Tag: Instagram

  • Anand Gandhi create stunning storyboard with artificial intelligence

    Anand Gandhi create stunning storyboard with artificial intelligence

    Mumbai: Anand Gandhi, known for pushing the boundaries of ideas and possibilities in cinema, games or tech, has taken to Instagram to share something cutting-edge – images from a film storyboard that he created purely using AI technology.

    These gorgeous images are from a hard science-fiction film that he announced in 2019 called Emergence. Since 2015, he has been speculating about a pandemic that brings the world to a halt. Ironically, the film was delayed because of the Covid-19 pandemic.

    In the post, Gandhi shared, “My exposure to text to image AI happened when I visited MIT Media Lab a decade ago. Computer vision is going to inform our futures in ways I can only vaguely speculate, limited by the ceiling of my imagination.”

    His audiences and industry peers couldn’t contain their excitement at these images. Actor Vijay Verma commented, “This looks extraordinary, Anand.” Many other users also begged, “Please make this happen!”

    Whether Anand Gandhi actually intends to make this now is anybody’s guess. Regardless, we can’t wait to see what he comes up with next!

  • Tourism Australia’s new ad campaign invites India, the world to come and say G’day

    Tourism Australia’s new ad campaign invites India, the world to come and say G’day

    Mumbai: With the Twenty20 World Cup currently taking place in Australia, the eyes of cricket fans in India are down under. Looking to capitalise on this momentum, Tourism Australia has created a live-action short film with CGI animated characters. The short film, G’day, is part of a new global tourism campaign inviting international travellers, including those in India, to come and say G’day, and plan and book an Australian adventure of their own. Directed by Australian director Michael Gracey (The Greatest Showman) and produced by Finch, G’day, the short film shows the unlikely adventure of a plush souvenir kangaroo named Ruby, voiced by Australian actor Rose Byrne, and a toy unicorn, Louie, voiced by actor Will Arnett.

    The short film follows Ruby and Louie as they ‘break out’ of a gift shop on the Great Barrier Reef and take an incredible adventure around Australia, visiting iconic sites including Sydney Harbour, Melbourne’s laneways, and stunning natural landscapes like Uluṟu and Nitmiluk Gorge. Along the way, they explore the magnitude of travel experiences Australia has to offer, connect with Australia’s Indigenous cultures, and learn why every great adventure starts with the unmistakably Aussie greeting, “G’day!”

    The campaign can be seen on YouTube, Meta’s properties Facebook and Instagram, and on other programmatic video platforms. The goal is to target high-yield travellers.  On 9 November, the campaign will launch on the OTT platform Disney+Hotstar for a one-month period. This deal could be extended. OOH and in-cinema advertising will also be used. Billboards across Mumbai, Delhi, and Bengaluru are being used. Print is also being used. For now, television is not being used.

    The campaign video is the first iteration of a campaign that will run for three years. In terms of marketing, 10 influencers from India have been taken down. They will see the India versus Pakistan clash on Sunday at the MCG and will partake in a variety of activities. They will create content around it for their followers to consume and promote Melbourne and Australia as a destination. Tourism Australia has also taken 20 travel agents to the country for the T20 World Cup. On the ground, there will be Ruby On Tour roadshows across seven cities in India next month and in December.

    The campaign video will be edited into nine minutes, one minute thirty seconds, and fifteen seconds. In some markets, like Japan, the campaign is being fine tuned through the use of local talent. Tourism Australia added that visitor arrivals from India have reached 86 per cent of pre-covid in the April-August 2022 period compared to the same period in 2019. The aim is to go to 100 per cent in the coming few months. Earlier, Tourism Australia had set a target of 18,000–20,000 visitor arrivals from the country to see the T20 World Cup. While the International Cricket Council (ICC) will officially reveal visitor figures at a later date, Tourism Australia is confident that its target will be achieved. The marketing programme is pretty robust, it added.

