Tag: International content

  • Nippon TV secures their first format deals in Malaysia

    Nippon TV secures their first format deals in Malaysia

    Mumbai: Japan’s multiplatform entertainment powerhouse – Nippon TV has announced that they have finalised a deal with Astro, Malaysia’s content and entertainment company which has acquired the rights to Nippon TV’s award-winning scripted formats Love’s In Sight! (60 min. eps.) and Homeroom (60 min. eps.). Juita Viden, one of Malaysia’s largest independent distributors of local and international content, brokered the Malaysian adaptation deal for both formats. Astro is set to air the Malay-language version of Love’s In Sight! (Dari Mata Turun ke Hati in Malaysia) starting 12 August and Homeroom (Kelas Tahanan Cikgu Hiragi in Malaysia) to follow. The announcement has been made by Nippon TV’s format licensing and content business – Sally Yamamoto.

    Astro vice president of Malay, international, kids & on-demand Azlin Reza Azmi said, “We are very excited to partner with Nippon TV to bring two award-winning Japanese scripted series to our Malaysian audience. Astro is constantly looking to create content based on rich characters and stories to exceed our customers’ growing expectations of compelling storytelling at high production values. This partnership reflects our commitment to bringing high-quality entertainment to our customers. The upcoming series, Dari Mata Turun ke Hati and Kelas Tahanan Cikgu Hiragi are adaptations of the hit series and will retain the core elements that have made them successful in Japan, with a local twist to resonate with our Malaysian audience. With the localization of these series featuring fresh and prominent local talents, we aim to keep our customers engaged with more ways to watch celebrated worldwide series through relevant local context, expressions, and creativity.”

    “We are delighted to be announcing two first-time format deals in Malaysia for Love’s In Sight! as well as Homeroom, thanks to the enthusiasm of our partners in Malaysia, Astro – which have shared our passion for these exciting adaptations,” commented Yamamoto. “Love’s In Sight!, based on a hit manga, vividly depicts the lives of social minorities and is full of love, laughter, and emotional moments. Homeroom, already adapted in Turkey and Thailand, is set to provoke thoughtful discussions among the Malaysian audience. With Mother now adapted in eight countries, Nippon TV will keep committing to share unique stories to the global content landscape.”

  • “We believe powerful storytelling sparks relatable conversations driving positive change”: ZEE5’s Abhirup Datta

    “We believe powerful storytelling sparks relatable conversations driving positive change”: ZEE5’s Abhirup Datta

    Mumbai: With the ever-evolving consumer preferences, content too is rapidly transforming, especially in the AVOD platforms. ZEE5, one of the major OTT players in India, is at the forefront of this revolution, curating engaging and diverse content to meet the demands of today’s digital audience.

    From captivating originals to socially relevant initiatives like #NoNaariNoShakti and #ZEE5GameChangers, ZEE5 is not just reshaping entertainment but also fostering societal dialogue and meaningful engagements.

    Catching up with ZEE5’s head – AVOD marketing Abhirup Datta, who is

    driving the overall AVOD growth and development agenda by increasing users, videos viewed, time spent and in building brand affinity with best-in-class customer experience, Indiantelevision.com delved into ZEE5’s content curation, their #NoNaariNoShakti and #ZEE5GameChangers initiatives driving societal changes, unique challenges in the AVOD space and more…

    Edited Excerpts:

    On ZEE5 curating and ensuring its AVOD content in Hindi and regional languages remains engaging and relevant amid evolving viewer preferences

    At ZEE5, our approach to curating AVOD content is deeply rooted in understanding and adapting to evolving viewer preferences. Adopting a consumer-centric approach, we carefully curate a content pipeline featuring exclusive titles, nostalgic classics, direct-to-digital releases, e-sports, devotional content, kids’ content, and catch-up TV, enabling access to high-quality content at any time on our platform. In 2023 alone, we launched a plethora of movies, web shows, and exclusive films like ‘Ardh’ with Rajpal Yadav, ‘Am I Next’ with Anushka Sen, and Priyamani’s ‘Sarvam Shakti Mayam’. This year as well, we continue to offer quality and impactful stories like our recent AVOD original ‘Kaam Chalu Hain’.  

