Tag: IPL

  • IPL value increases to $6.8 billion in 2019

    IPL value increases to $6.8 billion in 2019

    MUMBAI: Duff & Phelps, the global advisor that protects, restores and maximizes value for clients, today announced findings from its IPL Brand Valuation Report 2019, a comprehensive study on brand values in the Indian Premier League (IPL).

    The findings of the sixth edition of Duff & Phelps’ annual IPL study suggests an increase in the overall value of the IPL ecosystem from $6.3 billion in 2018 to $6.8 billion in 2019, a growth of 7 per cent after considering currency fluctuations. In INR terms, the IPL ecosystem value increased by approximately 13.5 per cent from Rs 41,800 crore to Rs 47,500 crore, underpinned by the continued confidence advertisers, broadcasters, sponsors, affiliates, partners and viewers have shown in the IPL. The individual franchisee brands saw mixed fortunes, with their brand values increasing or decreasing in close correlation with their on-field performances.

    “Our IPL brand values report reflects the evolution of the modern cricket business paradigm. As we move into the second decade of IPL, the league has transitioned from being a startup to being a more mature, stable and profitable business. An increase of 20 per cent in advertising revenues this year and the recently renewed PayTM title sponsorship deal (which has fetched an increase of 58 per cent on a per-match basis over the last deal) are testaments to the continued popularity of IPL. This has resulted in a steady increase in the value of the ecosystem (which grew by 13.5 per cent in INR terms). However, for growth trajectories to maintain their momentum, all teams need to focus on their on-field performance while continuing to broaden their footprint, forge relationships and generate revenue opportunities in growth markets,” Duff & Phelps Asia Pacific Leader for Valuation advisory services and India country leader Varun Gupta said.

    “This year, Mumbai Indians (MI) and Chennai Super Kings (CSK), continued their absolute dominance with MI winning their fourth IPL title. Their consistent on-field performance has made them fulfil the dreams of their sponsors and advertisers resulting in a year-on-year increase in their brand value. On the contrary, Royal Challengers Bangalore (RCB) and Kolkata Knight Riders (KKR) have shed some of their brand value this year demonstrating that big city bases and marquee players are not the only factors influencing brand value; consistent performance on the field also matters,”  D and P India Advisory ServicesLLP (a member of the Duff & Phelps network) managing partner Santosh N said.

    Among franchises, MI, with a brand value of Rs 809 crore up by almost 8.5 per cent from last year, continues to top the charts for the fourth season in a row. CSK has seen a massive gain of 13.1 per cent in its brand value to Rs 732 crore, propelling the team to the No.2 spot in our brand rankings. Though CSK saw its brand value erode due to the two-year ban imposed on it, it seems to have recovered on the back of continued on-field success coupled with a pan-India fervent fan base and Dhoni’s charisma.

    KKR and RCB have seen their brand value erode primarily on account of their below-par on-field performances, with both franchises shedding approximately 8 per cent of their brand value. However, both continue to be backed by loyal fan bases and the presence of Shah Rukh Khan and Virat Kohli respectively, who continue to carry each brand on their shoulders. This is particularly so for RCB, who if not for Kohli, would have seen a significant erosion in its brand value in the last couple of years.

    Sunrisers Hyderabad, the youngest franchisee in IPL, has made steady gains over the years in terms of its brand value while Delhi Capitals, on the back of its on-field performances this season, saw an appreciation of 9 per cent to its brand values.

  • Hotstar withdraws as an associate sponsor of IPL

    Hotstar withdraws as an associate sponsor of IPL

    MUMBAI: Hotstar, Star India's online streaming platform, has withdrawn as an associate sponsor of the Indian Premier League (IPL).

    A BCCI source told India Today that there was an exit clause in the deal and Hotstar chose to exercise it.  The deal was worth Rs 42 crores per year and IPL associate sponsorships are reported to be in the range of 40-80 crore rupees.

    The report further said that the move will however have no bearing on Hotstar's digital streaming rights. Although the media rights deal was seen as being an ambitious one, this year after the end of the IPL, Hotstar claimed to have crossed 300 million viewers and to have registered a 74 per cent increase in watch-time compared with last year's IPL.

    Star India had bagged a five year IPL media rights deal for television and digital in 2017 worth 16347.5 crores.

  • BARC week 26: Star Vijay back in across genres list

    BARC week 26: Star Vijay back in across genres list

    BENGALURU: Star India’s flagship Tamil GEC Star Vijay once again made an appearance in Broadcast Audience Research Council of India's (BARC) weekly list of top 10 channels across genres in week 26 of 2019 (Saturday, 22 June 2019 to Friday, 28 June 2019, week or period under review). As was the case in the previous week, Star Vijay was also ranked seventh in BARC’s weekly list of top 5 Tamil channels in the Tamil Nadu/Puducherry market.

