Tag: Indian

  • ‘In India, we want games to be the prime reason why people buy PCs’ : Quentin Staes-Polet – Kreeda Games CEO and co-founder

    ‘In India, we want games to be the prime reason why people buy PCs’ : Quentin Staes-Polet – Kreeda Games CEO and co-founder

    Quentin Staes-Polet is the CEO and co-founder of Kreeda Games, one of the first Indian internet companies dedicated to massively multiplayer online gaming (MMOG). The company received its first round of funding in March 2007 from US based IDG Ventures and Japan’s Softbank.

    Kreeda’s flagship Bollywood music and dance game Dance Mela (The Carnival of Dance) recently made it to the Changemakers gaming honours and according to Quentin, it managed to do so because it successfully merged fitness and entertainment into a deeply localized game for India.

    In an interview with Indiantelevision.com’s Arcopol Chaudhuri, Quentin talks about the opportunities, challenges and gives his perspective on the larger gaming industry in India, which is beginning to gradually stand-up on its own feet.

    Excerpts:

    Your first round of funding took place in March. When is the next round likely to take place?
    Well, I cannot share that with you, but it’s not anytime soon. We’re quite satisfied with the way things are going at the moment. Corporate interest in the gaming business is increasing, not just in India, but globally as well.

    The gaming industry in India is still at a nascent stage. How is Kreeda combating alternate entertainment options like TV and cinema in this phase?
    Gaming is the TV of the future. And there’s online gaming as well. With the bandwidth increasing, we see a lot of interactivity coming in. Although India is still a couple of years away from where we can get healthy bandwidths, we see the combat happening slowly and surely.

    What’s the current size of the current gaming industry in India?
    The Indian gaming market is very very small. Currently it is evaluated at about $5 million. Nobody really knows the exact size and there are various numbers floating around. It is estimated to reach $200 million by 2010.

    But frankly, I wouldn’t bet on any of the numbers. Because a lot of these numbers are part of revenues paid to companies outside India.

    Has the gaming industry woken up to in-game advertising?
    We’re one of the first few companies to have deployed in-game advertising. I can’t tell you which brands are advertising, but the good news is we have the necessary technology to incorporate it into our games.

    What are the advantages it offers to advertisers compared to conventional mediums?
    In-game advertising is a much better media for advertising than TV because the user involvement is so high and it allows for content integration. It’s not interruptive nor is it intrusive. Customization features are high and I can even make it the sole reason why the user is playing it.

    What about measurability? How is Dance Mela a valuable proposition for an advertiser?
    Indeed, the best part is the measurability it offers. For online and mobile games at least, the advertiser comes to know exactly how many users are interacting with his brand and what demographic do they comprise. Being an immersive medium, it offers much more promise to the advertiser.

    There’s a notion that a gamer is too immersed in the game to actually notice brands in the background?
    Well, I’d beg to differ on that. Ad avoidance is high on TV too. Unless of course, you customize the branding to the gamer. The idea is to create intelligent clickable opportunities for the advertiser. For example, I create a shop inside my game where the user can buy branded accessories which helps him improvise his gameplay.

    What revenue model is likely to work in a market like India?
    For us, I think subscription model is a little early in India. A game where there is no entry level fee, can be monetized at whatever the gamer is willing to give – his disposable income, in this case.

    What offerings has Kreeda lined up, post Dance Mela?
    We are looking to release 3-4 games a year. Dance Mela will be our flagship product for the next few months. The strategy is to pick up successful games from abroad and localize them for India. We’ll be looking at sports games, adventure games and games which are easily adaptable to Indian cultural milieu.

    How challenging was it to localize Dance Mela?
    Bollywood and dance are two themes that are very strong in India. This helped us get in new gamers, especially females. Dance is a strong theme – we couldn’t have had Korean dancing, Chinese – dance has its own identity and Dance Mela is, therefore, the most localized game in this world. It is the deepest example of localization in any country. We devoted about eight months putting into place the characters, dance steps, clothes, sets and music for Dance Mela.

    So is that what your strategy going to be from now on? Licensing them from abroad or developing games in-house?
    Actually a high-end game takes about two years to launch. But we licensed the game from China and then localized it for India, fine tuning several aspects of the game for the Indian gaming audience. It’s easier and more sensible to do this, for a market like India and the returns involved.

    Why aren’t you developing games in-house?
    As long as the gaming market crystallizes in India, we don’t see developing games ourselves. The costs are anything between $3 million-$15 million, which makes no sense in a market that is emerging. As the market matures, we would look at developing our own games. India is a unique market and there is vast potential for developing games specifically targeted towards Indian gamers. We will do it eventually, but only when the market justifies the cost and effort involved.

    Our strategy is to pick up successful games from abroad and localize them for India
    How much are existing international gaming majors like EA a challenge to your business in India?
    The gaming majors are not a challenge at all. They cater to a hardcore gaming audience – people whom we at Kreeda are not after. Of course, we would love it if they played Dance mela as well, but then to be a successful gaming company in India, you need to think 100 times that number. You compare that to the projected $200 million and you think it’s not going to happen.

    Look at China – the country jumped from zero to $1.5 billion in a period of seven years. In 1999-2000, China was no different than India in terms of internet connectivity and PC penetration, amongst other things.

    So what according to you is going to be a compelling reason for people to take up gaming?
    In US and China, the reason for PC penetration has been the perks it offers in the form of broadband connectivity, softwares and games. In India, as a gaming company, we want games to be the prime reason why people buy PCs. Gaming should be the driver of PC penetration in India.

    What’s the audience strategy for Kreeda right now – converting existing gaming population to Dance Mela or wooing a fresh audience base?
    We would be looking to convert them of course, but that’s not an audience we’ll be banking on in the long term. Currently there is a gaming population of 50,000 to 60,000 in India today, we look to expanding that to 2-4 million in the next few years.

    Which genre is going to be the catalyst for growth in this sector – mobile, console, PC, online gaming?
    Well, I think its going to be across genres. Console gaming will offer premium experience and will contribute a larger share to the gaming revenue. Meanwhile, mobile gaming already has the advantage of a huge user base which is waiting to be aggressively tapped once connectivity issues are resolved. But the PC and online gaming scene is most promising since penetration in both broadband and PCs is showing rapid growth.

