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With conditional access system (Cas) coming in next year and DTH already in, the time is right for television technology firms to take a serious look at India. One such firm is NDS, which provides technology solutions for digital pay-TV. It has opened a dedicated sales and support operation in Mumbai. Indiantelevision.com’s Ashwin Pinto caught up with NDS chairman and CEO Dr. Abe Peled for a lowdown on the company’s plans and the emerging digital age.
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For NDS, DTH is a high revenue earner. How is the company gearing up to new delivery technologies, particularly at a time when investments are coming into IPTV and growth in DTH subscribers is slowing? The market for satellite is getting competitive and complex because of triple play. We have 70 per cent of our revenues coming from DTH. We expect our growth in this area to stay strong as DTH service providers are going in for advanced technologies. We will benefit not primarily from subscriber growth but because of penetration of new technologies. We, for instance, have shipped 4.2 million digital video recorders (DVRs) and there is a scope for explosion in this segment as prices drop. But we realise that IPTV is also offering opportunity and have 14 different contracts including Yahoo in Japan which has 200,000 subscribers.
You have just acquired for $107.5 million Jungo Ltd. which is a leading provider of software for residential gateways. Will this help you penetrate the broadband television market? It will definitely help us better serve the telecom network operators to offer reliable video over broadband services. We are looking at acquisitions in the IPTV and mobile space even as pay-TV operators are looking at different delivery platforms.
With Cas coming in next year and DTH already present, how is NDS tapping the growing opportunity in India? We actually started selling our products in India three years back with Hathway Cable & Datacom. The reason why DTH and Cas are coming in now is that the technology is sufficiently inexpensive to be able to be used even in countries where subscriber revenue is a few dollars each month. The first set-top box (STB) launched by DirecTV in the US cost $700. But now the cost of the STB is below $50. Also, the cost of digital compression has fallen. All this makes digitisation affordable in countries which have low ARPUs (average revenue per user). China and India are key growth markets for us. |
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NDS is seen as a high-cost encryption system. Do you have a pricing strategy for the low ARPU countries like India? We have a product called VideoGuard which addresses this issue. There is a myth spread by our competitors that we are not affordable. We are very competitive and cable operators will have to take a long term view. It is not the Cas mandate that they have to service but also look at interactive features. Besides, we see a consolidation take place in the cable TV industry here.
DTH has grown wherever there has been premium content. How do you see the Indian DTH market evolve? I have a word of caution. While we would like to supply technology to lots of people, the experience is that in satellite very few places have room for more than one player; it is just not cost effective. In France, the two operators merged this year. The US has two operators as it is a large country. So maybe India will follow the US. But surely there can’t be space for so many players who have expressed their intent to join the fray. Exclusive content is also not allowed and the sectoral cap on DTH of 20 per cent stake by broadcasters can seriously hamper big capital coming into the business. But Tata Sky is off to a good start. And with DVR prices falling, we see it as an incentive to push digitisation.
Are you in talks with the major telcos like Reliance Infocomm for IPTV? We are looking at expanding business in India and are in talks with several companies. But I can’t give any specific details. We have opened office in Mumbai specifically for this purpose.
Are you also ramping up the research and development facility in Bangalore? We have almost 600 people in our Bangalore lab and are still hiring. We have just moved into our new office premises which can house double the capacity we are operating in now. Bangalore is a key part of our research and development operations. The EPG (electronic programme guide) was developed out of here and the middleware was adapted for our two clients, Tata Sky and Hathway, in India. |
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What are the challenges that lie ahead for NDS? As the media landscape changes, pay TV operators are facing more competition. There are new modes of delivering and distributing content that perhaps bypass traditional avenues. Our challenge is firstly to help our pay TV customers embrace new technologies and broaden the entertainment experience that they offer. At the same time, we want to work with telecom firms or people who want to distribute content directly to the PC or are keen to get into triple services play. We will be an enabler in this changing, fluid media landscape.