    Four Star India channels, two channels each from Sony Pictures Network India (SPN) and Zee Entertainment Enterprises Ltd (Zeel) and one channel each from Enterr 10 TV and Sun TV Network made up BARC’s weekly list of top 10 channels across genres in week 26 of 2019. From the genres' perspective, there were six Hindi GECs, two Tamil channels and one channel each from the sports and Telugu genres that comprised BARC’s weekly list of top 10 channels across genres in week 26 of 2019. Channels from rank one to six in week 26 of 2019 were the same as those in week 25.

    Continuing on at rank 1 in week 26 of 2019 was Star India’s Hindi sports channel Star Sports 1 Hindi on the back of the ongoing ICC Cricket World Cup 2019 in England and Wales. Two of the five matches during the week under review involved India, hence ratings pipped up for the channel. Star Sports 1 Hindi scored 1,263.932 million weekly impressions in week 26 of 2019 as compared to 1,186.783 million weekly impressions in week 25. Star Sports 1 Hindi was ranked first in BARC’s weekly list of top 5 sports channels and four of the top 5 sports programmes NCCS All : Prime Time (1800 – 2330 hrs) : 2+ Individuals featured on Star Sports 1 Hindi during the week under review.

    Also maintaining its previous week’s rank 2 was Sun TV Network’s flagship Tamil GEC Sun TV with 904.751 million weekly impressions in week 26 of 2019 as compared to 851.935 million weekly impressions in week 26. Sun TV also headed BARC’s weekly list of top 5 Tamil channels in the Tamil Nadu and Puducherry markets and four of the top 5 Tamil programmes in this market based on NCCS All : Prime Time (1800 – 2330 hrs) : 2+ Individuals were aired on Sun TV.

    At its previous week’s third rank was Enterr 10 TV’s Hindi GEC Dangal in week 26 of 2019 with 801.504 million weekly impressions as compared to 788.059 million weekly impressions in week 25. Dangal also headed BARC’s weekly lists of top 10 Hindi GECs in the combined urban and rural Hindi speaking market -HSM (U+R) and HSM (R). Dangal was ranked seventh in HSM (U). Indian mythology programme Mahima Shanidev Ki and a family drama Baba Aiso Var Dhundo on Dangal were in BARC’s list of top 5 Hindi GEC programmes based on NCCS All : Prime Time (1800 – 2330 hrs) : 2+ Individuals in HSM (R).

    Continuing on at fourth rank was Zeel’s flagship Hindi GEC Zee TV in week 26 of 2019 with 701.711 million weekly impressions as compared to 701.670 million weekly impressions in week 25. Zee TV was ranked second in HSM (U+R) and HSM (U) and third in HSM (R) in BARC’s weekly list of top 10 Hindi GECs. The Balaji Telefilms-produced Kumkum Bhagya, its spinoff  Kundali Bhagya and another drama  Tujhse Hai Raabta aired on Zee TV were among the top 5 Hindi GEC programmes based on NCCS All : Prime Time (1800 – 2330 hrs) : 2+ Individuals in HSM (U+R), HSM (R) and HSM (U).

    At fifth rank in week 26 of 2019 was Star India’ flagship Hindi GEC Star Plus with 688.432 million weekly impressions as compared to seventh rank and 682.166 million weekly impressions in week 25. Star Plus was also ranked third and fourth in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R) and HSM (R) respectively and was ranked first in HSM (U). Yeh Rishta Kya Kehlata Hai on Star Plus was amongst BARC’s weekly list of top 5 Hindi GEC programmes on NCCS All : Prime Time (1800 – 2330 hrs) : 2+ Individuals in HSM (U+R) in HSM (U).

    At sixth place was Star India’s flagship Telugu GEC Star Maa with 651.535 million weekly impressions as compared to 663.013 million weekly impressions in week 25. Star Maa was also ranked first in BARC’s weekly list of top 5 Telugu GECs in the Andhra Pradesh/Telangana markets and all the five programmes in BARC’s weekly list of top 5 Telugu programmes based on NCCS All : Prime Time (1800 – 2330 hrs) : 2+ Individuals in these markets were aired on Star Maa.

    As mentioned above, Star Vijay re-entered BARC’s weekly list of top 10 channels across genres in week 26 of 2019 with 549.005 million weekly impressions at seventh rank. Star Vijay was also ranked second in BARC’s weekly list of top 5 Tamil channels in the Tamil Nadu and Puducherry markets.

    Dropping a place to eighth rank in week 26 of 2019 was Zeel’s Hindi GEC Big Magic with 536.294 million weekly impressions as compared to seventh rank and 566.278 million weekly impressions in the previous week. Big Magic was ranked fourth and second in BARC’s weekly lists of top 10 Hindi GECs in HSM (U+R) and HSM (R) respectively. Big Magic was ranked eighth in BARC’s weekly list of top 10 Hindi GECs in HSM (U).

