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Struggling to jump into the top Hindi GEC league, it was a year back when Sony Entertainment Television decided to undergo a complete overhaul. New programmes were introduced and a new association was inked with the biggest film production house, Yash Raj Films, to produce soaps that were different both in narration and production value. While not all could fetch the requisite numbers for Sony, they did help the channel cover quite a distance – from a 80 GRP mark to a peak of 180 GRPs.
Now as Sony enters into its next phase of growth, it is betting big on the decade-old KBC, helmed by Bollywood legend Amitabh Bachchan. Sony believes that the property, infused with fresh innovations,will do more than just getting the numbers: it will help the channel change its fortunes.
In an interview with Indiantelevision.com‘s Anindita Sarkar, Sony Entertainment Television business head Ajit Thakur speaks about the channel‘s programming plans at large.
Excerpts: How challenging has been the last one year for you at Sony? Sony is a great brand but in the last couple of years it had not lived up to its potential. Now as I look back one year from the time I joined, we have achieved a lot and the credit goes to the brand. It has always been so strong that every time we do something that is targeted at our audience right, we always get results.
The focus in the last one year has been on three things. The first one of these has been research. Audience taste in this country is shifting every 1-2 years and, therefore, we were very clear that everything that we do has to be supported by rigorous consumer testing and extensive research to enhance our consumer focus. And research is not just to track but also to forecast the future trends.
The second focus for the channel has been to strengthen as pioneers in new programming. We got in a wide variety of shows ranging from the Yash Raj banner which were very diverse in terms of content and production value to something like Crime Patrol. We also made Aahat into a daily and Indian Idol, which had been traditionally a weekend property, was shifted to weekdays to give audiences a new experience. Also, no other channel has a daily thriller like CID.
The third very important and conscious thing that we are concentrating on is to produce content that entertains the entire family – and is not just exclusive to women or men or kids. Also, the content should do more than just entertainment.
Yes, CID is our flagship property and has been doing very well for us. So, if we have a strong property, why not build on it? We have extended the property to CID gallantry awards and we are thinking of CID comics towards the end of the year.
Meanwhile, the growth has not come just from one property. We are slowly and steadily expanding on our properties. Now we have Indian Idol, then we will have KBC and we will be building one property at a time.
Our other shows – Aahat, Crime Patrol and Boogie Woogie – are also fairing well for the channel. Baat Hamari Pakki Hai is picking up. And if you see, none of our shows is similar to the other.
Look, it has been a very conscious part of our strategy to give audience differentiated content. So, if you see, our programmes are very different from what is happening on all the other four channels. The fact is that from last June to this June we have seen an almost 100 per cent growth. Also, our primetime GRPs have grown from 40-75 GRPs. Meanwhile, in DTH households, we are the number two channel already. And DTH is a controlled environment where everything is in place and it is no more a Bombay-Delhi phenomenon. This shows that our content has future potential. Does that mean you do not want a successful soap on the channel? We do want to do a successful daily soap and build more on fiction but it has to be unifying and should be carrying a message. Also, we will not look at dragging a soap just for the sake of TRPs. We will look at finite properties that will help build the brand Sony and stand for it. We are expected to bring variety and target younger people. India has a lot more people below the age of 35 and Sony has a very high skew towards this audience segment.
When we launched YRF, Seven and Mahi Way did fairly well. But all of them were not up to the expectations that the market wanted. However, when we went for it we actually knew that the content is ahead of its time in comparison to current television in terms of narrative as well as treatment. So we were the early adopters and the ratings did not come in the first season. But we have learnt that they will work if we be at it for some time and bring back new seasons.
Also, another learning for us is that we shouldn‘t launch multiple properties together. Which is why this time we will bring back the shows one by one so that the audiences grow on them. When do you plan to bring back the new YRF shows? We will be launching two new shows from the YRF stable by the end of this year and the new seasons of two more properties will be launched next year. Apart from these, we will also be launching two other fiction properties by the year-end.
