Tag: IPL

  • Birla Opus: A Bold New Player Emerges

    Birla Opus: A Bold New Player Emerges

    MUMBAI: Imagine an industry so settled, so entrenched, that innovation has become a foreign concept. For decades, India’s decorative paints market has been a closed ecosystem, a carefully guarded territory where a few giants played by unwritten rules. Consumers had limited choices, contractors followed established patterns, and the market seemed frozen in time.

    Enter Birla Opus – a disruptor armed with more than just pigments and promises. And it’s led by RakshitHargave who isn’t your typical corporate executive. When he speaks about the paint industry, there’s a spark of rebellion in his voice. “The competitive intensity hasn’t been high,” he says, a statement that sounds more like a challenge than an observation.

    This isn’t just another corporate expansion. It’s a calculated assault on an industry that has grown fat and lazy.

    To understand Birla Opus’s strategy, one must first comprehend the unique ecosystem of India’s paint market. Unlike most consumer industries, this is a three-dimensional chess game involving contractors, dealers, and end-consumers. Each group has distinct motivations, distinct pain points.

    Most companies focus on one – Birla Opus is playing a multi-dimensional game. And it’s doing it as though it’s on steroids.  Numbers tell a compelling story. In just its first year, Birla Opus has  reached 6,000 towns, established over 140 depots and hosted  more than 150 exhibitions nationwide

    These aren’t just statistics. They’re strategic footprints designed to dismantle existing market barriers.

    Traditional paint companies treated contractors as mere distribution channels. Birla Opus sees them as partners.

    “We’re the first to host nationwide exhibitions allowing painters and contractors to experience products firsthand,” Hargave explains. It’s an industry-first initiative that speaks volumes about the company’s approach.

    India’s paint market has always had regional dynamics. South India traditionally belonged to one dominant player, while North and East remained multi-brand territories. Birla Opus has defied these traditional boundaries and has spread its colour nationally.

    “The gap between our best and relatively slower regions is just 110 versus 90,” Hargave notes – a testament to thecmpany’snational appeal and availability.

    In the paint industry, logistics isn’t a support function. It’s the backbone of the entire operation.Birla Opus has turned this into a competitive advantage. It has the record of fulfilling orders within four to six hours  while it delivers in surrounding regions by the next day. To achieve that Hargave has  five factories whipping up the paint with a sixth coming up in Kharagpur.  Additionally, the company has  strategically mapped depots near manufacturing facilities in order to ship out the product as quickly as possible.

    Where traditional brands whispered, Birla Opus is screaming from every possible platform. It has taken marketing and branding to a totally different level for a debutante by going after tentpole properties on television. For starters, cricket which isn’t just a sport in India. It’s a religion. Birla Opus secured prime sponsorshipsfor the ongoing  IPL, the T20 World Cup and all bilateral series. And it has dug its marketing heels into entertainment by partnering with reality shows like Indian Idol and Sa re ga ma pa. However, Hargave admits that “cricket remains a key driver for consumer traction,” 
    The brand  has understood in modern consumption driven new India and Bharat there has been a crucial psychological shift. Painting is no longer a maintenance chore – it’s a lifestyle statement. And to pander to that the company’s  campaign ‘Naya Zamane Ka Naya Paint’ isn’t selling colour. It’s selling aspiration, modernity, self-expression.

    Rs 10,000 crore in three years might sound like corporate hubris. But Hargave is quietly confident. “We are exactly where we aimed to be at the end of our first year,” he states.

    This isn’t just a corporate expansion. It’s a statement about Indian entrepreneurship. About challenging established narratives. About proving that with the right strategy, you can disrupt even the most settled industries.

    Will Birla Opus sustain its momentum? The paint is still wet, the canvas still incomplete. But one thing is certain – the company has  already redrawn the industry’s boundaries.

    In a market long dominated by legacy brands more interested in protecting territory than innovating, Birla Opus is not just selling paint.

    Hargave and his team are painting a revolution.
     

  • Dream 11’s IPL technology challenge

    Dream 11’s IPL technology challenge

    MUMBAI: IPL 2025  Day One. The much hyped and awaited opener between RCB and KKR is about to begin. The Dream Sports War Room – as the tech hub has been labelled – is a hustle-bustle of activity. Energy levels are high, there’s tension in the air amongst all the engineers and product managers who have stationed themselves in the office for the cracker of a match that’s about to go on air. 

    Viewer engagement expectations on the Dream 11 app  are higher than ever following the merger of JioCinema and Disney Hotstar into this behemoth streamer called JioHotstar with a subscription base of 60 million.
    Even before the first ball has been bowled fantasy players by the millions have started their game play on Dream 11. 

