Tag: International Cricket Council

  • Cricket’s ruling body wants women to hack the future of sports technology

    Cricket’s ruling body wants women to hack the future of sports technology

    DUBAI: Cricket’s mandarins have never been mistaken for tech visionaries. But the International Cricket Council is taking a punt on innovation with Beyond Boundaries, a worldwide hackathon that demands every competing team include at least one woman—and promises cold, hard cash to the best all-female squad.

    The challenge, powered by Ignyte, a Dubai-based start-up accelerator, runs through 2025–2026 and invites students, start-ups and scale-ups to reimagine sport in the age of artificial intelligence. Though anchored in cricket, the hackathon welcomes ideas spanning any sport. The grand finale arrives in January 2026, when the most promising teams will pitch their wares on an international stage.

    Winners will pocket prize money, gain access to mentors and industry heavyweights, and—crucially—get pilot opportunities with the ICC and its partners to test their solutions in real sporting arenas. That is no small carrot for ambitious founders looking to crack a multi-billion-dollar industry.

    The competition zeroes in on three areas. First, boosting visibility and engagement for women’s sports through digital platforms and AI-driven fan models. Second, crafting next-generation experiences for younger audiences with interactive, personalised tech. Third, improving athlete health, performance and inclusivity using wearables, machine learning and smart analytics.

    Applications close on 19 December 2025. The ICC’s bet is simple: get more women into sports tech, and everyone wins. In a sector long dominated by blokes, that would count as boundary-breaking indeed.

  • Cricket body dangles south Asian media rights carrot

    Cricket body dangles south Asian media rights carrot

    LONDON: The International Cricket Council (ICC) has fired the starting gun on a potentially lucrative media rights auction, releasing tender documents for broadcasting deals across Bangladesh, Pakistan and Sri Lanka spanning 2026 to 2028.

    The prize package includes some of cricket’s crown jewels: the ICC Men’s T20 World Cup 2026 in India and Sri Lanka, and the Men’s Cricket World Cup 2027 across South Africa, Zimbabwe and Namibia. Women’s cricket gets equal billing with the T20 World Cup 2026 and the inaugural Women’s T20 Champions Trophy.

    Pakistan emerges as the most complex battleground, with the ICC carving up rights into five separate packages covering both men’s and women’s tournaments. Bangladesh and Sri Lanka each get streamlined single-package deals combining television and digital rights—a nod to the region’s rapidly evolving media consumption habits.

    Broadcasters and streaming platforms eyeing the action must contact iccmediarights2024-2031@icc-cricket.com to access tender documents. The ICC promises more invitation-to-tender releases for additional markets in the coming weeks, suggesting a coordinated global push to maximise revenues.

    The timing reflects cricket’s commercial renaissance, particularly in south Asia where the sport commands religious devotion and advertising premiums. Pakistan’s multi-package approach hints at the ICC’s confidence in extracting maximum value from a market where cricket broadcasts routinely deliver audiences in the tens of millions.

    The tender covers four men’s events and three women’s tournaments, underlining the ICC’s commitment to gender parity in its commercial strategy. For broadcasters, the stakes are clear: miss out now, and watch rivals corner one of sport’s most passionate fanbases until 2028.

  • JioStar top executive Sanjog Gupta named ICC CEO

    JioStar top executive Sanjog Gupta named ICC CEO

    MUMBAI: The International Cricket Council (ICC) has appointed Sanjog Gupta as its new chief executive officer, marking a bold leadership move at a time when cricket is chasing global expansion and Olympic glory. Gupta, currently CEO – sports & live experiences at JioStar, will take charge on from 7 July becoming the seventh CEO in the ICC’s history.

    A media and sports veteran with over two decades of experience, Gupta is widely credited with reshaping India’s sports broadcast landscape. He previously headed Disney Star’s sports business, playing a key role in scaling the IPL, ICC events, and launching leagues such as PKL and ISL. His appointment follows a global recruitment drive that drew over 2,500 applicants from 25 countries.

    ICC chairman Jay Shah said, “Sanjog brings extensive experience in sports strategy and commercialisation, which will be invaluable for the ICC. His deep understanding of the global sports as well as M&E landscape combined with his continued curiosity about the cricket fan’s perspective and passion for technology will prove essential in our ambition to grow the game in the coming years. Our goal is to move beyond traditional boundaries and establish cricket as a regular sport in the Olympics, growing its expanse across the world and deepening its roots in its core markets.

