Tag: IPL 2022

  • We are not a “fast-driving” delivery company, we are a “fast delivering” company: Zepto CMO

    We are not a “fast-driving” delivery company, we are a “fast delivering” company: Zepto CMO

    Less than a year since its launch in July 2021, Zepto – the newest kid on the quick commerce block, has been giving other established players in the category a run for their money, by promising and, more importantly, delivering on its promise of 10-minute grocery delivery in tier 1 cities.

    In an exclusive interaction with Indiantelevision.com, Zepto’s chief marketing officer, Amritansu Nanda spells out the specifics behind the company’s rapid growth in such a brief period. He also tackles some ‘myths’ around the 10-minute delivery model, while addressing the backlash that the very concept of “quick delivery” has been receiving in recent times for putting undue stress on delivery agents.

    Nanda also weighs in on the value-add the company hopes to garner through its IPL campaign debut featuring celebrity singers this cricket season, even as he declined to comment on whether the “surge pricing” introduced by rival app, Blinkit would be replicated or adopted by other players on the quick-comm block, such as itself.

    As per a recent market report released by Bobble AI Data Intelligence Division, the quick delivery app founded by two 19-year-old Stanford dropouts, Kaivalya V. and Aadit Palicha, witnessed a whopping 946 per cent user growth between December 2021 and March 2022, as against the 94 per cent and 58 per cent growth achieved by rivals Dunzo and Big Basket, respectively. The privacy-compliant study also revealed that the relatively new entrant Zepto had the highest active users on their app month on month, during the same period.

    Earlier this month, the delivery startup announced its $200 million Series D fundraise, valuing the company at around $900 million, led by investors Y Combinator Continuity and backed by some of its key existing investors, including Nexus Venture Partners, Glade Brook Capital, and Lachy Groom, who have increased their investments in the company as well.

    An alumnus of Indian Institute of Technology, Delhi and Indian Institute of Management, Calcutta, Amritansu Nanda served as former head of marketing at Pepperfry and head of digital marketing & D2C at FACES Cosmetics India. He was the co-founder of Ziptest in 2016 and also had a brief stint as senior analyst at Goldman Sachs.

    Edited Excerpts:

    On reason behind the grocery startup’s stupendous growth in such a short period of time

    We started operations towards the end of July 2021, August being our first full month. Since then, we have seen a meteoric rise in our business. Over the past few months, we have grown more than 800 per cent Q-o-Q. All of this has been achieved not only by acquiring customers very efficiently and very quickly, which of course, has happened through our variety of marketing channels- both offline and online. But it is also because customers loved the experience and they decided to stick with us. Our first month user retention is at 61 per cent, and our NPS (net promoter score) is 88 – one of the highest in the e-commerce industry, which is an indicator of how happy customers are and how likely they are to be promoters or advocates of the brand.  
    For sure, we have seen a massive increase in business. Our expansion into the geographies, going deeper into the top ten cities – all of that has aided our growth significantly. But at the end of the day what’s really important for us is that the (buyer) retention rates remain very high. Which means that the customer experience that we are providing has to be phenomenal, and that is where our focus is. We have our heads down, focusing on delivering on that promise day in, day out.

    On thriving amid inflation, supply chain issues & changing consumer sentiments during the pandemic

    We actually launched after the first and second waves of the pandemic, so we did not benefit (or suffer) from the lockdowns, when I think e-grocery as a category saw a significant surge. But despite that, the adoption and consumer love we have seen has been phenomenal. And that’s all down to the seamless brand offering that we have. Through all of the macro-economic information out there, there is definitely going to be some decisions that consumers will be making, but at the end of the day, the fundamentals don’t change much. And the fundamental is that if convenience-seeking consumers can get great, reliable service that provides quality assortment at affordable prices then I don’t think other environmental parameters will play much of a role there. And for the same reasons we have been quite unaffected through the inflation and supply chain issues.

    On the IPL campaign debut

    Indian Premier League (IPL) is a very interesting property, it’s the largest media event of the country. And it so happened, when IPL was kicking off this year, at the same time we also had a close to 80 per cent coverage of the top ten cities. Which was like a tipping point for us, that here on, we will only increment our user base. So there was a nice juxtaposition of the two events.

    Meanwhile, we also saw that all our earlier communication had been very rational and functional in terms of the app’s benefits. But IPL actually provided us the opportunity to move deeper into the consumer psyche. We identified what’s the core insight that we want to tap into. And that core insight was that “Indian Stretchable Time”, has become a core reality in our country. And we then tried to create a sharp contrast with how the  Indian Stretchable Time  is ubiquitous with consumer lives, but Zepto is a welcome exception to that unsaid rule. That’s where the whole concept of ‘Ye time kheechne ki aadat se pareshaan’ came along. The basic concept being that most other services in the country seem to not value the consumers’ time as much, but Zepto does. So it was more of an emotional connection between the brand and our consumers, which is where we feel that we have evolved and come a long way to having so many layers in our communication. It was a coming-of-age period for the Zepto brand. No doubt, having celebrities in the campaign also helped increase the appeal and humour quotient of the creatives.  

