Tag: Indian films

  • Trump to slap 100 per cent tariff on foreign films?

    Trump to slap 100 per cent tariff on foreign films?

    WASHINGTON: Donald Trump has declared war on foreign-made movies. The American president announced on Monday that he would impose a 100 per cent tariff on all films produced outside the United States, threatening to blow up Hollywood’s international operations. As well as possible revenues that Indian films make in Uncle Sam. 

    The move, posted on Trump’s Truth Social platform, marks an audacious expansion of his protectionist trade agenda into cultural industries. “Our movie making business has been stolen from the United States of America, by other Countries, just like stealing candy from a baby,” he wrote, taking a swipe at California’s “weak and incompetent” governor Gavin Newsom.

    Yet the announcement left crucial questions unanswered. The White House offered no details on the legal authority Trump would invoke or how such tariffs would work in practice. Studio executives are baffled: modern filmmaking splices together production, financing, post-production and visual effects from multiple countries. How would a film shot in New Zealand with British money and American stars be classified?

    Legal experts are equally sceptical. Films are intellectual property traded as services—a category where America typically runs a surplus. That raises doubts about whether tariffs can even be applied. Co-productions with foreign studios have become routine, further muddying the waters.

    Trump first floated the idea in May, calling foreign productions a “national security threat” that imports “messaging and propaganda.” Entertainment executives were flummoxed then and remain so now.

    The industry has increasingly decamped from Hollywood to chase tax breaks in Britain, Australia and New Zealand. California is scrambling to compete: Newsom has pushed to expand the state’s film tax credits. But some productions film abroad simply because their stories demand it. Directors like Denis Villeneuve and Christopher Nolan favour shooting on location rather than on soundstages.

    The major American studios declined to comment to Reuters. Netflix shares, however,  slipped 1.5 per cent in early trading.

    The silence from studios suggests an industry still trying to parse whether Trump’s threat is bluster or genuine policy. Either way, it signals fresh uncertainty for an entertainment business already grappling with streaming upheaval and rising costs.

  • T-Series, Reliance Entertainment ink a 10-film deal at Rs 1K cr investment

    T-Series, Reliance Entertainment ink a 10-film deal at Rs 1K cr investment

    Mumbai: Film production houses T-Series and Reliance Entertainment have joined forces to produce more than 10 films together across varied genres with an investment of approximately Rs 1000 crore.

    The production houses together will produce big-budget tentpole projects as well as mid-small budget content-rich films ranging through different genres, production scales, talent and music, according to a statement from the studios.

    The slate includes Hindi remakes of Tamil blockbuster drama and action thrillers, a mega historic biopic, espionage thriller, courtroom drama, satire comedy, romance drama, and a film based on shocking true events, amongst others, it added.

    The upcoming films will be produced over the course of the next 24 to 36 months, with filmmakers Pushkar and Gayatri, Vikramjit Singh, Mangesh Hadawale, Srijit Mukherji and Sankalp Reddy on board to helm the projects.

    T-Series and Reliance Entertainment have previously worked together on the music marketing front for more than 100 films.

    “After working on music marketing together, this collaboration has happened on the right time and this will just strengthen our ties,” said T-Series chairman and MD Bhushan Kumar. “Shibasish and I hope to give our Hindi film audiences new and unconventional films.”

    “This partnership with Bhushan will surely mark the beginning of a great feat in Indian film industry as we move on to offer a bouquet of path-breaking and momentous films to our audience,” stated Reliance Entertainment Group CEO Shibasish Sarkar.

    As per the release, there are confirmed alignments with some of India’s biggest stars and four to five films will have a comfortable big-screen release worldwide, starting next year-2022.

  • I&B ministry seeks change in language for credits in Indian films

    I&B ministry seeks change in language for credits in Indian films

    MUMBAI: Should titles and credits in feature films in Indian languages be shown in English?

    That’s what the Ministry of Information And Broadcasting (I&B) would like to get the industry’s feedback on.

    In a notice issued today, the I&B ministry has announced its intent to include a new provision under rule (22) of the Cinematograph (Certification) Rules 1983 which will enforce the display of titles, casting and credits in the original spoken language of the film, whether Hindi or a regional tongue. This apart, film makers can show the credits in any other language also.

