Tag: Indian Premier League (IPL)

  • Bluegape.com launches official IPL merchandise

    Bluegape.com launches official IPL merchandise

    MUMBAI: Online store bluegape.com launched its official Indian Premier League (IPL) merchandise collection for sale on 13 April.

     

    The website is the exclusive merchandise partner for the entire IPL collection. The merchandise includes posters, coffee mugs, wall clocks, laptop skins, cushion covers, mouse pads and table art.

     

    “IPL is extremely popular among Indians. People in India are great cricket fans and IPL is something that projects the game format at the world stage. We saw an opportunity with great potential in terms of the market and decided to launch the official merchandise,” said bluegape.com chief executive Sahil Baghla in a statement.

  • The IPL Fantasy League returns with additional features

    The IPL Fantasy League returns with additional features

    BENGALURU: The stage is set for another edition of the Indian Premier League (IPL) as well the second edition of TenTenTen Digital Products (TenTenTen) ‘IPL Fantasy League’. The ‘Digital IPL’ that debuted last year, created an immediate impact, with over five lakh players across the globe participating during IPL 2013.

     

    The 2014 edition is packed with new game features as well as fun elements, fans will now get to replay this excitement in the new season says the company.

     

    “We are extremely excited about the league this year. When we approached IPL last year, we were confident about the appeal of a Fantasy League, as well as how it will help grow the craze of IPL beyond the traditional boundaries. However, what caught us by surprise was the momentum it gained in its debut year itself. With half a million participants, the league became the largest fantasy cricket league ever. This year, we have packed in lots of new stuff to fuel the awareness and engagement for IPL further. We expect a million players to play the league this time, taking the IPL fever to the next level globally.” said TenTenTen Digital Marketing Guru and founder Ramesh Srivats.

     

    TenTenTen says that the site saw nearly 1.5 crore visits and over 10 crore page views in a span of two months last year and also created tremendous involvement and social buzz with lakhs of tweets and Facebook updates.

     

    Users were given the ability to create private leagues and play IPL Fantasy with their friends and colleagues, for bragging rights. Encouraged by the success, the Fantasy League was extended to the Champions League T20 2013 with TenTenTen handling all responsibilities for the same.

     

    The League allows a player to own and create a team with name, emblem and motto. Each player is then given 10 million Fantasy Dollars using which he or she can pick a virtual squad of 11 players. Players then earn points based on their squad’s actual performance in IPL matches. The Fantasy team with the most points wins the league.

     

    The league is also better optimised for mobile this year says TenTenTen. The winners of the IPL Fantasy League 2014 stand a chance of winning tickets to the matches and exciting IPL merchandise.

  • MSM gets ready to max it with MAX 2

    MSM gets ready to max it with MAX 2

    MUMBAI: Its good news for movie buffs as Multi Screen Media’s (MSM) long awaited plan to launch one more movie channel is rolling along fine.  And the unveiling of the new service is likely to be once both the Indian Premier League (IPL) and elections are wrapped up and done.

     

    Multi-system operators (MSOs) say they have been approached by the Sony Entertainment Network (led by TheOneAlliance team) to keep aside space on their networks for two channels by May-end- early-June. 

     

    One of these according to MSOs is the movie channel which has been christened as MAX 2 while the other a GEC has not yet been given a name. The GEC is likely to work as a third flanking GEC to both Sony and SAB. And the management is introducing it to take advantage of the monetisation opportunities digitisation is expected to bring with it.

     

    Star India has in recent times been hyperactive by re-launching its Star Sports services under different brands like 1,2,3,4 and also flagging off Life OK to help absorb advertising inventory which cannot be absorbed by the market leader Star Plus. Ditto with Zee TV which has introduced &pictures while Colors debuted Rishtey India. Sony which has relatively been playing low-key was expected to up the ante and its impetus to launch new services such as the two channels is only expected.   

     

    Await detailed report…

  • The Indian ‘Paisa’ League

    The Indian ‘Paisa’ League

    What began as a fledgling franchise in 2008 is today a world-renowned property with brand value pegged at $3.03 billion in 2013 and the highest at $4.13 billion in 2010.

     

    The Indian Premier League (IPL) – the fallout of an altercation between the board of control for cricket in India (BCCI) and the now-defunct Indian Cricket League (ICL) – has transformed cricket into an enterprise.