    On Zepto’s current consumer demographic

    Currently we are present only in the top ten cities, so it’s natural most of our consumers are from there and within these cities our footprint is increasing consistently. In terms of TG, we are focused on millennials and Gen Z, while there’s also a significant chunk of our customers that are Gen X and above.

    On the criticism surrounding concept of “quick delivery”

    We respect the origin of this concern, the idea around it being- is it an indulgence which is unsafe for someone else – and that’s a point of view that’s worth appreciating. As a consumer, I would be really concerned if a business model would not be taking everyone into account. Having said that, we would like to tackle some myths around it. First of all, our delivery partners don’t ride fast, they are not supposed to. Our average distance for delivery is 1.8 kms and the average delivery time is ten minutes. If we do the math, it’s less than 12 kms per hour on average, which is really low! so it’s difficult to imagine that by design any of our delivery partners (by following this stipulation) would be endangering lives, in general.

    We realise, however, that people are probably not doing the math because it’s scattered information. Which is why, we now have the speed of delivery mentioned on the app itself. As soon as one places the order, they get to know the name of the delivery partner, the location status of that partner, and the speed at which he or she will be driving. And in most cases it’s less than 20 kms per hour. So I think the idea has started seeding now, that we are not a fast-driving delivery company, we are just a fast delivering company, and the fast delivery happens because we are very close to you, and not because we are driving faster.

    Additionally, for our delivery partners in particular, there is no inherent stress at all, as there is no incentive if they deliver on time even as there is no penalty if they are late in delivering. It’s our belief on the conscientiousness of the consumers, whenever there is any delay we mention it through our communication on the app, through our push notifications that there might be a delay because of traffic or rains etc. We have seen that customers really understand, that’s why we are all on the same team.

    The only thing to be aware of is that, by design, our 10-minute delivery model is significantly safer than any other hyper-local delivery format because of the shorter distances involved. Additionally, we also have a good physical presence so our delivery partners operate constantly in that same community. We want to grow with the community and become a vibrant part of it. We are trying to create a massive win-win scenario for everybody.

    On the marketing road map ahead for Zepto

    Our major focus is going to remain the top ten cities itself, because it’s a massive opportunity and there’s a long way to go within these markets itself. Having said that, expanding into other geographies is not off the table but our key focus is to go deeper into the existing markets.

  • Ravi Shastri’s ‘king of good times’ avatar in latest Cred ad sets the internet abuzz

    Ravi Shastri’s ‘king of good times’ avatar in latest Cred ad sets the internet abuzz

    Former Indian cricket head coach, Ravi Shastri’s fondness for alcohol is well known. Shastri himself has never shied away from acknowledging that a good brew of beer is good enough to lift his spirits! But this has also led him to be the butt of trolls and a source of many memes on social media on numerous occasions in the past. Cashing in on this premise, Cred’s latest and probably the final ad spot for this IPL, celebrates and reinforces this image of Shastri as Indian cricket’s ‘King of good times’. And the internet is loving it!

    A day prior to the campaign launch, Ravi Shastri set the internet abuzz by sharing speculative pics of him partying away (which we now know are shots from the ad film) with suggestive captions such as: ‘Good mornings are optional if you haven’t slept at all’, or ‘My family lives in Mumbai and I live in the moment.’ And even bizarre tweets like ‘Mujhe kya mein toh chill hun’ and suspicious sounding ones like: ‘I’m in a good mood today, ask me anything. #AskRavi ‘

    Sharing the brand film with a hilarious ‘Don’t remember any of this’ caption, Shastri even went on to update his Twitter bio to ‘Happy Hours always ’ followed by a ‘cheers’ emoji.

     

     

    The film showcases the former coach in a badass, snazzy avatar, and further drives in his spirit-loving image, with the comical usage of the popular ‘sattar minute’ phrase for happy hours, and lines like ‘I used to be a batsman, but for you, I can be a keeper’, ‘Waste mat karo yaar’ for popping the bubbly.

    Also, Jim Sarabh seems to have retired well and truly from the brand’s films, with his signature line taken up by the celebrity himself- in this instance Shastri- spouting lines like, “Being Ravi Shastri is fun. But not as fun as paying your credit card bills on Cred and getting rewards!”

    The writing is credited to the AIB team of Tanmay Bhat, Devaiah Bopanna, Puneet Chadha, among others. The Twitterati, of course, lapped it up, with even his former coaches and team India cricketers joining in the fun and banter surrounding the video. Indian Cricketer Yuzvendra Chahal responded to the film with a tweet saying: Ravi Shastri gave the best ’70 minute’ speech ever.

    Addressing the senior cricketer, ‘Ravi sir’, cricketer Shubman Gill called it “Dawn of a new era”.

    Meanwhile, television and cricket presenter, Gaurav Kapur, known for being the host of the pre-match Indian Premier League show, Extraaa Innings T20 and Cricbuzz Live jumped in, saying, “I can personally vouch for the fact that evenings with the champ are as much fun as this”, following it with partying emojis.