    The I&B ministry says that most film makers tend to run the titles, cast and crew in English even if the language of the film is Hindi or any other Indian language. And since the committee of petitions in the Rajya Sabha has directed that the English practice should be stopped and replaced by Indian languages, the ministry has decided to get the public’s feedback on the proposed amendment before going ahead with it. 

  • Eros Now partners with Vindicia to further enhance the entertainment experience

    Eros Now partners with Vindicia to further enhance the entertainment experience

    MUMBAI: Today at Mobile World Congress, Vindicia, an Amdocs company (NASDAQ: DOX) and a leader in business-to-consumer digital services monetization, announced that Eros Now, a cutting-edge digital over-the-top (OTT) South Asian entertainment platform has selected Vindicia CashBox to enhance consumer experience. Through this alliance Vindicia CashBox will help in accelerating the subscriber growth of Eros Now around the world.

    Eros Now offers a vast library of over 12,000 Indian films, music videos, TV shows, original web-series and short-format content to more than 142 million registered users and 15.9 million paying subscribers. The platform delivers the best blockbuster movies in Hindi, Kannada, Tamil and Punjabi as well as Indian music, music videos, high-end digital original series and the recently launched Eros Now Quickie, a new short-form content segment.

    Commenting on the strategic alliance, Rishika Lulla Singh, CEO – Eros Digital said, “Eros Now has been a front-runner with its technological advancement and the only Indian player to have global reach. This alliance with Vindicia will enhance the consumer experience and offer seamless transaction capabilities. With changing consumer dynamics, the association will also help to provide subscriber intelligence that will bring business agility to continuously boost the overall video watching experience, thus driving consumer retention, global connecting and increasing subscriber growth.”

    Watch Ali Hussein, Chief Operating Officer at Eros digital, highlighting how Vindicia CashBox will enable Eros Now enhance consumer experience.

    “With the continued and growing traction of our media business in the Asia Pacific region, we are thrilled that Eros Now has selected Vindicia CashBox to support all aspects of their digital subscription business requirements,” said Darcy Antonellis, head of Media, Amdocs. “With the implementation of CashBox, Eros Now can immediately start to reallocate resources from digital services monetization to more strategic areas as they expand their offerings both within India and internationally, enabling them to more effectively sign-up new customers and retain existing ones.”

    As a leading provider in the entertainment technology space, Amdocs continues to execute on its media strategy, helping its customers deliver premium content services across multiple channels and capture a leading position in the digital economy. Vindicia CashBox is an extension of this industry leadership and addresses the demands of OTT and Internet companies to provide enhanced digital experiences while also driving higher subscription revenue growth.

    Vindicia CashBox is a SaaS-based digital subscription platform for digital goods that accelerates business growth via data-driven insights, improved customer acquisition and extreme ease of use for subscribers. Other benefits include scalability and reliability; big data and AI-based analysis; go-to-market flexibility; international and multiple payment options; and finance, tax and anti-fraud capabilities.

  • Pak theatres showing Indian films again

    Pak theatres showing Indian films again

    MUMBAI: Pakistani theaters have begun screening of Bollywood films again after a 11-week boycott in response to military and political tensions with India, theater managers said.

    Some theater owners said the restart was owing to easing of tension, but others said it was because audience had dropped drastically since the boycott from 30 September. Atrium Cinema in Karachi started screening Freaky Ali without publicity posters, according to Reuters.

    Punjab Super Cinemas general manager Khurram Gultasab said that the absence of Bollywood content was resulting in loss of over 80 per cent customers. Mandviwalla Entertainment’s Nadeem Mandviwalla said the resumption was a step toward warming ties.

    Cinema owners across Pakistan reportedly suffered a loss of about Rs 150 million (Rs 15 crore) and cost around 100 employees their jobs since the non-screening of Indian movies.

  • Pak theatres showing Indian films again

    Pak theatres showing Indian films again

    MUMBAI: Pakistani theaters have begun screening of Bollywood films again after a 11-week boycott in response to military and political tensions with India, theater managers said.

    Some theater owners said the restart was owing to easing of tension, but others said it was because audience had dropped drastically since the boycott from 30 September. Atrium Cinema in Karachi started screening Freaky Ali without publicity posters, according to Reuters.