    At the centre of it all is Dream Sports chief technology officer Amit Sharma  – the commander of the nerve centre that keeps millions of cricket fans connected—come traffic surge or system meltdown. Like the captain of a ship sailing through a turbulent sea he retains his calm so that he can steer his charge safely through the storm.  

    “IPL isn’t just a cricket tournament; it’s a digital gladiatorial arena,” Sharma explained on Linkedin. ” We’re all hands on deck, I really mean it. Every team works in tandem to make it bigger and better than the previous season! While the event lasts just for a couple of months, we prepare by making our systems more robust throughout the year. There’s a lot that goes behind stitching the most seamless experience for our users – from coming on the app, selecting a contest to making their dream team and real-time leader boards – it’s truly a journey. On top of our mind is the fact that we’re not just hosting an app; we’re managing a national digital phenomenon that can spike to 700 million requests per minute. “

    And how does the engineering team manage to keep the app in good enough shape  despite the killer load that piles up when the league gathers steam? 

    Before the first ball is bowled, Sharma’s team conducts a “service operational maturity assessment” (SOMA)—a forensic examination of over 100 critical services. Engineers run what can only be described as digital stress tests: benchmarks that would make Silicon Valley veterans break into a sweat. Chaos tests and real-world load simulations are pressured on the system to fine-tune applications and infrastructure.

    “We’re not just testing; we’re essentially performing open-heart surgery on our digital infrastructure,” he quips. Some systems receive targeted upgrades, while others undergo complete architectural metamorphosis.

    A key tool that streamlines the massive inflow of online players is “Scaler”, Dream Sports’ in-house traffic 
    management marvel. This system doesn’t just respond to traffic—it anticipates it. Predictive models allocate resources before traffic spikes can even think about overwhelming the system.

    The war room’s crown jewels? Two razor-sharp monitoring systems:

    1. Watch Commander (WACO): A real-time performance sentinel that catches anomalies faster than a fielder’s lightning-quick catch.

    2. Pulse: A user interaction tracker that identifies potential glitches before they can say “out.”

    Behind every algorithmic prediction and system upgrade is a team of engineers who treat digital resilience like a cricket strategy—meticulously planned, ruthlessly executed. Dream Sports’ incident management system stands ready, a digital emergency response unit primed to tackle any unforeseen technological yorkers.
    Each IPL season is more than a sporting event—it’s a technological crucible where Dream Sports redefines the boundaries of digital scalability, says Sharma. “It  challenges us to rethink and refine how we approach scale, speed and reliability,” he adds. 

    Back to Dream Sports War Room and to the opening match of the IPL. All that is needed to take RCB to their first victory in the 2025 edition is a thump to the boundary, which Livingstone does when he wacks the Johnson delivery past mid-on to the ropes  to the dismay of those in the Eden Gardens stadium. 

    In the war-room, Sharma leans back and heaves a sigh of relief. The match saw the Dream 11  app getting a peak concurrency of 16.5 crore users. And it held up strong, without any glitches to the delight of all the engineers who were on standby. Another battle won. Till the next one.

  • Cricket fans score with second screens: Glance report

    Cricket fans score with second screens: Glance report

    MUMBAI: Cricket enthusiasts across India are no longer content with merely watching the game—they’re demanding a richer, more immersive experience on their second screens. A new report from Glance, the world’s leading smart lock screen platform, has caught the digital behaviours of these sports-mad fans with their fingers firmly on their mobile devices.

    Released yesterday in partnership with InMobi Advertising and AppsFlyer, the Decoding Indian Cricket Fans report lays bare how cricket has become less about passive viewing and more about active engagement across multiple screens.

    During last year’s IPL tournament—a veritable religious experience for Indian sports fans—a whopping 120 million users turned to the Glance smart lock screen platform, driving engagement levels 2.4 times higher than normal periods. These smartphone-wielding enthusiasts spent 44 per cent more time consuming cricket-related content, generating an eye-watering 314 billion glances and 433 million taps.

    “At Glance, we’re reimagining how consumers interact with their daily devices such as mobile lock screens and connected TVs, transforming them into more engaging screens and smarter surfaces,” says InMobi and Glance chief marketing officer  Bikash Chowdhury clearly pleased as punch with the findings.

    While English dominated content consumption at around 81 per cent, regional languages are staging a remarkable comeback. Hindi led the vernacular charge at 36.22 per cent, followed by Tamil (25.31 per cent), Kannada (15.35 per cent), Marathi (12.13 per cent) and Telugu (10.99 per cent)—suggesting cricket’s appeal transcends linguistic boundaries.

