Tag: indiantelevision.com

  • “I may distribute a news channel. I just do not want to run one” : Kunal Dasgupta CEO SET

    “I may distribute a news channel. I just do not want to run one” : Kunal Dasgupta CEO SET

    It’s the festival of lights. And for many the festival of noise courtesy exploding fireworks. In the hope of reducing the number of those belonging to the latter tribe, we, at indiantelevision.com, decided to put a display of firecracker articles for visitors this Diwali. We have had many top journalists reporting, analysing, over the many years of indiantelevision.com’s existence.

     

    The articles we are presenting are representative of some of the best writing on the business of cable and satellite television and media for which we have gained renown. Read on to get a flavour and taste of indiantelevision.com over the years from some of its finest writers. And have a Happy and Safe Diwali!

     

    Written By: Thomas Abraham

     

    Sony Entertainment Television has secured the cable and satellite television rights for all ICC-designated One-Day cricket for the next seven years, which includes the next two World Cups. But with a reported $255 million acquisition tab, SET CEO Kunal Dasgupta has his task cut out to profit from it. At a media briefing last Friday, Sony presented the captain of India’s successful World Cup campaign of 1983, Kapil Dev, as its brand ambassador. Dasgupta talks of this and other issues like conditional access, DTH, uplinking from India to indiantelevision.com’s Thomas Abraham.

     

    What made you plump for Kapil Dev as your brand ambassador?

     

    The point is, just as Amitabh Bachchan is the icon of movies, Kapil Dev is the icon of cricket and we expect Kapil to do for Sony Entertainment what Bachchan did for Star.

     

    There is this huge investment of $255 million that has been pumped into getting the rights to ICC-designated One Day cricket tournaments. Recovering that is a tough ask any way you look at it. At least as far as the ICC tourney in September and the World Cup next March, are there any programming initiatives that you have in mind?

    There are a number of them we have lined up but I don’t want to talk about these initiatives at this juncture.

     

    What about an outline of your overall strategy? 

     

    First and foremost, we want to take the game beyond the male and offer it as family entertainment. The programming initiatives that we are working on will take cricket beyond the boundary and get the families in. There will certainly be a focus on women in our plans.

     

    Secondly, we have to generate interest beyond the matches India is playing. And we will have to create devices that provide for that.

     

    And the ICC rights that we have include under-19 cricket tournaments. There is no interest for this now but we will have to generate it.

     

    One way is to make the cricketers more media savvy. They will need to be groomed accordingly so as to give the proper sound bytes at the proper time. Tiger Woods is not just a sporting success story but a marketing one as well and this has been achieved by a great deal of coaching on how he conducts himself.

     

    Now that you have acquired this massive cricket property, have you thought of an IPO. Would this not be a good time to raise funds from the market?
    My board doesn’t think so.

     

    “The big question is, will the law make it mandatory to declare the subscriber management systems, which are in the hands of the cable operators? How do you control this is a big worry?”

     

    The big debate currently is around the government’s determination to introduce conditional access systems in the country. What is your stand on this?
    Well I would have to see how it is implemented. My principal concern is that there should not be a disruption of services which is something I am sure the government would ensure when CAS is introduced.

     

    The Cable TV Networks (Regulation) Amendment Bill, 2002 is almost certain to get cleared in the next session of Parliament in July. How long do you think the first phase of the rollout in the four metros will take? 

    It should take about a year or so at the very least, I would think.

     

    What will happen to DTH in this scenario? The whole concept of having tiers means that high-end services can be offered to consumers which would incorporate interactivity and other options like pay-per-view. Would this not make the DTH option a non starter?

     

    The introduction of CAS as is visualised would in fact speed up the entry of DTH. If the customer has any way to invest in a set top to access channels, the quality of service that DTH provides would make it quite a feasible option if the price is right. It should be noted that in India what we are talking about as far as CAS is concerned is an analog service. To digitise, massive investment is needed for cable TV headend upgradation as well as line upgradation. What we are looking at is costs of up to Rs 50,000 crores (Rs 500 billion). At the moment, it is only Reliance that is doing this kind of cabling.