How has NDS been able to quickly identify consumer tastes and preferences with evolving technology? While consumers are not our direct customers, our success critically depends on them enjoying the entertainment experience. For example, in the early days of interactive television the first instinct was to say that we will allow consumers the technology to access the web to view television. We did not do that, as we understood that is not the case. We, instead, moved towards enhancing the television experience, which means interactive sports and other programmes. Companies came to us wanting to sell stuff through interactive TV. MTV wanted to sell music CDs. But we learned quickly that there isn’t a good enough business model to do that. The margins are not enough after you account for all the costs. We focussed on things that allowed channels to increase their viewership share like interactive quizzing. This way they could hike their ad rates. One of the key lessons was that T-commerce does not really work. We are working with Nickelodeon in the UK for games that you can overlay onto the programme.
There is something called Pie in the face. So if you score enough points you can throw pie on an actors face. These things enhance the television experience. |
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Is there a resistance from consumers for digital TV? The only resistance from the consumer is the price. They appreciate what the DVR and EPG have done. Price is determined by two factors. One is the absolute cost of the technology, which is coming down. Second is the business model of the operator. Will they bundle the cost into subscription and spread it out over several years or expect consumers to pay upfront? That is what dictates the rate of adoption. If the payment asked for upfront is modest, the adoption is quite quick. If the upfront is higher, the adoption is slower. |
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What are the key markets for NDS in terms of revenue? The US accounts for 35 per cent of our revenues while 20 per cent comes from the UK. Asia is about 11 per cent. Our hope is that in five years time Asia will contribute at least 20 per cent. Last year in China, one million STBs with our technology were deployed in Shenzhen. This year we expect three million deployments. |
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Has China been a more difficult market to penetrate vis-a-vis the rest of Asia as you need to show demonstrable commitment and the fact that the Chinese government takes a personal interest in how TV technology develops? The Chinese government takes an active interest in content. I don’t think that it takes a greater interest in technology than governments in other countries. We have a small development lab in Beijing as we are committed to it. The challenge is that there is no premium content that an operator can offer. So digitilisation is a result of government initiatives rather than a demand from consumers for getting more premium content. NDS has contracts with the larger Chinese provinces. |
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How is NDS coping in the face of competitors like Kudelski and Irdeto? In terms of scale, NDS has 66.6 million STBs deployed worldwide. Irdeto has two to three million. Kudelski, a Swiss firm, is our main rival but we are ahead. The fact that we have so many deployments gives us the scale to invest in research and development. That enables our technologies to be more sophisticated and secure.
Secondly NDS has a much broader offering for pay TV operators. While conditional access is necessary, you have other technologies like interactivity and games. None of our competitors have this broad range of technological capabilities. It is not just about providing Cas but also about providing an enhanced experience. We are at much better place to do that vis-avis our competitors. Our competitors can offer price but we are competitive there as well. |
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NDS recently was ranked as the top research and development investor among all UK-based software companies. Could you talk about your R&D centers and their importance? We believe in being a leader in television technology. We spend over 30 per cent of our revenues on research and development. We have centres in Israel, UK, Bangalore, France, Korea, US etc. |
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Is NDS also working in the mobile sphere which allows for content viewing anytime, place? We have a DVB H system that we are doing trials with. Korea is the most advanced country in terms of mobile deployment. We are doing a trial there with WiFi Hotspots. If you go into that Wi Fi it will pick up different channels that you can watch by streaming. |
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Finally what are the major changes you see in the digital television landscape five years from now in India and Asia? A large percentage of homes will have a box. It will offer interactive TV. A percentage of that will be DVR I would hope at least eight per cent. A similar percentage will have broadband capabilities. I am not sure about the potential of High Definition. It will be a small percentage. |
Tag: indiantelevision.com
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‘Fall in STB prices make digitisation affordable in low ARPU countries.’ : Dr. Abe Peled – NDS chairman & CEO
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Color Chips to set up facility in Visakhapatnam, plans to invest Rs 350 million
MUMBAI: Hyderabad-based Color Chips (India) Ltd is planning to invest Rs 350 million in setting up an animation production centre at Visakhapatnam in Andhra Pradesh as part of its expansion plans.
The company has already acquired three acres of land and in the first phase will develop 40,000 sq. ft. of space which will house 350-450 people. An area of 100,000 sq. ft. will be finally developed with a 1,000-seater facility.
“The first phase will require an investment of Rs 100 million and should be completed by 2007-end. We expect to set up the 100,000 sq. ft. facility by 2009 and plan to invest a further Rs 250 million for this,” Color Chips chairman and managing director Sudhish Rambhotla tells Indiantelevision.com. The centre will be mainly used to provide high-end graphic solutions, special effects, 2D and 3D animation production and also house an animation-training facility.