    The report also reveals that 74 per cent of cricket content consumers use devices priced under Rs 30,000, making this a mass-market phenomenon rather than an elite pastime.

    Cricket season isn’t just about runs and wickets—it’s about apps and clicks too. Last year’s tournament saw Android app installs surge by a hefty 35 per cent from pre-season to peak, while iOS installations jumped 28 per cent.

    Gaming apps enjoyed click-through rates six times higher than normal periods, while home entertainment platforms saw rates 5.6 times higher. Cricket fans also proved themselves to be an advertiser’s dream, with 9.4 per cent more in-app clicks, 21 times higher video ad engagement, and full-screen interstitials delivering 13 times better performance than industry benchmarks.

    “The intersection of cricket and digital engagement has never been more powerful,” says AppsFlyer,  general manager Insea/ANZ Sanjay Trisal, clearly bowled over by the numbers. “This is a prime opportunity for brands—not just to reach audiences but to engage them meaningfully at high-intent moments.”

    For marketers looking to cash in on cricket mania, the report offers a clear message: start early, target multiple screens, and don’t retire once the tournament ends. Remarketing strategies should be timed according to category, with entertainment and food delivery apps performing best mid-season, while finance and investment apps hit their stride after the final whistle.

    As the report aptly concludes: “As with a good shot, timing is everything.”

  • Sponsorships yielding better results during IPL – CrispInsight’s eDART-IPL24 study

    Sponsorships yielding better results during IPL – CrispInsight’s eDART-IPL24 study

    MUMBAI: A new research report has revealed that throwing cash at just traditional TV spots during the IPL might not be the most effective way to go if an advertiser wants to hop onto this high impact property.

    The eye-opening study from CrispInsight’s eDART-IPL24, in partnership with Kadence International, suggests brands would be better off plumping for sponsorships and stadium branding rather than just splurging on conventional commercials  alone without any connect with what’s going on in the game or or in the studio.

    “Sponsorships and strategic brand placements are proving to be just as powerful, if not more, than traditional advertising in high-impact events like IPL,” declared CrispInsight founder Ritesh Ghosal, who’s clearly not one to mince words.

    Despite over 100 brands scrapping for eyeballs during last year’s tournament, only a handful – Jio, Tata Group, Slice, BKT, and Paytm – aced it with top-of-mind recall. The kicker? None relied on just traditional telly commercials to make their mark.

    The report exposed a gaping disconnect between GRP (gross rating points) spend and actual brand recall. While Dream11 led the pack with a 37.7 per cent recall from 1,730 GRPs, some big spenders found themselves caught behind – gutka brand Vimal splashed out on 3,016 GRPs but limped home with a measly 2.4 per cent recall.

    “IPL is one of the most competitive advertising platforms,” noted Aman Makkar of Kadence International. “Standing out requires more than just high ad spends.”

    With IPL ad rates now requiring the GDP of a small nation, savvy marketers are discovering that non-FCT strategies – team sponsorships, on-screen placements, and stadium branding – keep brands in the spotlight long after the commercials fade to black.

    As the 2025 season looms large, the message is crystal clear: it’s not about how much money you throw at the IPL – it’s about where you pitch it.

  • JioStar lines up impressive 20-brand sponsor squad for Tata IPL 2025

    JioStar lines up impressive 20-brand sponsor squad for Tata IPL 2025

    MUMBAI: JioStar has bowled over advertisers ahead of this year’s Tata IPL, announcing a robust sponsorship lineup of 20 brands ready to bat for consumer attention during cricket’s most-watched tournament.

    The impressive roster includes heavyweight brands spanning diverse categories—from food and beverages (Campa Energy, Campa, Thums Up, Amul) and fantasy sports platforms (Dream11, My11Circle, PokerBaazi, ) to financial services (SBI, PhonePe, Mutual Funds Sahi Hai, Zupee, Gpay,) and consumer goods (Joy Cosmetics, Asian Paints, Birla Opus, Jaquar Bath + Light, Allen Solly) to  digital  (Google search)  and bikes (TVS), 

    “IPL is more than just a sporting event—it’s a cultural juggernaut,” said at JioStar chief business officer for sports revenue Ishan Chatterjee. “We’re delivering scale, impact, and deep consumer engagement through cutting-edge ad innovations and seamless synergy between TV and digital platforms.”