     

    The introduction of CAS would certainly alter the dynamics of the business. What sort of scenarios do you visualise?

     

    Bundling of packages will certainly be there. It will ultimately boil down to who offers the best package. There will be possibilities of a number of currently rival networks like Sony, Star and Zee for instance coming together and offering a shared bundle. India is a unique market. Ultimately, market forces will settle the issue.

     

    What other options are there available to the broadcaster?

     

    One possibility is to supply boxes directly to the consumer. That way we bypass the cable operator altogether by entering into a direct relationship with the consumer.

     

    If you are talking packages, then strong bouquets will still be important. Have you earmarked any candidates for joining “The One Alliance” (what the addition of the Discovery and Animal Planet channels to the Sony Entertainment bouquet of SET, MAX, AXN and CNBC India is called)?
    An English movie channel is top of our wish list. Music and niche channels are our other options.

     

    “We will be continuously introducing new shows but they will be short duration series. The days of the long-running serial are numbered”

    _________

    (Inset) A 1983 file picture of Kapil Dev with the Prudential World Cup trophy.

     

    How many new channels can we expect on the platform by the end of the year?

     

    Ask me on 20 June.

     

    What about a news channel? There is a lot of buzz that a news channel is also on your list.

     

    As long as I am CEO, a news channel will not happen. We do not want to get into issues of editorial management as that would involve taking sides on issues. The issue we have with running a news channel is that we prefer to remain neutral. We have a lot of products that we promote in India besides our channels. There is the movie business, music and electronics goods that we have as well, so that is the position that we are comfortable with.

     

    That is not to say I cannot have a news channel on my platform. I can certainly distribute a channel. I just do not want to run one.

     

    Now that the government has liberalised uplinking, there is talk that broadcasters who uplink abroad will be looking at transferring operations to India so as to bring in new avenues for advertising. Is Sony considering such an option?

     

    Not for the near term at least. If at some later date, we feel there are clear advantages to be derived, then we would have to reassess the situation.

     

    What of programming? Is there anything new happening on Sony?

     

    We will be introducing a new blockbuster series slotted for the weekend prime time. The weekend has been associated with blockbuster movies. Now we are working on a blockbuster series that will run for 39 episodes. With it, we expect to carve out the weekend prime time slot.

     

    Balaji has said it is readying a 39-part weekend series that is going on air within the next two months, slated to run as a one-hour show on Fridays, Saturdays and Sundays. And the talk is that you are doing a big new show with Balaji. Is this that show?
    Yes it is.

     

    Still, it is the weekday programming that ultimately decides the success of a channel. What have you lined up for the weekdays?

     

    We will be continuously introducing new shows but they will be short duration series. The days of the long-running serial are numbered.

     

    Do you have any big ticket shows lined up?

     

    One show we are seriously looking at is a game show called Russian Roulette.

     

    From whom are you acquiring the rights?

     

    It is a Columbia Tristar property.

     

    (Russian Roulette, produced by Columbia TriStar Domestic Television [CTDT], is a game of chance where every question could cause a contestant to literally “drop out” of the game and has been a hit in countries as wide apart as Russia and Spain. In this knowledge test, four strangers challenge each other to answer a series of multiple-choice questions. If a contestant answers incorrectly, he must pull the lever potentially triggering one or more “drop zones”. When only one contestant is left standing, that person keeps all of the money won and proceeds to the final round. In the US version, the final winner takes home an additional $100,000.)

     

    What about Shubh Vivaah (Sony’s blockbuster marriage reality show)? When do you see it finally launching?

     

    There is a hearing scheduled for 8 July. After that, we will know for certain.

     

    But I thought the issue was settled. Didn’t the Delhi high court ruling (of 3 March) state that Taal (which went to court over claimed copyright violation) gets a lead time of two months if its own show Swayamvar launches on or before 30 June, otherwise Sony would be free to launch Shubh Vivaah?

     

    Well, Taal went in appeal of that ruling. So the judge has put 8 July as the date for final hearing of the case. Basically, Taal is only employing delaying tactics. In any case, we expect to have the show out in the next few months.