    Our content library comprises of more than 2000 plus free movies across languages catering to diverse regions pan-India. Through the rich legacy of ZEEL (Zee Entertainment Enterprise Ltd), ZEE5 is also home to over 1400 GEC shows spanning 10 plus languages including Hindi, Marathi, Bengali, Malayalam, Telugu, Tamil, etc. On AVOD we also stream popular international titles and K-drama series dubbed in local languages. Localisation of content via dubbing and subtitling, along with the rise of affordable high-speed internet and increased smartphone accessibility, has contributed significantly to the growth of the AVOD segment.

    Lastly, we also craft innovative brand campaigns to facilitate access to premium content. For example, campaigns such as “ZEE5 Manoranjan Festival,” “Any Time Manoranjan”, “Azadi Ka Jashn, ZEE5 Ke Sang”, and “ZEE5 Kids Festival”, amongst others enable our audiences to explore and engage with diverse content. We also successfully forayed into esports with IESF Big Bang Asia Open 2023 and sports streaming with ILT20.

    On ZEE5’s innovation with campaigns like #NoNaariNoShakti and #ZEE5GameChangers to foster meaningful engagements and contribute to societal dialogue

    At ZEE5, we believe in the power of storytelling to create meaningful, relatable conversations and drive positive change. With #ZEE5GameChangers, our goal is to connect, collaborate, and communicate with our viewers through socially relevant stories. In line with the initiative, ZEE5 offers titles like ‘Sirf Ek Banda Kaafi Hain’, ‘Duranga’, ‘Abar Proloy’, ‘Lakadbaggha’, ‘Lost’ ‘Ayali’, ‘Mrs Undercover’, and ‘Chhatriwali’, amongst others. On the other hand, #NoNaariNoStory championed women-led narratives against the backdrop of International Women’s Day. The campaign was unveiled with a “Social Media Glitch” executed across our social media platforms. It showcased key visuals of popular ZEE TV shows airing on ZEE5 featuring male leads alone. Through this, it creatively portrayed the intrinsic role female characters/leads play in our stories. Leveraging activations, influencer collaborations, and user-generated content contests, the campaign trended on social media, garnering significant engagement and reach. With initiatives like #NoNaariNoStory and #ZEE5GameChangers, we deepen our commitment to delivering diverse and engaging content experiences while solidifying our position as a leading AVOD streaming platform.

    On the unique challenges that ZEE5 faces in the AVOD space, and how does it address them

    Navigating the dynamic OTT landscape presents ZEE5 with unique opportunities for growth and innovation. Maintaining campaign freshness, engagement, and ongoing user interest is crucial for us, as meeting the rising demand requires constant innovation to satisfy our ever-evolving digital audience’s expectations. For this, we collaborate with the relevant creators to offer more engaging storytelling to our audiences. We realise that audiences are value-conscious and have tailored our AVOD model to perfectly meet the diverse needs of our viewers. Through our brand campaigns, consumers can experience a variety of content and make well-informed decisions. We also aim to engage our viewers through short format festive content in terms of ‘Festive Look’, ‘Shop like a star’, ‘High 5 with ZEE5’ amongst others.

    We also focus on creating unique and engaging properties, through exclusive content, and exploring new genres and formats. Moreover, our platform features properties like ZEE5 World Hits and ZEE5 Spark, offering premium international titles dubbed in local languages. Additionally, our expansion into e-sports streaming with ILT20, devotional content, and diverse brand campaigns has kept our audience engaged and growing.