    The broadcasting giant is pulling out all technological stops to help sponsors hit advertising sixes, offering AI-powered audience segmentation, interactive ad formats, and multilingual broadcasts. Television advertisers can capitalise on unique solutions including ‘Brand Spotlight’ exclusive placements during the crucial first five overs and CGI-led live interventions that promise to catch viewers’ eyes between boundaries.

    Running from 22 March to 25 May, the tournament will be broadcast exclusively across JioStar’s sports network and streamed on JioHotstar, giving brands unprecedented access to cricket-mad audiences across both traditional and digital viewing platforms.

    Industry analysts note this year’s sponsorship line-up reflects advertiser confidence in cricket’s premier tournament, with one marketing expert remarking: “Despite economic headwinds, brands know IPL delivers an unbeatable googly of engagement that sends ROI metrics cartwheeling.”

    As the cricketing extravaganza approaches, both fans and advertisers are padding up for what promises to be another season of spectacular sporting drama and equally impressive brand visibility plays on the commercial front.

  • KKR unveil new jersey featuring three-star tribute for IPL 2025

    KKR unveil new jersey featuring three-star tribute for IPL 2025

    MUMBAI: Kolkata Knight Riders (KKR) have revealed their new-look jersey for the 18 edition of the Tata Indian Premier League (IPL), featuring a striking tribute to their three championship titles.

    In a unique campaign, KKR launched the official jersey video, showcasing fans’ obsession with the number three. The design incorporates three stars woven into the fabric, symbolising the team’s triumphs in 2012, 2014, and 2024. Players Rinku Singh, Venkatesh Iyer, Ramandeep Singh, Manish Pandey, Vaibhav Arora, Anukul Roy, Mayank Markande, and Luvnith Sisodia feature in the launch video, sporting the new purple and gold kit.

    Additionally, this year’s jersey bears a golden Tata IPL badge on the arm, an exclusive emblem introduced to honour the defending champions. The design is inspired by the “Three-edged star”, and the jerseys are now available for purchase via the Knight Club app, official website, and KKR’s social media channels.

    Emphasising their global presence, KKR’s Intheknightsky campaign has taken a celestial turn. Three stars in the night sky have been officially registered and named ‘Korbo’, ‘Lorbo’, and ‘Jeetbo’, paying homage to the franchise’s motto and its three IPL titles. Fans can view these stars using coordinates or QR codes provided on official certificates.

    KKR will kick off their Tata IPL 2025 campaign against Royal Challengers Bengaluru at Eden Gardens on saturday, 22 March, aiming to add a fourth star to their crest.

  • JioHotstar SvoD has unmatched local and global content – Ampere Analysis research

    JioHotstar SvoD has unmatched local and global content – Ampere Analysis research

    MUMBAI: Now, it’s got an endorsement from leading research and data anslysis firm Ampere Analysis.  JioHotstar formed through the merger of Disney+ Hotstar and JioCinema, has been given the stamp  of the largest subscription video-on-demand (SVoD) services in the market, boasting over 14,000 movies and TV seasons at launch.

    JioHotstar has a significant advantage in the Indian SVoD market by combining extensive local content with premium Hollywood titles, says the research and data analysis firm in an insight post released on its portal yesterday.   Over 60 per cent of its library consists of locally-produced content, including hit TV shows from Star and Colors TV networks. 

    This aligns with Indian viewers’ strong preference for domestic entertainment, with 62 per cent of surveyed audiences reporting they watch locally-produced movies “very often.” Notable titles in its library include Hanu-Man, the Baahubali films, and reality TV favorite Bigg Boss.

    However, JioHotstar also addresses India’s growing demand for Hollywood movies, a key battleground against Netflix, says Ampere. 

     

    Inda tv shows

    While 41 per cent of surveyed Indian viewers watch Hollywood films “very often,” JioHotstar delivers a vast selection, leveraging Disney’s franchises such as Marvel, Pixar, and Star Wars, alongside exclusive content from Universal (Oppenheimer, Despicable Me 4), Warner Bros. (Harry Potter, The Dark Knight), and Paramount (Mission: Impossible, Transformers). Additionally, the platform offers popular US TV shows from HBO, Showtime, and Nickelodeon.

    Beyond movies and TV, JioHotstar is set to dominate India’s sports streaming space. The platform holds exclusive rights to three of the country’s most-followed sports events: the Indian Premier League (IPL), Premier League soccer, and Wimbledon. 

    Cricket, India’s most popular sport, is a crucial driver for subscriptions—43  per cent of surveyed respondents follow it avidly. The IPL, in particular, was pivotal to Disney+ Hotstar’s previous subscriber growth, and its loss in 2023 led to a significant decline in subscriptions.