Why did you decide to bring back KBC despite it being an old property? The difference between reality shows and game shows are that reality shows are often very edgy and not suitable for the whole family. And since we are targeting the entire family, we knew it was time to bring back a game show on the channel.
When we did our testing for KBC, everyone said that they would watch the show because it has knowledge, entertainment and Mr Bachchan. So they encapsulated the show for us very well and that has a huge implication for us. We are sure that apart from numbers, the show is going to generate huge eyeballs for the channel.
Also, now that it is time to enter the second phase of our growth, we wanted to kickstart it with KBC.
Because a lot of our focus is on research, our scheduling strategy is pretty much about what is happening in the household. So we start our early primetime with soaps that are for the regular family and then as we go through the day, we move into non-fiction that is Indian Idol. Towards the end of the day, there is Crime Patrol, Aahat and CID as there is more of older audiences and men coming into the channel.
Also, we are trying to keep as much of content on the channel to keep the family together. Earlier, it was just the weekends that would look at keeping everybody together – but now it‘s weekdays too.
And the third thing is that while a lot of the channels are doing afternoons, we have opened up the late primetime at 11 pm as an original time band.
We are actually looking at doing less and less of movies. About a year back, we were doing 4-5 movies a week. But now we are doing only two movies a week. And within this, we are looking at interesting titles. We have about eight programmes on the channel and we will repeat that during off primetime. We are also looking more at events.
What are the challenges and opportunities for Sony in this cluttered market? We want to maintain a steady growth curve upwards. We want to take optimal decisions in terms of investments and programming and don‘t want to take away the positioning of the channel. Our daily worry is what is the next new innovative programming that we need to bring in and what is the next new insight we need to catch from the consumers.
The challenge for us will be to continue retaining our present viewers while getting in new audiences. We will also have to continue to build on our youth base – more from the smaller towns.
So is there a GRP or position you have in mind? |
Tag: indiantelevision
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‘We want to be the No. 1 channel in two years’ : Sony Entertainment Television business head Ajit Thakur
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Dish TV appoints Salil Kapoor as COO
NEW DELHI: Zee’s direct-to-home (DTH) company Dish TV has appointed Salil Kapoor as its chief operating officer (COO).
The appointment follows Vinay Agarwal‘s joining Dish TV as its CEO in June-end.
Kapoor will be taking the charge from the company’s headquarters in Noida from today. He brings with him an experience of over 17 years spanning across Information Technology, Consumer Durable and Engineering Industries.
Prior to joining Dish TV, Kapoor was associated with Samsung Electronics as the national sales head.
He was responsible for Consumer Electronics Revenue and Sales operations through 50 branches. He was also leading the senior level multi disciplinary teams.
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![‘Blogumentary is our USP’ : Amar K Deb- Channel [V] India head honcho](https://wordpress.indiantelevision.com/wp-content/uploads/2025/12/honcho-Amar-K-Deb.jpg)
‘Blogumentary is our USP’ : Amar K Deb- Channel [V] India head honcho
Thirteen years on, Star India’s music channel is experimenting with ‘blogumentary’ content and has adopted the tagline Channel [V] made by you.
The recipe for getting more eyeballs in a genre which is seen to be stagnating also includes the reality format.
In an interview with Indiantelevision.com’s Richa Dubey, Channel [V] India head honcho Amar Deb speaks about his plans to incorporate user generated content as a key value of the channel in its new avatar while hanging on to the central positioning of being a “music channel.”
Excerpts:
Is there pressure for music channels to reinvent as their revenues are stagnating?
We have revenues going up by 25 per cent every year. Advertisements and trailers are a major source of our income.MTV has recently repositioned itself as a youth channel. Is Channel [V] also looking to target youth with alternative content outside music?
Channel [V] is a music channel. We love and believe in promoting music. On Channel [V] music is flanked by other stuff like glamour, humour, and fun which are also youth centric.So you advocate the benefits of non-music properties?