The company has fresh orders worth $18.5 million which it will execute within three years. This is in addition to the $1.5 million contract it has recently announced with Australia-based Albert Tross Productions for providing animation and creative services for a series of 26 episodes.
“We can’t reveal the name of the companies we have just signed up with. The $18.5 million contract will include our share in the global rights. We will be doing animation and graphics for the movies,” says Rambhotla.
By setting up a new facility in Visakhapatnam, Color Chips will spread out geographically and tap talent from the neighbouring states of West Bengal and Orissa, adds Rambhotla. The company already has a facility in Hyderabad.
Color Chips plans to raise up to $10 million through FCCBs (foreign currency convertible bonds). The company is getting into motion pictures business and has lined up two movies for production at an estimated cost of Rs 150 million. While Krishna will be an animation film, Mukhbiir is a live action film. “We expect to release Krishna in early 2007 and the second film later in the same year,” says Rambhotla.
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SRK to replace Big B as host of KBC
MUMBAI: Talk about making a big play. Kaun Banega Crorepati (KBC), Star India’s talismanic gameshow, will be back early next year with Bollywood’s biggest superstar Shah Rukh Khan replacing Hindi cinema icon Amitabh Bachchan as host.
Star is pitching the third season of the hit show as a “Gen Next avatar” to “reach out to an India where two thirds of the population is below 35”.
The contract that Star has signed with Shah Rukh is for two seasons with an option to extend it further into a third season. While Star officials have refused to comment on the payout to the “Bollywood Badshah”, Indiantelevision.com has it from reliable sources that the two-season deal is worth a whopping $ 7 million (roughly Rs 320 million).
Each season is for 52 episodes, which means that Shah Rukh has committed to shooting 104 episodes of KBC in all. It is worth noting that the second season of KBC had to be aborted after completing only 61 of the contracted 85 episodes due to Bachchan’s sudden illness.
Newswire Press Trust of India quoted Star Entertainment India CEO Sameer Nair as saying, “Mr Bachchan expressed his disinclination to do the show and we respect his decision. We are indebted to him for what he brought to the show but now it is time to move on and who better to hand over the baton to than Shah Rukh Khan.
“We have been in talks with Shah Rukh Khan for over a month now and he expressed his willingness to do the show. Shooting will begin by December-end and we expect this season to be on air by January-end.”
The show has been slotted in the 9 pm prime time band and will air Monday through to Thursday every week, the same as was the case when KBC first came on air. This effectively means that each season will have a 13-week run.
Nair has been quoted in an official release as saying, “We are extremely delighted to announce the Next Gen avatar of KBC and are even more pleased to present Shah Rukh Khan, as its host. We promise to engage and deliver to our audiences a whole new entertainment experience.”
Shah Rukh Khan added, “I was pleasantly surprised when Star offered me the show. I was a participant in season one of KBC…and little did I know one day I would be hosting it. It is a huge act to follow, that of Mr Bachchan…but it also excites me that I am getting an opportunity to reach out…talk and interact with my audience through a medium where I began my career as an actor years ago. So here’s looking forward to coming round a full circle…guess unlock kiya jaaye.”
Star India has signed a five-year contract with Celador for KBC, the Indian adaptation of Who Wants to be a Millionaire. The deal incorporates both the format and programme license, and is the longest continuing license that has ever been granted for the globally successful show.
KBC will be produced by Siddhartha Basu’s Synergy Communications. Says Basu, “KBC with SRK will bring a whole new set of audience to Star Plus. Although I have been associated with KBC ever since it began, this is literally a new beginning for me. SRK’s wit, energy, excitement and enthusiasm will rub-off onto all of us and together as a team we hope to create some magical moments on television.”
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Gemini, Udaya valuation report by Thursday: Maran
MUMBAI: Sun TV Ltd has decided to merge satellite broadcasting companies Gemini TV Pvt Ltd and Udaya TV Pvt Ltd (except its FM radio division) with itself. Enam Financial Consultants and DSP Merrill Lynch have been appointed as advisors and the valuation report is expected to be submitted soon.