    In fact, visa processing is still going on for Indians who want to travel to see Sunday’s clash between archrivals India and Pakistan. In the long run, the goal is for one million Indians to visit Australia each year by 2030. For that to happen, direct aviation capacity will have to rise fourfold at least. In 2019, the number was 4,00,000. Moreover, since Australia re-opened its borders and commercial flights restarted, India has been the number two market. Earlier, it was number seven. Australia’s neighbouring country, New Zealand, is the number one market. Singapore, the UK, and the US round out the top five markets. China was earlier number one in terms of visitors to Australia, but it has been badly affected by the pandemic.

    Tourism Australia MD Phillipa Harrison said, “Come and Say G’day is unashamedly and unmistakably Australian. After a challenging time around the world, our uplifting and joyful campaign will stand out in what is a highly competitive international tourism market.”

    The campaign activity will be further amplified by partnership activity with airlines, state tourism organisations, and key distribution partners, including Thomas Cook, SOTC, PickYourTrail, and Kesari Tours, among others.

    G’day, Indigenous cultures and peoples are at the heart of the story, and their warmth can be felt throughout, explains tourism in Australia. The musical score, written by Australian composers Jonathan Dreyfus and Amy Andersen, features Indigenous Australian musicians including William Barton, Frank Yamma, the Marliya Gondwana Indigenous Girls Choir, and the Iwiri Choir. Notably, the film features a fresh new cover of the classic Aussie song Down Under, which was produced in collaboration with Men At Work’s Colin Hay for the campaign and film.

    Harrison concluded, “Another hero of the campaign is the remake of the Australian classic song Down Under by up-and-coming Australian band King Stingray, who sing in both English and Yolŋu Matha, an Indigenous language from northeast Arnhem Land in the Northern Territory.”

    Tourism Australia regional GM South, South East Asia Brent Anderson said, “ The campaign is a genuine, warm Aussie welcome. It is about how the world sees us. What is appealing about us? We did a huge amount of research during COVID. Ruby is an absolute icon that cannot be used by any other country in the world. She comes through really quickly in the advertising. India, among other South and Southeast Asian (SSEA) markets have been critical in Australia’s recovery and I’m really excited to reveal our new campaign to inspire even more Indian travellers to explore Australia. Through Ruby and Louie’s adventures, we are inviting travellers to Come and Say G’day – where they can build new authentic connections with friendly Australian locals and communities, our incredible nature, wildlife, islands and beaches, and enjoy our delicious food and drink. We are ready and can’t wait to welcome back our valued travellers from India. We are excited to announce that we have Qantas as our major airline partner across multiple markets, including here in India. You might see Ruby hopping on a Qantas plane in the near future.”

    With issues like stagflation, inflation, the Russia-Ukraine crisis, and interest rates going through the roof, the world is a bit messed up. The world is a strange place. It needs a bit of laughter, lightness, beautiful scenery, and wide open spaces. That is the result of research conducted. Tourism Australia, he explained, studied what people look for in a vacation. Therefore, in the campaign, one sees things like wide open spaces. He said the campaign also focuses on the indigeneous experience. He added that the reason why India is the fastest growing market for Tourism Australia is that the Indian team pushes hard. There is also healthy competition from the Singapore team.

    He also noted that the department of home affairs’ personalised and streamlined visa services offered for corporate incentive travel and the ICC’s official travel and hospitality agents will ensure sustained growth when it comes to MICE arrivals as well as for the on-going T20 World Cup. There has also been a tripling of direct aviation capacity. Besides India the other markets that Tourism Australia invests money in include Singapore, Malaysia, Indonesia, Japan, South Korea, Hong Kong, Germany, France, Italy, the UK, the US and New Zealand.

  • Instagram introduces new ways to verify age in India & Brazil

    Instagram introduces new ways to verify age in India & Brazil

    Mumbai: Meta-owned Instagram has announced that it has expanded the test of new options for people to verify their age to additional countries, including India and Brazil. The company further stated that it plans to expand to the UK and EU before the end of the year.

    The company has brought its new test for users to verify their age via an original ID or video selfie to India. It says that kids today are using fake dates of birth to create profiles on social media platforms.

    It requires people to be at least 13 years old to sign up for the service. In some countries, the minimum age is higher. Uners who are teens (13–17) will be offered age-appropriate experiences like defaulting them into private accounts, preventing unwanted contact from adults they don’t know and limiting the options advertisers have to reach them with ads.