    We considered several exceptional candidates for this position, but the nominations committee unanimously recommended Sanjog. The ICC board directors look forward to working closely with him, and I would like to welcome him on behalf of everyone at the ICC.”

    Gupta’s selection was unanimously recommended by a nominations panel featuring ICC deputy chair Imran Khwaja, ECB chair Richard Thompson, SLC president Shammi Silva, and BCCI honorary secretary Devajit Saikia, before being approved by Shah and ratified by the full ICC board.

    Gupta said he was “honoured” to lead cricket at a pivotal moment. “It is a privilege to have this opportunity, especially at a time when cricket is poised for unprecedented growth and enjoys the passionate support of almost 2 billion fans worldwide. These are exciting times for the sport as marquee events grow in stature, commercial avenues widen and opportunities such as the women’s game scale in popularity. Cricket’s inclusion in the Los Angeles 2028 Olympic Games and the rapid acceleration of technology deployment/adoption could act as force-multipliers for the Cricket movement around the world,” he concluded.

    Gupta took over as CEO of JioStar Sports in late 2024 following the Viacom18–Disney Star merger. Known for fusing business savvy with creative storytelling, he championed innovations such as multi-language coverage and digital-first formats — especially around women’s sports.

    The ICC, under his leadership, will now look to script cricket’s next global chapter.

  • Yash Raj Films promotes Hemant Kundnani to sr general manager communications

    Yash Raj Films promotes Hemant Kundnani to sr general manager communications

    MUMBAI:  Hemant Kundnani has been promoted to senior general manager – communications at Yash Raj Films (YRF), one of India’s most prestigious film production companies. The promotion comes after three years of service at the Hindi cinema  powerhouse, where he previously held the position of general manager – communications.

    Kundnani brings industry experience to his elevated role, having previously served as head of marketing at Pooja Entertainment from March 2020 to August 2021. During his tenure there, he oversaw marketing for Bellbottom, notably one of the first film projects globally to complete production during the coronavirus pandemic.

    Before joining Pooja Entertainment, Kundnani spent nearly six years at The Walt Disney Co in increasingly senior positions. He served as senior manager for digital strategy, analytics and alliances at Fox Star Studios (a Disney subsidiary) from December 2016 to March 2020, where he focused on understanding cinema audiences and building data analytics capabilities to optimise marketing expenditure.

    His Disney career began in the interactive division, where as manager of products, marketing and alliances, he spearheaded a global strategic alliance with the International Cricket Council to develop the official game of the 2015 Cricket World Cup. The game achieved the number one position in sports app rankings across India, UK and Australia, garnering one million downloads within three days of release.

    Kundnani’s entertainment industry credentials also include a three-year stint at UTV, where he worked as senior associate marketing for UTV Stars movie channels. During this period, he contributed to the Walk of the Stars  project, described as “a tribute to the big stars of Hindi cinema” and the first attraction of its kind in India.

  • ICC-Unilever sponsorship deal:  a sign that women’s cricket has arrived

    ICC-Unilever sponsorship deal: a sign that women’s cricket has arrived

    MUMBAI: The International Cricket Council (ICC) has broken new ground by unbundling its sponsorship rights, securing Unilever as the first dedicated partner for women’s competitions, ICC chief commercial officer Anurag Dahiya told SportsPro. 

    In a deal announced on International Women’s Day, the consumer goods giant said it would promote its Rexona and Dove brands across all ICC women’s events over the next two years. The partnership covers the 2025 Women’s Cricket World Cup, Women’s T20 World Cup, U19 Women’s T20 World Cups and the inaugural Women’s Champions Trophy in 2027.

    Dahiya told SportsPro the move reflects the “standalone commercial value” of women’s cricket, with Unilever “jumping at” the opportunity to sponsor these tournaments.

    “Women’s cricket is no longer an add-on or a freebie attached to men’s cricket,” Dahiya said. “It’s a distinct product, has its own unique cultural resonance, commercial potential, and has its own ability to stand on its own.”

    Unilever’s existing involvement in women’s sport – including partnerships with WSL clubs Chelsea and Manchester City, plus sponsorship of this year’s UEFA Women’s Euro 2025 and the 2023 FIFA Women’s World Cup – “absolutely facilitated” discussions with the ICC.

    Beyond tournament branding, the partnership extends to digital initiatives, fan experiences and the ICC’s flag bearers programme. Unilever will also support Criiio festivals, grassroots events introducing women and girls worldwide to cricket.