    Climbing up a place to ninth rank was SPN’s flagship Hindi GEC Sony Entertainment Television (SET) with 529.078 million weekly impressisons in week 26 as compared with 479.487 million weekly impressions in week 25 of 2019. SET was ranked fifth and seventh in BARC’s weekly  lists of top 10 Hindi GECs in HSM (U+R) and HSM (R) was ranked third in HSM (U). The talent reality show Super Dances Chapter 3 on SET was among BARC’s weekly list of top 5 Hindi GEC programmes NCCS All : Prime Time (1800 – 2330 hrs) : 2+ Individuals in HSM (U+R) and HSM (U).

    Dropping down two places to tenth rank was SPN’s Hindi GEC Sony SAB with 525.403 million weekly impressions as compared to eighth rank and 536.918 million weekly impressions. Sony SAB was ranked sixth BARC’s weekly lists of top 10 Hindi GECs in HSM (U+R) and HSM (R) and was ranked fourth in HSM (U).

  • BARC week 25: Live cricket matches catapult Star Sports 1 Hindi to top spot across genres

    BARC week 25: Live cricket matches catapult Star Sports 1 Hindi to top spot across genres

    BENGALURU: The live telecast of the India Pakistan ICC cricket world cup match in week 25 of 2019 (Saturday, 15 June 2019 to Friday, 21 June 2019, week or period under review) was among the most watched sports programme on three channels – Star Sports 1 Hindi, Star Sports 2 and DD Sports. One ICC World Cup other match – the live telecast of the Australia-Bangladesh on Star Sports 1 Hindi was the fifth most watched programme in Broadcast Audience Research Council of India (BARC) weekly list of 5 most watched programmes during primetime during the week under review. Besides, the live telecast of Philips Hue Cricket on Star Sports 1 Hindi was the fourth watched sports programme during the week under review. These matches catapulted Star Sports 1 Hindi to first rank in BARC’s weekly list of top 10 channels across genre in week 25 of 2019.

    Sun TV Networks flagship Tamil GEC Sun TV pipped Dangal TV to second rank during the period under review, pushing the Hindi GEC to third rank. Seven Hindi GEC’s and one channel each from the Sports, Tamil and Telugu genres comprised BARC’s list of top 10 channels across genre in week 25 of 2019. From the network’s perspective, there were 3 channels from Star India, two channels each from Sony Pictures Network India (SPN) and Zee Entertainment Enterprises Limited (Zeel) and one channel each from Enterr 10 TV, Sun Tv Network and Viacom18 in BARC’s weekly list for week 25 of 2019.

    Climbing up a place to first rank in week 25 of 2019 was Star Sports 1 Hindi with 1,186.783 as compared to second rank and 763.962 million weekly impressions in week 24. Star Sports 1 Hindi was also ranked first in BARC’s weekly list of top 5 Hindi Sports channels and as mentioned above. Further, the three of five most watched sports programmes as mentioned above were broadcast on Star Sports 1 Hindi during the week under review.

    Also climbing up a place to second rank during week 25 of 2019 was Sun TV with 851.935 million weekly impressions as compared to third rank and 762.213 million weekly impressions in week 24. Sun TV also headed BARC’s weekly list of top 5 Tamil channels in the Tamil Nadu and Puducherry markets and four of the top 5 Tamil programmes in this market based on average rating across all original airings in the week were aired on Sun TV.

    Dropping two places to third rank in week 25 of 2019 was Enterr 10 TV’s Hindi GEC Dangal with 788.059 million weekly impressions as compared to first rank and 806.687 million weekly impressions in week 24. Dangal also headed BARC’s weekly lists of top 10 Hindi GECs’ in the combined urban and rural Hindi speaking market -HSM (U+R) and HSM (R).  Dangal was ranked seventh in HSM (U). An Indian mythology programmes– Mahima Shanidev Ki and a family drama Baba Aiso Var Dhundo on Dangal were in BARC’s list of  Top 5 Hindi GEC programmes based on average rating across all original airings in the week in HSM (R).

    Climbing up a rank to fourth place was Zeel’s flagship Hindi GEC Zee TV with 701.670 million weekly impressions in week 25 as compared to fifth rank and 680.603 million weekly impressions in week 24. Zee TV was ranked second in HSM (U+R), HSM (U) and third in HSM (R) in BARC’s weekly list if top 10 Hindi GECs’. The Balaji Telefilms produced Kumkum Bhagya, its spinoff  Kundali Bhagya and Tujhse Hai Raabta aired on Zee TV were among the top 5 Hindi GEC programmes based on average rating across all original airings in the week in HSM (U+R), HSM (R) and HSM (U).