    If someone attempts to edit their date of birth on Instagram under the age of 18 to 18, or over, in India, they will be required to verify their age using one of three options: upload their ID, record a video selfie, or ask mutual friends to verify their age. The company also expressed that they’re testing this to make sure teens and adults are getting the right experience for their age group.

    Instagram further added that it is removing “Social Vouching” as an option to verify age from the test to make some improvements.

    The Social Vouching option allows users to ask mutual followers to confirm how old they are. The person vouching must be at least 18 years old, must not be doing it for anyone else at that time, and will need to meet other safeguards that are in place. The three people selected to vouch for the user will receive a request to confirm the user’s age and will need to respond within three days.

    Further, Instagram also stated that it is partnering with Yoti, a company that specialises in privacy-preserving ways to verify age. Yoti is verified by the Age Check Certification Scheme and is an age verification provider for several industries around the world, including social media, gaming, and age-restricted e-commerce. Yoti has received public support for its approach and knowledge of responsible artificial intelligence from authorities and governmental organisations in the fields of youth and privacy, including the German regulator KJM.

    Yoti notes that it trains its dataset on anonymous images of diverse people from around the world who have transparently allowed the company to use their data and who can ask them to delete their data at any time. For people under the age of 13, Yoti collected data using specific data collection exercises where parents or guardians had given explicit consent.

  • 30 per cent prefer OTT platforms to watch new movies:  Axis My India Survey

    30 per cent prefer OTT platforms to watch new movies: Axis My India Survey

    Mumbai: Axis My India, in a report on India’s Consumer Sentiment Index (CSI) published on Thursday, found that a significant 30 per cent of viewers prefer to watch the latest movies on over-the-top (OTT) platforms.

    The survey, conducted for monthly consumption on various issues, revealed that 24 per cent of viewers choose movie theatres to watch the latest movies, while 45 per cent wait for them to air on television.

    The study further stated that six per cent of respondents are looking forward to using the metaverse (augmented reality (AR) and virtual reality (VR)).

    Also, 12 per cent of individuals polled said the content produced by them for social media handles like Instagram or YouTube reflected the rising generation of content creators.

    Commenting on the CSI report, Axis My India MD and chairman Pradeep Gupta said, “The internet in general and social media in particular have shaped consumer experiences in all spheres of life. From creating content for Instagram/YouTube to using AR/VR for testing and buying products, consumers have found ways to express their individualities amongst their online and physical social networks. In addition, the internet has provided flexibility due to which, despite big screen launches, consumers are growing to prefer OTT for their viewing medium. The potential of the world-wide-web is huge and is only evolving, and one can only expect it to further enrich consumer experiences.”

    The October net CSI score, calculated by percentage increase minus percentage decrease in sentiment, is at +8, from +10 last month, reflecting a decrease by two points.

    The sentiment study examines five pertinent sub-indices, including total household expenditure; spending on necessities and wants; healthcare spending; media consumption patterns; and mobility trends.

    The survey was carried out via computer-aided telephonic interviews with a sample size of 10,058 people across 32 states and UTs. 67 per cent belonged to rural India, while 37 per cent belonged to urban counterparts. In terms of regional spread, 24 per cent belong to the northern parts while 23 per cent belong to the eastern parts of India. Moreover, 28 per cent and 25 per cent belonged to the western and southern parts of India, respectively. 61 per cent of the respondents were male, while 39 per cent were female. In terms of the two majority sample groups, 34 per cent reflect the age group of 36 to 50, while 30 per cent reflect the age group of 26 to 35.

