Tag: Indian Television

  • Big CBS Love to air American Idol’s grand finale live in India

    Big CBS Love to air American Idol’s grand finale live in India

    MUMBAI: Big CBS Love is all set to live telecast the grand finale of singing reality show American Idol season 12 in India.

     

    The telecast marks the first time ever that the finals of an international singing reality show will be aired live on Indian television screens.

     

    The show will witness performances by the likes of the ex-judge Jennifer Lopez and international phenomenon PSY. The grand finale of American Idol Season 12 with the top two finalists Candice Glover and Kree Harrison and judges Mariah Carey, Nicki Minaj, Keith Urban and Randy Jackson will air on 17 May at 5.30 am with a repeat telecast on Friday and Saturday at 9 pm exclusively in India on Big CBS Love.

     

    According to the channel, the American Idol season 12 grand finale promises to be a star-studded musical affair. Joining these stars during the finale will be two Indian singers who through the ‘Love to Sing’ contest conducted in association with Talenthouse India have won the “once-in-a-lifetime” opportunity to witness the show Live in Los Angeles.

     

    Big CBS Networks business head Anand Chakravarthy said, “We constantly strive for excellence in terms of the quality of content we offer to our audiences. A show like American Idol which is followed by millions across the globe warrantees the need of a live telecast for its grand finale. We are extremely proud to be the first movers in introducing this trend and are confident that the show’s loyal fan following in India will appreciate our efforts. The appeal of the show is sure to attract music lovers across the county while allowing us to provide an added value proposition to our advertisers.”

  • ‘US, Europe and Canada are growing markets for Indian content’ : Adris Chakraborty – Globosat Entertainment director

    ‘US, Europe and Canada are growing markets for Indian content’ : Adris Chakraborty – Globosat Entertainment director

    With the Indian television market booming and the NRI community becoming more affluent, platforms in the UK and US are looking to service this community better. Hoping to take advantage of this is ethnic content aggregator Globosat Entertainment. Formed three years back, the company hatched a deal with Sahara to distribute its channels in the US, UK and Europe. It also markets the religious channel Aastha and works with various platforms.

     

    Indiantelevision.com’s Ashwin Pinto caught up with Globosat Entertainment director Adris Chakraborty to find out more about the company’s future plans.

     

    Excerpts:

    What are the changing trends for demand of Indian content overseas?
    Bollywood and cricket are the dominant forms of entertainment. Soaps fare less well as the connect is not there; dubbing or subtitling is needed, or else language becomes an issue. News works but to a much lesser extent, as a lot of the diaspora gets that from the internet. To get people to pay for a news service is difficult. People are to an extent also interested in Indian subjects like alternative healing systems, the investment climate, etc.

    How is Globosat positioning itself to take advantage of this?
    We want to leverage the appeal of Bollywood through video-on-demand service offerings. We are talking with production houses to make their content available on VoD through DTH (direct-to-home) and cable platforms. There are entertainment and movie channels.

     

    We are also talking with recently launched Indian broadcasters who want to have a presence abroad. We are also talking with FM radio stations to figure out opportunities to distribute their content on a national scale in the US, UK and Europe, under a subscription-based service model.

    Which are the Indian and South Asian channels that Globosat is currently distributing?
    We distribute the Sahara channels in the US, UK and Europe. We also market NDTV News and promote Aastha channel in the US.

     

    Besides, we are looking at value-added services like ring tones. We are in discussions with a technology service provider to offer subscription-based Bollywood ringback tone services for the South Asian diaspora. We want to work with them to also offer an SMS-based revenue service. The SMS based-revenue, which is big in India, is not being exploited for the South Asian audience. So an NRI watching an Indian Idol on Sony cannot participate through the SMS route. We want to create these kinds of alternative revenue opportunities for our broadcast partners.

    Is interest in Indian content also spreading among mainstream TV viewers in the US and other countries?
    Bollywood is doing that. It is appealing not just to Indians but also to Bangladeshis, Pakistanis and the Hispanic population. They have subtitles or dubbed content.