    Dahiya confirmed that while the deal specifically covers women’s cricket, revenue won’t be ring fenced exclusively for the women’s game but added to central funding.

    “If you restricted women’s cricket to only revenue they were making, that would be a gross injustice,” he explained. “The commercial size of men’s sport outweighs women’s sport by factors of probably like 100.”

    The ICC has committed to maintaining equal standards across men’s and women’s competitions, including event presentation, facilities and prize money.

    “We’ve taken a very conscious decision that we’re not going to deliver to the competing teams and our fans any less than what we would for men,” Dahiya added. “Many times more will go into women’s cricket than just that money.”

  • JioStar vice-chairman Uday Shankar  slams ICC as “East India Company of Cricket”

    JioStar vice-chairman Uday Shankar slams ICC as “East India Company of Cricket”

    MUMBAI: In a candid conversation during Indian Express’ Idea Exchange earlier  week that laid bare the tensions between broadcasters and cricket administrators, JioStar vice-chairman Uday Shankar has described the International Cricket Council  (ICC) as “the East India Company of Cricket,” accusing the sport’s global governing body of exploiting India’s cricket economy.

    Uday pulled no punches when comparing cricket’s global and domestic governance structures. “Contrary to the general perception, I find BCCI to be a far more alive body to engage with its stakeholders compared to the ICC,” said Shankar. “The ICC is just here to take the wealth of this country.”

    Shankar’s critique cuts to the heart of cricket’s financial ecosystem, where India generates the overwhelming majority of global revenue. “After taking this money, the ICC decides that India must play a country that no Indian is interested in watching India play because they want to develop cricket globally. So it’s their agenda and my money,” he stated.

    The comments come at a pivotal moment for sports broadcasting, with astronomical sums being paid for rights packages. The IPL rights alone cost approximately Rs 48,000 crore, raising questions about sustainability.

    Shankar acknowledged the strategic value of major sporting properties while being realistic about their financial burden. “You don’t necessarily make money on these big acquisitions,” he admitted. “The size of the economy and what the advertising market is like, those things come into play.”

    He emphasised that cricket has become “one of the most expensive sporting assets in the world” on a unit value basis, with the eight-week IPL tournament costing “more than a billion dollars” – comparable to year-round properties like the NFL or NBA.

    This financial pressure has consequences beyond cricket, with Shankar acknowledging that investment in other sports often suffers. Indian fans miss out on events like Formula 1 “because nobody has the money left to buy those rights.”

    Despite his passion for cricket, Shankar was clear that commercial imperatives would ultimately guide JioStar’s bidding strategy. “At the end of the day, we are running a business and if the financials don’t make sense, we’ll have to walk away,” he said.

    He pointed out a fundamental challenge: “All the money that you put in is primarily for India and you have to recover it from India. Despite all the talk, it’s just the Indian media companies who do that.”

    In his most pointed comments, Shankar suggested radical reform of cricket’s global governance. “The best service that someone like the new chairman of the ICC can do is to ensure that he is its last chairman,” he said.
    “A disproportionate share of talent comes from India. An overwhelming share of revenue comes from India. And all of it is going everywhere else,” Shankar argued, citing the push to include cricket in the Olympics as another example of initiatives that “don’t help Indian cricket” but represent “leakage for the money that could have stayed in the Indian cricket ecosystem.”

    As head of the newly merged Viacom and Star entity valued at $8.5 billion, Shankar recognises the influence his company wields. “Given our reach and platform size, what we do will be followed by everybody else,” he said. “As a leader, it is our responsibility to make sure that we take charge of the industry and get it to a good place.”

    This responsibility extends to content regulation, where Shankar advocates for self-discipline rather than government control. “I don’t like the word censorship, but not being responsible towards the people you serve is not an option,” he stated, adding that government regulation “stifles creativity” while warning that irresponsible content creators risk external authorities stepping in.

    For the former journalist who witnessed the birth of India’s 24-hour news cycle and helped launch Aaj Tak, the responsibility of reaching 750 million viewers weighs heavily. “I’ll entertain,” he said, “but I shall never do anything that I will be embarrassed by myself.”

    (Picture courtesy: Indian Express. Article content courtesy: Indian Express)

  • Zeel  files $8 million counterclaim against Star India in ICC media rights dispute

    Zeel files $8 million counterclaim against Star India in ICC media rights dispute

    MUMBAI:  Like two Sumo wrestlers in the ring sizing each other up, Zee Entertainment Enterprises Ltd (Zeel) and the Reliance-and Walt Disney backed Star India have been circling each other, eyeing each other in relation to a failed  International Cricket Council (ICC ) men’s cricket rights (2024-27) rights deal the two had made with each other in August 2022. Both have been saying the other owes them money as the failed deal has proved to be an expensive affair.