    Check out the key findings of the reports here:

    •  In comparison to last year, 21 per cent of consumers plan to spend more this holiday season. This sentiment has improved by one per cent since last month.
    • This festive season, a majority of 78 per cent plan to shop from local physical retail stores, while 14 per cent plan to shop from e-commerce majors like Amazon & Flipkart
    • Overall household spending has increased for 58 per cent of families, which reflects a decrease of three per cent from last month. The net score, which increased by 53 per cent last month, has now decreased by four percent to 49 per cent this month.
    • Families’ spending on necessities like personal care and household items has increased by 44 per cent, a two-percent decrease from the previous month. The net score, which was at 29 per cent last month, has decreased by three per cent to 26 per cent this month.
    • Families’ spending on non-essential and discretionary items such as air conditioning, cars, and refrigerators has increased by nine per cent, an additional two per cent from the previous month. The net score, which increased by two per cent last month, has improved by an additional three per cent this month. This marks heightened consumer sentiment towards the festivities.
    • Health and fitness continue to remain important for consumers amidst the festive season, wherein expenses towards health-related items have increased for 37 per cent of families. The health score, which has a negative connotation i.e., the less spent on health items, the better the sentiments, has a net score value decreased by 22 per cent, an increase of one per cent as compared to last month.
    • Media consumption remains the same as the last two months at 19 per cent. The overall net score, which decreased by one per cent last month, increased by three per cent this time.
    • Mobility has increased for six per cent of the families, which reflects a decrease of one per cent from last month. The overall mobility net indicator score, which was nil last month, has been reported to increase three per cent this month.
  • Comscore ranks India Today Group at No.1 in video news streaming

    Comscore ranks India Today Group at No.1 in video news streaming

    Mumbai: As the nation’s top multi-platform news outlet and the provider with the highest digital viewing reach for streaming news platforms according to Comscore, India Today Group has persevered in outshining the competition on its relentless journey.

    As per the Comscore Videometrix MultiPlatform Report for July 2022, the media giant tops the rankings list with a digital viewership of 98,600 in the streaming video attribute of the news/information streaming ranked category.

    This development showcases the group’s focus on constantly innovating and servicing its trusted viewership base in the digital ecosystem.

    The India Today Group’s enormous success can be attributed to its strategy of emphasising video, being strong on mobile, and making sure it has a strong social media presence and ranks at the top of YouTube, Facebook, Instagram, and Twitter.

    In the Comscore Videometrix MultiPlatform Report for July 2022, the India Today Group tops the charts by over 15,000 points, beating Times Internet (83,000), Network18 (79,000), and ABP News on YouTube (73,000) by a distance.

    The group’s multiplatform products have had enormous success, which can be credited to its strengths in mobile, video, and social media, and to being the most popular brand on YouTube, Facebook, Instagram, and Twitter.

  • Panasonic launches #India’sTrulySmartWashingMachine with digital campaign

    Panasonic launches #India’sTrulySmartWashingMachine with digital campaign

    Mumbai: Panasonic Life Solutions India (PLSIND), a leading diversified technology company launched a new line-up of India’s truly smart washing machines this festive season. Powered by Panasonic’s connected living platform – Miraie, the new range of top-load smart washing machines come with unique smart features along with premium design.

    To create awareness about the new range of Miraie top load washing machines, Panasonic has launched a holistic digital marketing campaign #India’sTrulySmartWashingMachine, bringing back the iconic Gupta Ji, across all Panasonic India handles on Instagram, Youtube, Facebook, Twitter, and LinkedIn to engage consumers. With the entire world switching to smarter technologies, it’s time washing clothes get smarter too. Panasonic Washing Machines loaded with a host of interesting features like Built-in Heater, Wash Wizard & Stain Genius, powered by Miraie, are making the chore of washing clothes truly smart and effortless.

    Conceptualized and executed by Dentsu Creative, the digital campaign is a series of short films where the protagonist Naveen introduces Gupta Ji to a smarter way of washing clothes. A quirky banter between the protagonists highlights the features of the washing machine in a fun and interesting manner. Panasonic’s truly smart washing machines not only remove the toughest of stains with Stain Genius and Wash Wizard feature but also keeps one’s clothes germ-free with its in-built heater technology. 

    The new models of this range of washing machines come in multiple capacities ranging from 6.5 kg, 7kg to 8 kg starting at Rs 19,690, and are available at all Panasonic brand shops, large format retail outlets across the country, and online platform Amazon. 