    Punjab Super Cinemas general manager Khurram Gultasab said that the absence of Bollywood content was resulting in loss of over 80 per cent customers. Mandviwalla Entertainment’s Nadeem Mandviwalla said the resumption was a step toward warming ties.

    Cinema owners across Pakistan reportedly suffered a loss of about Rs 150 million (Rs 15 crore) and cost around 100 employees their jobs since the non-screening of Indian movies.

  • Indian films promotion: No claimant for up to Rs 1-crore aid

    Indian films promotion: No claimant for up to Rs 1-crore aid

    NEW DELHI: Minister of state for information and broadcasting Rajyavardhan Rathore has said his ministry has introduced an additional activity under existing Plan Scheme for providing financial assistance to filmmakers whose films are selected in competition section of an international film festival of repute or India’s official nomination for Academy Awards under Foreign Film Category.

    Rethore told the Parliament that the Directorate of Film Festivals has been designated as the nodal agency for implementing this activity. The details of the scheme are available at http://mib.nic.in/WriteReadData/documents/Film_Promotion_Fund_-_procedure.pdf.

    The scheme was introduced with effect from 3 October 2016 and, so far, no eligible proposal for seeking assistance under the film promotion scheme has been received, and therefore no assistance has been provided, Rathore said.

    Early this month, union minister M Venkaiah Naidu had announced at a press meet here that the Fund was aimed at promoting Indian cinema at International Film Festivals. This initiative would help independent filmmakers to promote their work across the globe.

    Naidu claimed that the Government’s efforts to project India as a soft power and filming destination has been a win-win situation so far, in terms of attracting global stakeholders from various quarters of film industry to India as well as Indian films, expertise and talent being accepted globally at international festivals.

    According to details on the website, the Festivals to be covered are:

    Eligible Film Festival/Award & Corresponding Fund Value

    No. Feature Film Festival Key Sections Fund value (INR)
    1. Sundance Film Festival – January World Cinema Dramatic competition 15,00,000

    2. Sundance Film Festival – January Premieres 10,00,000

    3. Int. Film Festival of Rotterdam -January Hivos Tiger Awards Competition 10,00,000

    4. Int. Film Festival of Rotterdam -– January Bright Future 7,50,000

    5. Int. Film Festival of Rotterdam – January Spectrum 7,50,000

    6. Berlin International Film Festival – February Competition 15,00,000

    7. Berlin International Film Festival – February Panorama 10,00,000

    8. Berlin International Film Festival – February Forum 10,00,000

    9. Berlin International Film Festival – February Generation K-plus
    & Generation 14plus 10,00,000

    10. Festival de Cannes – May In Competition 20,00,000

    11. Festival de Cannes – May Un Certain Regard 15,00,000

    12. Directors’ Fortnight– May World Premiere 15,00,000

    13. International Critics’ Week – May World Premiere 10,00,000

    14. Venice International Film Festival – September In Competition 15,00,000

    15. Venice International Film Festival – September Orizzonti 10,00,000

    16. International Critics’ Week – September Official Selection 7,50,000

    17. Venice Days – September Official Selection 7,50,000

    18. Toronto Int. Film Festival – September Special Presentation 15,00,000

    19. Toronto Int. Film Festival – September Discovery 10,00,000

    20. Busan Int. Film Festival –October New Currents 10,00,000

    21. Busan Int. Film Festival – October Window on Asian Cinema 7,50,000

    22. Locarno Int. Film Festival Concorso Internazionale 7,50,000

    23. Oscars Foreign Language Film 50,00,000 to 1,00,00,000

  • Indian films promotion: No claimant for up to Rs 1-crore aid

    Indian films promotion: No claimant for up to Rs 1-crore aid

    NEW DELHI: Minister of state for information and broadcasting Rajyavardhan Rathore has said his ministry has introduced an additional activity under existing Plan Scheme for providing financial assistance to filmmakers whose films are selected in competition section of an international film festival of repute or India’s official nomination for Academy Awards under Foreign Film Category.

    Rethore told the Parliament that the Directorate of Film Festivals has been designated as the nodal agency for implementing this activity. The details of the scheme are available at http://mib.nic.in/WriteReadData/documents/Film_Promotion_Fund_-_procedure.pdf.