     

     

    Cred shared the video on YouTube with the accompanying, fun message purportedly from the senior cricketer: “As Ravi Shastri, I want to make it very clear that all my parties are invite-only. But I admire our youth and their potential, so if you’re able to do all of the following, you’re automatically on the guest list.”

    It went on to add five pointers for ‘making the cut: “1. Open beer bottles with a bat. If you ask how, you’re already out. 2. Analyse footage from the party to see where drinks were wasted 3. Bartend 24×7 4. Carry an extra case of cough syrup at all times 5. Parallel park the bar-counter If you make the cut, congratulations. You’re never going to remember another night in your life again”.

    The caption goes on to make a case for the credit card payment app brand, with the cricketer signing off with: “Believe me, I know what’s fun.”

    Gauging from the change in tone and tenor of the latest Cred ‘Play it Different’ ad, from its previous nostalgia-inducing series and before that, the celebrities doing stuff completely uncharacteristic to their personalities – remember the angry Dravid and quirky Kapil Dev films- would this be the beginning of a new series of ad films for the credit card payment brand? One wherein celebrities join in to reiterate and even reinforce their much-maligned image? If so, wonder which other celebrity is going to go next! Wait and watch this space for more…

  • IPL campaign was a critical milestone towards becoming synonymous with quick-commerce: Zepto CMO

    IPL campaign was a critical milestone towards becoming synonymous with quick-commerce: Zepto CMO

    MUMBAI: Ten-minute grocery delivery app and the youngest entrant on the quick commerce scene, Zepto launched its latest IPL campaign last week. Crafted by L&K Saatchi and Saatchi, the third film in what has been a high decibel campaign in more ways than one considering it features powerhouse singers has veteran versatile vocalist Usha Uthup displaying her vocal prowess this time, after Kailash Kher and Shankar Mahadevan.

    Aiming to emphasise the time-stretching habits prevalent in our society, the brand films showcase each of the three artists in never-before-seen avatars, stretching their vocal chords in uncharacteristic settings: Kailash Kher as a cocky waiter in a crowded eatery, Shankar Mahadevan as a cool-as-cucumber airline staff at an airport and now Usha Uthup as a matronly nurse in a clinic’s waiting room.

    Speaking to IndianTelevision.com, Zepto chief marketing officer Amritansu Nanda reveals the brief given by the brand to the agency for the campaign. “Our consumers lead busy, fast-paced lives, and most of them are not used to having their time valued. The concept of our campaign roots from this very human insight that time is seen as an expendable commodity in India (hence the caption ‘Time kheechne ki aadat se pareshaan’)”.

    Whether you are waiting for your food at a restaurant or to board a flight, the infamous ‘Indian Stretchable Time’ is something we’ve all experienced, he continues. “Through our communication, we wanted to bring in a shift and a surprise- Assure our consumers that we value their time and surprise them with how Zepto delivers on time.”

    The objective of the campaign, says Nanda, was to move beyond functional communication that only highlights instant gratification, to “a more meaningful, relatable story that aligns with the concept of time”. “We wanted to build stronger resonance amongst the existing TG while acquiring new digitally-savvy consumers.” Beyond it all, the idea was to build a campaign that cultivates competitive mindshare for Zepto; one with high repeat viewability, stickiness, and consumer love for the brand, he adds.

    On enlisting the three celebrity singers Shankar Mahadevan, Kailash Kher and Usha Uthup for the ad films, Nanda says, “We wanted to bring in faces that share a deeper connect with our core TG- millennials & Gen Z’s, and also lend credibility to the brand and its concept.”

    Stating that the campaign was a critical milestone in Zepto’s journey towards becoming synonymous with quick-commerce, he asserts, “Kailash Kher, Shankar Mahadevan, and Usha Uthup in their unusual roles didn’t just bring alive the concept of ‘Indian Stretchable Time’ in their inimitable style, but also made the case for Zepto and its on-time delivery promise with relatability at its core.” The campaign delivered the perfect blend of entertainment and salience, cutting through the clutter during IPL, he adds.

    Being a digitally native brand, Zepto chose to run its IPL campaign on the OTT platform Disney+Hotstar instead of opting for television or on-ground sponsorship, as it speaks to the ‘digitally-savvy’ audience. The brand is stoked with the response that all three of the brand films have been receiving across digital platforms. Says Nanda, “With Hotstar as our central platform, we were able to target the perfect set of audiences across our ten core markets.” The campaign has certainly helped us drive awareness, engagement & trials, he says signing off.

    Watch the three brand films here:

  • Partnership with MI helped DHL expand TG & become a household brand: Sandeep Juneja

    Partnership with MI helped DHL expand TG & become a household brand: Sandeep Juneja

    MUMBAI: The sports sponsorship market is booming. Never before has more money been pumped into marketing sporting events, athletes and sports teams- globally as well as in India. According to a recent Nielsen study, sports sponsorships were up by 107 per cent in 2021, even as sponsorships drove an average of 10 per cent lift in purchase intent among the fan base. Today, aided by accelerated digitalisation, sports sponsorship offers brands entirely new opportunities than a few years ago, that’s especially attractive. And when it comes to sporting properties in India, it goes without saying that the Indian Premier League (IPL) is indisputably the mother of them all!