    Commenting on the launch, Panasonic Life Solutions India business head – home appliances Sandeep Sehgal said, “Our exclusive consumer insight study tells us that Indian consumers seek enhanced product experience that can make daily life chores easier and efficient, and 81 per cent are willing to pay a bit extra for connected features. The insight study further tells us that over 50 per cent of consumers aspire to the idea of connected living with comfort, convenience, and safety being the top reasons. Our latest range of Miraie-enabled top-load washing machines offers smart features such as customized wash cycles, scheduled wash programs, and built-in heater technology for a sanitized washing experience. We are aiming for a 30 per cent growth in the washing machine segment in FY 2022-23.”

    Talking about the campaign, Panasonic Life Solutions India head- brand & marketing communications Shirish Agarwal said,“Panasonic as a brand is committed towards helping consumers live their best by aiding them with the right choices customised as per their lifestyle. The digital campaign is an extension of this. It depicts the true, slice of life moments of an Indian household, on how we struggle to remove stubborn stains using various home remedies. It goes on to highlight how technology can be the key enabler for a clean and fresh laundry. Panasonic’s latest range of smart washing machines are designed with advanced technologies that offer a value proposition of comfort, convenience and connectivity.”

  • GUEST ARTICLE: What is social entertainment and how can brands benefit from it?

    GUEST ARTICLE: What is social entertainment and how can brands benefit from it?

    Mumbai: Social entertainment is not just merely content creation and people interacting with each other; it includes different high-tech activities such as video streaming, video chat communication, multi-player gaming, music and video streaming with the help of different social networking services. Social media, as well, comes under the umbrella of social entertainment, covering almost 80 per cent of the market with applications such as Instagram, LinkedIn, Facebook, Twitter, etc. Users from across the world also confirmed that social entertainment is now even taking the place of television and cinema. In order to win the audience’s heart, brands must go to the roots and try being more creative with designing and content creation and communicating their message at the same time through collaboration with creators who have a good amount of fanbase. One of the biggest benefits to brands deals with the prolongation of content through digital collection of videos or posts.

    Social media and social entertainment are similar and yet distinct. The social media landscape has changed over the last several years, and these days, social media platforms are intended to be more than just a count of your friends. Viewing other people’s films and photos has become a kind of enjoyment in modern times. The material is being engaged with by more individuals than ever in the social media era. In the history of social media, what you watch and the desire to see is more important than what you follow.

    As we are aware, the pandemic in 2021 will greatly impact social media, particularly entertainment. The social platform and means of entertainment benefited from the pandemic.

    Now, let’s talk about how brands can benefit 

    1. Increase brand awareness

    In this era, everyone has a smartphone and is using social media platforms like Facebook, Instagram, Youtube, or Twitter, which is a natural place to reach new and highly targeted audiences.

    Every single person updates there to see and show their side of living and making money out of it.

    2. Humanise your brand

    One of the keys to social media for businesses is that it benefits their brands. Introduce your products to the public by highlighting the benefits of your products to your followers.

    Show how you embrace your brand values, how it works in people’s life and how you are interested in customers.  

    3. Establish your brand as a thought leader 

    No matter which industry your business is in, social media offers plenty of opportunities to establish thought leaders.

    4. Stay top of mind

    Keep your social media posts creative, entertaining, and informative. 80 per cent of people log in to their account once a day. Social media is a platform where you can connect with fans and followers every time.

    If we are talking about the growth 

    1. Increase website traffic

    The keys to increasing the traffic on social media are posts and ads. Sharing fantastic content from your album or website on your preferred social platform.

    Participating in social reviews/chats can also be a great way to increase your brand’s visibility in the market.

    2. Boost sales

    Social networks will become more vital for product search and e-commerce as the number of individuals utilising social media keeps expanding and social sales technologies develop. The moment has come to match your social marketing initiatives with your sales objectives.

    3. Partner with influencers

    People who have a large following of people who can draw the attention of their immense social media following to your brand.

    4. Promote content 

    Make sure you have a content marketing strategy in place to maximise the advantages of social media for the company.

    Conclusion 

    Social media is undoubtedly simpler to use and has a wider audience than conventional media, which is advantageous for both companies and gaming gear. Everyone is quite active when it comes to social interaction, whether they are one year old or 70 years old. It allows you the chance to advertise your goods while also communicating on many channels. Whether a blessing or a curse, social interaction among people has never been impacted by other environmental elements since it has such a strong grasp on society and people’s daily lives.