Get Gorgeous is one of the highest rated shows on the channel. It’s great because we found some really beautiful looking girls who are not models and they went on to become Miss India and Miss Universe.We also discover new faces and talent with shows like Launch Pad. Our promos are popular and have got terrific responses. We won 17 awards at Promax, New York. Our average is of getting around 40 awards every year. That is a good sign.
How do you split up the music and non music shows?
We are a music channel and our programmes are all music centric. We largely have music based shows except for a couple of shows like Get Gorgeous. We stick to music while some or other fun things keep happening like Simpoo, Channel [V] IQ etc.What about the interactive elements that MTV has introduced?
Channel [V] has come up with that by introducing blogs in our content mix. This happened in January and we have got a good response.How did you go about selecting bloggers?
We had around 2000 people applying for it. We reviewed 200 and finally choose ten of them. Those ten were given hand held cameras and they shot the concert in there own creative ways.Following this, we did Launch Pad and Get Gorgeous which was also shot by bloggers. With this trend, we have got more and more viewers and people participating in the contests run by us. Thus reinforcing our stand as – Channel [V] made by you.
How else have you extended Blogumentary on Channel [V]?
After the Channel [V] concert, entire eight sessions at Hard Rock Café for Launch Pad was shot by bloggers. Get Gorgeous was shot by Bloggers and that is the speed in which we will take the entire concept forward. Blogumentary is our USP and we see others following us.What happens to the production team if bloggers play such an important role?
Our production team is always there to help our bloggers. It is just a kind of innovation that we are doing. They are the ones who direct the bloggers. The post production team works really hard to make the entire program look interesting. They make sure that bloggers create things that get viewers hooked on to our content.
‘On Channel [V] music is flanked by glamour, humour & fun which are also youth centric’Is this reflecting the new face of Channel [V] which has turned 13?
For the first time on Indian television, we did a ‘blogumentary’ in Channel [V] concert. Fans and young people had cameras and were shooting the eventwhich saw performances from Atif Aslam, Akon and many more.This resulted in an eight week, spectacular television series of half hours.With reality shows gaining importance even among music channels, what is your take on the inclusion of this format into programming?
We did reality with Popstars 1 and 2 and Super Singers. These were not talent hunts. They provided platforms for people to perform. However, we are not doing traditional reality shows where judges throw tantrums and walk out. On Channel [V] nothing is scripted. Everything is spontaneous and real.But isn’t controversy a necessary ingredient for a successful reality series?
Unfortunately, today’s channels have lost the sense of reality and they are not able to do justice to it. If you do something just for the heck of it to create sensation, it does not prove to be reality.What are the upcoming properties in the pipeline?
We will unveil My India Report, which is also based on the blogging format. There is a recruitment procedure going on right now which is also online. We want to know whether the new generation really lives with the values that our forefathers lived with. We want to know the views of today’s generation on various issues. It’s like a docudrama wherein five young people go out, speak to people, and capture it. They will together document what it is to be an Indian today.The show is still in the pre-production stage. Currently, we are looking for the kids who will travel across the country. The recruitment is happening online. We expect to launch it in three month’s time.
Unlike Freedom Express which was promoted by our VJs, My India Report will be done by the freshers and bloggers.
Channel [V] has been very active in the internet space. What are the plans on that front?
We have a strong online presence. Lot of our stuff is lined up in YouTube. Lola videos are amongst the most watched videos on YouTube and she has a large fan following on Orkut.Channel [V]’s Bai promotion was highly appreciated. All our properties have a vast community on the web. We are very ‘new media friendly’ – and a lot of the new media generation is aware of what we do. In fact, the band that we found for Launch Pad was through Orkut.
Channel [V] made by you is a huge user generated content phenomena.
What has the channel lined up on the promo front?
So far Simpoo, the animated character, has been by far the best promo that we did. People really liked and enjoyed watching it. So we have a new Simpoo KBC promo coming up.Our promos always reflect the trends of society. For example, we have a promotion for Get Gorgeous saying Moral Police sue us. It got us eyeballs.
We will be unveiling many more promos including one based on an upcoming Go Green Campaign on Global Warming.
Does Channel [V] bank a lot on movie marketing?