    For the second consecutive year DHL Express India, one of the leading players in logistics, parcel delivery, e-commerce shipping and international supply chain management is the principal sponsor and official logistics partner of Mumbai Indians (MI). The deliverables entailed in the partnership are indicative of the brand’s 360-degree approach. While the brand logo can be prominently seen on the back of the players’ jerseys, DHL branding is visible in the player dugout banners, stadium concourse, outdoor, as well as digital and print ads of the MI team and all its official stationery. And that includes the right to present the coin toss in one home match!

    As DHL Express (DHLE) India, enters its second year of partnership with Mumbai Indians, IndianTelevision.com had an exclusive interaction with DHLE India VP of sales and marketing Sandeep Juneja to try and understand the background and rationale behind the continued association. Having joined DHLE in 2004, Juneja worked his way up in the organisation, taking on the mantle of VP- sales & marketing in October 2013. He has played a key role in driving the sales and marketing strategies, especially in the new normal.

    Juneja also shares insights into the value and ROI that DHLE gained basis the partnership as well as the campaigns it has planned to further leverage the collaboration. Despite its bad run at the IPL this year the MI team remains one of the crowd favourites. The brand recently released its latest ad film featuring the MI players titled ‘DHL #TheTeamBehindTheTeam for Mumbai Indians – 2022.’

    Edited excerpts:

    On the value/ROI that DHLE gained basis its partnership with Mumbai Indians in 2021

    2021 was a bit different for the Indian Premier League. While it started with an in-stadia audience, the second wave of Covid-19 put a halt to the game, moving it to the later part of the year. However, for DHL Express India, it still ended up being a fruitful association with the team. As per Broadcast Audience Research Council (Barc) India data, while the tournament’s reach (live matches on TV) in India was 405 million, matches featuring Mumbai Indians were watched by 306.5 million households. In fact, the buzz on social media around the team also saw an 18 per cent growth over 2020.  All this data only strengthens our belief in Mumbai Indians and this partnership. In fact, the presence of DHL’s logo on the back of the jersey positions us as the team behind the team and we have enjoyed great brand visibility with this association.

    On the background and rationale behind the long-term partnership with IPL & Mumbai Indians

    DHL, globally, over the years, has supported some of the world’s largest and most popular sports formats – from football to rugby, Formula One and even e-sports. Collaborating with prominent events helps brands, such as ours, to generate leads, and build customer loyalty and credibility. Cricket is a game that is well-loved and followed with ardent devotion in India, and many nations across the world. If you talk about the Indian Premier League, it is a festival in this country. The league has been able to successfully bring together sports and entertainment, making it an event for everyone, regardless of age or gender. IPL brings countries together and gets them all on one single platform.

    Even within the IPL, it was essential for us to partner with a team that shares similar values. For DHL Express, the partnership with Mumbai Indians demonstrates our support for sports given the shared spirit of speed, passion, teamwork, and a can-do attitude. Mumbai Indians has proved its mettle in the game. If one has to go with pure data, they tick all the boxes: five-time champion, most popular team in IPL, highest social media buzz generator during the game, and many more. Mumbai Indians demonstrates “Excellence: Simply Delivered,” which is in sync with our mission. Therefore, we are glad to be the principal sponsor and official logistics partner for Mumbai Indians for the second consecutive year.    

    Sports sponsorships, like the one with Mumbai Indians, gives us an opportunity to widen our canvas and expand our target audience. It helps us build brand awareness and equity with not only a more varied target group but also reconnect with our customers and stakeholders through multiple touchpoints, a necessity in a post-pandemic world. Through this partnership, we hope to better connect with our customers and reach out to a wider customer base.  

    On how does the brand aim to strengthen its bond with its TG through this association

    The viewership data for IPL suggests that the tournament cuts across sections, gender, geography and age groups. It is a great platform to reach out to people, primarily in the age group of 25-35, especially from tier I and II cities. This partnership with Mumbai Indians has helped DHL expand its target group and become a household brand. This season, we are looking forward to amplifying our MI partnership through a carefully curated and immersive 360-degree campaign with a focus on digital.

    With our various digital activations, we created multiple touchpoints, thus giving us an opportunity to have instant and engaging conversations with our audiences across gender, geography, and age groups. We have introduced an all-new brand film featuring the crowd favourite Mumbai Indians players, to establish ourselves as the team behind the five-time league champions, as well as our customers. In fact, our digital video on #TheTeamBehindTheTeam trended number two in the first hour of it being activated on Twitter. Also, via our several social media fan contests and campaigns like Six for a Cause, DHL Match Ke Stars, the interaction with both the MI players and fans were much more authentic. We were able to tap into a new set of customers and build a greater connection with our existing customers via this crowd favorite game.

    On the strategy and activations planned to further leverage this collaboration

    With the traditional and digital worlds merging, it is vital for brands to leverage new technology and utilise digital platforms to develop engagement like never before. After a fruitful partnership last year, this season, we aim to amplify the association via a 360-degree marketing approach. Through digital, social, radio, print, and outdoor mediums, we will take our activations to the next level. We have leveraged all these mediums to ensure our visibility on and off the field.