    What are the services that Globosat offers?
    We work in the ethnic content aggregation and distribution business with focus markets in the US, Canada and UK. Since we understand the South Asian market, we started off in this space.

     

    With a full-fledged marketing team, we help content owners promote and distribute their offerings under different platforms on a subscription basis. We work with multiple platforms and with multiple markets to get the best possible distribution and revenue for broadcast partners. Content distribution could be in the form of VoD for Bollywood movies. We work with DTH platforms and cable networks to help aggregate their VoD content. We have a 60,000-square-foot playout and broadcast facility in New York with five studios. We also have studios in San Francisco and in Toronto.

    Demand overseas for Indian content is more dominant in the areas of Bollywood and cricket. Soaps fare less well as the connect is not there. News works but to a much lesser extent, as a lot of the South Asian diaspora gets that from the internet

    What are the platforms you have relationships with?
    Our partners include DirecTV, Dish, Rogers, Comcast, Time Warner Cable, and BSkyB in the UK. As the platforms deal with many genres, it is important for us to help them give a marketing push to our offerings. The platforms, after all, do not have the time and energy to market our channels. We offer a value add as we understand the community.

    What is the scene for Indian regional channels in the US, UK?
    They have their own viewing pockets. They are mostly a-la-carte offerings on different platforms. However, there are three Bengali channels which are offered as a package and as a la carte as well.

    Do you use Soundview Broadcasting to create innovative content for South Asian audience in the US?
    We have a couple of shows. There is a show called Green Card about the process of getting one. Then we have Astro Guide and we also do a community news programme Your Voice where we cover the US. We do all this for Sahara. We provide NGOs an opportunity to come and discuss issues on a show called Centrestage.

     

    We produce some content for Aastha in the US. This includes religious festivities. We do some local programming and plug it on the feed to build up better connection with the subscribers. We also shoot film premieres, interviews and give it to our partners.

     

    Viewers want to know the reaction to a latest film, for instance. We do this from the point of view of building the subscriber base for our partners. Local production helps build an emotional connect.

    What is the strategy Globosat follows in terms of marketing its offerings?
    Our marketing mechanism is such that we participate in the major media, cultural and trade events in the US, UK, Canada and Europe which are relevant for South Asians. Sometimes we are allowed to put up a booth and run promos of our broadcast partners. We do a lot of cross promotions with print publications. In addition, we do direct mails, dealer network promotions, etc. We also sponsor events like Miss India USA.

     

    We work with platforms to create new offerings. In Europe, in conjunction with a few channels, we created a DTH platform in partnership with a technology playout called GlobeCast. We partnered with Sony in the UK and created a bouquet to be a compelling subscription-based service. This caters to the Indian and Pakistani diaspora. We also have a major Pakistani channel in that bouquet.

    Do you also do ad sales for channels?
    We have started a full-fledged media agency called Media Morphosis. We help clients with media and print placements. It could be PR or cross- promotion strategies. We are connected with large advertisers, and this helps our broadcast partners. We also use this to market the Globosat channels.

     

    We are in the process of launching Media Morphosis in India. The aim is to offer our services to Indian channels that are abroad and want help attracting advertisers. We will also help companies who want to reach the South Asian community in the US, UK and Europe. We are talking with Star to do their ad sales in the US.

     

    Mainstream travel agencies, insurance and money transfer companies in the US and UK find us useful if they want to reach out to the affluent South Asian community. These advertisers also want to partner with broadcasters. We help them leverage relationships in the most cost-effective manner.

     

    We also organise below-the-line activities, road shows, etc. From a media-buying point of view, we work with a lot of channels. The agency is two years old and we did a gross billing of $2 million with a 30 per cent margin.

    Will you be expanding your footprint to Africa, Australia and Europe?
    We would like to. However, at the moment the bandwith in Australia and Africa is limited. We want to maximise our distribution in the US and Europe which is a large exercise. Canada is a growing market for Indian content.