    On examples of ZEE5’s collaboration with influencers or celebrities to amplify its AVOD content

    We have been successfully using meme marketing to build online buzz for some of our launches. These memes, often featuring favourite actors in funny or relatable contexts, organically drive traffic due to their shareable nature. This further increases the visibility and engagement around our AVOD content leading to higher viewership. This approach not only boosts visibility but also fosters engagement around our AVOD content.

    We curated an influencer campaign for the launch of our latest AVOD original ‘Kaam Chalu Hain’. For this, Rajpal Yadav, who plays the protagonist role in the film, created content with influencers like Atharva Sudhame, RJ Mahavash, Danny Pandit, amongst others to drive awareness about the plot of the film. Within the span of a few days the campaign received positive reception and views. In the past, we have also launched ‘Yaadein’ with Anu Kapoor, featuring some of our iconic shows of the 90s and 2000s.

    Additionally, we have been leveraging our TV stars to build a deeper and direct connection with our viewers. For example, the promos of our most recent AVOD brand campaign “Serial Killer” saw prominent collaborations with top leads like Sana Sayyad and Paras Kalnawat of the Hindi serial ‘Kundali Bhagya’; Shivani Rangole and Hrishikesh Shelar of the Marathi serial ‘Tula Shikvin Changlach Dhadha’; Ankita Mallick and Soumyadeep Mukherjee, leads of the Bangla serial ‘Jagadhatri’. Through this campaign, we empower women to watch their desired content at their convenience highlighting the flexibility of our platform. On similar lines, we also released the ‘Entertainment Not Out’ campaign, back in 2023, with promos starring top leads from various regions, talking to the women viewers, reiterating to not miss their favourite content by watching it on ZEE5.

    On ZEE5’s plan to leverage partnerships to expand its brand reach and impact

    We at ZEE5 strategically partner with well-regarded ecosystem players to expand the reach of our content and further widen our audience base. For example, ZEE5 collaborated with prestigious platforms like the Dadasaheb Phalke International Film Festival (DPIFF) and Iconic Awards to not only recognise the industry’s achievements but also to bring the magic of cinema and art closer to its audiences. Additionally, at ZEE5, we believe in creating immersive experiences, and celebrations which are an integral part of our cultural fabric. Taking that forward, we partnered with the iconic Ganesh Galli’s Mumbaicha Raja pandal under our festive campaign ‘Manoranjana Cha Raja’ and about 35 pandals during Durga Pujo, offering darshan and aarti via live streaming straight from the pandal directly to the screens for millions of viewers across India. In line with ZEE5’s digital-first philosophy, we also collaborated with Kyoorius for Designyatra 2023. Here, we hosted multiple workshops and created an AR/VR tech space zone at the event to further expand our brand credibility and impact.

    On the key initiatives and plans that ZEE5 has in its AVOD roadmap for FY 2024

    In 2024, we are further strengthening our AVOD catalogue with beyond TV content, bringing sports tournaments, exclusive titles, originals, and devotional content, amongst others to reach the audience at large. We started the year with yet another impactful title ‘Kaam Chalu Hain’ which has been receiving positive reception from our viewers.

    As we mentioned earlier, we also launched the “Serial Killer” campaign recently. The campaign humorously addresses the common scenario of husbands interrupting TV serial watching, especially during the cricket season. Through this we aim to highlight the flexibility of watching a wide range of content on ZEE5 for free, anytime and without interruptions from the “serial killer” at home.

    Along with this, we will continue to host targeted brand campaigns like ‘Entertainment Not Out’, ‘ZEE5 Manoranjan Festival’, ‘Any Time Manoranjan’ to broaden access to our diverse content library, leveraging high engaging periods like monsoon and the festive season. We shall stay committed to creating unique and engaging properties through continuous innovation and strategic collaborations with creators and partners.