    The author of the article is Treasure Records managing director Deepak Gupta.

  • Clovia ropes in actor Nia Sharma for ‘Big Lingerie Fest Sale’

    Clovia ropes in actor Nia Sharma for ‘Big Lingerie Fest Sale’

    Mumbai: Clovia, a D2C fashion, lingerie, and personal care brand has recently partnered with Indian TV actress and model Nia Sharma to promote its ‘Big Lingerie Fest Sale,’ held between 20 to 31 August.

    On Instagram, Nia Sharma has 7.5 million fans. In her most recent Instagram reel, Nia features three insta-worthy looks from Clovia’s newest collections as part of the collaboration.

    Nia is seen grooving in Clovia’s newly launched collection of bralettes, nightwear and activewear, which made her sway in style & comfort.  

    The video was posted to Nia’s Instagram, where it has received 53 thousand likes and 5 lakh views to date.  

    Nia can be seen wearing a light blue lacy bralette with white denim jeans in the first outfit, a black button-up cropped shirt and short pair made of plush satin in the second look, and a graphic printed sports bra and tights combo in the third look.

    The video has also been shared by Clovia on its website and mobile application, as well as on its social media accounts on Twitter, Facebook, YouTube, and LinkedIn.

    The latest collection from Clovia includes bras, activewear, and incredibly cosy yet fashionable nightwear. The selection includes everything from basic cotton underwire bras for the house to sensual bralettes for both your everyday and your fashionable needs.  

    Women may choose from an amazing selection of sports bras, T-shirts, tights, shorts, and much more in the latest styles, hues, and patterns in Clovia’s new line of sportswear.

    Women can get their hands on the lingerie, activewear, and sleepwear that celebrities love, along with exciting offers and deals, at the Clovia Big Lingerie Fest.
     

  • Pocket Aces’ infotainment channel Nutshell reaches milestone; registers 4x growth

    Pocket Aces’ infotainment channel Nutshell reaches milestone; registers 4x growth

    Mumbai: Pocket Aces’ newest channel, Nutshell, which focuses on non-fiction infotainment content, has garnered one million followers on Instagram and is now open for brand collaborations. The channel has been steadily growing across platforms with a highly engaged audience that consists of a healthy mix of millennials and Gen-Z from metro tier I and tier II cities, clocking in an average of 42 million viewers a month.

    Launched in November 2019, Nutshell is India’s fastest-growing non-fiction infotainment channel that provides research-based stories aimed at feeding curious minds.

    Nutshell’s strategy focuses on leveraging this demand for knowledge by building deep communities in interest categories such as history, geo-politics, personal finance, start-up culture, and sexual health and wellness, and becoming the go-to destination for informational videos and discussions around these categories.

    Speaking about the success, Nutshell channel head Andre Borges said, “Over the last few months, we have been testing the market to clearly understand what audiences need and want to watch. We have thoroughly embedded Nutshell within communities of people in these interest categories, allowing the channel to have access to a lot of data about what the audiences are thirsty for. After scaling Instagram, scaling our content and subscribers on YouTube and Discord is next for us.”

    Pocket Aces business head of D2C content Rayvanta Kumar said, “At Pocket Aces, we have already built large GEC channels such as FilterCopy and Dice Media, and one vertically focused channel in Gobble. Infotainment is a huge vertical globally and works amazingly for Indian audiences who love sharing information with their families and friends. We get to use our playbook of the community approach even more deeply here, and that means we are creating a hyper-engaged set of audiences. To give advertisers access to these audiences, we are now opening brand partnerships on Nutshell, and have already worked with some early partners such as Amazon Prime, Deserv, Edufund, Basis, Wint Wealth, etc.”

  • GUEST COLUMN: The changing dynamics of influencer marketing in a digital era

    GUEST COLUMN: The changing dynamics of influencer marketing in a digital era

    Mumbai: Influencer Marketing has evolved significantly over the past few years. As opposed to 2017, influencer marketing involves much more than finding people with the highest social media followings to promote the products. Today it’s performance and purpose-driven – that needs both art and science.