    Also climbing up to fifth place in week 25 of 2019 was Star India’ flagship Hindi GEC Star Plus with 682.166 million weekly impressions as compared to seventh rank and 624.298 million weekly impressions in week 24. Star Plus was also ranked third and fourth in BARC’s weekly list of top 10 Hindi GECs’ in  HSM (U+R) and HSM (R) respectively and was ranked first in HSM (U). Yeh Rishta Kya Kehlata Hai on Star Plus was amongst BARC’s weekly list of top 5 Hindi GEC programmes on average rating across all original airings in the week in HSM (U+R) in HSM (U).

    Retaining its previous week’s sixth rank in week 25 of 2019 was Star India’s flagship Telugu GEC Star Maa with 663.013 million weekly impressions as compared to 626.797 million weekly impressions in week 25. Star Maa was also ranked first in BARC’s weekly list of top 5 Telugu GECs’ in the Andhra Pradesh/Telangana markets and all the five programmes in BARC’s weekly list of top 5 Telugu programmes based on average rating across all original airings in the week in these markets were aired on Star Maa.

    Dropping down three places to seventh rank in week 25 of 2019 was Zeel’s Hindi GEC Big Magic with 566.278 million weekly impressions as compared to fourth rank and 690.539 million weekly impressions in the previous week. Big Magic was ranked fourth and second in BARC’s weekly lists of top 10 Hindi GECs’ in HSM (U+R) and HSM (R) respectively. Big Magic was ranked eighth in BARC’s weekly list of top 10 Hindi GECs’ in HSM (U).

    SPN’s Hindi GEC Sony SAB also retained its previous week’s eighth rank in week 25 of 2019 with 536.918 million weekly impressions as compared to 552.626 million weekly impressions in the previous week. Sony SAB was ranked fifth, sixth and third in BARC’s weekly lists of top 10 Hindi GECs’ in HSM (U+R) and HSM (R) and (U) respectively. One of the longest running Indian sitcom – Taarak Mehta Ka Ooltah Chashma on Sony SAB was among BARC’s weekly list of top 5 Hindi GEC programmes on average rating across all original airings in the week in HSM (U+R) and HSM (U).

    Climbing up a rank to ninth place was Viacom18’s flagship Hindi GEC Colors in week 25 of 2019  with 513.035 million weekly impressions as compared to tenth rank and 521.025 million weekly impressions in week 24. Colors was ranked sixth in BARC’s weekly lists of top 10 Hindi GECs’ in HSM (U+R) and was ranked fifth in both HSM (R) in HSM (U).

    Re-entering BARC’s weekly list of top 10 channels across genre was SPN’s flagship Hindi GEC Sony Entertainment Television (SET) with 479.487 million weekly impressions in week 25 of 2019. SET was ranked seventh in BARC’s weekly  lists of top 10 Hindi GECs’ in HSM (U+R) and was ranked fourth in HSM (U)

  • IPL brand valuation hits $6.3 bn in 2018

    IPL brand valuation hits $6.3 bn in 2018

    MUMBAI: The year 2008 was the beginning of a new era for sports in India with the launch of the Indian Premier League (IPL). Statistics show that 93 per cent of all sports viewers in 2018 watched cricket content and a report by Duff & Phelps pegged the brand valuation of IPL in 2018 at $ 6.3 billion.

    The report traces the evolution of each IPL team brand from the year 2014 to 2018. Mumbai Indians has maintained its top spot with its 2018 value at $113 million. It is followed by Kolkata Knight Riders at the second spot with $104 million in brand value. Royal Challengers Bangalore, Chennai Super Kings, Sun Risers Hyderabad, Delhi Dare Devils, Kings XI Punjab and Rajasthan Royals trailed with $98 million, $98 million, $70 million, $52 million, $52 million and $43 million respectively.

    According to a Broadcast Audience Research Council of India report, the top two most-watched ODI matches between 2016 and 2018 were played between India and Pakistan. It clocked 12.3 billion impressions in 2018 despite the absence of international tournaments in the year. It also stated that cricket programming was up by 79 per cent in 2018 as against the year 2016, with over 89,000 hours. Talking about the ads, it observed a growth of 14 per cent across all cricket content from 2016 to 2018.

    In 2016, viewership was dominated by T20 matches, whereas in 2017, One Day match dominated. Also, sports viewership year-on-year has gone up in the 2016-2018 period. From 43 billion impressions in 2016 the viewership has gone up to 51 billion impressions, growing at a CAGR of nine per cent. Additionally, the last three years have seen a steady increase in cricket content on sports channels.

    Women viewers make up 48 per cent of all cricket viewers, up from 295 million in 2016 to 342 million in 2018. The Women’s World Cup final between India and England had a viewership of 39 million impressions. Considering the overall scenario, 50 per cent of IPL viewers is less than 30 years of age and youth (15-30-year olds) still dominate cricket viewership with 35 per cent of live cricket viewership coming from this audience.