    How much have perceptions towards gaming been a challenge in India? Violent actions packed games are a strict no-no, if academic opinion is to be believed?
    Perceptions, of course, matter but as of now that’s not a cause for concern for us, since Dance Mela is not a violent game. There is moderation involved and we make sure that there is no abuse in any form. For the gaming industry right now, there are many more issues much more than perception that are worrying.

    What are these issues?
    Distribution, PC penetration, marketing channels. There is still no entity yet, that takes care of the distribution requirements of the entire country.

    And how is Kreeda addressing these issues?
    We’re tying up with retailers who are embracing box-game distribution for the first time. We are setting up our own sales force who visit internet cafes and take our games over there.

    What hurdles are you facing while you do this?
    The biggest hurdle we are facing is that the retail scene in India is undergoing a huge churn in terms of nature of operations, infrastructure and monies involved. It’s great in a way since it gives us many more outlets, but the scene is slightly messy right now.

    Is the market too fragmented right now?
    The scene is very fragmented. In India, to reach your game to all the malls in the country there is no single channel distributor. Plus there are transaction issues involved like octroi and transportation which add to the costs of an emerging retail distribution scene for gaming. However, we are hopeful that it will stabilize very soon.

    It’s not just our problem, even majors like Sony, Microsoft and Apple are facing similar issues for selling their boxes and iPods in India.

    What is Kreeda’s presence across shelves in India?
    Currently we are in about 4,000 retail stores and 2000 internet cafes across the country.

    What payment mechanisms are you offering users?
    The current crop of payment options include credit cards for transactions over the internet and prepaid cards. We are also introducing our own gaming cards which can be used at internet cafes where our games are present.

    How are you promoting Dance Mela?
    We are planning to associate with college festivals where we can give students a full-demo of Dance Mela and our company profile. Soon we will also be looking at associating with a TV programme where the game will be integrated into the show’s proceedings. Our objective is to reach 1 million users by March 2008 and we’re working aggressively on our sales strategy to reach that target.

    How does a start-up company like Kreeda see the inroads of Reliance’s Zapak in the gaming market? Are they creating an over-powering presence?
    I think Zapak’s entry is great for the gaming industry. We’re all grateful to Reliance for taking so much interest in this market. Thanks to Zapak, curiosity and following has increased dramatically in the country. The sector is just emerging – there are 4-5 players when there is space for about 50. We’re right now creating a pie and then we will work together in growing it. When it’s grown big enough, we can fight for market share.

    If you were to do a SWOT analysis, how would the gaming sector look like?
    The strengths would include interactivity, demand, business models and high profit margins in India. The weaknesses are distribution, perception and novelty while the opportunities comprise cafes distribution, Indian retail boom, advertising and educational gaming

    As for threats, fragmentation is definitely there. The government might also come up with a regulatory policy when the industry scales up.

  • ‘The challenge in a high growth economy is shortage of talented, trained manpower’ : Arvind Sharma – Goafest Committee chairman and Leo Burnett chairman India sub-continent

    ‘The challenge in a high growth economy is shortage of talented, trained manpower’ : Arvind Sharma – Goafest Committee chairman and Leo Burnett chairman India sub-continent

    As the sun and sands of Goa beckon the Indian advertising, media and marketing community for the AAAI organized ad festival Goafest from 19 – 21 April, apart from the celebration that lies in its wake, the event seeks to address more critical issues faced by the industry. Amidst all the hectic last minute schedules, Goafest Committee chairman and Leo Burnett chairman India subcontinent Arvind Sharma very co-operatively took time out to share his perspective on the current standing of the Indian advertising community, the progression towards growth and expansion and the pitfalls that need to be resolved.

    In an exclusive tete-a-tete with Indiantelevision.com’s Renelle Snelleksz, Sharma highlights the point that the fundamental objective for the festival is “to provide a platform for conversations, debates, ideas and celebrations between the rock stars and the aspirants.”

    Excerpts:

    What are the key proponents that necessitate AAAI’s endeavor to capture an untapped area of the Indian advertising fraternity through Goafest?
    As a member of the executive committee of AAAI, it was early last year that we decided to host a National Ad Festival. National because we recognized that epicenters have a way of moving and so different advertising capitals keep springing up across the country. At one point Kolkata was at the helm but today Delhi is huge, only 20 per cent smaller than Mumbai. Therefore AAAI endeavors to promote advertising work from across the country.

    Secondly, there is a fundamental difference between a one off award function and a festival. The former is largely focused on the work of the individual but we chose to go with a festival because it allows an opportunity to display the work and think of ways in which it can be bettered. Unlike award shows, the festival has been designed to not focus on the ‘agency of the year’ concept which selects one winner and a dozen losers. As an industry that is growing at 20 per cent we would rather have 1,000 winners and our attempt is to encourage and nurture those winners.

    By design, there will be no agency of the year but instead a Grand Prix award to recognize work that represents excellence. This will help develop the industry more rapidly. The fundamental objective for the festival is that it aims to provide a platform for conversations, debate, ideas and celebration.

    What are the key differentiators for Goafest as a festival, as compared to existing one off award functions?
    This takes shape in four ways – Firstly, the work that has been entered is displayed so that delegates have the opportunity to make their own judgment on the entries that have won and those that have not. The festival also brings successful International speakers and local jury members as well as aspiring youngsters to exchange their thoughts and ideas.

    Secondly, there are a host of formal seminars and thirdly, apart from the exchange between the aspirants and the rocks stars, the festival brings 2,000 people from various locations, specialist fields intermingling and sharing their experiences.

    Lastly, it brings the rising stars from across India to Goa. As is known, all industry functions like these are expensive and only the senior executives get to go, which ultimately makes development of the industry slower because the exposure is less. Thus we have provided a special package for 800 under 30 year-olds.

    While Goafest is an event of celebration, what are the larger underlying industry issues that the event is looking to address? How can these be remedied?
    The challenge for the advertising industry in a high growth economy is the shortage of talented trained manpower and this will be the primary focus at the event.

    The Ad Conclave that precedes the festival will get 150 leaders of the industry and much like town hall sessions, will get them thinking together. On an every day basis, the nature of competition exists, but this is a platform where we can all put our heads together to finds ways to cope with the existing issues.