    Star’s first claimed $940 million in damages in September 2024  over the failed International Cricket Council (ICC) broadcasting rights deal. Now, it’s the turn of  Zeel to file an $8 million counterclaim, plus interest against Star India. The dispute is being arbitrated by the London Court of International Arbitration (LCIA)

    It all began with Star sub-licensing ICC rights to Zeel.   Zeel later withdrew from the agreement and Star India took over the entire $3billion liability for the rights.  Star  has argued  that Zeel TV  failed to pay the $203.56 million first instalment (Rs 1,693 crore) and  meet additional financial obligations of Rs 17 crore for bank guarantees and deposit interest. In March 2024, Star initiated arbitration seeking enforcement of the agreement or damages. It later terminated the contract in June 2024 and focused on claiming damages. 

    Zeel submitted its defence on 23 December 2024, refuting Star’s claims and seeking a refund of Rs 69 crore paid under the agreement. The LCIA constituted a three-member tribunal, with proceedings at an early stage. Zee TV has argued that that the agreement became void due to Star’s failure to meet conditions precedent, including financial guarantees and ICC approval. Zeel  also cited the planned (but now failed) merger with Sony Pictures Networks as a complicating factor. Star India reported a Rs 12,548 crore net loss for FY24, driven by a Rs 12,319 crore provision for the ICC media rights deal.

    Zeel maintains that the dispute will not significantly impact its operations or finances, citing the strength of its legal position. The company’s board is monitoring the matter and remains confident in its ability to defend against Star’s claims.

  • ICC releases  invitation to tender for pathway events from 2025-2027

    ICC releases invitation to tender for pathway events from 2025-2027

    MUMBAI: The International Cricket Council (ICC) has  released its invitation to tender (ITT) for various rights for ICC Pathway Events from 2025 up until the end of 2027.

    Following the successful conclusion of the production and distribution of ICC Pathway Events from 2021-2024, the ICC is now starting the process for the next cycle.

    The one combined package consists of 56 Pathway events comprising of 1246 matches across Women’s Cricket World Cup 2025, Men’s and Women’s T20 World Cups 2026 and 2028 and Men’s Cricket World Cup 2027.

    The bundled rights include broadcast rights, event sponsorship rights, data rights and the successful bidder will also have the obligation to produce all matches. The successful bidder will have exclusivity to show the events live in India while the matches will be beamed live on the ICC’s OTT platform, ICC.tv in the rest of the world.

    ICC chief commercial officer Anurag Dahiya said: “This is an incredibly exciting time for ICC Pathway Events. They play an important role in the development of cricket across our Emerging Members and provide context to ICC global flagship events. With the competitive and exciting cricket showcased in these events, the next three years present a fantastic opportunity to engage and strengthen relationships with fans across markets globally.”

    The ITT was  released today, and interested parties need to email iccmediarights2024-2031@icc-cricket.com to access the tender documents.

  • ICC unveils official song ‘Whatever It Takes’ for Women’s T20 World Cup 2024

    ICC unveils official song ‘Whatever It Takes’ for Women’s T20 World Cup 2024

    Mumbai: The International Cricket Council (ICC) has announced the official event song for the ICC Women’s T20 World Cup 2024, titled ‘Whatever It Takes.’ The soundtrack is a collaboration between the vibrant all-girl pop group W.i.S.H., acclaimed music director Mikey McCleary, composer Parth Parekh, and produced by Bay Music House. The single is now available for download and streaming on major platforms worldwide.

    The official music video was also launched alongside the soundtrack, offering a cinematic preview of the tournament. It features highlight reels of iconic moments in women’s cricket and the choreography portrays the ICC Women’s T20 World Cup 2024 as the must-watch event of the year.

    The song for the ninth edition of the ICC Women’s T20 World Cup embraces a global pop sound, blending excitement and energy to resonate with international audiences and connect with younger fans.

    W.i.S.H., the all-girl pop sensation, brings youthful energy and modern flair to the track, celebrating empowered women in sport through Mikey McCleary’s visionary composition. The campaign slogan for the ICC Women’s T20 World Cup – “Whatever It Takes,” embodies the journey of elite cricketers who dedicate themselves to achieving excellence in their sport. The song echoes this sentiment, celebrating the commitment and pursuit of excellence that characterises champions.