Channel [V] is a popular chosen platform for movie marketing. Rang de Basanti, Bluff Master and Don were some of the exclusive movies that we promoted on Channel [V]. Ram Gopal Verma’s Aag is the next movie we are going to promote. We are still working on it. -

WWIL lines up Rs 2 billion debt, rebrands digital cable as Galaxzee
MUMBAI: Zee Network’s Wire & Wireless India Ltd. (WWIL) is in the process of lining up a debt of Rs 2 billion for funding its digital initiatives and acquisition of cable operators.
“We have already got Rs 500 million from Infrastructure Development Finance Corporation (IDFC). We are already in the process of tieing up a debt of Rs 2 billion,” WWIL CEO Jagjit Singh Kohli tells Indiantelevision.com.
The company plans to invest Rs 7.40 billion over two years and Rs 8.50 billion within five years. “The debt to equity ratio will be firmed up once we know the price it quotes after getting listed in the exchange by February-March 2007. That in a way will determine how much debt component we will require to raise,” Kohli says.
The company is in talks with strategic and financial investors but conclusive agreement will take place only after the listing. “We are not necessarily looking at a strategic investor. We want somebody who will give us the maximum valuation,” Kohli says.
WWIL, the de-merged entity of Zee Telefilms’ cable TV business, has set an ambitious target of ramping up its direct subsciber base to 9.6 million within five years. “We expect 7.6 million to receive digital cable. Our aim is to have 4.4 million through our own digital cable service and an additional 3.2 million through our Headend-In-The-Sky (HITS) platform. We will have two million through analogue acquisitions,” says Kohli.
WWIL claims to have added 250,000 subscribers in recent months through aggressive acquisitions. The multi-system operator (MSO) has also expanded operations from 35 to 43 cities. “We plan to be in 66 cities in three years,” Kohli says.
WWIL will deploy several models of set-top boxes (STBs) aimed at various subscribers. Apart from the basic box, it plans to introduce a STB which will enable internet facilities on TV. “Customers can enjoy interactive games and online share trading through this. We are looking at a monthly fee of Rs 70 for internet and Rs 75-100 for movie-on-demand. Subscribers will have to pay Rs 1499 as deposit and Rs 45 as monthly rent. We haven’t, though, arrived at the final pricing. We plan to introduce these boxes after two months,” says Kohli.
The basic STB is available on a refundable deposit of Rs 250 and rent of Rs 45 per month or a refundable deposit of Rs 999 with a monthly rent of Rs 30.
WWIL will also deploy a STB through which it can offer VoIP (Voice over Internet Protocol) sometime in April, according to Kohli. The MSO is also poised to offer HITS which will enable it to tap cable operators at a national level even in places where WWIL has no presence, he adds.
GalaxZee will be the brand under which WWIL will offer its digital cable service. “We have commissioned a digital headend two days back at Worli. We will be in the Cas (conditional access system) notified area of south Mumbai and several operators from rival MSOs are joining us,” Kohli says.
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Regional television struggles to find its voice
BENGALURU: What good would a FICCI MEBC event be in Bengaluru without a discussion on the current status of regional TV, ratings, content and formats? The session moderated by indiantelevision.com CEO and editor in chief Anil Wanvari saw four personalities – TAM CEO L V Krishnan, Asianet and Star Suvarna Business Head Anup Chandrashekaran, TV serials director Shruthi Naidu and actress Malavika Avinash – talk about the evolving genres in the south TV market and the tussle that that the industry has with the TAM ratings.
According to the FICCI Deloitte report, the south Indian TV industry was valued at Rs 13, 470 crore in FY 2013 and is set to grow at an estimated CAGR of 20 per cent over the next four years. TAMs Krishnan added that it also accounts for 20 per cent of national viewership. To top it all, south Indian viewers are glued to their TV sets almost 30 per cent more than their northern cousins. The former spend 150-200 minutes a day watching soaps, series, movies, drama and non-fiction as compared to HSM viewers who spend 100-110 minutes disclosed Krishnan.