    At an individual level, there will be competition but we need to work collectively on this front. The gurus of today spent their first 10 years in a pre-television environment with DD as the only means of TV. Youngsters on the other hand, are acquainted with the growing multimedia environment, though they may not know the craft. It is fundamental for us to listen and learn from them just as much as they learn from us.

    The industry faces a shortage of talent. It is believed that AAAI plans to unveil an ad campaign that would lure youngsters towards the profession. Is that still on the cards?
    Yes, it is still very much on the cards and will follow closely after Goafest.

    What is the growth that the industry has seen over 2006?
    Various sectors have grown differently – The creative agencies have grown at 15-20 per cent, the marketing services at about 30 per cent and the specialist’s media agencies at 25 – 30 per cent. So overall, the industry has grown by 20 -25 per cent and from a global point of view India features in the top five advertising industries. Although our base may be small, our growth rate is impressive.

    Creative agencies
    have grown
    15-20%, marketing services at about
    30% and the specialist’s media agencies
    at 25-30%

    In order to leap ahead in the next three to five years, as the Ad Conclave theme suggests, it would require the combined effort of the industry at large however; two mammoth agencies O&M and Lowe seem to stay aloof? What would be your advice to them?
    In any industry, one hopes for 100 per cent participation. But we have received enthusiastic support across centres and agencies. Sometimes people choose to wait and watch, but as and when they decide to join in we will welcome them. We will go forward with what we believe in, we will just have to give the others time.

    What is your opinion on a having a common Indian advertising body and a single credible award function, a proposition that many professionals have vouched for?
    Our belief is in an advertising festival and not just an award show that will include seminars and interactions. However, there will always be a second and third viewpoint.

    You mentioned earlier that an investment of Rs 50 million was being pumped into the event. You also have a big kitty of sponsors, what will be their contribution to making the event a success?
    Goafest is a non profit event and while no association has complete funding of its own, the whole industry has supported us directly through sponsorship money. We are extremely excited and grateful for their contribution.

    What are the logistics that have to be taken care of when planning an event on such a lavish scale? When did the planning commence and how long has it taken you to set up the agenda?
    The logistics are extensive as one has to get International speakers and coordinate dates that are convenient, to book hotel rooms and check availability. To accommodate and make arrangements for the 800 under 30 delegates as well as senior executives has been a real challenge. We started planning and preparation six month ago.

    With the inclusion of media awards and with a host of International experts and commentators – what are your expectations of the event this year?
    We are hoping to prove to ourselves and to the world that we are capable of hosting an advertising festival comparable to any in the world.

    What advice would you give to the 2,000 media, advertising and marketing professionals that are gearing up to come to Goafest this year?
    (Laughs) My only advice is to come and freely share your thoughts and ideas, as I believe this will finally help to catalyze the growth of the industry as a whole.

  • ‘TV will continue to be important, but its importance will decline’ : Rahul Welde – HLL general manager – media services

    ‘TV will continue to be important, but its importance will decline’ : Rahul Welde – HLL general manager – media services

    For over 50 years FMCG major Hindustan Lever has dominated the Indian market with brands that have become a household name for many. Now it is about to turn over a new leaf to welcome its mother company Unilever. After having hogged the media space, especially television and now opening its doors to new media like internet and radio, the time seems right to question its experts on their outlook to the fast developing media landscape.

     

    In conversation with Sujatha Shreedharan and Renelle Snelleksz, HLL general manager – media services Rahul Welde, who is most uncomfortable in front of a camera, puts aside all his inhibitions once he begins speaking on his area of proficiency – media and advertising.

     

    Excerpts:

    With the HLL name change announced, the next question is how would this pan out in terms of a branding and marketing strategy?

    Since it’s just been announced, we haven’t really planned that out as yet. It will be put to vote in the AGM in May, after which it will get adopted and implemented.

    One of the biggest advertisers on television, HLL is now looking beyond the medium. What kind of media mix does HLL now look at? You have also maintained that TV is bound to decline?

    Television will continue to be important. However it will also continue to decline in importance. The reason for this primarily has to do with the way consumers are reacting to television messages. Studies indicate that there is a greater degree of ad avoidance, greater degree of clutter on television and that has resulted in lesser interest in television by consumers.

     

    Simultaneously people are spending more time outdoors, doing other things than just watching television. As a result television is facing a lot of competition from the other media.

     

    There was a time when there was no television and print had all the advertising – but that lasted only until television made an appearance. It ate big time into print advertising. Something similar will happen to television with the advent of radio, internet, mobile communication and other types of new media. Eventually they will fight for the same share of the rupee.

     

    I don’t think anything as drastic as the death of television is bound to happen anytime soon but it is staring into the face of a huge challenge even while other media grow at an exceptionally fast pace. The same applies to our understanding of media buying as well. Our focus has shifted to alternate media and is much higher than what it used to be two years ago.

     

    Also, I must say that there is also nothing like an HLL mix, as it depends on our brands. Some will focus on TV and spend nothing on print and vice versa, so the strategic thinking as to what to use comes from the brand and consumer lens. We are thus excited about the internet when it comes to youth brands, while outdoor and DD are key for brands like Wheel. From an industry perspective, I think radio will experience growth.

    With HLL always known to be television heavy, what happens in the case of mass channels and niche channels, what strategy would you follow in that case?

    Well, we do spend on niche and mass channels, but with the whole area of fragmentation of audiences with multiple channels emerging, where stickiness is a challenge and competition is high. Now what it really means for us is that segmentation and multiplication of channels provides the opportunity to peg note and talk to the consumer.

     

    Unfortunately, the costs have increased and given that the overall advertising pie is fixed. The ad pie doesn’t grow because there are more channels, but what is happening is money is shifting from the big to the small or from the leaders to the challengers.

     

    The growth of channels, we will see an increase in the number seconds, but what is often interpreted is that spends are also increasing in the same proportion. It is of course a big challenge as fragmentation makes the task of planning even more difficult, where agencies will produce software and optimizers making the process more sophisticated. This scenario is good for segmentation, bad for costs. Thus I don’t know whether to call it a ‘happy situation’ because after a point of time your returns become sub-optimal when costs are high. Then that becomes a worry.