  • We plan to expand our content spread by dubbing in other vernacular languages: Dollywood Play’s Aneesh Arjun Dev

    We plan to expand our content spread by dubbing in other vernacular languages: Dollywood Play’s Aneesh Arjun Dev

    Mumbai: Dubbed movies aren’t new to Indian audiences, but a recent surge in the localization of foreign films into Hindi has sparked a cinematic revolution. This transformation is not merely breaking language barriers; it’s creating bridges across cultures, offering Indian viewers unprecedented accessibility and relatability to their favorite foreign films. The growing trend not only enhances the cinematic experience but also fosters a deeper appreciation for the richness of global cinema.

    Indian Television in conversation with Dollywood Play founder & managing director Aneesh Arjun Dev spoke on Dollywood Play’s inception, business model and more.

    Aneesh Arjun Dev, the founder, promoter, and managing director of Dollywood Play, is a visionary leader at the helm of Dollywood Play which is powered by its holding company: WAMINDIA, one of the most promising ventures in the media and entertainment industry. With a career spanning over 30 years, Mr. Aneesh brings a wealth of experience and expertise to his role, steering the company towards new horizons. His profound impact on the industry is evident through his outstanding journey of distributing over 1000 movies across various languages and mediums, including theaters, television, and digital platforms.

    Edited Excerpts:

    On the inspiration behind Dollywood Play’s inception, the journey been since its establishment in October 2019 and its differentitaing aspect from its competitors

    Dollywood Play, an OTT platform offering streaming of movies and series without ads, gives its users/audience the best experience of South Indian and International films dubbed in Hindi language as the tag line says “Ab Sab Dub”. The USP of Dollywood Play which keeps it apart from its competitors is the lower price point offering a wide range of well curated dubbed films in nominal amount, the quality of films are HD displayed in playlists of multiple genres i.e. romance, thriller, action, drama etc. The journey has been good so far, looking forward to adding more titles in the coming times which give users a large library to cater to.

    On the challenges Dollywood Play has faced in localising South Indian and Hollywood movies for the Hindi-speaking market

    Well I don’t see any specific challenge in localising South Indian and Hollywood movies into Hindi language as we have a strong and experienced team which handles the localisation process of the content who understands the tastes and preferences of the Hindi speaking market.

    On the business model that Dollywood Play operate on – free access or subscription basis and its revenue generation streams

    The platform generates revenue via subscription model. Dollywood Play app is also available as a bundled subscription service with leading aggregatore apps like Airtel Xtreme and OTT Play.

    On the growing demand for foreign films among Indian audiences influencing Dollywood Play’s focus on Hindi dubbing and subtitling; and Dollywood Play envisioning its role in promoting cross-cultural understanding through the accessibility of international cinema in Hindi

    India has a wider set of audience, who love to watch Hollywood movies dubbed in Hindi language and we become a strong pillar in providing the same to our existing and potential audience. Our focus remains the same i.e. providing the best user experience by adding mass entertainment foreign films dubbed/subtitled in Hindi. Dubbing the movies from all over the world into Hindi promotes cultural exchange and bridges the gap between different regions of the country.

    On foreseeing the role of technology in shaping the future of content consumption and localisation

    Well, technology plays a vital role in shaping the content consumption pattern. Technology drives users to the platform for the best experience. As we are heading to the 5G phase across India with high speed internet available to a majority of the population of India and that too at much affordable prices, this would have a direct impact on the content consumption pattern which will definitely increase with every passing day.

    On envisioning Dollywood Play in the next two years and any future plans for the platform, including potential expansions to cater to vernacular language audiences beyond Hindi

    The next two years will definitely be very crucial to us as the consumption pattern is increasing with every passing day. We plan to expand our content spread by dubbing in other vernacular languages to the potential user base and provide them with the best of the movie experience. Also our focus will be adding some premium titles to the catalogue in the coming time. In the coming next two years we would work towards seeing DP in the top 10 best OTT platforms in India.