     

    An American Appraisal India report – based on a survey of 300 key participants of the IPL ecosystem including team managements, sponsors, advertisers, advertising agencies and broadcasters – found 57 per cent of the respondents saying that their advertising budgets towards IPL had either risen or remained constant over the last five years. Whereas only 14 per cent of the respondents said they had actually cut their ad spends on IPL over the past five years. Over 52 per cent of the respondents also said that franchise-led sponsorships could be between Rs 15 crore to Rs 75 crore per season.

     

    According to the report, Chennai Super Kings and Mumbai Indians have emerged as the most powerful brands valued at $72 million each, followed by Kolkata Knight Riders ($69 million), and Royal Challengers Bangalore ($51 million). Rajasthan Royals ($45 million) and Delhi Daredevils ($40 million) are somewhere in the middle, with Kings XI Punjab ($32 million) and Sunrisers Hyderabad ($25 million) at the bottom of the pile.

     

    While each team is trying to claw its way back with operational improvements, trust flows with stakeholders will eventually determine the health of IPL’s long-term liquidity and profitability. For the current eight teams to sustain, their short-term operational movements need to be aligned with their strategic plans for the tourney.

     

    Further, the report estimates the merchandising valuation of IPL at $40 million, as compared to $2 billion for Spain’s La Liga. Despite having a population which is 25 times larger and an economy which is at least 25 per cent larger than that of Spain, India’s IPL is only two per cent of Spain’s La Liga in terms of merchandising. The reason is piracy and the availability of counterfeit products apart from the fact that the prices of original IPL merchandise are quite high from an Indian point of view.

     

    While there is a huge potential for the merchandising market to grow, the report also predicts it will grow ten-fold by 2020 – from $40 million to $400 million.

     

    Coming to broadcasters in the IPL universe, the tourney is currently in its seventh edition and will continue its long-standing association with Multi Screen Media (MSM), the official broadcaster of IPL, after Sony coughed up nearly $1 billion for a period of 10 years in 2008. Between 2008 and 2012, DLF was the sponsoring partner ($50 million) while from 2013 to 2017; Pepsi won the title sponsorship for a bid of nearly $66.5 million, beating its closest rival in Airtel.

     

    For the seventh edition, MSM’s two channels – Sony Max and Sony Six – have already started their Pepsi IPL campaign. The network is reportedly hiking its ad rates by 15-20 per cent and expects the revenue generated to be anywhere between Rs 900 – Rs 950 crore, despite the reduction in the number of matches played from 76 to 60. The broadcaster is learnt to have floated rates in the range of Rs 4.75- Rs 5 lakh per 10-second spots, and expects to increase them as the tourney gathers momentum.

     

    As far as viewers go, IPL’s reach was pegged at over 200 million viewers in 2013, as against about 163 million viewers in 2012. The total viewership in 2013 has been 2.6 per cent, up from the 2.2 per cent in 2012. Correspondingly, MSM earned Rs 750 crore in ad revenues in 2012 and upped it to Rs 950 crore in 2013, according to FICCI KPMG 2014.

  • SET launches Pepsi IPL’s ‘Come On, Bulaava Aaya Hai’ campaign

    SET launches Pepsi IPL’s ‘Come On, Bulaava Aaya Hai’ campaign

    MUMBAI: The IPL fever is set to grip the cricketing world once again beginning 16 April 2014 and this time around the first half it is set to kick-off in the UAE.

    The first phase of Indian Premier League (IPL) matches will be played in Abu Dhabi, Dubai and Sharjah.

    The official broadcasters of the IPL – Sony Max and Sony Six – have announced their big ticket marketing campaign for the Pepsi IPL 2014 coined ‘Come On, BulaavaAayaHai’.

    The broadcaster claims that the campaign is inspired from the fact that Pepsi IPL is the biggest cricketing extravaganza in the world. The word ‘Bulaava’ connotes the ‘calling’ with the main premise that the year’s most awaited and anticipated cricketing event has finally arrived and there is no way anyone would want to miss it.

    Talking about the upcoming season of the Pepsi IPL 2014, Sony Max EVP and business head Neeraj Vyas said in a statement: “In India, nothing supersedes the passion for cricket and during the IPL, that passion rises to an all-time crescendo. That is where we draw our latest campaign ‘Come On, BulaavaAayaHai’ emphasising that irrespective of anything that takes place in your life, the calling for the IPL will always reign supreme. This enthralling campaign coupled with world class talent on display is sure to entertain our viewers through this edition of IPL.”