    Given that you are the biggest advertiser on kid’s channels, what is the potential that you see in this space and how do you (as an advertiser) think it will shape up in the coming years?

    For us it is important, but the degree of importance it would be very low because you have to look at it from the brand and consumer fitment perspective. There are a few of our brands that actually talk directly to kids while a larger percentage of our brands look at the older demographic.

     

    Even then we are the largest advertisers. So you can imagine if kid’s were to become important then we would really have to up our spends. But the interesting part is that kid’s involvement in influencing the purchase decision is growing. Now does that mean that they participate in the decision to buy a laundry powder? My guess is that they don’t.

     

    Thus, it’s not really a major part of our media thinking but it’s interesting because there is a lot of stuff happening in the kid’s space.

    You’ve shown a lot of enthusiasm about radio. But it seems HLL mostly uses AIR and not private station. How do you view private FM?

    I see private FM as a very exciting space for us because suddenly with the addition of newer towns, viewers will have more choice in media. This viewer engagement will attract more advertising, so from our perspective which brand will resort to using radio will depend on the brand and consumer fit. Right now we are in the process of taking stock of radio advertising and as we see it increasing to about 300 stations, but more importantly the excitement is about the increase in towns.

     

    Now whom we are in partnership with has to be strategically thought out, but we are in talks with several partners. The good part is that there are new and established players coming into the fray. Even now we are the largest advertisers on AIR and FM, this will only mean that our footprint will become broader within the radio space.

    Media planners are hesitant about radio due to the lack of key differentiators, what are your views on that?

    Somewhere a woman/man is being wooed and while people begin to analyze this space I think we will get on to the bus much faster. We have in the past invested in the medium and will continue to do so. We will not wait to see who emerges as different, as differentiators are what you create. You don’t view TV the way you used to therefore, radio will also be consumed differently. I don’t know what media agencies generally view this space, for us what is important is what we can do to it. Currently, we are holding our excitement.

    Following Wheel Smart Shreemati and Rin Mera Star Super Star will AFP’s be given greater importance going forward?

    All our AFP’s played out very well for us, Wheel was the top rated show on Doordarshan. Although, it may appear like something we mounted and happened to do well for us, but the truth is we were working on it for three years. In 2004, the germ of the idea began, 2005 we tested it on a smaller channel and 2006 we took it to DD. Our planning and research helped us get to where it is as the top rated show.

     

    The challenge is that you have to combine the arithmetic of the brand, communication and commercial and get the trio to work. However, the effort required for AFP’s is disproportionate. It calls for a genuine collaborated effort with the channel, the clients and the production house. It gives a new lens to the planning effort and it’s the next practice.

     

    We have been cautious with in-films as we don’t really know how it pays back. It is one step higher than AFP in terms of collaborative effort, in fact it ends up being more of a ‘punt’ than TV.

    Talking about the online space could you highlight what is currently being done with online marketing after Sunsilk Gang of Girls and Axe land?

    We have got stuff in progress but not in the development stage yet. The Gang of Girls gave us better results that what we expected both from the returns and consumer engagement we got. The sheer numbers were amazing, we tracked all the measures and it appears the time spent by these girls was almost 11 to 14 minutes. We did it to get engagement rather than exposure and it was a collaborated effort with partners like Monster.com, Elle and Cosmopolitan. It went beyond just talking about hair to discussing everyday issues among friends, to have an extended conversation with the consumer. So both thematically and in terms of engagement it played out very well.

     

    Also with Axe we did Axe Unlimited Academy and will roll out something along the lines shortly. So will we have all brands participate aggressively on the net? Probably no. But definitely our youth brands will, because it’s really about redefining the role of engagement. Therefore for us the whole space of internet is going to grow very fast and it will grow through a combination of such websites and simultaneously through traditional web based advertising. The net allows a huge amount of interaction but it depends on how you exploit it.

    How does this translate into sales?

    This was a brand building effort, but of course everything that goes towards building a brand must translate into sales. But it is about driving brand preference and an alternate way of communication.

     

    A big change is likely to be seen which is currently under the surface, but the in the coming years the numbers in terms of advertising will show that.

     

    The only thing that we consider is the brand and the consumer, the media needs to fit into that, so if online would largely be urban, but this is also applied to the rural I-Shakti programme, however, net penetration is still restricted to urban India, but progressively it will spread.

     

    Even the outdoor space is very interesting, however it’s not being exploited sufficiently. Every time people travel, it’s an opportunity for advertisers. In fact, among different forms of media there are definitely some that are really likely to rock!

    Could you name three different media that you think will rock in 2007?

    I think for the next two-three years radio will rock, maybe not in 2007 because lets not forget that print is some 1,000 crores (Rs 10 billion) and radio only some 100 crores. If I were to have a prognosis I believe that radio will really double, because it’s just the sheer scale that cannot be ignored. But within this space there are also so many players, coupled with the lack of measurement at the moment will make it even more difficult, so who do you back, how do you know it works? Thus a half baked science gets applied. But the minute you put measurement, predictability and science behind it that will cause inflection, otherwise people will be cautious.

     

    What will also make a big shift, whether it will rock financially I cannot say, but the whole business of in-store on-screen advertising, suddenly you will find them all over the place and therefore it will peel off mainstream advertising and then get evaluated analytically by agencies.

     

    Even in the TV space, the whole area of Cas and DTH will keep the excitement alive. DTH is getting into rural space so that will be interesting. There is great action happening there as well, KBC 3 and others.

     

    Another thing is that regional media is also getting more and more important across all genres, whether it has been Marathi, Bengali, Oriya and traditionally Telugu, Tamil and Kannada have been strong anyways.

    We’ve talked conventional media and new media but HLL has always been a strong advocate of rural marketing? But the focus keeps shifting and after some time all talks of rural marketing die out. Can you give us an update on what has been happening on this front?

    The biggest challenge for us is that a large part of India is still media dark. What that means is that television or print does not really reach there. Then there is the problem of infrastructure and literacy. Therefore from our perspective we’ve really tried to concentrate on on ground activation- demonstration, sampling and events.