    Furthermore, in 2019, IPL clocked in 1.53 billion impressions minus the final match viewership. According to BARC data, the first three games of IPL 2019 witnessed a 31 per cent surge in viewership as compared to the last year. So when it comes to India, the wave for regional languages is expected to grow. Last year, Star India aired the IPL final in eight languages across 17 channels.

    According to the BARC data analysed by Insidesport.co, 22 per cent of the viewership for IPL has come from regional language feeds.

  • BARC week 24: Dangal regains pole position across genres

    BARC week 24: Dangal regains pole position across genres

    BENGALURU: Enterr 10 TV’s Hindi GEC Dangal regained first place in Broadcast Audience Research Council of India (BARC) weekly list of top 10 channels in week 24 of 2019  (Saturday, 8 June 2019 to Friday, 14 June 2019, week or period under review) after a short hiatus. The channel had been placed second in the list in the previous week. Star India’s sports channel Star Sports 1 Hindi also climbed a place to second rank on the back of the ongoing ICC Cricket World Cup Tourney 2019 in England and Wales. Sun TV Network’s flagship Tamil GEC Sun TV dropped a couple of ranks to third place. All the channels in BARC’s weekly list of top 10 channels across genres in the week under review were the same as in the previous week, but with a shuffling of ranks.

    Six Hindi GECs and one channel each from the Hindi movies, sports, Tamil and Telugu genres made up BARC’s across genres list for week 24 of 2019. From the network’s perspective, there were three channels from Star India, two channels each from Sony Pictures Network India (SPN) and Zee Entertainment Enterprises Limited (Zeel) and one channel each from Enterr 10 TV, Sun TV Network and Viacom18 respectively.

    As mentioned above, at first rank was Hindi GEC Dangal TV in week 24 of 2019 garnered 806687 million weekly impressions as compared to third rank and 805.510 million weekly impressions in week 23. Dangal also headed BARC’s weekly lists of top 10 Hindi GECs in the combined urban and rural Hindi speaking market -HSM (U+R) and HSM (R).  Dangal was ranked seventh in HSM (U). An Indian mythology programmes– Mahima Shanidev Ki and a family drama Baba Aiso Var Dhundo on Dangal were in BARC’s list of  Top 5 Hindi GEC programmes based on average rating across all original airings in the week in HSM (R).

    Moving up to second rank with 763.962 million weekly impressions in week 24 of 2019 was Star Sports 1 Hindi as compared with third rank and 784.016 million weekly impressions in week 23. The channel was also ranked first in BARC’s weekly list of top 5 Sports channels during the week under review. Further, three of the top 5 sports programmes on average rating across all original airings in the week were aired on Star Sports 1 Hindi.

    With 762.613 million weekly impressions in week 24 of 2019 was Sun TV at third rank as compared to first rank and 811.795 million weekly impressions in the previous week. Sun TV also headed BARC’s weekly list of top 5 Tamil channels in the Tamil Nadu and Puducherry markets and four of the top 5 Tamil programmes in this market based on average rating across all original airings in the week were aired on Sun TV.

    Maintaining its previous week’s fourth rank was Zeel’s Hindi GEC Big Magic with 690.539 million weekly impressions as compared to 695.790 million weekly impressions in week 23. Big Magic was ranked second in BARC’s weekly lists of top 10 Hindi GECs in HSM (U+R) and HSM (R). Big Magic was ranked eighth in BARC’s weekly list of top 10 Hindi GECs in HSM (U).

    Climbing up two places to fifth rank was Zeel’s flagship Hindi GEC Zee TV in week 24 of 2019 with 680.603 million weekly impressions as compared to seventh rank and 612.470 million weekly impressions in week 23. Zee TV was ranked third in HSM (U+R), HSM (U) and HSM (R). The Balaji Telefilms produced Kumkum Bhagya, its spinoff Kundali Bhagya and Tujhse Hai Raabta aired on Zee TV were among the top 5 Hindi GEC programmes based on average rating across all original airings in the week in HSM (U+R), HSM (R) and HSM (U).

    Dropping a rank to sixth place in week 24 of 2019 was Star India’s flagship Telugu GEC Star Maa with 626.797 million weekly impressions as compared to fifth rank and 653.203 million weekly impressions in week 23. Star Maa was also ranked first in BARC’s weekly list of top 5 Telugu GECs in the Andhra Pradesh/Telangana markets and three of the five programmes in BARC’s weekly list of top 5 Telugu programmes based on average rating across all original airings in the week in these markets were aired on Star Maa.

    Also dropping by a rank to seventh place in week 24 of 2019 was Star India’s flagship Hindi GEC Star Plus with 624.298 million weekly impressions as compared to sixth rank and 626.032 million weekly impressions in week 23. Star Plus was also ranked fourth in BARC’s weekly list of top 10 Hindi GECs in both HSM (U+R) and HSM (R) and first in HSM (U). Yeh Rishta Kya Kehlata Hai on Star Plus was amongst BARC’s weekly list of top 5 Hindi GEC programmes on average rating across all original airings in the week in HSM (U+R).