  • Tata Sky brings international content through new launch – ‘Videshi Kahaniyan’

    Tata Sky brings international content through new launch – ‘Videshi Kahaniyan’

    Mumbai: Amping the content game, content distribution and Pay TV platform Tata Sky has introduced a new platform service – ‘Tata Sky Videshi Kahaniyan’ to offer ad-free International shows and movies dubbed in Hindi for its viewers.

    The new service will give subscribers access to a vast collection of content across Korean, Bulgarian, Spanish, Ukrainian, and other languages, said the platform on Monday.

    “International content has been gaining popularity as stories from around the world resonate with Indian viewers,” said Tata Sky chief commercial and content officer Pallavi Puri. “For ‘Tata Sky Videshi Kahaniyan’, we are partnering with One Take Media, pioneers in global content production & distribution, to bring our viewers high-quality entertainment from across the globe at an affordable price. Some of the Korean, Bulgarian and Spanish shows on the service are very popular worldwide and will bring a richness and variety to the entertainment offered by Tata Sky.”

    The new service will be available on both DTH and mobile app, and will showcase blockbusters such as ‘Goblin’, ‘I am not a robot’, ‘Emergency Couple’, ‘Eternal’, ‘Undercover’ among others.

    The brand has also roped in TV personality, Rupali Ganguly of ‘Sarabhai Vs Sarabhai’ fame for promoting the new service. “I am excited to see my love for International content come to life with Tata Sky Videshi Kahaniyan. I have enjoyed shooting for the campaign and am sure that this service will be a complete entertainment package,” she said.

    “We are thrilled to partner with Tata Sky and launch their new value-added service Tata Sky Videshi Kahaniyan’, we have carefully collated the list of shows and movies for the service and are sure that the audiences will enjoy this collection,” said One Take Media Co-director Dimpy Khera.

  • Indians don’t mind watching some ads if subscription fee is less

    Indians don’t mind watching some ads if subscription fee is less

    MUMBAI: Over the top (OTT) players have a lot to rejoice in India. A survey conducted by YouGuv and Brightcove has found that non-subscribers of OTT in the country show a higher consideration of opting for it here as compared to other APAC markets.

    Despite a small sample size, the survey found that 40 per cent of India’s internet users watch OTT – both SVOD and AVOD. An interesting tidbit that was thrown up was that the mere access to mobile and content was enough to drive OTT adoption in India while other markets require promotion and trials.

    Users are attracted to particular shows or movies and the availability to choose from international titles. The hunger for the latter is a key consideration for even non-users.

    The common myth that Indians are not ready to pay for content is not entirely true. To see lesser advertisements, 27.1 per cent of respondents are willing to pay a higher subscription fee. 18.5 per cent of them prefer to pay a higher subscription to enjoy seamless experience without any advertisements. It indicates that the inclination towards good viewing experience is increasing in India. However, amidst the positive scenario, free streaming services as well as existing paid TV subscriptions are barriers to OTT adoption.

    Niche content also plays an important role to attract subscribers for paid services. Speaking at an OTT summit, Brightcove Asia media head Greg Armshaw talked about FishFlicks, a client of Brightcove that offers recreational fishers, hunters, and 4×4 enthusiasts, access to more than 1,300 videos to meet subscribers viewing appetites. Niche content for relevant audiences is the trend rather than mass production. Opting for a hybrid model is also more monetising.

    “Brands last longer than messages, campaigns and identities. They build loyalty. People are falling in love or at least making an association with what you stand for and who you are versus what business you are in,” Syntropic Systems partner Alap Ghosh commented on the importance of brand building. As brand determines acceptability, despite having great content, some platforms have poor reach. He also mentioned the importance of ambient content and the demand for family-friendly content on OTT platforms. While technology is important, brands also need to know how much they want to engineer.

    Indian OTT players need to realise that while fresh content is surely needed, the appetite for movies, TV shows and international content will never be famished in India. These genres will be the ones to pull free users into subscription mode.

    Also Read :

    OTT experts discuss future of India’s hybrid market

    SonyLIV expands its English entertainment library for premium subscribers