  • ‘Baahubali’ premiere on Sony Max betters Salman Khan’s ‘Bajrangi Bhaijaan’ ratings

    ‘Baahubali’ premiere on Sony Max betters Salman Khan’s ‘Bajrangi Bhaijaan’ ratings

    MUMBAI: The two Bs that created the maximum buzz at the Indian box office this year were Bajrangi Bhaijaan and Baahubali – The Beginning. While the former starring Salman Khan did wonders at its recent world television premiere on Star Gold, the latter has gone and bettered its performance on the small screen.

    According to TAM Media Research’s analytical division S-Group, Baahubali – The Beginning has toppledBajrangi Bhaijaan with TVR of 6.85 on Sony Max. Bajrangi Bhaijaan notched 6.80 TVR in its world TV premiere on Star Gold.

    As was earlier reported by Indiantelevision.com, Star Gold emerged as the number one channel in the Hindi movie genre with the premiere of Bajrangi Bhaijaan. The movie perched itself on the sixth spot on the elite list of the Top 10 world television premieres from 2010 – 2015 as per TAM Media Research.

    However, Baahubali has now replaced Bajrangi Bhaijaan in the sixth spot of the top 10 world television premiere list.

    Baahubali, directed by S. S Rajamouli and produced by Shobu Yarlagadda and Prasad Devineni, was made in Telugu and Tamil. It was also dubbed in Hindi, Malayalam and French languages.

    Baahubali had its Hindi world television premieres in week 44 (25 October) on Sony Max. It may be recalled that it was telecast on Malayalam and Telugu languages, earlier in October.

    Baahubali in Telugu telecast on Star India’s regional channel Maa TV received the maximum TVR of 21.8, followed by its Malayalam version on Mazhavil Manorama with 16.1 TVR and last but not the least in Hindi on Sony Max with 6.85 TVR.

    Aamir Khan’s 3 Idiots with 10.88 TVR leads the top ten list of world television premiere followed by Salman Khan’s Bodyguard with 9.95 TVR in the second spot. Shah Rukh Khan’s Chennai Express with 9.50 TVR stands in the third spot, while yet another Salman’s Dabangg is on fourth spot with 9.19 TVR. In the fifth position is the Ajay Devgn starrer Singham with 8.72 TVR.

    In week 44 Baahubali replaced blockbuster Bajrangi Bhaijaan, which was dominating the sixth spot in week 42. Baahubali with 6.85 TVR bagged the sixth slot in the top ten list just above the Bajrangi Bhaijaan, which is in seventh slot with 6.80 TVR. In eight spot is the Shah Rukh Khan starrer Ra.One,which received 6.72 TVR and Aamir’s PK was at ninth spot with 6.62 TVR. In tenth spot is the Akshay Kumar starrer Entertainment movie premiere with 5.49 TVR.

    Bajrangi Bhaijaan was heavily promoted and hence received 81 per cent promo reach and average frequency of 15.5. Baahubali, on the other hand, was promoted to achieve a 70 per cent each. Bajrangi Bhaijaan received 23.3 per cent whereas Baahubali received a higher reach conversion that is 25.1 per cent among the both the movies, on Hindi speaking market (HSM).

  • IndianTelevision.com announces scholarship for the Berlin School of Creative Leadership

    IndianTelevision.com announces scholarship for the Berlin School of Creative Leadership

    MUMBAI: IndianTelevison.com is proud to announce its first-ever scholarship for the Berlin School of Creative Leadership’s prestigious executive MBA program. This special scholarship opportunity has been established by IndianTelevision.com to continue encouraging and supporting the creative industry in India, like its other initiatives including the Indian Telly Awards, The Content Hub, Qalam, The New Talent Awards and The Indian Digital TV Honours.

     

     The scholarship will provide 20,000 Euro in tuition support for a top creative executive from India to participate in the part-time global executive MBA program starting in March 2016.Up to three additional finalists may be eligible to receive 10,000 Euro each in partial-tuition support.