     

    While the problem of infrastructure, non motorable roads, etc. remains there is also a challenge of scalability. We’ve been active in the rural areas for a long time and progressively have increased our thrust in this area. The big change is of course in the scale. We have upped the scale in these initiatives.

     

    We’ve got two-three programmes which we have been looking at for the last few years. One of them is Lifebuoy Swasthya Chetana- a rural communication programme around Lifebuoy that has touched over 130 million consumers across Bihar, UP and Rajasthan. Similarly, there is Project Shakti. The Shakti Vani is a programme that we started keeping in mind communication with rural consumers.

     

    While Lifebuoy Swasthya Chetana is a brand specific programme, Shakti Vani cuts across all the brands to speak to the consumer. The action in rural India is all about being ‘their type.’

    Is there also a challenge of making these initiatives profitable? You have talked to us about scaling it up? Since you do talk about the challenges, how do you go about building your capabilities and expanding it?

    The issue is not so much about profit although there is a worry of cost effectiveness. So when you know that there is a cost involved in physically being there which cannot always be done. When I say scalability, the challenge is to do with two things – one is to do with researches on ground.

     

    If you want Western class communication to reach rural India, you need a full stream of resources which works down the line, is well trained and which understands what is being spoken about. The fact remains that the scope of the country is so vast and immense that no matter how much you do, it’s never going to be enough. Despite this, I don’t know any other company which does as much in rural marketing as we do.

     

    We work with one agency on our rural initiatives – Ogilvy Outreach and have built a strong network through our vendors. I think over time we have built our capabilities in this segment. As for expanding this further, yes we would look into that as well. We are expanding in almost every sphere and rural marketing will come under that focus too.

    Big monies are being pumped into cricket on TV, but I don’t see the same quantum of returns

    If we could just talk about HLL brand and brand categories. You have largely spoken about brands in the health and personal care segment, in this respect has the push in the food division been milder?

    We do have firm positions in beverages. In fact, we just re-launched Taj across a multimedia campaign. There is excitement in foods but the scale and salience is very different. It is largely to do with the category and not so much to with the brand itself. Our tea brands are the largest in the category but if you look at these brands in advertising terms they are not as active as the personal care. Inevitably you would see Lux, Lifebouy, Sunsilk, Surf, Rin as large media and advertising brands.

    As opposed to the parent company, which has a strong presence in the food category, therefore would the recent global alignment following the inclusion of Unilever into the companies name, mean that there expertise in foods would be brought to India?

    It’s outside my remit to comment on that because that’s a matter of corporate strategy and how the food units would grow and I can only comment on advertising. But in totality the investments in this space are as hot as personal care and it’s growing as much. It is smaller in scale but as active.

    Finally, with the World Cup Cricket right around the corner, any new initiatives or plans for the season?

    (Laughs) You know every year there is great excitement over World Cup Cricket among advertisers and also channels. We share that excitement too, but we don’t want to be carried away by it. We will have certain things in place for cricket, some of our brands will have World Cup Cricket branding. But the fact of the matter is that a lot of money is pumped into cricket on television. The question to ask is where does this extra resource come from? It is but obvious that it is either pulled out from some other kitty or companies start following a cost cutting plan. So while I may be excited about it, I don’t see the same quantum of returns in World Cup, so I am cautious.

     

    So it is great that the advertisers are looking at World Cup. For us the larger worry is the movement of eyeballs from the general entertainment channels to the sports and news channels. Finally it’s a question of checks and balances. Is this rupee spent worth it? Any advertiser would ask himself that before putting up his money. Otherwise it becomes like a punter’s game.

  • Digital cinema co. Interworld releases first production on 19 January

    Digital cinema co. Interworld releases first production on 19 January

    MUMBAI: Interworld, a digital cinema firm, has announced the release of its first movie Mr. Hot Mr. Kool on 19 January and is aiming to produce around 15 movies a year.

    Mr. Hot Mr. Kool is a romantic comedy targeting college going youth and young professionals. The company says that the other movies in the pipeline would be produced keeping in mind the target audience, trends in cinema and towns with digital theaters.

    Interworld Digital’s platform “DigiCine” claims to be the only platform in India which is based on high end technology and provides opportunity to show movies broadcast by various digital cinema operators in the same theater during different shows. The firm also proclaims to be the first to present a pay per use model for theater owners.

    “We are proud of being India’s first Digital Cinema Company certified with ISO 9001:2000.”

    The company also states in an official release that they are confident that the Motion Pictures Division will make good profits as the first venture itself has recovered the full amount even before the release of the movies by selling various rights.

    Interworld is currently in the process of selecting and finalizing of the theaters in Mumbai, Delhi and UP circuit for up-gradation to show movies on digital mode. The distribution of movies to these theaters will be via satellite mode, adds the realese.

    “DigiCine is end-to-end Digital Cinema Solution. Our equipments are fitted with high precision and are fit to work in extreme Indian climate of very cold, humid or hot even up to 45 degrees. We have designed and architected the equipment like Digital Servers and projectors to suit Indian environment and needs, and they are manufactured in Norway and Singapore,” says Interworld.

  • CMS Media Lab Analysis China’s Hu remains Who for Indian TV News Channels

    CMS Media Lab Analysis China’s Hu remains Who for Indian TV News Channels

    Contrary to expectations, president Hu Jintao visit last fortnight to India, the first by a Chinese president in a decade, did not evoke much interest in Indian TV News bulletins. It was covered far less than President Bush’s visit earlier this year but got more coverage than Japanese PM Koizumi’s visit last year and French president Chirac’s visit early this year.

     

    Surprisingly, president Jintao’s visit was covered less than last year’s Chinese PM’s visit, despite Jintao is not only the president of the country but also the chief of the ruling Communist Party of China.

     

    During president Jintao’s four days stay in India (i.e. 20 to 23 November), news channels continued their preference towards cricket. Six news channels devoted 301 minutes of coverage time on Indian cricket team’s tour to South Africa in comparison to 215 minutes for President Jintao’s visit. Even Brian Lara’s 34th century against Pakistan got 118 minutes of coverage time, during the same period in the news bulletins.