     

    South America, unfortunately, is fragmented on the distribution front. Piracy is rampant and the Indian population is also too small to justify going there and marketing our offerings.

    New media platforms like mobile, net, etc. are growing through platforms like JumpTV. How is this impacting the channel distribution business?
    It is a good thing for us and our broadcast partners. We have room to do more effective deals. Earlier, it was mostly DTH. If a broadcaster comes to us, we can now take him to all the platforms. One thing, though, is that mobile technology is very primitive in the US. So it will take time to develop as a broadcast medium there.

     

    In terms of revenue, what targets does Globosat have?
    With a turnover of $9 million, we are experiencing steady growth.

     

    What plans do you have for other ethnic content?
    We have tied up with an IPTV platform. They have created a bouquet of Chinese channels. They want us to help them promote and distribute that bouquet in Europe. Our affiliate Soundview also has an Afro-French channel, a Caribbean channel and a Punjabi channel which we distribute in the US and Canada.

  • Indian Telly Awards to honour technical finesse

    Indian Telly Awards to honour technical finesse

    MUMBAI: They are the faces behind Indian television, the ones that make sure that the impact is registered in a news story, the glamour quotient high in your daily soap, the finishing touch, the right music, the maximum intensity. They make television viewing an experience and most often you don’t even see them.

    But at Indian Television we understand the need for perfection that makes these technical experts the best in their field. And so at the Sixth Indian Telly Awards – Trade, Technical, Channel & Programming Nite we honour them and their work.

    The sixth edition of the Indian Telly Awards- Technical will be held on 6 February at the St. Andrew’s Auditorium, Bandra. What began as a germ of an idea in 2001 has progressed to fruition thanks to support from the industry.

    This year the awards will be anchored by telestars Pawan Shanker, Karishma Tanna, Rajesh Kumar and Barkha Bisht.

    Some of the categories for the awards function include : Current Affairs Programme , Business Programme , Music Programme , Non-fiction Programme, Non Fiction Prorgamme on news Channel, TV Documentary , Special/Visual Effects for Television, Art Direction, Videography (Best TV Cameraman), Costumes for a TV Programme, TV Show Packaging (Fiction), TV Show Packaging (Non Fiction), TV Channel Packaging (Including Channel Ids & Generic Promos), Editor (Fiction/Non Fiction ), Background Music for a TV Programme , Director (Thriller/Sitcom/Soap & Drama) Screenplay Writer, Dialogue Writer, Media Innovation, The BIG Idea Award , Interactive Show and Cable operator /MSO (Multi Systems Operator of the year).

    And if it’s about television, then it must also be about high octane entertainment. Fusion dancers Vrajesh and Kalyani present a unique Jazz meets Kathak performance while Pandit Ravindra Chary on sitar and Merlin round up the nite with some jazz, rock, blues and divine music.

    The event partners include Zee Networks Aaj Tak, CNN IBN, IBN 7 , Times Now Zee Cinema, Radio City , Bright Advertising , Rajasthan Patrika, & Mid Day, Fun Cinema , CMCG India , Tellychakkar.com & Animation Xpress .com.

    So starting at 6:30 pm this evening you have a date with the very best in Indian television.

  • No cricket on DD as Nimbus refuses to buckle

    No cricket on DD as Nimbus refuses to buckle

    MUMBAI: In what is a first on Indian Television, a home cricket series kicked off today without the telecast being available on national broadcaster Doordarshan and All India Radio.

    India’s victorious start to the four-match Pepsi series One-Day International series against the West Indies at Nagpur was not available on terrestrial television as well as on cable homes that did not carry the Nimbus owned Neo Sports channel.

    With talks breaking down yesterday between Prasar Bharati and Nimbus Sports on sharing the live feed, the industry was waiting to see whether the government would push through an ordinance to implement the Downlinking/Uplinking Guidelines issued by the information & broadcasting ministry in November 2005.