     

    Candidates should be readers of IndianTelevision.com, the pre-eminent industry platform for TV, advertising and media executives in India. Preference will go to those who are working in India, although applicants do not have to be from the country. The scholarship award judges are seeking accomplished senior executives in the TV-related industries with a strong professional background and track record of creative or leadership excellence. The application deadline is November 16, 2015.

     

    Speaking about the announcement, Anil Wanvari, Founder, CEO and Editor-in-chief of IndianTelevision.com Group says, “IndianTelevision.com is proud to be associated with The Berlin School and nurture the growth of creative leaders in India. Considering the vast and vibrant landscape of the Indian TV industry, there is immense leadership potential to be tapped and we are looking forward to making this a reality through the IndianTelevision.com Scholarship.

     

    Berlin School of Creative Leadership Head of Admissions, Gerardo Tejo, comments that “We are thrilled to partner with IndianTelevision.com for this scholarship and equally excited about the prospect to support leadership talent in the creative industries in the growing economy of India.”

  • Dentsu acquires French cross-activation agency ZoneFranche

    Dentsu acquires French cross-activation agency ZoneFranche

    MUMBAI: Dentsu Aegis Network has acquired the Paris based cross-activation agency ZoneFranche SAS, which has strengths in experiential marketing.

     

    Founded in 2004, ZoneFranche has steadily captured an increasing share of the growing activation market, and is currently one of the leading agencies with a focus on consumer brand experience and experienced value.

     

    The company also offers a wide range of communications services including digital, mobile, advertising and promotion solutions that leverage social media, customer relationship management (CRM), and other marketing activities to enhance the purchasing experience. These innovative, high-quality services have earned it high praise from prominent companies in France as well as in other countries.

     

    Post-acquisition, ZoneFranche will become part of experiential marketing agency psLIVE, one of the Dentsu Group’s specialist brands. During the next 12 months, psLIVE will be realigned as MKTG, the Group’s lifestyle marketing brand headquartered in New York and one of its nine global network brands.

     

    As was reported earlier by Indiantelevision.com, in India Dentsu recently acquired Brian Tellis’ Fountainhead Entertainment, which will be merged with psLIVE.

  • &TV set to unleash four new shows across genres

    &TV set to unleash four new shows across genres

    MUMBAI: The fresh entrant in the Hindi general entertainment channel (GEC) space – &TV from the Zee Entertainment Enterprises Ltd’s (Zeel) stable has rolled up its sleeves and is prepping to take competition head on by dishing out a mixed platter of fresh programming content.

    The channel is looking at strengthening its offering with the launch of four new shows across genres namely romantic, fantasy, horror, and socio-mythological, keeping in line with its strategy to keep the content contemporary and different. 

    At the helm is &TV business head Rajesh Iyer, who says that each of the new shows will appeal to a particular part of society and cater to a particular market.

    The channel will kick-start the series of new launches with the romantic show Ye Kahan Aa Gaye Hum on 26 October from Ekta Kapoor’s Balaji Telefilms. Incidentally, this is Balaji Telefilms’ maiden show for the channel. This friendship and love saga revolves around a successful singer and showcases the success story of a music empire built by his father. The show will be aired from Monday – Friday at 9:30 pm and will replace Razia Sultan. The channel has roped in Ching and Multani Chavanprash as the co-powered by sponsors for the show.

    Speaking to Indiantelevision.com, Iyer says, “This the first time that &TV is is working with Balaji Telefilms but Ekta has worked with Zee before, therefore  the experience has been fantastic and our relationship goes much beyond just one particular show.”

    Strengthening the weekend line-up, &TV will be launching its first horror show titled Darr… Sabko Lagta Hai with Bipasha Basu as narrator. Set to go on air from 31 October, the show will air on Saturdays and Sundays at 10 pm. It has been produced by Reel Life Entertainment and will showcase stories about the paranormal, supernatural, spirits, ghosts and the unseen, which have the potential to send shivers down the spine with unsuspecting turns and nail-biting twists.

    With the launch of Darr… Sabko Lagta Hai, the channel will be further firming up its weekend prime time band from 8 pm onwards. It may be recalled that in August, the channel launched two new weekend shows namely the game show Deal or No Deal (8 pm) hosted by Ronit Roy and the crime investigative series Agent Raghav (9 pm).