    The campaign kicksoff with a series of four films set in diverse situations of different people’s life reaching a crescendo with three surprise films and culminating into a final Bulaava film. Be it a runaway bride drawn to the call of the IPL bugle, a son by the side of his ill mother or a priest struggling to free a woman possessed with a spirit, all films have the essence of the key nuance of IPL ‘Bulaava’, prompting people to literally drop everything to watch Pepsi IPL.

    Speaking about the campaign, Sony Max VP marketing and communications Vaishali Sharma added, “IPL entices people across age groups, gender and languages. This year’s campaign “Come On, BulaavaAayaHai’ is a unique thought that stems from the insight of how the passion of IPL overtakes every aspect of these different people’s lives highlighting their hunger for the tournament and eventually creating a huge national frenzy”.

    The marketing campaign jingle is one of the most awaited elements of this striking tournament. After the splendid response and adulation of last year’s jingle, Max has once again roped in the musical duo Vishal and Shekhar. Basing on the campaign theme, the duo has come up with yet another catchy song. The broadcasters feel the jingle is sure to be a mega hit and will set the nation grooving to the tunes.

    The entire campaign is the brainchild of the creative agency Havas Worldwide and has been directed and filmed by noted ad film director Rajesh Saathi of Keroscene Films.

    On the association with Max on the films Havas Worldwide ECD Vivek Rao stated: “The campaign idea of ‘Come on, BulaavaAayaHai’ is played on a simple truth – no other property provides more action, more entertainment or more opportunity whether you’re a viewer or a player. So no matter what calling you have, it’s the call of the IPL that’s more irresistible. After last year’s campaign, we needed something that would entertain as well as move the IPL brand forward. This seemed instinctively right.”

    Stretching across a four week period till the launch of the tournament, the Pepsi IPL 2014 campaign will have a complete 360 degree rollout across mass media. Starting with the campaign films on television, the communication will be seen by viewers across mediums like television, print, radio, digital, outdoor, onground, mobile, BTL and out of home. The campaign can also be viewed on www.SonyLIV.com, the online home of Sony Entertainment Network.

  • The call of IPL7….

    The call of IPL7….

    MUMBAI: The call of the IPL so divine that you have to be there for the seventh edition of the Indian Premier League (IPL).

    This year’s campaign by Sony MAX for the IPL is with a tagline that revolves around the concept of ‘The call of the IPL’.

    “It is as if you cannot refuse a call from the god. In the same way, when IPL calls, you have to be there,” is how Sony MAX and Sony MIX executive vice president and business head Neeraj Vyas explains the thought behind the campaign for IPL7.

    Vyas, the Guest Editor of the day at Indiantelevision.com, was speaking on the finer details that go into the making of the campaign to promote IPL. MAX has the broadcast rights for the twenty-20 cricket tournament.

    “You have to be there when IPL calls you,” reiterates Vyas.

    Sony’s IPL campaign will be launched towards the end of the first week of March.

    The core theme of the IPL campaign continues to be entertainment but the broadcaster’s challenge is to every year come up with a bigger and bigger campaign idea.

    ‘Sirf Dekhneka Nahi’

    In 2013, Sony took its campaign to a much higher level bringing in a celebrity in choreographer and director Farah Khan.

    ‘Sirf Dekhneka Nahi’ was the punch-line of the 2013 campaign featuring Farah Khan, urging people to express themselves whenever a wicket falls or a boundary or a six is hit.

    The campaign for IPL season 7 is expected to be a step ahead of 2013 campaign. “IPL is an entertainment vehicle which appeals to families, friends, men, women and youth. It cuts across different target groups. And this was the brief given to the creative agency (Havas Communications),” says Vyas.

    The preparation for the campaign started in November 2013 with the first creative meeting. “This was followed by several meetings to come out with that one idea, that one hook to develop the campaign,” Vyas points out.

    While five 30 second creatives have been made with common people, one 60 second creative has been made, which will have a glimpse of Farah Khan. The music for the campaign has been composed by the duo Vishal and Shekhar.

    It was JWT that worked on Sony’s IPL campaign in 2013.

    So why hasn’t the campaign come out as yet? Vyas says, “Well, this time, neither the venue nor the dates have so far been announced. But, we will be launching the campaign towards the end of the first week of March.”