    Given that people are stepping out of their homes again, we have focused on outdoor advertising as well. This will include personalised branding on over 50 DHL vans, outdoor ads & radio spots. We are working on creating interactive content to engage with our target audience on social media.

    We will also engage with Mumbai Indians fans as well as our current and potential customers via fan contests on social media like ‘DHL Match Ke Stars’ and through our alpha campaign – ‘Six for a Cause.’ The campaign will showcase Mumbai Indians players holding interactive sessions with the blind cricket team. We will also donate Rs 20,000 for every six that a MI player hits during their game. The proceeds of this will go to Samarthanam Trust for the Disabled which supports blind cricketers.

    The focus for any brand that wants to build and retain its market position should be put on continuous user engagement, via digital touchpoints such as search engine marketing, snackable digital content, online knowledge sharing and round-the-clock availability of sales executives. We employ a 360-degree marketing mix to build stronger customer relationships. Be it television, radio, online or print, we try to ensure our brand visibility across media channels. We believe in leveraging all these channels throughout the year.

  • Women’s T20 Challenge 2022: BCCI invites quotations for title sponsor rights

    Women’s T20 Challenge 2022: BCCI invites quotations for title sponsor rights

    Mumbai: The Board of Control for Cricket in India (BCCI) has announced the release of request for quotations (RFQ) for title sponsorship rights For Women’s T20 Challenge 2022. The BCCI invited quotes from reputed entities for acquiring the title sponsorship rights for the Women’s T20 Challenge 2022. The RFQ will be available for purchase till 4 May.

    Earlier last week, the BCCI president Sourav Ganguly had confirmed that the Women’s T20 Challenge will be held in Lucknow from 24-28 May. The confirmation comes a month after the BCCI revealed that it is mulling over a ‘full-fledged’ Women’s Indian Premier League (IPL) starting in 2023 which will involve Indian and overseas players.

    In March, the board announced that a franchise-based annual T20 tournament for women cricketers will be started from 2023. The tournament will contain six teams and will be referred as Women’s IPL instead of Women’s T20 Challenge

    This year, a three-team women’s T20 Challenge will be held in May during the IPL playoffs. While Pune was previously shortlisted as the venue, the board has now decided to host the tournament at the Ekana Stadium in Lucknow.

    According to the official release, the detailed terms and conditions governing the tender process including the process for submissions of quotes, rights and obligations, etc. are contained in the ‘Request for Quotation’ (RFQ) which will be made available on receipt of payment of a non-refundable fee of Rs one lakh plus any applicable goods and services tax. The procedure to procure the RFQ documents is enlisted in annexure A to this document.

    “Any interested party wishing to submit a quote is required to purchase the RFQ. However, only those satisfying the terms and conditions set out therein shall be permitted to submit a quote. It is clarified that merely purchasing the RFQ does not entitle any person to submit a quote,” stated the release.

    BCCI reserves the right to cancel or amend the RFQ process at any stage in any manner without providing any reason.

  • Cred IPL 2022 campaign: Has the brand lost the plot with its ‘nostalgia’ overkill?

    Cred IPL 2022 campaign: Has the brand lost the plot with its ‘nostalgia’ overkill?

    Mumbai: Love them or hate them, you can’t ignore them! Yes, we are referring to the ubiquitous Cred bounty ads. Whether you tune into Disney+ Hotstar to catch the day’s play of IPL or switch on your TV, the Cred bounty advertisements are out in full force. This time around, the brand turned the clock back to the 1990s, going on to serve the viewers a ‘bounty’ful of small screen nostalgia in a scene-by-scene recreation of the period’s all-too-familiar advertisements and television shows. There might even be a risk of overkill, with the jarringly repetitive call of “Cred Bounty” playing on a loop, ad nauseam.

    Nostalgia done right? Let’s hear what the industry executives and discerning netizens have to say on the latest bounty of Cred ads unleashed on the unsuspecting viewer.

    Cred ads have consistently played up the 90s nostalgia factor. Be it their 2020’s ‘Not everyone gets it’ IPL campaign with the decade’s popular film stars, playback singers, musicians who have you jamming to Cred jingles. Or its 2021’s ‘Great for the good’ IPL campaign, that had a staid Jim Sarbh doling out the credit card payment app’s virtues followed by a video of diverse celebs and sports stars from the decade in wholly uncharacteristic avatars. So we had a fuming, ballistic Rahul Dravid, a team of 90’s cricketers featuring in a boy-band and an eclectic Kapil Dev channelling his inner Ranveer Singh to the hilt. There was even a normally reticent, fresh off his Olympic-win Neeraj Chopra showing off his acting chops, though he technically belongs to this era.
    These ads were high on entertainment quotient and managed to grab one’s attention without trying too hard. Of course, whether they helped sell the product or not, is another matter entirely.

    For this year’s IPL season, the Bengaluru-based fintech brand has notably decided to play it a tad differently for its ‘Play it different’ 2022 IPL campaign, promoting its Cred Bounty feature.