    Talking about the current weekend programming, Iyer says, “ – Deal or No Deal and Agent Raghav have done reasonably well and we are very happy with the current growth and performance of both the shows. Going forward, we are definitely looking at improving the shows’ performances.”

    The third new show will be in the fantasy genre called Adhuri Kahani Hamari. This saga of reincarnation and love has been produced by Four Lions Films and will launch on 16 November. It will be aired from Monday to Friday at 7:30 pm and will replace the show Badii Devrani.

    Foraying into the socio-mythological genre, &TV will be launching its fourth new show – Santoshi Maa staring Ratan Rajput. The show, which is produced by Rashmi Sharma Productions, will focus on the belief of a devotee in Maa Santoshi and how the goddess helps her overcome obstacles in life. The show is slated to launch in November. However, the date and time slot have not yet been firmed up by the channel.

    Iyer says, “The four new shows are across different genres ranging from romance, to horror to fantasy to socio-mytho and with these, our aim is to up the number of original shows on our channel.”

    Since its launch in March this year, &TV has unleashed shows of varied new concepts and story ideas. Speaking on the channel’s content strategy, Iyer says, “From a brand perspective, we have been very clear from the beginning. Our sole goal is to give differentiated content to the audience and we want to keep doing so. Our strategy is to keep the content contemporary and differentiated, these are the two key things that we look for when chalking out our programming. Our aim is to offer shows that will appeal to a different parts of society across different markets. There is no formula for success, we have to put out our best and take it from there.”

    With as many as four new shows, the expectations are riding high. “There is lot of hard work and effort, which has been put in on the shows from the team and we hope to put up a great show,” Iyer adds.

    The channel is looking at all four new shows as finite stories, which will reach its logical conclusions. Not believing in the concept of yanking non-performing shows off air mid-way, Iyer says that if a story ends, it has to reach its logical end and when it does, they end the story.

    Going full throttle on promotions, mass media campaigns across print, television, outdoor, radio and digital will be unleashed. “We have kick started road shows with lead artists,” informs Iyer.

    With Hindi GECs spurting out new content during the festive season, Zeel’s newest baby &TV is poised to push its way through the clutter with its new programming salvos.

  • NDTV’s K Yegneshwara Iyer joins Times Network as VP & head technology

    NDTV’s K Yegneshwara Iyer joins Times Network as VP & head technology

    MUMBAI: NDTV chief information officer K Yegneshwara Iyer has joined Times Network as vice president & head of technology. 

     

    A source close to the development informs Indiantelevision.com, “He will work closely with the business and leadership teams to ensure that the Network is at the cutting edge of technology.”

     

    According to the source, while Iyer will report to Times Network MD and CEO M K Anand, the company’s Technical and Broadcasting teams will directly report in to Iyer.

     

    Iyer has 27 years of experience and spent the last 18 years at NDTV. Prior to that, he had over nine years of experience in setting up networks and developing business software.

     

    In his long stint at NDTV, he was the software architect as well as a part of the development team that developed arguably India’s fastest election results platform. He is a co-applicant in a patent application for real time graphics on television. He has launched greenfield projects co-ordinating with multiple internal and external teams and business verticals within NDTV, integrated traditional and digital processes between TV, Internet and mobiles, conceptualised and delivered innovative technical processes in news broadcast television, developed mobile apps and mobile app back-end architecture.

     

    Iyer has done his BA from Delhi University and has done CISA and CISM from ISACA. 

  • Discovery to premiere documentary on AR Rahman – ‘Jai Ho’

    Discovery to premiere documentary on AR Rahman – ‘Jai Ho’

    MUMBAI: Jai Ho – a documentary on music maestro AR Rahman, which has been screened at a few international film festivals earlier this year, is all set to have its television premiere in India on Discovery Channel. The channel will air the documentary on 26 October at 9 pm. 

     

    Jai Ho, which has been directed by Umesh Aggarwal, will take viewers through the unseen and unheard story of one of the finest musicians the world has ever known.