     

    Similarly, the news of Rahul Mahajan’s alleged beating of his wife, got 214 minutes coverage time. On the day of President Jintao’s visit (i.e. 20 November), Rahul Mahajan’s episode got 10 times more coverage time than the visit, i.e. 175 minutes to Rahul Mahajan and only 18 minutes to Jintao’s visit in four news channels NDTV India, Zee News, Star News and Aaj Tak together.

     

    The six news channels covered are DD News, NDTV India, Zee News, Sahara Samay, Star News and Aaj Tak. Their prime time (7-11 pm) news bulletins were content analysed. Together these channels are expected to reflect the news media’s priority and the process of national agenda making.

     

    Except for DD News and Sahara Samay, the other four channels devoted more time on Rahul Mahajan’s episode than for president Jintao’s visit. DD News and Sahara Samay devoted 73 and 83 minutes respectively on the coverage of the visit.

     

    Whereas, Zee News gave only five minutes coverage to President Jintao’s entire visit. But devoted 57 minutes on Rahul Mahajan’s episode and gave 53 minutes to gossip on Amitabh Bachchan’s possible return to politics.

     

    President Jintao’s visit got lesser coverage time, than last year’s Chinese PM’s five days visit, which got 315 minutes of coverage time. Despite the controversy over Arunachal Pradesh resurfacing just a week before the visit and increased commerce and political relationship since.

     

    But president Jintao more coverage than Japanese PM’s three days visit in 2005 and French president’s three days visit in the beginning of 2006. In comparison to president Jintao’s 215 minutes, PM Koizumi and president Chirac got only 79 and 95 minutes coverage respectively, during their visit.

     

    President Bush’s visit spanning three days got whopping 1392 minutes coverage time in the news bulletins, much higher than the total coverage of visits of all the four head of states to India.C

    lick for graphical representation

    TV news channels had gone overboard and covered President Bush’s arrival and joint press briefing with PM Manmohan Singh live, but President Jintao’s arrival was not covered live. Even his joint press briefing with Indian PM did not get the priority.

     

    (The views expressed here are those of the author and Indiantelevision.com need not necessarily subscribe to the same.)

  • Modi threatens ICC of Indian withdrawal from future tourneys

    Modi threatens ICC of Indian withdrawal from future tourneys

    MUMBAI: If nothing else, the ongoing spat between the Indian cricket board and the ICC has been the most entertaining quotathon heard in a while. And they keep coming.

    In the latest salvo to be fired, the never short for words combative BCCI vice president Lalit Modi has further upped the ante saying that India is prepared to withdraw from future one-day tournaments, including the World Cup, if the ICC doesn’t let up on the matter of the MPA (members’ participation agreement).

    Modi told the BBC: “It (MPA) is a unilateral agreement which gives the ICC the right to modify and amend it any time they wish.

    “I’ve never seen an agreement in which one of the signatories has that right.”

    “We don’t have to play all tournaments. If things don’t work out, we could choose not to play in the Champions Trophy and the World Cup,” Modi told the BBC.

    For good measure, Modi also brought up the issue (yet again) of India being cricket’s economic lifeline. “If the BCCI does not sign the MPA, then the ICC’s income would be reduced to 5 per cent of what it currently is,” he claimed. 

  • Star News exposé on Indian Ambassador to UAE

    Star News exposé on Indian Ambassador to UAE

    Indian Ambassador to UAE hosts Republic Day event to throw a party for his newly wed daughter; misuses the National Emblem too

    April 7, 2006: The Indian Ambassador to the United Arab Emirates (UAE) Chandra Mohan Bhandari used government funds and the occasion of the 56th Anniversary of the Republic Day of India (deferred to March 02, due to the demise of the Sheikh) to introduce his newly married daughter Aparita and son-in-law Rajesh Duggal to the Abu Dhabi elite.

    Star News found out that not only was the official invitation card with the national emblem used for a personal party but the Government of India footed the bill for the reception Dinner held at the Embassy residence, Plot No 10, Sector W-59/02 Diplomatic Area, Abu Dhabi.

    This is being seen as a major breach of protocol. As per protocol the ambassador cannot use the solemn occasion of the Republic Day reception, where he hosts international dignitaries on behalf of the President of India, for a personal reception.

    The Card issued by the Embassy clearly states: “On the occasion of the 56th Anniversary of the Republic Day of India and to meet my daughters: Aparita with her husband Rajesh Duggal and Samahita, the Ambassador of the Republic of India H.E. Mr. Chandra Mohan Bhandari cordially invites _______ at a deferred Dinner Reception.”‘

    Bhandari when contacted by Star News admitted that the government paid for the dinner reception. He said he was not aware that it was improper for using an official occasion for introducing his family to guests.

    For further information
    Navin Tauro / Swati Sundareswaran; Vaishnavi Corporate Communications
    Tel: 5656 8787 / 8755 / 8743; Fax: 5656 8788

  • ‘We should leverage on each other’s strength and boost the sector by providing the consumer a common platform of services’ : Viren Popli – Star senior VP, Interactive Services

    ‘We should leverage on each other’s strength and boost the sector by providing the consumer a common platform of services’ : Viren Popli – Star senior VP, Interactive Services

    For the last six years, Viren Popli has been an integral part of the Star India system. As the international business senior VP, Popli reported to Kaushik Dalal before moving to the Wireless division to work with Sumantra Dutta. As he puts it, those were days when he worked quietly behind the camera and enjoyed the ‘privacy’ too.

     

    The so-called privacy was soon broken when he was made the head of Interactive Services in February 2005. As he recognizes the tough task he has at hand to build this emerging business as a strong revenue stream, Popli settles down to give his first interview to the media.

     

    At the Wireless division, Popli and his team are making efforts to create a highly sought after destination brand for mobile content, Star 7827, to offer specially created and aggregated content for the mobile screen available through SMS, WAP, Web and voice platforms. In this interview with indiantelevision.com’s Bijoy A K, Popli shares Star’s plans and talks about the evolving digital market.

     

    Excerpts:

    Star India has been spending the last three years to prepare the first draft of its wireless and interactivity plan. And as the first step, the revamped version of Star’s wireless platform 7827 has been unveiled. What went into the research? What are the key findings?

    Several things went into the research. Firstly, we have tried to analyse the effectiveness of areas such as voting, gaming and content. For example, on the gaming front, we have tried to look at the effectiveness of text games and java games. We wanted to know how the product actually sells itself.

