Tag: Indian films

  • Pak film depicting Indian militants creates new boxoffice records in Pakistan

    Pak film depicting Indian militants creates new boxoffice records in Pakistan

    NEW DELHI: If Indian films do it, can Pakistani films be far behind?

    A newly-released Pakistani film depicts how Indian villains team with Islamist militants to plot attacks across Pakistan, and as expected the Pak heroes save the day.

    A scene shows militants overrun a Pakistani police academy and kill 100 officers as an Indian spy and her accomplice waltz in a flat in Islamabad to celebrate the success of their mission.

    Waar (“Strike”), Pakistan’s first big-budget movie has been filmed with the support of the army in Pakistan, according to a Reuters report.

    The reports say that even in Pakistan itself, Waar is denounced by some liberals wary of what they see as fiery nationalistic rhetoric and scenes demonising India.

    “Like any other action film, we wanted to show the triumph of good over evil,” said director Bilal Lashari, 31. “And we wanted to do it with a great amount of spectacle and scale.”

    Politics aside, Waar is interesting. Helicopter gunships whizz over mountains and commandos lay siege to militant sanctuaries in Pakistan’s picturesque, lawless tribal regions.

     

    “The army was great in that they gave us a lot of logistical support,” Lashari admitted. “All the scenes with the helicopters and the mountains – we could not have done without the army.”

     

    The movie has proved hugely successful. On a recent viewing in a packed cinema in the capital, attendees leapt to their feet to applaud patriotic scenes.

     

    In one such moment, a retired officer takes on an Indian contractor on the roof of a building while a female Pakistani officer rushes to defuse a chemical bomb planted on the balcony. Many cheered as the officer reduced the Indian man’s face to a pulp. A woman turned to a group of giggling boys and scolded them for “laughing during such a serious movie”.

     

    Presented almost entirely in English, Waar took more than three years to make and officially cost around $2.2 million in a country where the average film is made on less than $25,000.

     

    Its distributors say Waar grossed more than $900,000 during the first week – a record for Pakistani cinema.

     

    Bollywood film Ek Tha Tiger, one of the Hindi film industry’s biggest box-office successes in 2012, but banned in Pakistan, depicted a Pakistani intelligence agent choosing her love for an Indian agent over her country.

     

    This year, a film based on an Indian operation to capture a fictional mafia don given asylum in Pakistan riled Pakistan’s censor board. The villain in D-Day was loosely based on real-life gangster Dawood Ibrahim, who India says is harboured by Pakistan.

  • Mumbai Film Mart gets bigger, better

    Mumbai Film Mart gets bigger, better

     Book your dates from 18-20 October. It is time for Mumbaikars to get ready for the third edition of the Mumbai Film Mart (MFM) to be held at Taj President.  The festival that facilitates Indian films to reach international audiences promises to be bigger and better than its previous avatars.

     

    The festival is expected to grow from its 1,200 meetings last year and 400 in its first edition. These meetings, between Indian producers and buyers and distributors from several international markets have been fruitful for both parties, with Japan, Taiwan, Brazil, Hong Kong, Poland, Germany, France, Sweden and even South Korea bagging valuable deals.   

     

    Owing to its valuable contribution in facilitating the sale of Indian films among these countries, MFM has also garnered the support of top Indian production houses such as Yash Raj Films, Disney UTV, Eros International, Reliance Entertainment, AKFPL and Balaji Motion Pictures.

     

    That said MFM is also an active platform for independent filmmakers to showcase their work alongside big banner Bollywood films.

     

    Apart from the repeat participation from its earlier breakthrough markets, MFM has confirmed attendance of new buyers and broadcasters such as Astro (Malaysia), MBC (UAE), Shoreline Entertainment (USA), Happiness Distribution and Aanna Films (France), international film services providers such as 3D Alliance (France) and KFTV (UK) and key International exhibitors such as the VOX chain of cinemas operating across the Middle East.  

     

    MFM 2013 will continue to expand the scope of the business of cinema with a focus on new technologies such as 3D, new distribution models for independent films, Books2Screen to encourage film adaptations, India Project Room for pre-selection of work-in-progress films and Filmy Room an exclusive DVD viewing library.

    This year, MFM will grow its scope manifold by hosting pre-scheduled meetings, on-the-spot networking through speed dating, informal meetings during happy hours, themed round table meetings and greater visibility for select participants through SPOTS.