     

    Speaking to Indiantelevision.com about the documentary, Rahman says, “It’s an understated documentary. It’s not the kinds that makes a big fuss and that’s what I like about it. It has its own humour. It is about the music and its making and not just about me. Jai Ho has eminent people taking about me and it is fascinating to listen to them. I am lucky to have done a song on Jai Ho (for Slumdog Millionaire). It’s like a mantra for India, which has always been there. It fell in the place at the right time and the whole world has a portrayal of it. I am very proud of it.”

     

    Discovery Networks Asia-Pacific EVP and GM – South Asia Rahul Johri adds, “We are always looking for content that has the ability to surprise the audience. That’s our primary criteria and first preference when deciding on the channel’s content. We want people to acclaim, ‘Ohh wow, where did they get this idea from?’ And this show has that. It is different from all our other shows.”

     

    The documentary enables a window for the viewers into the personal life of Rahman from him leaving his education at a tender age to support his family to winning an Oscar as well as a Grammy. The programme depicts Rahman’s journey from working with Mani Ratnam forRoja to his first commercial break in Bollywood with Rangeela to his outstanding work in award winning movies.

    Throwing light on how he was on Rahman’s trail for almost six months to pitch the documentary idea to him, Aggarwal says, “I was in touch with his staff and I was told that Rahman would call me at 2:30 am. It was frustrating because I wasn’t getting an answer from him. So one fine day, I went to his office and met his sister. I explained the concept of the documentary to her. Precisely after five minutes, I met the man that I was trailing all this while. It took me six months to reach him and less than five minutes to talk to him about my content.”

     

    The documentary imparts details about Rahman’s personality, career, life, his love for music and his past life from the perspective of formidable personalities who have worked and observed his work and growth.

     

    The factual is shot across the world including Los Angeles where Rahman resides, London, Mumbai and Chennai which is his birthplace. When questioned about casting Rahman as the centre point of the show, he says, “He being the glory of India is just one peg. Whatever is spoken about him, it’s always a third party outlook. Rahman himself has never shared much on his own. This entire story comes from him as he narrates it and you get to know him as a person. This was my prime motive behind making this film. I think people should know that those who have reached to the top, don’t do so overnight. It takes time and that is what inspired me.”

     

    The channel has unleashed various promotional activities across its bouquet of 11 channels as well as created buzz on social media platforms.

     

    “We had started with eight channels in five languages. That is the trajectory we are on and we will speeding up our growth process. There has been a lot of localisation on our channels and going forward there will be more local and relevant content on the channel,” adds Johri.

     

    As was reported earlier by Indiantelevision.com, Jai Ho was recently screened at the 20th Busan International Film Festival (BIFF). It was also screened at the Indian Film Festival of Los Angeles (IFFLA) in April this year. 

  • TRAI devices simplified online form to gain info on LCOs & linked MSOs

    TRAI devices simplified online form to gain info on LCOs & linked MSOs

    NEW DELHI: With the deadline for Phase III of digital addressable system (DAS) virtually at the doorstep, the Telecom Regulatory Authority of India (TRAI) has created a Google form to gain first-hand information about every local cable operator (LCO) in the country.  

     

    According to information available with Indiantelevision.com there are more than 60,000 LCOs in the country and no authority at present has the complete information about each of them. 

     

    According to TRAI, the aim was part of its function to regulate the telecom and broadcasting services; lay-down the standards of quality of service to be provided by service providers and ensure level playing field amongst the service providers and nurture the condition for the growth of the sector.

    The regulator said it had been taking up several activities to protect the interest of cable operators, address their grievances and educate them about their rights and obligations. 

     

    However it required data to keep the LCOs updated about the policies and regulation made by TRAI, data related to the LCOs such as name, address, e-mail, mobile number and city of operation etc.

     

    The online information gathering mechanism through a single Google form will help the regulator get all the information about the LCOs, which will be stored by TRAI in its database.

     

    The form, which is easy to fill, has only sought the full contact details of the LCO, whether he gets his signals from the broadcaster or multi system operators, and the names of the MSOs he is attached to.