     

    Secondly, we have done a lot of focus group studies and discussions across the country to gather useful feedback. Lastly, while doing the research, we did a series of internal studies which covered the whole News Corp platform. News Corp entities across the globe are doing various things on mobile. Hence, we were able to exchange ideas.

     

    Research provided us with a total new insight into the market. For example, very few people in this country know how to download using a mobile. There are booklets and help manuals released by mobile phone companies, but you won’t get a solution in any of those. Someone had to teach people to effectively use the mobile phone in such practical situations.

     

    People are willing to learn technology and pay for it, if they are provided the right content. What kind of content is desired by the mobile community? What is the age group structure here? What is the significance of the word of mouth communication in this segment? Through our research, we got an idea on the kind of efforts we have to make to provide the right response. We also learnt that flexibility, speed and relevance are the most important pieces of this business.

    Could you elaborate on your digital and wireless strategy?

    Our first goal is to make our mobile service 7827 as the most preferred platform both for content owners/mobile operators and consumers. The next focus will be on content. I would rate content space as the biggest challenge in the wireless business.

    What is the next step?

    We want to deliver an all-pervasive service available on all platforms, whether it is text, web or WAP. For an average Indian, Web and WAP are high-end technology words. Hence, we also want to put together an easy-to-access interface method that is more accessible.

    How much of investment has gone into revamping 7827?

    The project requires a significant funding. I can’t provide you the actual figures because we are still in the investment mode. We want to expand in the areas of technology, content and marketing. This is an ongoing process.

    What are the issues that will foster an even faster mobile market growth in India?

    The mobile business has grown tremendously, but the industry is just three or four years old. It will still take some time to evolve. The value chain and the relationship need to fall in place. The audio visual content should reach the masses. The market requires effective strategies and marketing initiatives to attract consumers to audio visual content. This will be crucial for the market to grow.

     

    3G is still some distance away as far as India is concerned. The Indian market has explored 2G and 2.75G technologies really well, but I would say there is still room for improvement. These technologies have still juice in them to drive innovative concepts and deliver better results.

     

    Instead of waiting for the arrival of 3G, we should explore the 3C business, which is Cool Connected Consumer. Mobile phone is no more a mere communication equipment. We change our mobile phone models in such frequency, while we never make an attempt to change our fixed phones. Here the content, as the driver of such a phenomenon, takes centre stage. As a content provider for wireless, we want to make sure that the market will not run short of content. That is what we are doing here. We believe that, content can force the technology to catch up or take a leap.

    We have learnt that, flexibility, speed and relevance are the most important pieces of this business

    Will web streaming as a concept catch up in India?

    It is a tremendous opportunity. As I said, it again depends on technology and the technology depends on the content. If the content is really attractive, we will have more and more people opting for the broadband service.

    What is your take on the global scenario? Is there any learning from the China market, where Star Wireless is already operational?

    This space is all about intelligence and experimentation. One interesting development has happened in the international space. Globally, most of the mobile companies are getting out of the content sector. The operators have found working on the content space — which is not actually their main area of strength – very distracting. Across the platform, the players have decided to focus on their main areas of strength.

     

    In India also, mobile operators will have to move out of the content space. It would be very difficult for them to run content services. Focus on a niche area is very important in this sector.

    Who are the key players occupying the digital and wireless space?

    Yahoo is very strong in the communication space, while Google reigns supreme in search. Entertainment companies are aggressively eyeing the digital space. Fox, for example, has taken major inititatives. There are also many small companies. But once consolidation happens, we will have four or five big aggregators and a range of secondary companies working around them in niche areas.

    What is the role played by News Corp. in Star India’s interactive initiatives?

    There is a macro direction element present in the whole process. News Corp. as a company has been a great idea exchange platform. It is all about sharing ideas and capitalising on the ideas and thoughts exchanged through this vast network. Since each individual country has its own local environment, we won’t be able to accept all the ideas generated. We will have to see what survives in our environment. However, the global platform has helped us tremendously to share and generate information and ideas.

    News Corp recently acquired the social network portal Myspace.com. Are you looking at creating a similar networking platform in India?

    The concept of online social networking has been very successful in the West. Star India is also exploring opportunities to launch a social networking portal on its mobile platform.

    Star India launched mobisodes last year. Now it is more than six months since this happened and how was the experience? How much did the initiatives contribute to Star India’s revenues during the fiscal?

    It did really well. We had significant number of video downloads, though the lack of technology awareness and penetration limited the exercise to certain areas. However, I would say, the initiative covered its costs and made a profit.

    Interactivity works for a channel or a programme, when the viewer chooses mobile phone over remote control

    You are about to launch your mobile voice platform. What are the growth plans for this?

    We have signed agreements with Hutch and BSNL, while more deals are on the anvil. We will have a different short code on Voice. On the technology front, there is bit of a problem since BSNL has a separate short code digit structure. In that case, we will have to market two different short codes for Voice. At present, we are trying to sort this issue out.

     

    We are also working on the Voice content. The radio channel will offer a mix of created, aggregated and Star India content.

    How do you plan to leverage Star India’s programming dominance with the mobile initiatives? Are there plans to make mobisodes of your popular soaps including Kyunkii…??

    All our programmes can go to mobile as well. At the same time, variations of these programmes can also go. For example, it would be interesting to watch Tulsi’s (the lead character in Kyunkii..) fashion transformation over the years in a mobisode. We can present alternative storylines through mobisodes. Lots can be done in terms of this content variation.

     

    We have plans to do a lot of things this way. But, I am not in a position to offer a timeline since, once we start such an initiative, we will have to be consistent with our delivery. We can’t provide Kyunkii.. on mobile for a week and forget about it. We will have to offer the Kyunkii.. content six days a week. It requires significant amount of planning and improvisation. The editing of an episode for mobile itself would consume significant amount of time. Hence, to make a formal announcement, we want to be confident of our delivery cycle.

    Does it also work in reverse? Will 7827 also help in driving up viewership?

    It can be assumed that the consumer downloading a mobisode of our programme is a loyal viewer of our shows. The interest in the programme must be inspiring him to download the mobisode of that particular programme. Hence, we believe that mobile holds tremendous potential to boost viewership and audience base.

