’m sure we will now see a golden age dawn for creators and copyright owners," said Sanyal.

    In 2019, IPRS was credited by the CISAC as being the fastest growing copyright society in the world. The deal between IPRS and T-Series is momentous because licensing music can now have a single-window clearance process, wherein those seeking rights to use music in a recording or a video or a commercial need to look no further than the IPRS.

  • IPRS and Facebook sign music licensing deal

    IPRS and Facebook sign music licensing deal

    NEW DELHI: The Indian Performing Rights Society Limited announced today that it has reached an agreement with Facebook to license its music repertoire for video and other social experiences across Facebook and Instagram. People will now be able to choose music from the IPRS repertoire with hundreds and thousands of songs, to add in their own videos they share on Facebook and Instagram, as well as other social features like Music Stickers on Stories. Through this association, the artists/ members of IPRS would be able to get their music compositions out to millions of people in the country, as some of the largest and most thriving communities on Facebook and Instagram are here in India.

    The IPRS is a representative body of authors and owners, which include composers, lyricists, and owner publishers of music. The deal with Facebook will cover licensing and royalties whenever music represented by the IPRS is used on Facebook and Instagram. 

    Facebook India director and head of partnerships Manish Chopra commented, “Music plays an important role in India for sparking people’s creative expression. With this agreement, people will be able to access a wide variety of music and discover new scores from hundreds of authors and owners, across various genres in many Indian languages.” 

    Facebook director international music publishing Anjali Malhotra said, “We care deeply about enabling the music on our platform that is most important to people. IPRS plays an important role in that, given the meaningful repertoire of their songwriter, composer and publishing members. We continue to innovate with our music partners around the world to create new ways for people and musicians to tell their stories with music.”

    IPRS chairman Javed Akhtar said, “At the heart of music are the creators. The songwriters and the composers. IPRS is excited to create opportunities for our songwriters and composers for their use of works on Facebook and its platforms. The future is brighter when all industries work together and evolve the next phase of music usage together."

    IPRS CEO Rakesh Nigam said, “We are happy that Facebook and IPRS have concluded this deal. We are sure that this partnership will be very beneficial for all members of IPRS and Facebook. We are happy that more and more companies are respecting copyright and coming forth to seek proper licenses from IPRS."

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