     

    The link to the form is 

    https://docs.google.com/forms/d/1dWCwSlNEkcAqFbQhep9T7OmOhfHZSNN5UMFGr2a1wyc/viewform?usp=send_form or http://goo.gl/forms/q34NG1AHHf

  • CouponDunia preps up for Diwali sales bonanza

    CouponDunia preps up for Diwali sales bonanza

    MUMBAI: The burgeoning e-commerce sector has been rapidly powering the growth of Indian SMEs (small and medium enterprises). As the festive season comes down the pike, coupon e-commerce sites like Groupon.com,CouponDunia.com, 27Coupon.com, Snapdeal.com etc are setting the stage to lure customers and merchants alike with their festive season specific campaigns as well as outreach programs to expand their business.

     

    In a highly competitive scenario, a strong strategy is required to build a long term relation with their affiliates in order to achieve healthy business and that’s exactly what the numerous players are striving at. One such player is CouponDunia.com, which is prepping up the upcoming festive season. 

     

    Speaking to Indiantelevision.com, CouponDunia.com CEO Sameer Parwani asserts, “Merchants perceive us as more than just a coupon site. We are looked at as an important channel to drive relevant, targeted, online savvy shoppers at an aggressive price point. Our strategy has always been keeping the consumer first, and merchants see the value in it and respect it.”

     

    Shopping online is not only more affordable but is also a convenient choice. With more and more coupon websites and e-stores coming up, the focus is on taking advantage of not only mobile but also offline platforms so much so that couponing has become a part of most people’s lifestyle. While buyers are gluing on the e-commerce retailers for meeting their demands, a question that begs an answer is: What drives the coupon market in India?

     

    “Couponing has enabled people to save money without much effort. Hence, people are willingly practicing it and making it a popular way of shopping,” says Parwani.

     

    In view of e-commerce’s fast paced growth trajectory, competition in the space has heated up. Even as coupon e-commerce sites are gearing up for a sales bonanza this Diwali season, customers are having to deal with the problem of plenty with offers galore.

     

    Promotional campaigns are being carried out to make consumers aware of the Diwali deals and offers.

     

    “In the previous year, we had run an online video campaign during Diwali called Deal Wali Diwali. Similarly, for Diwali this year, our campaign is called Deals Ka Devta. Our deals ka Devta will be here to save his bhakts from the turbulence of Diwali shopping. We plan to showcase him as their guide, teacher and a rock star. This Diwali, all bhakts will turn to ‘Deals ka Devta’ in the maze of discounts,” asserts Parwani.

     

    The online video campaign shows that the deals ka Devta is aware of all the deals, discounts and offers running over the internet (and beyond, offline). He will be the ‘know it all’ when it comes to the best shopping deals. Moreover, he will be the guide and users will turn to him when they are feeling lost in the multiple discounts being offered by one and all.

     

    Consumer satisfaction plays an important role in building the business of any organisation. Consumers want offers and deals that are delivered to them fastest based on their tastes, choice,  coupon codes that work and last but not the least – deals that are exactly what they claim to be.

     

    “At CouponDunia, we have features such as brand and category alerts, which help users, receive what they want. Our content team works seven days a week to ensure all the deals and codes on the platform are checked and verified before going live. These steps ensure that our users are loyal, great brand ambassadors for us and are served the best deals and offers. Social Kinnect is the agency that executes our creative campaigns,” says Parwani.

     

    CouponDunia has expanded its market nationally as well as internationally.

     

    Parwani says, “While we work at a national level and talk to audiences across state lines, festival or region specific tactical campaigns are something we always keep doing to enhance our overall value proposition.”

     

    He further adds, “We already have 100+ restaurants, and 50+ stores on board with exclusive offers. We’ve been live for about two weeks now, and even though it’s too early to judge user behaviour, we’ve seen a conversion rate between 15-25 per cent, wherein 15 per cent of web visitors and 25 per cent of app visitors, who clicked on ‘get code’.”

     

    Parwani is of the opinion that this reach is mostly organic, and is a steady number to start with. “We hope to seeCouponDunia.com coming up with more consumer friendly offers,” he adds.