    The scheme was introduced with effect from 3 October 2016 and, so far, no eligible proposal for seeking assistance under the film promotion scheme has been received, and therefore no assistance has been provided, Rathore said.

    Early this month, union minister M Venkaiah Naidu had announced at a press meet here that the Fund was aimed at promoting Indian cinema at International Film Festivals. This initiative would help independent filmmakers to promote their work across the globe.

    Naidu claimed that the Government’s efforts to project India as a soft power and filming destination has been a win-win situation so far, in terms of attracting global stakeholders from various quarters of film industry to India as well as Indian films, expertise and talent being accepted globally at international festivals.

    According to details on the website, the Festivals to be covered are:

    Eligible Film Festival/Award & Corresponding Fund Value

    No. Feature Film Festival Key Sections Fund value (INR)
    1. Sundance Film Festival – January World Cinema Dramatic competition 15,00,000

    2. Sundance Film Festival – January Premieres 10,00,000

    3. Int. Film Festival of Rotterdam -January Hivos Tiger Awards Competition 10,00,000

    4. Int. Film Festival of Rotterdam -– January Bright Future 7,50,000

    5. Int. Film Festival of Rotterdam – January Spectrum 7,50,000

    6. Berlin International Film Festival – February Competition 15,00,000

    7. Berlin International Film Festival – February Panorama 10,00,000

    8. Berlin International Film Festival – February Forum 10,00,000

    9. Berlin International Film Festival – February Generation K-plus
    & Generation 14plus 10,00,000

    10. Festival de Cannes – May In Competition 20,00,000

    11. Festival de Cannes – May Un Certain Regard 15,00,000

    12. Directors’ Fortnight– May World Premiere 15,00,000

    13. International Critics’ Week – May World Premiere 10,00,000

    14. Venice International Film Festival – September In Competition 15,00,000

    15. Venice International Film Festival – September Orizzonti 10,00,000

    16. International Critics’ Week – September Official Selection 7,50,000

    17. Venice Days – September Official Selection 7,50,000

    18. Toronto Int. Film Festival – September Special Presentation 15,00,000

    19. Toronto Int. Film Festival – September Discovery 10,00,000

    20. Busan Int. Film Festival –October New Currents 10,00,000

    21. Busan Int. Film Festival – October Window on Asian Cinema 7,50,000

    22. Locarno Int. Film Festival Concorso Internazionale 7,50,000

    23. Oscars Foreign Language Film 50,00,000 to 1,00,00,000

  • BJP against ban on Indian movies in Pakistan

    BJP against ban on Indian movies in Pakistan

    NEW DELHI: The Bharatiya Janata Party is concerned over news reports from across the border that a Pakistani Court has imposed restrictions on screening of Indian Hindi films all across Pakistan.

     

    This comes close after Pakistan electronic media regulator recently slapped fines worth Rs 10 million on 10 entertainment Pakistan channels for airing excessive Indian films and TV serials, but BJP Convener for Overseas  Affairs said Indian films have always strengthened bilateral relations between the two nations.

     

    In a letter to the Pakistan High Commissioner, he said popular Bollywood movies promote cross-cultural friendship. Many Pakistanis watch Bollywood films since they understand Hindi due to its linguistic similarity to Urdu. Each year Indian Bollywood produces 900 films. ‘Your Lahore based Lollywood has always considered Mumbai Bollywood as its competitor. But a court petition by a known anti India Pakistan film producer Mubshir Lucman demanding that Indian movies completely shot in India and sponsored by an Indian cannot be screened in your country is “Retrogressive” and BJP is opposed to such demands and ban.’

     

    In modern times Pakistani actors, gazal, qawwali and Sufi singers perform freely in India. Pakistan TV shows have been equally popular in India. But India never imposed a ban on Pak artistes. Though Pakistan had banned Hindi films release from year 1965 to 2008, but prominent Indian films like Tere Bin Laden, The Dirty Picture, David, Khiladi 786, Jab Tak Hai Jaan, Ek Tha Tiger, Agent Vinod and Chennai Express in recent times did not get the clearance from Pakistan Film Censor Board. BJP considers it to be a regrettable decision, Jolly said.