The final holding of the shareholders of Gemini and Udaya in Sun TV Ltd. will, thus, depend on the share swap ratio. The equity shares of Udaya TV, as of 7 March 2006, are held by Kalanithi Maran (66.67), S. Selvam (16.67 per cent) and S Selvi (16.66 per cent). In Gemini, Maran has 26.5 per cent, Kal Communication (a promoter Group company), 23.5 per cent, K Bharathi 30 per cent, Indira Anand 16 per cent and A Sai Siva Jyoti 4 per cent.
Indiantelevision.com was the first to report that Sun TV would be merging Gemini TV and Udaya TV with itself. Maran’s broadcasting interests in the southern languages would, thus, be consolidated under a single company.
When contacted, promoter Kalanithi Maran had this to say: “We are expecting the report from Enam and DSP Merrill by Thursday. The shareholders of Gemini and Udaya TV will be given shares in Sun TV based on this.”
Gemini TV posted a revenue of Rs 1.75 billion for the year ended 31 March 2006. The company owns Gemini TV, Teja TV, Gemini News, Gemini Music and Gemini Cable Vision.
Udaya TV’s revenues for the last fiscal stood at Rs 943 million. It owns four television channels, Udaya TV, Udaya Movies, Udaya Varthegalu and Udaya TV II.
“With this proposed merger Sun TV shareholders should benefit immensely from the highly profitable operations and strong growth plans of both Gemini TV and Udaya TV. Sun will have an integrated growth strategy for all south Indian language channels, and thus build a dominant presence in entire south India,” Maran says.
Sun TV currently operates four television channels – Sun TV, KTV, Sun News and Sun Music – in Tamil language and two television channels – Surya TV and Kiran TV – in Malayalam language, and three FM Radio Stations, and another three FM Radio Stations through its subsidiaries. The two subsidiaries, Kal Radio Ltd and South Asia FM Ltd, jointly hold 41 FM radio licences for running stations across India.
“With this proposed merger, Sun TV Ltd. will become one of the largest television broadcasters in India,” the company says in a statement.
The Sun TV scrip gained 1.13 per cent today in the BSE to close the day at Rs 1528.45.
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EPL rights for India territory expected to be decided Tuesday; ESS loses ground in Asia
MUMBAI: The rights for a key sports property English Premier League (EPL) are in the process of being decided.
While the decision for India is expected tomorrow, the rights for some other key Asian countries have been announced. With a new entrant coming in this year (Nimbus’ channel Neo Sports Plus) and Zee Sports pushing soccer through its tie-up with the All India Football Federation (AIFF), one can expect the process to be competitive for India.
Nimbus Sport, Ten Sports and Zee Sports have all made bids for the Indian subcontinent. Geo TV has bid for Pakistan. ESPN Star Sports (ESS) had made a pan Asian bid. Yes TV which is owned by Malysian firm Astro, had also made a pan Asian bid.
Meanwhile, ESS which is the incumbent in India, is having a difficult time of it as far as Asia is concerned. Singapore pay TV operator Starhub has announced that it has won the exclusive rights to air EPL matches in the state.
Arch rival Singtel had also bid for the rights. Earlier it had been announced that Hong Kong’s PCCW had won the EPL rights for that city. The matches will air on PCCW’s internet and pay-television unit Now Broadband, which outbid i-Cable Communications to get the rights.
Information available with Indiantelevision.com indicates in addition to Singapore, ESS has also not managed to retain the rights for China and Thailand. They had to raise their bid quite a bit to retain the rights for Malaysia and Indonesia. An industry source believes that ESS will particularly feel the loss in Thailand but Singapore, with its substantial expat population that keenly follows soccer might also hurt.
Thailand had at least five bidders with UBC winning, ESS had to outbid eight parties to retain the rights for Malaysia. In Japan, Yes TV won. In China Guangdong Soccer channel won and there were reportedly six bids, Sources indicate that ESS has managed to get the rights for smaller territories like Philippines, Vietnam and Brunei.
Meanwhile, media reports indicate that sports fans are hoping for better programming and moderate price increases from StarHub. It has EPL rights for the next three seasons starting from next year. This will help StarHub maintain its vice like grip on the pay TV market in Singapore.