     

    Now, how to take it ahead? Here is where interactivity comes in. We are looking at various methods to boost interactivity by way of the existing mobile technologies. Interactivity works for a channel or a programme, when the viewer chooses mobile phone over remote control. There are these traditional methods such as contests and special schemes. Interactivity can be a more powerful weapon, if used effectively in breaks. We are looking at various strategies to improve on this front.

    Any SMS-driven shows from Star? Are you planning any mobile-based gameshow at the moment?

    I have nothing concrete to offer you at the moment. But we are definitely exploring this segment.

    Has Star recently bought any show formats for the mobile and internet?

    We keep scanning the environment. But nothing significant has caught our attention as of now.

    Are you planning to work with film producers for mobile and other interactive initiatives?

    We are looking to work with every content provider in the country, including filmmakers and producers. In fact, we are very keen to work with film producers.

    How much have broadcasters raked in as revenues through SMS services during the last fiscal? How fast will it grow this year?

    It is in the range of Rs 750 million to Rs 1 billion. With more initiatives coming in, we expect this to double this fiscal.

    In the next five years, how much will the mobile division contribute to Star India’s revenues?

    Mobile will evolve as a strong revenue stream for Star India, after advertising and subscription. It is difficult to forecast the figures, because the technology will undergo lot of changes during the next five years.

    Will it be totally subscription driven or is there a scope for ad revenues in the immediate future?

    In the mobile content platform, there have been many experiments to generate advertising revenues. There is this method of inserting brands in content, but it is not generally very effective because of the space constraints. That is just one way of doing it. We believe that the real opportunity is yet to happen and there should be a better way out. Marketing and branding should be handled in a smarter way in this case.

    What is your take on in-game advertising?

    In-game advertising can be effective in the case of console and PC gaming. But, again, when it comes to mobile, we have space restrictions. The brand will look too small to generate appeal. Branded games can be one way out. Still, how many people would want to download a branded game? This space requires an effective strategy.

    What are the plans in India for the Lost game?

    Buena Vista International Television (BVITV) owns the rights for the game and as far as I know, they are very keen to launch the product in India.

    In the next five years, mobile will be a strong number three as Star India’s revenue resource, after advertising and subscription

    Are there any Indian shows that you feel have potential for this kind of an extension?

    Absolutely. I would say, most of our shows have the potential to be extended as various mobile initiatives. But we haven’t really zeroed in on any particular show as yet.

    Have you struck deals with international companies?

    The plan is to aggregate the best content from across the world. We are planning associations with companies working in the areas including content, applications, technology and games. We haven’t reached a position to name any particular company as our associate yet.

    How would you like to explore the interactive market segments such as video sharing, messaging, connecting and email through your digital initiatives?

    We are an entertainment and information service provider. We would stick to what we are doing at present. There is no plan to offer services which are outside our purview.

    How do you rate competition in this segment?

    All the players have competed really well to create their own space in the mobile industry. The next incremental step should be a leap in terms of strategies. All of us should come together to empower the business. We should try to leverage on each other’s strength and boost the sector by providing the consumer a common platform of services.

  • Zee Sports to telecast National Football League final leg from Goa

    Zee Sports to telecast National Football League final leg from Goa

    MUMBAI: Zee Sports will telecast 10 live matches from Goa where the top clubs will fight for the title in the last leg of the ONGC Cup National Football League. In the first match of the last phase on 5 May, title contenders and Federation Cup winners Mahindra United will clash with Mohammedan Sporting.

    Zee Sports COO Gary Lovejoy said, “In the first year of our telecast of Indian football, the standard of league has reached a new peak in terms of quality of players, standard of play, passion and excitement. The excitement and competitiveness of the league can be gauged from the fact that there is a possibility of winner being decided in the last league game.”

    For the 10th edition of National Football League, Zee Sports has ONGC, National Insurance Company, Indian, Airtel, TATA Tiscon, Khadim’s, Coca Cola, DS Group and West Bengal IT Department among others as broadcast and on ground sponsors for the coverage of the ONGC Cup 10th National Football League.

    The schedule of ONGC Cup National Football League is as follows:

    5 May — Mohammedan vs Mahindra United
    7 May — Salgaocar Vs Dempo
    8 May — Sporting Club de Goa Vs Kingfisher East Bengal
    11 May — Sporting Club de Goa Vs Dempo
    13 May — Salgaocar Vs Air India
    17 May — Salgaocar Vs Sporting Club de Goa
    20 May — Salgaocar Vs Mohammedan Sporting
    (All the above matches kick off at 6:30 pm)
    21 May — Dempo Vs Mahindra United (4:30 pm)

  • Zee Sports to telecast ONGC Cup NFL matches live

    Zee Sports to telecast ONGC Cup NFL matches live

    MUMBAI: Zee Sports will telecast five matches of the ONGC Cup National Football League, starting April 16, 2006 live and exclusive from Cooperage Stadium. The matches will involve Mumbai clubs Mahindra United and Air India.

    The schedule runs from 19 April to 23 April. The telecast will begin at 4:30 pm.

    To popularize the matches in Mumbai, Zee Sports is undertaking several multimedia marketing and promotional campaign across the city. The campaign will include several below the line activities including school contact programs, road shows, pub screenings, special BEST buses, railway platform activities etc will be undertaken in several parts of the cities.

    The Zeebras finally return to their hometown Mumbai to enthrall the local fans. In line with international concepts of cheerleaders backing major sporting spectacles and each sport club having their distinctive brand of cheerleaders, Zee Sports had introduced the Zeebras as their mascots of promoting Indian football.

    Former England International player Russell Osman and Zee Sports Debayan Sen will be the co-commentator and commentator respectively. Russell Osman is an ex-England International footballer, capped on eleven occasions. Also Zee Sports’ popular anchor Mayanti Langer along with noted football expert Novy Kapadia would be doing the preview, half time and review shows on every game from the studios in Delhi, states an official release.

    For the National Football League, Zee Sports has ONGC, National Insurance Company, Indian, Airtel, Tata Tiscon, Khadim’s, Coco- Cola, DS Group, and West Bengal IT Department among others as broadcast and on ground sponsors of for the coverage of the ONGC Cup 10th National Football League, the release adds.