    MAX’s EARLIER CAMPAIGNS

    So, as people eagerly wait for the new campaign, we at indiantelevision.com, take you through the journey of past IPL campaigns.

    Sony MAX has since the first edition of IPL, which started in 2008, been promoting the new format to build an audience.

    What started with IPL being ‘Manoranjan Ka Baap’ with unknown faces, the campaign has grown bigger and better over the years.

    The ‘Manoranjan Ka Baap’ campaign, directed by Rajesh Krishnan of Soda Films, was a spoof from the 80s films, where the wife and her two sons are taunted every now and then for their missing father.

    While the villagers keep asking the mother and the sons ‘Kab aayenge Manoj aur Ranjan Ka Baap?’, the trio believed that he would come some day. And then when the wife gives up hope, her sons come running and point at the TV set which says, ‘Aa Gaya Manoranjan Ka Baap.’ The promo that got around 78,377 views on YouTube was aimed at positioning IPL as the ultimate entertainer.

    The second season saw two promos under the tagline ‘Ek Desh Ek Junoon.’ While one promo shows how god made one land, but man created boundaries, the other promo shows how one billion people are doing the same thing at the same time. It shows how people rejoice over a ‘Six’ and get sad on a ‘wicket’, but all these emotions are depicted at the same time.

    The promo was created in-house and took the communication one level up from the first season which had proved that the format was accepted across.

    IPL by its third season had built a huge fanfare and while the second season was played in South Africa, the format was back in India in its third year.  The channel went all out promoting the series and came out with the campaign ‘Saare Jahan Se Achha’.

    The video showed a red carpet laid for the players belonging to IPL teams from various cities. The video became hugely popular and this was quite evident from the 412,650 views it garnered on YouTube.

    ‘Bharat Bandh’ was the message the channel gave out to its viewers as the tournament stepped into season four. To send this message, seven promos were created.

    One showing how a politician was left wondering who had announced a 51-day ‘Bandh’ and the second promo showed a goon being upset with his business going down, considering there was a ‘Bandh’. The third showed a ‘Hot’ lady stepping out of the train and looking for help on the station but there was no one there to help.

    The fourth promo involved two female neighbours, who for long had hated each other but now have come together saying ‘nafrat bandh’ with ‘Bharat Bandh’.  The campaign was conceptualised by JWT and it too became popular.

    In the fifth season of IPL, MAX got more personal with its promos. The campaign was under the tagline ‘Mauka’, for a get-together for family and friends.

    The campaign saw five promos doing the rounds: ‘Mauka Phuphaji’ which garnered around 17,289 views on YouTube, ‘Mauka Stadium’ which saw approximately 45,229 views on YouTube, ‘Mauka Family’, with around 19,233 hits, ‘Mauka Father’ with around 17,898 views and ‘Mauka Friends’ with 15,663 views. The campaign was based on the idea of how IPL had the power to get people together.

    For the first five seasons, MAX roped in common faces, with no actors. But, as the game grew bigger, the channel knew that its campaign has to be at the same scale. It was then that in the season six of IPL, Farah Khan was roped in to promote its campaign ‘Sirf Dekhneka Nahi.’      

    The campaign had come from the insight that cricket is not just a game in this country but a passion that moves every Indian to get up to celebrate and dance.

    And to promote this thought, Farah Khan established three unique signature dance moves each for a four, a six and a wicket. Through the campaign, MAX invited the audience to shed all inhibitions and groove to the tune of Pepsi IPL 2013.

    The campaign featured three short films, three dance instruction videos and one big grand film. To make the campaign a nationwide sensation and to add to Farah’s dance moves, the channel had also roped in music director–singer duo Vishal and Shekhar who composed the tune for the Pepsi IPL 2013 campaign.

    The campaign was created and conceptualised by JWT and directed and filmed by ad film director Rajesh Saathi of Keroscene Films.

    Talking on the last year’s campaign and Farah Khan, Vyas says, “Farah Khan fit the bill completely. She directly connected with the audience and she cut across audience groups. She is a choreographer, a director, an actor and a mother. And she does all this with so much perfection. So when a Farah Khan says, ‘Sirf Dekhneka Nahi’, people know she means it. Also because she is a director herself, she could add so many other bits to the campaign to make it look even better.” 