In a statement, StarHub says that it also has the rights to distribute EPL through broadband Internet and cellphone networks in Singapore. StarHub is now looking at delivering a more enhanced experience for socer fans.
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Exim Bank puts Rs 2 billion behind films in FY07, mulls equity in animation companies
MUMBAI: For the Bollywood industry which is keen to tap the overseas market, there is good news. The Export-Import Bank of India (Exim Bank) is willing to loosen its purse strings and has extended funding to the tune of Rs 2 billion for eight movies during the current fiscal.
Exim Bank, in fact, has funded the recently released Yash Raj Films’ big ticket movie Dhoom 2. “We have lent Rs 2 billion to the film industry this fiscal,” Exim Bank chairman & managing director TC Venkat Subramaniam tells Indiantelevision.com. “Our total exposure to the sector is Rs 4 billion.”
Of the other Yash Chopra movies funded by Exim Bank are Veer Zaara, Hum Tum, Bunty Aur Babli and Dum. The Bank has also financed Don (Rs 100 million) and Mangal Pandey – The rising (Rs 80 million). Exim Bank has been funding Hindi movie projects which have a potential to earn foreign currency revenues in the overseas market.
Animation is another area in the entertainment sector that has drawn the attention of Exim Bank. It is eyeing the option of picking up equity in start-up animation companies. “With their outsourcing models, animation companies in India have the potential to grow. Apart from prividing debt, we may consider equity participation in the start-ups. But for the companies which are listed and are already enjoying high valuations, it doesn’t make sense for us to enter as equity partners because they are already highly valued,” says Subramaniam.
Exim Bank is in talks with an animation company to provide finance for the expansion needs. With Crest Animation Studios Ltd, it has already agreed to lend $7 million to Crest Animation Studios Ltd.
The Bank has extended lending to over Rs 4 billion for film projects which have potential to earn foreign exchange. “We are not only financing on production but also on the overseas distribution side.
Noted film producer Bobby Bedi will approach Exim Bank to discuss his new project Mahabharata for which he plans to invest Rs 3-4 billion. Bedi is considering institutional financing for the epic project which will extend to a talent hunt, TV series, film trilogy, gaming, animation and a theme park. “Bedi is looking at an innovative financial structuring. He is taking the project to financial institutions. He is also going to approach Exim Bank for this,” an industry source says.
Exim Bank will examine the cash-flow situation of the project as it spans over different formats and will take a longer period to complete.
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Al Jazeera Intl goes with Apple
MUMBAI: MAl Jazeera International, the English version of leading news broadcaster, Al Jazeera, announced the selection of a wide range of Apple products to deliver a comprehensive, end-to-end solution for the media organisation.
Catering to a range of media requirements, the Apple-based technology project is set to deliver a total solution ranging from editing to storage needs. With a reputation for using cutting-edge technology, Al Jazeera plans to use the latest from Apple’s portfolio of solutions to revolutionize the functioning of the TV station’s video network.
As had been reported earlier by Indiantelevision.com after a number of delays, Doha-based Al-Jazeera Network launched its English news and current affairs channel Al Jazeera International earlier this month.
Al Jazeera has signed up with Arab Business Machine’s (Apple IMC Middle East) Reseller, PRO TECHnology to implement a turn-key media solution for the channel’s growing infrastructure.
Al Zazeera states that journalists will benefit from the usage of Apple tools as the Final Cut Studio allows professional editors to elevate production values with powerful editing tools, revolutionary sound design, real-time motion graphics and next generation DVD authoring from the field, while the MacBook Pro is the first Mac notebook built on the Intel Core Duo processor, which delivers the power of two processors on a single chip – for blistering performance with high-end creative applications.
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Kalyan Sundaram returns to Sahara One as programming head
MUMBAI: SaharaOne has appointed Kalyan Sundaram to head programming for the channel.
Sundaram was roped into the network in 2004 when the new team structure was being set in place as the non-fiction programming head.
A year later Sundaram moved onto Zee Arabia, a division of Zee International as the creative head.
Speaking to Indiantelevision.com, Kalyan Sundaram said, “I was with channel for a year before I moved on to Zee Arabia Dubai. But I have always shared a special bond with Sahara and now I am back to head our programming plans for the channel.”