    SPN’s Hindi GEC Sony SAB retained its previous weeks rank at number eight with 552.626 million weekly impressions as compared to 541.665 million weekly impressions in week 23. Sony SAB was ranked fifth in BARC’s weekly lists of top 10 Hindi GECs in HSM (U+R) and HSM (R) and was ranked second in HSM (U). One of the longest running Indian sitcom – Taarak Mehta Ka Ooltah Chashma on Sony SAB was among BARC’s weekly list of top 5 Hindi GEC programmes on average rating across all original airings in the week in HSM (U).

    Climbing up a rank to ninth place in week 24 of 2019 was SPN’s Hindi movies channel Sony Max with 524.681 million weekly impressions as compared to tenth rank and 526.994 million weekly impressions in the previous week. Sony Max also topped BARC’s weekly lists of top 5 Hindi movies channels in HSM (U+R), HSM (U) and HSM (R). Hindi feature films Bahubali The Beginning and KGF Chapter 1 were in BARC’s weekly list of top 5 Hindi Movies programmes on average rating across all original airings in the week in HSM (U+R), HSM (R) and HSM (U).

    Viacom18’s flagship Hindi GEC Colors dropped a place to tenth rank in week 24 of 2019 with 521.025 million weekly impressions as compared to ninth rank and 536.369 million weekly impressions in week 23. Colors was ranked sixth in BARC’s weekly lists of top 10 Hindi GECs in HSM (U+R) and HSM (R) and was ranked fourth in HSM (U).

  • BARC week 23: Sun TV claws back to first place across genres, Star Sports 1 Hindi re-enters list

    BARC week 23: Sun TV claws back to first place across genres, Star Sports 1 Hindi re-enters list

    BENGALURU: The Sun TV Network’s flagship Tamil GEC Sun TV was ranked one in Broadcast Audience Research Council of India’s (BARC) weekly list of top 10 channels across genres in week 23 of 2019 (Saturday, 1 June 2019 to Friday, 7 June 2019, week under review). Enterr 10 TV’s Hindi GEC Dangal, the normal occupier of first place in non-IPL week’s after the implementation of TRAI’s new tariff order climbed down to second place during the week under review.

    And now that ICC’s World Cup 2019 cricketing tourney is on, Star India’s Hindi Sports channel – Star Sports 1 Hindi re-entered BARC’s weekly across genres list at third rank in week 23 of 2019. Consequently, a number of channels dropped a rank in week 23 of 2019 as compared to their ranks in the previous week. Sony Pictures Network India (SPN) Hindi movies channel Sony Max also re-entered BARC’s across genres list on the back of SS Rajamouli’s Bahubali The Conclusion and old faithful Sooryavansham among other movies at tenth rank.

    Six Hindi GECs, and one channel each from the Hindi movies, sports, Tamil and Telugu channels comprised BRAC’s weekly list of top 10 channels across genres in week 23 of 2019. From the network’s perspective, there were three channels from the Star India fold, two channels each from SPN and Zee Entertainment Enterprises Limited (Zeel) and one channel each from Enterr 10 TV, Sun TV Network and Viacom18 in the list.

    As mentioned above, Sun TV was ranked one in week 23 of 2019 with 811.795 million weekly impressions as compared to second rank and 765.397 million weekly impressions in week 22. Sun TV also headed BARC’s weekly list of top 5 Tamil channels in the Tamil Nadu and Puducherry markets and four of the top 5 Tamil programmes in this market based on average rating across all original airings in the week were aired on Sun TV.

    Dangal TV at second rank in week 23 of 2019 garnered 805.510 million weekly impressions as compared to first rank and 884.884 million weekly impressions in week 22. Dangal also headed BARC’s weekly lists of top 10 Hindi GECs in the combined urban and rural Hindi speaking market -HSM (U+R) and HSM (R).  Dangal was ranked seventh in HSM (U). An Indian mythology programmes– Mahima Shanidev Ki and a family drama Baba Aiso Var Dhundo on Dangal were in BARC’s list of  Top 5 Hindi GEC programmes based on average rating across all original airings in the week in HSM (R).

    Star Sports 1 Hindi entered BARC’s weekly list of top 10 channels across genres in week 23 of 2019 with 784.016 million weekly impressions at third rank. The channel was also ranked first in BARC’s weekly list of top 5 Sports channels during the week under review. Further, four of the top 5 sports programmes on average rating across all original airings in the week were aired on Star Sports 1 Hindi.