Kannada TV is in a strange predicament and its viewership is eroded because of the fact that the state shares its borders with others such as Tamil Nadu, Andhra Pradesh, Kerala and Maharashtra which means viewers in these regions watch TV shows in the languages prevalent in those states. To make matters worse, only 35-40 per cent of Bengalurus populace speaks Kannada. This despite, Krishnan is optimistic that Kannada TV will do well. It has grown by 25 to 30 per cent in the last five years in terms of engagement and the next four years will see the viewership increase by 20 to 25 per cent, he says.
Chandrashekaran said that the south TV industry is experiencing changing consumption patterns. Fiction consumption is growing here as compared to HSM where non-fiction is taking over, he said. There has been de-growth of film consumption in the states of Karnataka, Andhra Pradesh and Kerala. Movies are unviable on TV today everywhere else except in Tamil Nadu, he said. We pay Rs 2.5 crore to acquire a title; but we spend around Rs 70,000 to Rs 80,000 an episode for fiction and we get the same or better viewership. Then, big ticket formats are also slowly spreading such as the Kannada and Tamil versions of KBC, he added. Then ETV produced Bigg Boss in Telugu and Kannada.
Both Avinash and Naidu bemoaned the fact that budget restrictions in Kannada have led to creativity and innovation being stifled in the region. The protagonists in most shows are becoming younger – in their late teens or early twenties, which leaves limited scope for actors like us who have been around for 15 years, wailed Avinash. She, however, added that her Oprah Winfrey-like conflict resolution show has given her a good platform for her to exploit her creativity.
Chandrashekaran said that the younger protagonist strategy is being resorted to because broadcasters are trying to draw in younger audiences – apart from the plus 45 year olds – to watch television. Krishnan pointed out that the broadcasters strategy is on the button as TAM Media research has shown that boys 14 and above tend to follow what their fathers are watching, mainly sports while girls follow their mothers and watch serials.
Chandrashekaran said the economics of programming dictate that higher budgets for shows will work in a broadcast network scheme. If we can produce and amortise our costs over various languages like Tamil, Telugu, Malayalam and Kannada it will make our shows viable, he explained.
Naidu agonised over the fact that Kannada broadcasters are increasingly resorting to making adaptations of successful Hindi shows rather than encouraging and experimenting with original stories from Karnataka. Chandrashekaran said that this was happening because there is a paucity of scriptwriters in the region and the novelists and literature writers from the state tend to look down on TV as below their creative dignity. We do a lot of interactions with our viewers and we only focus on filling whatever our focus group studies throw up as viewing need-gap. Avinash pointed out that emotion and drama work very well with TV audiences which is why adaptations of Hindi shows in the form of soap, drama and series are working on regional television.
The topic also shifted to the credibility of TAM with her asking whether TAM data is rigged due to inconsistent ratings as compared to the popularity and visibility of shows. To this, Krishnan said that they have checks and balances in place to prevent any penetration or doctoring of the data. Yes, I am honest enough to say, one can reach out to our people meter sample, but we have policing mechanisms in place which will immediately penalise anyone who is trying to do that, he emphasised.
Niche genres are missing in the south with most of the channels being GECs or film channels. But Chandrashekharan says that the potential to harvest niche genres is there.
With the 10+2 ad cap coming in, we will see a lot of advertiser funded programs (AFPs) specially in Tamil Nadu because its base is huge, he said. I am very optimistic about our future and I can only see rosy pickings for everyone.
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TV18 to allocate 3 million shares for Rs 2 billion QIP issue
MUMBAI: Television Eighteen India Ltd. is, in its qualified institutional placement (QIP) issue, allocating 3.08 million shares at a price of Rs 650 per equity share.
The company is raising Rs 1.99 billion through QIP, TV18 said in a statement. Indiantelevision had earlier reported that TV18 had mandated HSBC to raise this amount which would be used to fund the company’s expansion plans.
The QIP committee of the board of Television Eighteen India Ltd met on Thursday to approve the QIP proposal