    So we have the vintage Nirma Super Detergent ad recreated with Karisma Kapoor starring as the modern-day ‘Deepikaji’ in a near-perfect reproduction of the original ad. Then there was the recreation of the 90’s popular reality TV show Antakshari with its original anchors, Annu Kapoor and Renuka Shahane pumping up the energy levels of their teams ‘Afsane,’ ‘Begane,’ and ‘Tarane’ as well as that of the viewers with their infectious enthusiasm. The latest in the series shows Sharma ji chatting up his neighbour Gupta ji about the prizes in store with Cred bounty, in yet another throwback to the 90s ads. All three of the brand’s latest attempt at rewinding the years are rendered in the definitive technicolour aesthetic of the retro-era that effectively transport one back in time.

    While there were several individuals who felt the fintech brand is “revolutionising” the advertising industry with its novel and innovative marketing experiments to grab attention there were the naysayers too, with one user on social media going so far as to declare, “The only reason I am not seeing IPL this season is due to the flurry of irritating ads from Cred.”

    “I don’t hate the new Cred ads. How can I hate something I don’t understand?,” posted Schbang creative strategist Devargh Mukherjee on LinkedIn, with several voices from the corporate world chiming in agreement.

    Bombay Shaving Company founder and CEO Shantanu Deshpande noted tongue-in-cheek that the quality of the Cred ad is directly proportional to the value of the Cred coin.

    Some were scathing in their critique. “Cred I guess you have bought the wrong book of 1000 best marketing ideas or got the wrong agency. Go buy another one or change your agency,” ABC Talkies founder and chief executive officer Shalibhadra Shah held.

    The ads are conceptualised and written by the brand’s established team of writers, comprising Tanmay Bhat, Devaiah Bopanna, Puneet Chadha and Deep Joshi, and produced and directed by Early Man Film and Ayappa respectively.

    “IPL with Cred is a platform for us to work with iconic celebrities in the most creative and twisted ways possible,” Ayappa had said of the latest 90’s blitzkrieg from the Cred factory.

    There were many who lauded the campaign’s production values and attention to detail to reinvent the bygone era’s ads. “Bhai maan gaye, aapki soch and production dono ko,” extolled one netizen.

    “What makes both the antakshari and the Karisma Kapoor ads stand out is the authentic recreation of the square-sized video and the then picture and sound quality, in order to hit the nostalgia among the credit card users,” stated SoCheers Film director Jitendra Hirawat to IndianTelevision.com. “For this year’s IPL campaign too, they picked up yet another strong insight that most credit card users in 2022 would have grown up in the 90s. Hence, the use of typical 90s ad templates for the execution,” he said, adding that, despite the execution for the campaign being “a little different from all their other properties,” it held up “Cred’s innovative USP.”

    Independent brand strategist Ambi Parameshwaran had a differing point of view. “Cred advertising is attempting to do just one thing: Brand recall. Their ads featuring old film stars and cricketers were much talked about. Their recent series spoofing old ads is patchy. Some of the ads spoofed were hardly memorable to start with. And their spoofs are missing the zing of the Bappi Lahiri or Rahul Dravid spots,” he lamented.

    According to White Rivers Media influencer marketing and video production director Tanish Shah the ad is well shot and packaged too, but slightly more could have been done instead of simply playing repeat. “Perhaps, a lot could have been done to explain the product than just speaking about a particular feature of the product – which is vital. Besides, if I think from that lens, it kind of missed the bus. I’d have to say that the earlier ads were much better, he added.

    There were some who praised the creative agency but dissed the product, saying that Cred ads have done really well in using that to hide a “subpar” product.

    Some industry executives also lauded the brand for the creative freedom the writers of their ads got, positioning “creative freedom” as the most important thing in marketing.

    “Kudos to Cred for giving its agency free rein. However this is also reflective of the dangers of giving agencies free rein,” noted Singapore-based Ambrish Chaudhry on LinkedIn. “Half interesting idea but probably felt more powerful in the boardroom with its advertising and marketing echo chamber than in the real world. Also no consistency with the previous hugely successful campaign and no link to existing brand assets. This could have been an ad for any brand. In my opinion, the recall and link with Cred will be minimal,” he added.

    Similar sentiments were echoed by several creatives. “While everyone’s talking about Cred, Jar, and Zepto for aptly portraying the 80s and 90s, some of us are still dealing with clients who’ve rejected similar ideas in the past and will probably show us these brand films tomorrow as a reference,” rued creative strategist Palak Kaur Anand.

    Meanwhile, J Walter Thompson creative director Anurag Acharya wrote: I think there should be a ‘Cred’ category in ad awards for ads that cater to consumers, not to awards, made for products/services, not for a document called brief.

    One argument that is consistently made out in favour of these ads are that they are meant to strike a nostalgic chord with their target audience- that’s the growing-up-in-the-90 generation and present day credit card users and payers. Millennials aren’t their TG. It’s the people in their late 30s, 40s and 50s, who are the majority spenders of their credit cards. It’s the perfect way to hook the 90s kid, felt many.

    But is the “90s kid” such a prospective demographic as a customer for the brand? Apparently, yes!