    Dropping a place to fourth rank in week 23 of 2019 was Zeel’s Hindi GEC Big Magic with 695.790 million weekly impressions as compared to third rank and 732.325 million weekly impressions in the previous week. Big Magic was ranked second in BARC’s weekly lists of top 10 Hindi GECs in HSM (U+R) and HSM (R). Big Magic was ranked eighth in BARC’s weekly list of top 10 Hindi GECs in HSM (U). The Indian mythology drama Parmavtar Shree Krishna aired on Big Magic was present in BARC’s weekly list of top 5 Hindi GEC programmes based on average rating across all original airings in the week in HSM (R).

    Star India’s flagship Telugu GEC Star Maa also dropped a rank to fifth place in week 23 of 2019 with 653.203 million weekly impressions as compared to fourth rank and 643.989 million weekly impressions in week 22. Star Maa was also ranked first in BARC’s weekly list of top 5 Telugu GECs in the Andhra Pradesh/Telangana markets and four of the five programmes in BARC’s weekly list of top 5 Telugu programmes based on average rating across all original airings in the week in these markets were aired on Star Maa.

    Dropping down a place to sixth rank was Star India’s flagship Hindi GEC Star Plus with 626.032 million weekly impressions as compared to fifth rank and 641.814 million weekly impressions in week 22. Star Plus was also ranked third, fourth and first in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R), HSM (R) and HSM (U) respectively. The reboot of  Balaji Telefilm’s  Indian soap opera Kasauti Zindagi Kay on Star Plus was amongst BARC’s weekly list of top 5 Hindi GEC programmes on average rating across all original airings in the week in HSM (U).

    Zeel’s flagship Hindi GEC Zee TV also dropped a place to seventh rank with 612.470 million weekly impressions as compared to sixth rank and 628.588 million weekly impressions in week 22. Zee TV was ranked fourth in HSM (U+R), fifth in HSM (U) and was ranked third in HSM (R). The Balaji Telefilms-produced Kumkum Bhagya its spinoff Kundali Bhagya aired on Zee TV were among the top 5 Hindi GEC programmes based on average rating across all original airings in the week in HSM (U+R), HSM (R) and HSM (U). Another programme on Zee TV -Tujhse Hai Raabta was also in BARC’s weekly list of the top 5 Hindi GEC programmes based on average rating across all original airings in the week in HSM (U+R).

    SPN’s Hindi GEC Sony SAB retained its previous week’s eighth rank in week 23 of 2019 with 541.665 million weekly impressions as compared to 535.117 million weekly impressions in week 22. Sony SAB was ranked fifth in BARC’s weekly lists of top 10 Hindi GECs in HSM (U+R) and HSM (R) and was ranked fourth in HSM (U).

    Viacom18’s flagship Hindi GEC Colors dropped two ranks to ninth place in week 23 of 2019 with 536.639 million weekly impressions and seventh rank and 612.337 million weekly impressions in week 22. Colors was ranked sixth in BARC’s weekly lists of top 10 Hindi GECs in HSM (U+R) and HSM (R) and was ranked third in HSM (U).

    As mentioned above, SPN’s Hindi movies channel Sony Max entered BARC’s weekly list of top 10 channels across genres in week 23 of 2019 with 526.994 million weekly impressions. Sony Max was ranked second in BARC’s weekly lists of top 5 Hindi Movies channels in HSM (U+R) and HSM (U) and was ranked first in HSM (R). Three movies on the channel – Bahubali 2 The Conclusion, Sooryavansham and Nela Ticket were among BARC’s weekly list of top 5 Hindi Movies programmes in HSM (U+R) and HSM (R), while Bahubali 2 The Conclusion and Sooryavansham were in the top 5 Hindi movies channels list in HSM (U).

  • APL Apollo launches TVC with Delhi Capitals players

    APL Apollo launches TVC with Delhi Capitals players

    MUMBAI: APL Apollo, the maker of steel tubes and the principal sponsor of the IPL team – Delhi Capitals, has launched a 360-degree campaign with a powerful idea called “The Inner Strength Of India”.

    Conceptualised by Crayons Communications, the TVC stars key players from the Delhi Capitals team.

    The Crayons Network president Ranjan Bargotra said, “It feels great to work with a client who loves to take bold, confident steps to build one’s brand. This is just the beginning, there’s a lot more in the pipeline which will take the brand to the next level.”

    Crayons Communications ECD Rondeep Gogoi said, “This shoot was like an IPL match. We had just five hours with the players at their hotel ballroom. It was complete madness, but we managed to hit it for a 6.”

    The ad has been directed by Aiman from Asylum films and the rap is by Kaam Bhaari of Gully Boy fame.

  • IPL 2019: Tech brands optimise ad slots to drive digital interactions

    IPL 2019: Tech brands optimise ad slots to drive digital interactions

    The Indian Premier League (IPL) has been growing with every iteration from its inception in 2008 and has become one of the most celebrated Twenty20 match formats in India. With some of the biggest players in the world joining in with local up-and-coming talent, the IPL has garnered both Indian and international audiences. According to BARC data, the first three games of IPL 2019 witnessed a 31 per cent surge in viewership as compared to last year.