    With a well-balanced mix of local productions, Hollywood blockbusters, and top-tier sports content, JioHotstar emerges as a formidable force in India’s competitive SVoD market.

  • Haier India becomes title sponsor for Match Centre Live at Champions Trophy 2025

    Haier India becomes title sponsor for Match Centre Live at Champions Trophy 2025

    MUMBAI : Haier India is set to take centre stage in the ICC Men’s Champions Trophy 2025 as the title sponsor for Match Centre Live on JioHotstar. From 19 February to 9 March 2025, the brand will bring cricket fans closer to the action with exclusive match insights, real-time updates, & expert analysis, reinforcing its presence in the world of sports entertainment.

    This move aligns with Haier’s sport-o-tainment marketing approach, which aims to engage India’s young, tech-savvy, and  premium consumer base through major sporting events. By integrating its brand into the cricketing action, Haier is set to amplify its visibility among millions of passionate fans.

    Haier appliances India president NS Satish remarked, “Cricket unites India like no other sport. This collaboration with JioHotstar enhances our engagement with audiences across generations, reinforcing Haier’s image as an innovative & challenger brand that merges technology with passion.”

    As Match Centre Live’s title sponsor, Haier will offer exclusive live match statistics, expert insights, and commentary across JioHotstar’s connected TV and  mobile platforms. The collaboration will also feature high-impact tv commercials, showcasing Haier’s premium refrigerators, LED TVs, washing machines, and  air conditioners.

    With a history of sponsoring top-tier sporting events such as the ICC Men’s T20 World Cup 2024, Euro Cup, Roland-Garros, & the IPL, Haier continues to strengthen its presence in the sports & entertainment landscape.

  • Tonic Worldwide appoints Nishant Gopalia as senior vice president, media & martech

    Tonic Worldwide appoints Nishant Gopalia as senior vice president, media & martech

    MUMBAI:  Tonic Worldwide has announced the appointment of Nishant Gopalia as senior vice-president for media & martech.  Gopalia, who brings over 18 years of experience in digital media, marketing, and strategy, joins from Viacom18 Sports, where he served as senior director and lead for digital media.

    At Viacom18, Gopalia spearheaded digital strategies for major sports properties, including the Indian Premier League (IPL), FIFA, and the NBA. He was instrumental in driving user acquisition and retention for the company’s digital platform, JioCinema, through performance marketing campaigns, content innovations, and data-driven decision-making.

    Prior to Viacom18, Gopalia held leadership roles at Tata Communications, Mindshare India, Performics, Disney Star, Wavemaker, Hungama Digital Services, and Dentsu Webchutney. His expertise spans app marketing, social media management, programmatic advertising, performance marketing, and digital content strategy.

    In his new role at Tonic Worldwide, Gopalia will oversee media strategy and marketing technology initiatives, driving innovation and business growth for the agency’s clients. His appointment is expected to bolster Tonic’s capabilities in delivering comprehensive digital solutions.

    Said Gopalia : “I look forward to contributing to its vision of delivering impactful and data-driven digital strategies.”

  • Mayank Dayal joins  Gujarat Titans as marketing head

    Mayank Dayal joins Gujarat Titans as marketing head

    MUMBAI: From marketing TV sports channels  to  building a cricket franchise team. That’s the leap that Mayank Dayal has taken. Dayal has been hired as marketing head at Gujarat Titans. He  brings over two decades of strategic marketing experience across major media and sports brands, including Sony Pictures Networks India, Viacom18, and Star India.

    In his new role, Dayal will lead brand growth and fan engagement strategies, driving innovative marketing initiatives to strengthen Gujarat Titans’ identity both on and off the field. He will oversee content development, partnerships, social media expansion, and matchday experiences.

    Previously, Dayal served as sports marketing head at Sony Pictures Networks, where he played a pivotal role in enhancing the brand’s footprint. His tenure at Viacom18 saw successful campaigns for Comedy Central and Nickelodeon, while at Star India, he developed brand integration strategies for key advertisers.

    Dayal’s extensive expertise and innovative vision are expected to propel Gujarat Titans’ ambitions to become one of the most engaging and entertaining franchises in the IPL ecosystem. Said he: “I’m beyond excited to step into my next adventure—leading marketing for Gujarat Titans. This isn’t just a role for me; it’s a dream opportunity. To be at the heart of the business side of sport, in a sport I have loved and played, is an exhilarating challenge. And in cricket, there is no bigger stage than the IPL.”