     

    Bollywood movies in Pakistan has led to new Cineplexes coming up in major Pakistan cities like Islamabad, Karachi, Rawalpindi and Lahore. “Pakistanis love Indian movies. These have brought Pak viewers back to your cinema halls. We understand that nearly eight million Pakistanis go to movies on a daily basis. Employment and business is generated.”

     

    “But the new tax regime proposed by your government is the real stumbling block. The adjustable withholding tax levied on all foreign films and TV serials have given birth to ‘fake papers & black market’ film sector industry in your country. You ban the pirated film copies and we understand it. But the genuine film industry and the viewers should not suffer. We urge you to take this issue with the government of Pakistan and ensure a level playing field for Indian film industry in Pakistan entertainment sector”, he said.

  • Films form important component of Festival of India in Peru

    Films form important component of Festival of India in Peru

    NEW DELHI: Indian films are making a global presence it seems. At the Festival of India in Peru that was recently inaugurated by vice president Hamid Ansari, few new Indian films and old classics including Raja Harishchandra (silent), Taare Zameen Par (Hindi), Ghare Bhaire (Bengali), Ardh Satya (Hindi), Bobby (Hindi), A Wednesday (Hindi) and Kabhi Haan Kabhi Naa (Hindi) are being screened. The Indian Film Festival is being coordinated by the Information and Broadcasting Ministry.

     

    An India-Peru Literature Festival and an Indian Classical Dance Festival is also being held as part of the fest.

     

    Ansari’s visit is the highest ranking bilateral visit since year 1998 from India to Peru. The Festival would manifest many elements of long, rich and diverse Indian cultural heritage and would be the largest Indian cultural festival ever held in Latin America and the Caribbean. This reflects the special place that Peru enjoys among Indians.

     

    The inaugural function was attended by the Peruvian First Vice President Marisol Espinoza and a number of senior dignitaries from the Indian and Peruvian side.

     

    Indian Culture Secretary Ravindra Singh who is in Peru to mark the occasion said the Festival is expected to bring the Indian and Peruvian people closer to each other and will enhance people to people contact.

     

    Highly reputed Indian writers like Arun Kamal, H S Shivaprakash, K Satchidanandan, Purshottam Agarwal, Shyama Prasad Ganguly, and Ms Karabi Deka Hazarika participated in the symposium on India-Latin America: Literary Exchanges and Influences and Contemporary Literary Trends and their Challenges in a Multilingual Society in addition to a session on poetry reading.

     

    Several noted Peruvian Writers including Jose Leon Herrera, Pablo Carreno Cabrejos, Jose Ignacio Lopez Gaston, Marcel Velaquez Castro, and leading poets Carlos German Belli, Mario Montalbetti, and Marcos Martos would be participating in the Literature Festival. The Literature Festival is being coordinated by the Sahitya Academy.

    The Indian Dance Festival in Peru is titled ‘Nrityarupa’, the mosaic of Indian dance which encapsulates the experience of Indian dance as it has evolved in various parts of the India. It offers a glimpse of the great mosaic of cultures that constitutes the Indian Nation, and demonstrates in a creative, kinetic form their dynamics in relation to each other. Six dance forms representing the diversity of India’s culture have been chosen for this presentation to audiences in Latin America: Bharatanatyam of Tamil Nadu, Kathank which is pre-eminently the dance of northern India; Odissi from Odisha in eastern India; Manipuri from north-eastern State of India; Kathakali of Kerala at Southern tip of the Indian peninsula; and Chhau which covers a wide swathe of territory in eastern States of the Union.

     

    One seamless presentation of these dances has been visualized by leading to a jubiliant finish. The Indian Dance Festival is being coordinated by the Sangeet Natak Academy.

     

    The Festival of India in Peru is being coordinated by the Culture Ministry in association with the Sahitya Academy, the Sangeet Natak Academy and the I&B Ministry.

     

    Meanwhile, India and Peru have signed a Letter of Intent for enhancing cooperation in the fields of dissemination and promotion of cultural heritage of each other´s countries.

     

    The two sides underscored the importance of further deepening bilateral cultural relations through cultural exchanges and cooperation in diverse art forms such as painting, dance, theatre, literature, craft, etc. as well as holding of cultural festivals in each other´s countries from time to time.