    This massive audience can be the perfect opportunity for brands to position themselves and maximize their reach. Since we’re in the age of analytics, it would be a crime to leave out social media stats as well. In the month building up to IPL 2019 (20 February – 21 March), there were a total of 73,400 mentions and in terms of pure mentions across platforms and engagement stands at a whopping 1.1 million according to Talkwalker, a prominent social media analytics company based in Luxembourg.

    So when it comes to India, one thing to keep in mind is that cricket has no language. It’s our nation's favourite and most popular sport. In terms of revenue generating potential, Star India Pvt Ltd understood the capabilities and won the rights to the IPL. Last year, Star India aired the IPL final in eight languages across 17 channels.

    According to the BARC data analysed by Insidesport.co, 22 per cent of the viewership for IPL has come from regional language feeds. These statistics establish how Star India has been able to expand into, and open regional markets well than previous IPL seasons on the Sony Pictures Network.

    In fact, it is such a big opportunity for advertisers that Star TV has requested permission from the BCCI to broadcast political advertisements during the telecast of the games. While the IPL takes place from 23 March to 19 May, Lok Sabha elections are scheduled between 11 April and 19 May. For many political parties, this is a one-of-a-kind opportunity to connect with voters all across India.

    Coming back to brands and advertising, another aspect to consider is the evolving arena. Consumers are now watching IPL content on OTT platforms such as Hotstar, SonyLiv, etc. Star India said it would offer targeted ads on its video streaming platform – Hotstar for IPL 2019.

    As the viewing experience has diversified, advertisers are also changing their focus by using analytics to reach their TG with more relevant content. Broadcasters are increasing their efforts to take advantage of regional markets by targeting demographics on different platforms with different content as well.

    But purchasing ad space during the IPL is not for every advertiser. Only the most successful and premium brands are able to buy the coveted space of 10-20 seconds. So in turn, the question doesn’t come down to national or local advertisers but rather tech brands and non-tech brands.

    A majority of ads during the IPL (more than 60 per cent ads) on TV and OTT platforms are tech ads. Companies like Swiggy, Paytm, Netmeds and Make My Trip utilise these ad slots on mainstream media to drive interaction their own digital platforms.  

    Another key factor when it comes to advertising is actually the year. The ICC World Cup will also take begin in May 2019 and hence ads on the IPL and World Cup 2019 may be seen as a double-edged sword. If well strategised, brands can take advantage of the opportunity to gain maximum traction during these mega events. On the other hand, if unplanned, ad budgets are likely to dwindle leaving sub-standard visibility during only a single event.

    For brands not considering a direct tie-up with broadcasters, IPL fever can still be used to your advantage. If budgets are low, consider piggybacking on hashtags and contests to increase visibility and engagement. If adequate budgets are available, on-ground activations at stadiums can be a gold mine creating buzz amongst the attendees and connecting with your audience on a one-to-one basis.

    Similar to the IPL teams competing against each other, brands are starting to compete against each other for ad slots. Being one of the biggest opportunities to reach audiences across the country, brands are likely to bid against one another for a coveted piece of the IPL pie.

    (The author is CEO and MD at NeoNiche. The views expressed are his own and Indiantelevision.com may not subscribe to them.)

  • This cricket season ‘dineout’ launches ‘Predict online & eat offline’ campaign

    This cricket season ‘dineout’ launches ‘Predict online & eat offline’ campaign

    MUMBAI: Full-stack technology service provider in the online restaurant-booking space, dineout after having launched its ‘predict online & eat offline’ campaign on the sidelines of IPL 12th edition, has already crossed over 10 crore cashback to users within the first week of the series.

    The new campaign is launched with a focus to bring people together during cricket matches and encourage them to dine-out at their favourite restaurant.

    Speaking on the campaign, dineout co-founder and CEO Ankit Mehrotra said, “Cricket is like a religion in India, and people love watching it. Through this campaign, we are stressing towards a cultural and lifestyle shift. We somewhere feel that the whole era of going out and enjoying cricket matches at a restaurant with your loved ones is fading away. Therefore with this campaign, we wish to see a change in our lives. We are not just saying to go out and have food, but make more memories over a meal while enjoying your favorite sport at a restaurant.”

    ‘Predict online & eat offline’ allows users to predict the winning team every day along with the scores for each team to stand a chance to win up to Rs. 900 dineout earnings every day. The results of predictions will be revealed at the end of every match along with the credit of the earnings won. Earnings worth Rs. 50,000 can be won this season. The top scorer in ‘Predict and win’ will win a trip for 2 to London powered by Ixigo.