    ICC general manager – marketing and communications, Claire Furlong said: “The ICC is committed to make the ICC Women’s T20 World Cup 2024 the best possible stage for world class players to shine. Women’s cricket is firmly established on the global stage, and our vision is to further enhance its recognition with the launch of the official event song. This soundtrack is not only a prelude of the extraordinary talent that will be displayed on the field of play, but also the vehicle to inspiring a new generation of heroes to women’s cricket’s ever-growing, worldwide fanbase.”

    Building on the success of the 2023 edition in South Africa, which recorded over 190 million global viewing hours – a remarkable 44% increase from the 2020 tournament – the 2024 event is expected to elevate the sport even further, attracting new audiences and increasing engagement worldwide.

    The action is set to begin at the Sharjah Cricket Stadium in the United Arab Emirates, on 3 October 2024, where each of the 10 participating nations will undoubtedly do ‘Whatever It Takes’ to lift the trophy at the conclusion of the Final at Dubai International Stadium on 20 October.

    W.i.S.H. shared their excitement at the launch of the song, “We are incredibly proud to share that as an all-girl group, we’ve created the official event song for the ICC Women’s T20 World Cup! Cricket is a powerful force that unites people across our country and around the world, and it’s an honour to contribute to such a special occasion. As huge fans of Jemimah Rodrigues and Smriti Mandhana, we can’t wait for them to do the hook step from the music video and of course the other players from all the participating nations!”

    Speaking about the song, music director, Mikey McCleary said, – “I feel we have captured the vibe and the energy of a T20 cricket world cup in this song and can’t wait for cricket fans all over the world to listen to it.”

  • TAM report: TV sports genre ad volumes surge by 53 per cent in Apr-Jun ’23

    TAM report: TV sports genre ad volumes surge by 53 per cent in Apr-Jun ’23

    Mumbai: TAM AdEx India has released a quarterly advertising report on the sports channel genre for Jul-Sept’23.

    Advertising on television for the sports genre witnessed growth in ad volumes of 53 per cent during Apr-Jun’23 over Jan-Mar’23. Whereas, Jul-Sept’23 observed a de-growth of 10 per cent in ad volumes for the sports genre over Jan-Mar’23. Compared to Jul-Sept’22, ad volumes in the sports genre witnessed growth of five per cent in Jul-Sept’23.

    During Jul-Sept’23, services and food & beverages sectors retained their first and second positions with 50 per cent and seven per cent share of ad volumes over Apr-Jun’23. Together, the top 10 sectors covered 88 per cent share of ad volumes on television advertising for the sports genre. Durables was the only new sector that entered the top 10 list during Jul-Sept’23, compared to its 12th position in Apr-Jun23.

    Ecom-media/entertainment/social media retained its first position with 39 per cent share of ad volumes in Jul-Sept’23 over Apr-Jun’23. During Jul-Sept’23, four categories entered the top 10 list compared to Apr-Jun’23.

    Ecom-pharma/healthcare was the only new category that was present in Jul-Sept’23 compared to Apr-Jun’23. The top 10 categories collectively added 64 per cent share of ad volumes in Jul-Sept’23.

    International Cricket Council, GCMMF and Vini Product were the new entrants in the top 10 advertiser list in Jul-Sept’23 over Apr-Jun’23. During Jul-Sept’23, One8 Trion and Flipkart.com were the exclusive advertisers that entered the top 10 list compared to AprJun’23. The top 10 advertisers contributed 62 per cent share of ad volumes in Jul-Sept’23.

    JioCinema app retained its first position throughout the first three quarters of year 2023. During Jul-Sept’23, the top 10 brands covered 53 per cent share of ad volumes on television advertising for the sports genre. A total of five brands were new entrants in the top 10 brand list in Jul-Sept’23 over Apr-Jun’23. Also, there were two exclusive brands present in Jul-Sept’23 compared to Apr-Jun’23.

    ‘Associations/social/cultural organisation’ categories saw the highest increase in ad seconds with eight times growth on television advertising in the sports channel genre. In terms of growth percentage among the top 10 categories, Hair oils witnessed the highest growth of 34 times during Jul-Sept’23 over Apr-Jun’23.

    The cricket program dominated the sports channel genre for four consecutive quarters, holding over 50 per cent of the ad volumes, making it the most prominent program genre.