    The guidelines make it compulsory for sports telecast rights holder channels to share the live feed of important sporting events with Doordarshan and AIR by entering into a commercial agreement. The terms provide for revenue sharing of 75:25 in favour of the rights holders.
    Nimbus Sports, the rights holders for the BCCI organized cricket events in India, had offered to give the feed to the pubcaster, but only under certain specific conditions, and these were not acceptable to the Prasar Bharati.

    Nimbus suggested a 15 minute deferred telecast on Doordarshan’s terrestrial channel referred ‘as live’. Thus, people having cable TV would get live feed on Neo Sports and those watching DD would see it 15 minutes later.

    Nimbus also did not agree to DD showing the matches on its DTH platform DD Direct Plus.

    NIMBUS READY TO GIVE FEED IF PRASAR BHARATI GIVES COMMITMENT TO ENCRYPT TERRESTRIAL SIGNALS

    Nimbus has said if at all it shares the feed, the signals have to be encrypted so that it reaches houses only on the terrestrial network and not those that get DD signals through cable TV.

    Nimbus today offered a way out of the impasse by declaring it was ready to provide the live feed if Prasar Bharati agreed to encrypt its signals in the next two to three weeks.

    “Till such time as DD puts encryption into place, about 2-3 weeks, Nimbus has offered to provide the live coverage TV signal to DD,” Nimbus chief Harish Thawani has been quoted by Zee News as saying from Mumbai.

    “We are highly committed and want to provide the cricket telecasts on DD also. The ball is in DD`s court,” he said.

    Thawani said Nimbus was insisting on encryption as the satellites used by DD have significant signal dispersion into many neighbouring countries, often as far as the Middle East and Singapore.

    “The growth of sports in any country is substantially dependent on the revenues it gets from sports channels and those revenues would be substantially destroyed if the rights of sports channels are not protected, having a terrible impact on sport itself,” Thawani argued.

    Till now though, Prasar Bharati officials, citing previous government orders and court rulings that they claim have gone in their favour, have been adamant that they should get live feed of the cricket series, without any conditions, and that it also be shared on DD’s DTH platform.

    Following the breakdown of talks DD officials have gone back to taking the cover of the Uplink-Downlink Guidelines that perforce allow DD to get the telecast feed.

    The ball is now really in the government’s court on what its next move will be.

  • Ekta Kapoor launches talent hunt for ‘Kyunki…’ cast

    Ekta Kapoor launches talent hunt for ‘Kyunki…’ cast

    MUMBAI: Indian television’s most successful television soap Kyunki Saas Bhi Kabhi Bahu Thi is set for a 20-year leap and the next generation of actors will be chosen from a talent hunt.

    Walk-in auditions have been planned in three northern cities: New Delhi, Chandigarh and Shimla and the hunt will kick start on 29 April.

    The leap makes way for a host of new characters to make their appearance on the small screen. The Ekta Kapoor headed creative team of Kyunki…. is stepping out of Mumbai to search for these new faces, informs an official release.

    “The highlight of this talent hunt is the search for “Krishnatulsi” who takes over the mantle of Tulsi from Smriti Irani as she takes over the mantle of Baa,” says Balaji Telefilms creative director Ekta Kapoor.

    “We are always on the look out for fresh talent but this time around it is very special. We are looking for the next generation of the Virani family. We started Kyunki… five years back with a large part of the cast selected from the masses and most of them, today, are well established artists with their own fan following. It therefore makes complete sense for us to go back to the masses to look for the next generation of the Virani family,” says Kapoor.

    The dates for audition in each city are:

    New Delhi — 29 and 30 April at Marwah Studio Noida.
    Shimla — 1 May at Chaura Maidan College.
    Chandigarh — 2 May at Dev Samaj College for Girls.

    The auditions are open to professional actors, models, theatre artists and the general public in the 18 to 25 years age group. Good diction, brilliant attitude and acting skills are factors critical in being short-listed, states the release.