    Influencer marketing is projected to touch 2.85 billion by 2025 growing at a CAGR of eight per cent. Creator economy market size is estimated to reach $104 billion in 2022. The Indian market is becoming fairly regulated as well as digital marketing budgets are growing significantly. Having operated an influencer marketing company for the last four years, I have gathered the following insights and learnings in order to keep up with the rapidly changing dynamics of today’s influencer marketing:

    Setting the wrong goal for influencer marketing

    Most new marketers who get into influencer marketing sometimes consider it as a conversion play. It’s not. Influencer marketing is a brand awareness play. Obviously, this isn’t the ultimate goal, but if you compare the campaign to getting a return on every dollar spent, no purpose-driven impact will be achieved.

    Pursue long-term influencer partnerships

    A short-term, one-off social post is a thing of the past. Partnerships that are long-term and authentic are getting more traction right now. Treating influencers as brand ambassadors builds more trust between the brand, the influencer, and their followers. You get better audience engagement, more creative content, and your marketing budget works harder. As an influencer’s audience grows, your brand gets promoted continuously.

    Shifting from influencers to content creators

    Discovering the 20-30 top influencers is very easy, and brands with good budgets are all in to spend money on them. Basically, you’re treating these influencers like a newspaper or television show or a TV spot between IPL matches, but finding your niche is really important.

    Create open-ended briefs with lot of ideas

    The most unsuccessful influencer marketing campaigns are those in which brands force their thoughts onto influencers. Although influencers do that for money, the end result is a boring sponsored post on their feed. It’s not about telling the influencer what to do, but about giving them a detailed brief that helps and educates them about the brand. The ideas should be open-ended so that influencers can get something out of them that suits their audience, since not all influencers are great creatives.

    Focus on videos. Not always short form videos. Do what suits you

    Today, everything is snackable, but don’t we binge a long-form show with 10 episodes? Short forms are great, but it depends on the message you want to convey and what type of influencer you want to reach. It has to be entertaining, if not educational. When someone consumes the content, either of these works well.

    Using Influencers in co-creation

    Brands such as Zomato and Groww have had great success co-creating with influencers on their own channels. a no-brainer that we are living in 2022, where children these days want to become YouTubers rather than astronauts. Hiring influencers to create content that gets published on your own YouTube channel or Instagram feed gets your audience to consider you cool and progressive.

    Purpose driven influencer marketing are on the rise

    Today, our favourite influencers are those who stand for something, who just do not talk about how beautiful their life is but provide us with some value that is relevant to ourselves. Brands need to understand this well and keep this in mind while creating their influencer marketing strategy.

    Engagement metrics and comments quality dictates success

    While doing prospecting, it’s really important that we focus on engagement metrics more than followers. It is very important to inspect the comments on the last sponsored post so that we can ideally get a pattern of how sponsored posts perform on the feed of the influencer. Marketers often focus on the size of the influencer rather than the engagement they have.

    Affiliate marketing is abused and misunderstood

    Many brands are thinking that sharing revenue will lure influencers to work with them, but if your fundamental idea is that influencers’ audiences buy everything they promote, then that is a wrong assumption. It is the audience that can tell if an influencer is promoting something that generates no value and will instead push the brand down rather than up.

    Influencers in the Podcast Industry are going to be popping up more

    Audio is a great medium in today’s world because of the passive nature of it. We are all always busy, and influencer marketing in podcasts will be important for brands seeking a more meaningful long-term association with a large listening audience.

    LinkedIn is going to be the new home for a lot of content creators

    Writing is the next big thing, and LinkedIn as a platform has been really impressing a lot of professionals. It used to be a platform to seek new jobs, but now, along with the story features and great mobile experience, the infotainment content space is really serious on LinkedIn. Brands would ideally like to work with this set of influencers.

    Influencer marketing is the greatest invention for the advertising and marketing industry and we are heading towards an interesting decade where videos, NFTs, creator economy tools, etc. are going to change the way we promote our products. Every company will become a media company that creates content of their own and partners more with the creator side of influencer marketing.

    The author is Pulpkey founder Amit Mondal.