With prior experience at MTV and B4U Music, Sundaram returns to SaharaOne as the network plans to spruce up its programming line up with six new shows, two being Solhar Singaarr and Kuch Apne Kuch Paraye. Two more additions being Zaara Pyaar Ki Saugat and Ghar Ek Sapna were officially announced today.
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Stage set for the sixth ‘Indian Telly Awards’
NEW DELHI: The stage is set for the sixth edition of the Indian Telly Awards, the oldest and most credible annual celebration of creative excellence in the Indian television industry.
The glittering ceremony, host to the who’s who of the Indian television firmament, will be held tomorrow at the Chitrakut Grounds in Mumbai’s western suburb of Andheri.
The brainchild of indiantelevision.com founder Anil Wanvari , the awards celebrate excellence and are given out to the best performances, programmes and various other important categories which determine talent in the television industry during the year.
Labeled as the Oscars of the Indian television industry, the Emmys of India – the sixth Indian Telly Awards are this time going to honour winners who have been nominated in more than 30 popular categories.
Various TV celebs have been roped in to render performances on the night of the event. To name just a few, TV actor Sangeeta Ghosh would be delivering an inaugural performance and the team of the TV show Left Right Left would also be presenting an act.
Akashdeep Saigal (Ansh of Kyunki…) and Ejaz Khan (Kavya of Kavyanjali) are all set to keep the audiences wanting for more with their dance performances and Naveen Prabhakar of The Great Indian Laughter Challenge fame will keep the audience rolling with his completely new and never seen before comedy act.
Nominees of the top three popular categories are:
– Best Television Personality:
Javed Jaferi
Rajdeep Sardesai
Navjot Singh Sidhu
Ram Kapoor
Ronit Roy– Best Actor (Male)
Rajeev Khandelwal – Left Right Left
Eijaz Khan – KKavyanjali
Ronit Roy – Kasautii Zindagii Kay
Shakti Anand – Ek Ladki Anjaani Si
Ram Kapoor – Kasamh Se …
Arvind Rathod – Thodi Khushi Thode Gham
Hussain Kuwajerwala – Kumkum.. Pyara Sa Bandhan
Pawan Shankar – Siddhanth– Best Actor (Female)
Sangeeta Ghosh – Viraasat
Aamna Sharif – Kahiin To Hoga
Anita Hansnandani – Kkavyanjali
Saakshi Tanwar – Kahaani Ghar Ghar Kii
Smriti Irani – Kyunki Saas Bhi Kabhi Bahu Thi
Shweta Tiwari – Kasautii Zindagii Kay
Kanchi Kaul – Ek Ladki Anjaani Si
Sarita Joshi – Baa Bahoo Aur BabyThe entire list of the nominees is available at www.indiantellyawards.com.
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Bobby Bedi has epic plans for ‘Mahabharata’
MUMBAI: Noted film producer and Kaleidoscope Entertainment promoter Bobby Bedi is on an epic project. His plan: to repurpose Mahabharata so that it can roam across various formats including a TV series, a film trilogy, an animation product, and a theme park.
Bedi had first announced plans for the Mahabharat project around the time his big-budget film Mangal Pandey released in August of 2005.
“For creating the entire chain of products, it would require an investment of around Rs 4 billion. The idea is to make it for the global market,” Bedi tells Indiantelevision.com.
First would be the creation of reality TV through a talent hunt for the Mahabharata characters. This, he says, would take about a year.
The talent hunt would next move to a Mahabharata TV series which could stretch to 150 episodes. Dr Chandraprakash Dwivedi would direct the series. “It will transform Indian television and travel across the world. We can make it in many languages,” Bedi says.
Bedi intends to invest Rs 160-170 million in just the development stage. “For completing the entire chain, it would require over three years. Developing gaming would require around $2 million,” he says.
The animation work will be assigned to a company which has US and Indian base. He, however, refused to divulge the name of the animation firm.
Will he rope in joint ventures to fund the project? “No, the investment will be done by Kaleidoscope. We may have partners,” he says.
Mahabharata will be made into a comic book series as well. A theme park based on the Mahabharata is also in the pipeline.
Delivering the keynote address at “India – The Big Picture,” Bedi said the project would involve multiple location shoots and be in multi-languages. “This is the direction Indian entertainment should be taking,” he added.