    “Well played, Cred, once again! 🙂 Attention-grabbing for those who have grown up with/ seen the older DD ad!,” communications strategy consultant Karthik Srinivasan posted about the campaign.

    So, what is it about nostalgia and why do brands latch onto it for marketing?

    Cred’s not the first, and far likely to be the last to peddle nostalgia- There’s beverage brand Paperboat, which right from its brand name to its packaging has been invoking nostalgia.

    Nostalgia marketing” is a strategy rooted in psychology, and these processes are incredibly effective. Because nostalgia makes us crave the past, and when used in advertising, it appeals on a sentimental, emotional, and powerful level to the audience.

    Well, if the surge in traffic to its app is any indicator, the strategy seems to have paid off for the fintech brand, at least so far. The Cred app saw a spike in traffic to the tune of 10-20 times during the IPL powerplays this season, according to Ganesh Subramanian, who heads architecture at the fintech company.

    So, whether it’s brickbats or bouquets its ads have been garnering, Cred may well be laughing its way to the bank! How much longer will the “nostalgia economy” work for the brand, however, remains to be seen.

  • McDowell’s No1 Soda enters partnership with five IPL teams this season

    McDowell’s No1 Soda enters partnership with five IPL teams this season

    Mumbai: Diageo India’s flagship brand McDowell’s No1 Soda has announced its association with five IPL teams Royal Challengers Bangalore, Kolkata Knight Riders, Mumbai Indians, Sunrisers Hyderabad, and Rajasthan Royals as their ‘celebrations partner’ for the latest season of T20 Cricket.  

    “This year, McDowell’s No1 Soda plans to take the celebrations that arrive with the cricket season a notch higher with its campaign #No1YaariCheers. The umbrella spirits brand will be using this to enhance its engagement and celebration for this cricket season across languages and regions,” the brand said in a statement.

    The brand campaign is ideated and created by the creative team at DDB Mudra. Talking about the creative concept, DDB Mudra executive vice president and business partner Sujay Ghosh said, “McDowell’s No1 has always stood for Yaari and mehfil (gathering). Cricket epitomises both of these. Hence this cricket season, we took the opportunity to create a new way to celebrate. Chants (Cheers) will be the new language of fans and friends this year, powered by the teams and McDowell’s No1 Soda.”

    “Cricket is a sporting extravaganza that brings the entire country together with inspiring sporting action that’s a feast for Indians across the length and breadth of the country,” said Diageo India executive vice president and portfolio head – marketing Ruchira Jaitley. “So naturally, we are delighted to be associated with these five iconic teams. Moreover, this cricket season is the perfect platform to bring alive the special moments when yaars connect and make magic happen, whether while playing or else while watching this tournament. 

    “To further add to the fun and entertainment, we are excited to give fans a chance to cheer for their teams with inspiring and playful language like never before. McDowell’s No1 Soda is proud to share the spirit of Yaari with these amazing teams and build a meaningful new partnership,” Jaitley further said.

    “Every win is a celebration not because it is a win but because of all the hard work that goes behind it and this year we are delighted to associate with McDowell’s No1 Soda as our celebration partner and hope our 12th Man Army will join us in celebrations and cheer for the team,” Royal Challengers Bangalore vice-president & head Rajesh Menon said.

    A spokesperson for Mumbai Indians stated, “We welcome McDowell’s No1 Soda on board as we go into the fresh season and look forward to creating many opportunities for our fans to celebrate.”

    “Walking into a new season with our first win, we are extremely excited to have the iconic McDowell’s No1 Soda who has always resonated and stood for strong bonds of Yaari join us as our Celebration partners. We are excited for what is in store and cannot wait to cheer along with them and our fans through the season as we battle it out to win the trophy.” commented Kolkata Knight Riders chief marketing officer Binda Dey.

    Talking about this partnership, Rajasthan Royals CEO Jake Lush McCrum said, “We are pleased to be partnering with McDowell’s No1 Soda and have them support the team this season. We are hoping for a very successful season for the franchise, with many celebratory moments for fans to share with friends and family.”

    “Over the last 10 years, we have seen a lot of bonds form amongst our players, both Indian and international, thus making the sport more entertaining for the fans. That is the testimony- that yaars and yaari can truly make things happen. We are excited to have the No1 enabler of friendships, McDowell’s No1 Soda on board this year and forge new bonds through the season,” Sunrisers Hyderabad CEO K. Shanmugam commented on this association.

    The fans of the teams can follow the hashtag #No1YaariCheers and share their fun cheers for their favourite team through the season and win exciting prizes, said the statement.

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  • IPL 2022: Mumbai Indians launches new anthem ‘Dil Khol Ke’

    IPL 2022: Mumbai Indians launches new anthem ‘Dil Khol Ke’

    Mumbai: IPL franchise Mumbai Indians (MI) has launched its team anthem titled “MI MI Bol Ke, Khelenge Dil Kholke.” The anthem comes as an addition to its ongoing campaign ‘Khelenge Dil Khol Ke’ which is conceptualised by Ogilvy. 