     

    With people loosening their pockets in the festive season and online shopping catching the fancy of Indians, this Diwali is going to be festive indeed for coupon e-commerce as well as the others in the online ecosystem.

  • What the MSM-ESPN deal means

    What the MSM-ESPN deal means

    MUMBAI: When the enemy looks extremely threatening, you bring in allies to help you do battle. And if your ally is a friend-turned-foe of your enemy, it makes the war that much more interesting. And combative.

     

    We are referring to what’s about to happen in the Indian sports television ecosystem. Multi Screen Media India (Sony Entertainment Television India) has struck a deal with the US-based mega sportscaster ESPN Inc under which it will be helping bring in the brand once again into the country as its partner. 

     

    ESPN was Star TV’s former mate in Asia until 2012 wherein they ran and distributed channels in several Asian countries jointly including in India.

     

    The current MSM-ESPN agreement is for the long term and will be for India and the Indian sub-continent. The joint venture will see new co-branded sports channels, a multisport website and an app rolling out over the next few months. The companies will also be working together to develop original sports programs, something which has been sorely lacking in India, with the exception of a couple of them on Star India’s sports channels.

     
    As a first step of the union, MSM’s sports channel Sony Kix is being rebranded as Sony ESPN.

     

    It’s interesting that the two are exchanging vows at the time they are.

     

    The IPL bids are slated to take place next year and the buzz is that Star India is likely to take the bidding to close to the $4 billion mark for all rights. With Sony-ESPN combining their resources and putting up a common front, they are quite likely to put up a stiff fight against Star India. (Others who could throw in a bid include Zee Telefilms and Discovery’s Eurosport). And not just at the IPL auctions but also for all the other sports rights when they come up for renewal.

     

    “However,” a high ranking Sony International Television executive told Indiantelevision.com, “there is no way pricing for the IPL could go up four times. A multiplier of two times or three times over the previous bid is conceivable but above that will make it a big losing proposition.”

     

    What’s also of interest is how Disney is shaping its presence in India. Its family entertainment initiatives got a leg up when it invested in acquiring Ronnie Screwvala’s UTV a few years ago. This deal gave it access to UTV Motion Pictures as well as channels such as Bindass and Hungama.

     

    Disney India recently severed its distribution alliance with IndiaCast Media – part of Viacom18 and has been reaching out to satellite and cable TV platforms to strike deals with them directly.

     

    Now with Disney’s sports offshoot ESPN partnering with MSM, one will have to see whether the latter’s distribution arm MSM Media Distribution resources will be used to shore up the efforts of the distribution team at Disney India. Or will the two work totally independently?

     

    Sports programming in India is likely to also get a shot in the arm. ESPN is renowned for its studio-based shows and live coverage of events. Live sports content in the deal includes major US college football (including the College Football Playoff and comprehensive coverage of the college football bowl season); major US college basketball (including the March Madness NCAA Championship Tournaments); NCAA college sport championships from baseball, softball, lacrosse, soccer; Boxing (including Premier Boxing Champions and ESPN’s Big Fights Library); X Games; ESPN Films Emmy-Award Winning 30 For 30 documentaries amongst others.

     

    What’s also relevant is the fact that both ESPN and MSM are going hell for leather after digital content properties too. The duo has its eyes on developing a co-branded localized multi-sport website and app, which will provide coverage of cricket, football, tennis, the NBA, badminton, field hockey and more. The sports content – both video and text – will be delivered on MSM’s OTT platform Sony Liv, and sonyliv.com as well as highly popular cricket portal espncricinfo.com.  

     

    Each of these websites, television channels and OTT platforms will be used to cross promote each other, giving it tremendous marketing heft.  Additionally, their social media presence is to be beefed up in order to give sports lovers a destination to engage with each other and with their sports stars.
     
     

    The whole in this case is going to be greater than the sum of the two parts. With the entry of a rejuvenated ESPN into India, the entire sports broadcasting ecosystem is likely to see rapid improvements as more money will be pumped in by both Star and the American sportscaster along with MSM.

     

    And this is going to be a win-win for the various administrations, associations, players and professionals,   team owners, and vendors involved in sports and sports broadcasting – and ultimately the sports fan.