  • Indian film ‘I D’ is in competition of Edinburgh Film Festival

    Indian film ‘I D’ is in competition of Edinburgh Film Festival

    NEW DELHI: The Indian film ‘I.D.‘ by Kamal KM is one of the two Asian films competing at the 67th Edinburgh International Film Festival this month.

    The Festival being held from 19 to 30 June will also feature Kang Yi-kwan‘s Juvenile Offender from South Korea.

    I.D. has competed at festivals in India and Europe. Produced among others by the Oscar award-winning Resul Pookutty, the film has been filmed by Madhu Neelakandan. It stars Geetanjali Thapa, Murari Kumar, Rukshana Tabassum, Shinjini Raval, and Shashi Sharma among others.

    The 90-minute film in Hindi and English is about Charu and her friends – all their mid-twenties – who share a rented apartment in a sky-rise in Mumbai. One day a labourer comes to paint a soiled wall at her house. Irritated that her flat-mate did not inform her, she asks the man to hurry up. A few minutes later, she finds him unconscious on the floor. Charu, panicked and desperate to do what‘s right, gets entwined in a series of incidents that take her through the city. Anywhere that might lead her to some identity of the man.

    Kang‘s countryman Bong Joon-ho heads the competition jury.

    In addition to Offender the festival is showing five more South Korean films in a tribute to the country, including spy thriller The Berlin File political drama National Security and high-school drama Pluto

    The festival also includes three indie films from the Philippines, including John Torres‘ Lukas The Strange Lukas Nino, four indie films from China, including Zhang Yuan Beijing Flicker and three features from Japan, including Nakata Hideo‘s The Complex.

    The festival opens with Drake Doremus‘ US drama Breath In, starring Australia‘s Guy Pearce, and closes with the world premiere of John McKay‘s Not Another Happy Ending about a young authoress in Glasgow who is suffering from writer‘s block.

    One innovation at this year‘s festival is the introduction of "Film Fest Miles", with which audience members compete for flights. Each film is allocated miles according to the distance to its country of origin, giving Asian film fans a distinct advantage.

  • Three Indian films win top honours in the inaugural SAFF

    Three Indian films win top honours in the inaugural SAFF

    MUMBAI: Among several films from countries like Pakistan, Bangladesh, Sri Lanka, Nepal and India, three Indian films have won the top honours in their respective sections at the maiden South Asian Alternative Film Festival (SAFF) in France.

    To top it all, Ajay Bahl‘s B.A. Pass, which was named the Best Film in Indian Competition at the 12th Osian‘s Cinefan Film Festival in 2012, won the Audience Award. Balaji Shaktivel‘s Vazhakku Enn 18/9 won the Jury Award while the Student Jury Award went to Gurvinder Singh‘s Anhey Ghore da Daan.

    Another Indian film Subbaraj Karthik‘s Pizza was also in competition along with the Bangladeshi film Udhao by Amit Ashraf and a Nepali film Loot by Nischal Basnet.

    Onir‘s My Brother Nikhil, AR Murugadoss‘ 7am Arivu – The 7th Sense and Abhinay Deo‘s Delhi Belly were screened under the auspices of special sections at the festival that was held from 16 to 20 January.

  • Indian films gain prominence at film fests

    Indian films gain prominence at film fests

    MUMBAI: The International Film Festival Rotterdam has added two more Indian films in its Bright Future section in the form of Madhuja Mukherjee-directed Carnival and Valley of Saints, directed by Musa Syeed.

    Earlier it was announced that Bikas Ranjan Mishra’s short film Dance of Ganesha and Anhey Ghore Da Daan by Gurvindar Singh will be part of the festival’s Bright Future section.

    Bright Future is a section to discover fresh new filmmakers.

    The festival will be held from 25 January to 5 February.

    Meanwhile, Color of Sky directed by Dr. Biju and Autumn (Harud) by Aamir Bashir will feature among the nine titles that will compete in Asia competition of the 30th Fajr International Film Festival to be held in Iran from 1-11 February.

    Other films that have been selected for ‘Asia Competition’ are 11 Flowers, directed by Xia oshuai Wang and a co-production of China and France; Addicted to Love directed by Liu Hao from China; Box The Hakamada Case directed by Banmei Takahashi from Japan; Romantic Heaven directed by Jin Jang from South Korea; the China and Hong Kong co-production Chivalry directed by Peter Ho- Sun Chan; Bodyguards and Assassins directed by Teddy Chan again from Hong Kong and China; and In Color of Snow directed by Salim Gones from Turkey.

    The Fajr International Film Festival is Iran’s annual film festival held every February in Tehran.