    PROMOTING VIEWERSHIP

    “Since the inception of the game, marketing has been one of IPL’s strengths, and both TV viewership and stadium attendance were promoted simultaneously. One reason for IPL’s success has been that multiple entities (tournament owner, broadcaster, team owners, etc.) all promoted IPL, while ICL was promoted by Zee alone (as it played all those roles),” informs PipalMajik CEO Chandradeep (CD) Mitra.

    How different will be MAX’s IPL 2014 campaign?

    Pepsi, the title sponsor of IPL 7, has brought on board actor Ranbir Kapoor as an intern for promoting Pepsi IPL 2014.

    MAX will surely think bigger for this year’s campaign.

    For PipalMajik’s Mitra, marketers need to constantly promote their brands to break the clutter and keep their brands top-of-mind. “This is especially true for seasonal brands and time-bound events. Sports events particularly need to drum up excitement to engage fans. There has been some evidence of IPL viewership plateauing or declining in the last couple of years. This year, post last year’s scandals, and likely scheduling of matches outside India, the need for the IPL brand to be rejuvenated and promoted is even greater,” he adds. 

    Also, with other major sporting events like Football World Cup and T20 World Cup competing for sports lovers’ limited time and attention, this year “IPL definitely needs major promotion this year,” says Madison Media COO Karthik Lakshminarayan.

    IMPACT OF CAMPAIGNS

    Talking about the previous campaigns, Lakshminarayan says, “The campaigns so far have helped the channel garner good impressions in terms of ratings. Almost all of the marketing efforts are realised in the first week of the series as that draws in the viewers. So one can safely say that the ratings in the first week is largely the result of the media campaign that the channel runs. Post that the ratings are dependent on the matches played thereafter and the results etc.”

    So while there are loyalists for the series, there is also a huge chunk that is attracted to the game through the marketing campaign. “The campaign drives on emotions. There has always been general excitement around the marketing campaign of IPL, this year should be bigger,” adds Lakshminarayan

    The first leg of IPL 2014 mostly will be held in South Africa, and the second leg in India. “Keeping this in mind, the communication has to be more engaging this time. For me digital media should play a very critical part in the channel’s communication about the game,” says MPG planning head – west Soumya Sarkar.

    For Sarkar, it is not the brand ambassador that will drive the communication this year. “The channel has to keep interacting with the audience. So it needs to come up with more contests, fan clubs and online chatting among others to keep the viewers hooked,” he adds.

    (Following are links to Sony’s earlier campaigns)

    http://www.youtube.com/watch?v=0MQ4Jbb_nns

    http://www.youtube.com/watch?v=r41mcUzUkis

    http://www.youtube.com/watch?v=-RVg2mvNJDI

    http://www.youtube.com/watch?v=AHByZLDbPiw

    http://www.youtube.com/watch?v=3v5Nh_XtY_8

    http://www.youtube.com/watch?v=dBBIrcKBMWk

  • Justice Mukul Mudgal appointed Chairperson of BCCC

    Justice Mukul Mudgal appointed Chairperson of BCCC

    MUMBAI: The Broadcasting Content Complaints Council (BCCC) has got a new Chairperson in Justice (Retd.) Mukul Mudgal, the former Chief Justice of Punjab & Haryana High Court and former Judge of the Delhi High court. The Board of Directors of the Indian Broadcasting Foundation (IBF) has approved Mudgal’s appointment for the self-regulatory body of the IBF.

     

    Justice Mudgal succeeds Justice (Retd.) Ajit Prakash Shah, who demitted office as the Chairperson of BCCC after being appointed the Chairperson of the Twentieth Law Commission of India in November, 2013.

     

    Justice Mudgal will chair the 32nd Meeting of BCCC towards the end of this month.

     

    A BSc (Hons) graduate from Delhi University’s Hindu College and LLB from Law Faculty, DU, Justice Mudgal has a lot of interest in classical music, sports and reading. He was appointed the Judge of Delhi High Court on Delhi on 2 March, 1998 and elevated as the Chief Justice of Punjab and Haryana High Court on 5 December, 2009 from where he retired on 3 January, 2011.

     

    After retirement, he chaired a committee set up by the Ministry of Information & Broadcasting to propose changes in the Cinematograph Act, 1952. He also chaired a committee appointed by the Supreme Court of India to inquire into the allegations of match-fixing in the Indian Premier League (IPL).