    While the last film was for aspiring cricketers, the latest one is for the fans, MI said. “The anthem is a reflection of the young and gen-Z fans, who have continued to support and push us forward, every time we take to the field,” said a Mumbai Indian spokesperson.

    The video features the entire playing squad of MI including Rohit Sharma, Jasprit Bumrah, Kieron Pollard, Surya Kumar Yadav, Ishan Kishan, and others.

    The anthem brings a perfect combination of emotion and winning spirit while celebrating the idea of playing cricket on the streets of India. The video represents the passion for playing cricket and how the journey takes the players through a rollercoaster of emotions.

    With this newly launched energetic anthem video, MI aims to connect with GenZ, vibing over the idea of playing the game of life with all your heart, imagining the impossible and making it a reality, to never lose faith and give their best at everything they do.


    Ogilvy managing director Anurag Agnihotri feels that IPL is cricketainment. “It’s cricket with huge doses of entertainment mixed in,” he explained.

    Speaking of the campaign, he said, “While we addressed the fulfillment of dreams of young aspiring cricketers in the last campaign, we wanted to have some fun this time around. The last film was for aspiring cricketers. This one, though, is for the fans. It’s an all-out visual spectacle with a sing-along aspect. It’s a chant for fans to express their love. We owed them something for their love. This is our way of giving them something they can truly own.”

    Sharing the idea behind this vibrant anthem, a Mumbai Indian spokesperson said, “Mumbai Indians have always played with passion – Straight from the heart, driven by the motto – never give up.”

    “Also, one of our main pillars is the fans that we have across the globe. Our style of cricket, brand values, and everything that we do resonates with their values, beliefs and inspires them, which is reflected in the growth of the MI Paltan army over the years,” the spokesperson added.

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  • E-commerce dominates share of IPL ads in first five matches: Report

    E-commerce dominates share of IPL ads in first five matches: Report

    Mumbai: The e-commerce category has more than 30 per cent share of TV ad volumes during the first five matches of the 15th edition of the Indian Premier League (IPL) that began airing on 26 March, according to data provided by Tam Media Research.

    Under the e-commerce sector, four categories including online gaming, online shopping, ed-tech and digital wallets were the biggest contributors to ad volumes on TV. Online gaming alone contributed 17 per cent of the total ad volumes in the e-commerce sector. Pan masala was the only other category present among the top five categories on TV which contributed up to 40 per cent share of ad volumes, the data revealed. 

    The overall number of advertisers, categories and brands that advertised in IPL 15 declined versus IPL 14 at 29 per cent, 13 per cent and 15 per cent, respectively. The top five advertisers were Sporta Technologies followed by K P Pan Foods, Bundl Technologies, Tata Digital and Gameskraft Technologies. Notably, Sporta Technologies was the number one advertiser during the first five games of IPL in 2021 as well.

    There were 65 exclusive brands that advertised in IPL 2022 (not present in 2021) including Kamala Pasand, Tataneu App, Spotify App, Samsung Galaxy, and Meesho App. There were also 12 exclusive categories including corporate/brand image, online auto rental services, NBFCs, two-wheelers, and footwear.

    (Source: Tam Sports | Event: IPL 15 and IPL 14 | Period: 26-29 March’22 and 9-13 April’21 | Channel count: IPL 15 – 20; IPL 14-19)

  • IPL 2022: Gigabyte inks sponsorship deal with Lucknow Super Giants

    IPL 2022: Gigabyte inks sponsorship deal with Lucknow Super Giants

    Mumbai: Lucknow Super Giants (LSG) has announced Gigabyte Technology as its associate sponsor for IPL 2022. According to a statement, this partnership is a strategic win for both, as a unique marketing approach will help them to reach out to and engage with a much larger spectrum of audience who love both sports and e-sports.

    The Taiwan-headquartered organisation has been making significant investments in the gaming industry in the past few years and this will be its foray into advertising in sports. “Gigabyte will sponsor the team’s headgear (helmet and cap), with logos on the side and back. While the Gigabyte logo will be visible on the side of the Lucknow Super Giants’ headgear, the company’s gaming brand  ‘Aorus’ will be present on the back,” said the statement.

    “We are delighted to be partnering with a global enterprise like Gigabyte,” Lucknow Super Giants CEO Raghu Iyer said. “We are sure this relationship will be mutually beneficial for both companies. We aim to make our partnership a powerful enabler and medium for their brands to communicate with their customers. Gigabyte believes in pushing the boundaries of performance with their products. We share these values and see synergies. We look forward to helping them achieve the best possible exposure.”

    “Lucknow Super Giants and Gigabyte are a perfect fit. Both are challenger brands with a focus on breaking limitations. The freshness of the new franchise, the potential and energy of the huge region it represents resonates with our endeavours in the country. We hope to build a strong long-lasting alliance,” Gigabyte Technology director Sunil Grewal said.

    “Lucknow Super Giants is a team that shares many of our core values. They bring an extraordinary level of ambition to the sport of cricket. This partnership is just perfect for us as it will help us connect with a younger and much wider audience across the globe,” added Gigabyte Technology marketing manager Sashank Bhandaru.