Tag: Indian content

  • Shemaroo Contentino: Flying in for a perfect landing

    Shemaroo Contentino: Flying in for a perfect landing

    MUMBAI: Shemaroo Contentino managing partner Murtuza Kagalwala often  looks out of his office in Andheri East close to Mumbai’s international airport and sees another plane take off. And it makes him smile. He does this several times a day. The more the flights that take off, the more his business grows. 

    Here are some facts: domestic travel by Indians is expected to  reach 325 million by 2030 and over 35 million Indians now live abroad. As a corollary, demand for Indian content is rapidly increasing. International travel by Indian nationals is expected to skyrocket from 64 million trips in 2023 to 160 million by 2030, with outbound travel spending projected to surge from $42 billion to $144 billion during this period.

    Shemaroo Contentino  – a subsidiary of Shemaroo Entertainment – is expected to be one of the major beneficiaries of this travel surge. It is one of the major providers of inflight entertainment to airlines, and claims to have captured 90 per cent of the premium Indian content space. Its content is available over 130 carriers globally – from Air India, Emirates, Qatar Airways, Singapore Airlines, Etihad Airways, among others. 

    For airlines serving the Indian diaspora and other international markets, Shemaroo Contentino’s content catalogue makes it an ideal solution for airlines catering to passengers from diverse linguistic backgrounds. It offers over 3,000 movies, more than 25,000 TV episodes, and 1,500 plus music tracks, digital series, in over 15 languages. Some of the most popular recent blockbuster movies in the list include Pathaan, Maharaja, Premalu, Nach Ga Ghuma, Jatt & Juliet 3, Toofan, Jhamkudi, and many more. 

    . “We’re proud to be at the forefront of providing Indian content for inflight entertainment,” said Kagalwala. “Our deep understanding of the global Indian diaspora, coupled with our ability to deliver culturally resonant content, truly sets us apart. As national and international travel among Indians continues to soar, we remain committed to shaping the future of inflight entertainment. Our goal is to make every journey more enjoyable and engaging, transforming long flights into memorable experiences—with the perfect movie or show just a click away.”

    That should help  the company to have an even smoother  take off. 

  • OTTplay becomes No. 1 with over 9.5 mn users

    OTTplay becomes No. 1 with over 9.5 mn users

    Mumbai: OTTplay, India’s first AI-powered OTT recommendation and content discovery platform, has risen to the top of the rankings for movie and web-series recommendations.

    OTTplay has established itself as the category leader, with over 9.5 million users. The platform recommends content from its extensive library, which includes over 60 OTTs, 65,000 web series, movies, and shows spanning 18 genres and multiple languages. The platform, which includes cutting-edge AI software, provides audiences with smart recommendations, allowing users to discover the content they are most likely to enjoy.

    Commenting on the successful run of the platform, OTTplay CEO and co-founder Avinash Mudaliar said, “OTTplay is based on consumer ethos & consumer want. The journey to 9.5 million users in one year and still growing makes us happy, but we feel it’s just the beginning for OTTplay. We aim to solve the core problem of OTT users, which is what to watch, where to watch, and how to watch. With OTTplay Premium, we hope to provide a variety of OTT services within the app while keeping them affordable for consumers. So you can get recommendations, reviews, and a subscription to watch your favourite content all in OTTplay. We look forward to adding more value to the consumer journey and keeping the hustle real.”

    With OTTplay, audiences can now access their favourite content from 12 different OTT platforms with a single subscription. OTTplay previously served as a content discovery engine that curated content from more than 60 Indian and international OTTs. The premium subscription platform, OTTplay Premium, which offers 20,000+ shows, webseries, and movies from 12 different OTTs at a reasonable price, is in fact living up to their slogan, “Mazey Karo Multiply.”

  • BBC Studios looks to partner with local platforms to bolster India presence

    BBC Studios looks to partner with local platforms to bolster India presence

    MUMBAI: India has become a fiercely contested territory for major streaming players as they look to drive sub-growth outside the maturing North American and western European markets.  

    BBC Studios, from the stable of the British public service broadcaster, recently unveiled a new content catalogue deal with new kid on the OTT block, Lionsgate Play. Under the agreement, five of BBC Studios' scripted dramas have been selected for the streaming service, with the shows subtitled into multiple regional Indian languages. The new deal, while bolstering the premium Lionsgate Play content portfolio, is tweaked to suit the tastes of the vastly diverse Indian audiences.

    BBC Studios South Asia distribution VP Stanley Fernandes revealed that the partnership with Lionsgate Play was nurtured when the pandemic was at its peak.

    “This augurs well for the state of the OTT industry. It’s good to see that there is demand and a growing audience for quality English-language entertainment. BBC Studios as a brand attracts its own set of audiences and we are happy to see that our programmes will now settle into Lionsgate Play amongst a rostrum of popular US shows,” said Fernandes.

    At the heart of good content is storytelling, for which the BBC is well-known. The series covered under the deal are an eclectic mix of contemporary genres, including Brexit: The Uncivil War, starring Benedict Cumberbatch, which dives into the activities and strategies behind the 2016 "Vote Leave" campaign in the U.K. Also included is the eight-episode series Class, set in the universe of Doctor Who; Les Misérables, starring Dominic West and Oscar winner Olivia Colman; Pure, about a 24-year-old woman coping with obsessive-compulsive disorder; and the epic period drama SS-GB, which tells an alternative history set in 1941, where the Germans have won the Battle of Britain.

    Fernandes is confident that the line-up will attract, engage and be appreciated by the discerning Indian viewer on Lionsgate Play. Said he: “We cater to a global audience and our aim is to bring world-class entertainment, with British sensibilities, to audiences locally. Thus far we have been successful with our content partnerships, branded blocks, and with our own branded channels which are appealing to Indian audiences. Our content is particularly viewed and enjoyed by audiences who invest time and money into their interest in content. This is a segment of the audience that Lionsgate is reaching out to, and we are confident that our content profile proposition will make for a successful partnership.”

    Asked how he plans to distribute the content, he quipped that it’s not about mass appeal, rather it’s about targeted appeal. “It is a partnership – it’s a two-way process. As owners of our intellectual property, we know our content best and our partners understand their audiences. Finding that right mix of shows to not only attract audiences but sustain them is what makes a deal successful.”

    Fernandes pointed out that BBC Studios’ content spans the bandwidth of, without being limited to, drama, comedy, natural history, science, children, lifestyle, documentaries, among others. This range of genres assists the content studio in supporting its partners to curate the right mix of shows that will garner audiences to their platforms by meeting targeted viewing requirements.

    “In India, for now, our business plans are to align with local platforms and it’s in these platforms that we see our best partnerships. Having said that, this is an ever-evolving space and we are always on the lookout for opportunities to increase our brand outreach and audience share,” he explained.

    But is the studio planning to target other Asian countries like Bangladesh, which is another big market in terms of content consumption? Fernandes shared that the aim is to reach out to as many audiences as it can, across platforms and territories. He further revealed that local partnerships in other South Asian markets are in sight.

    “However, currently there is so much to focus on in India; our key business agenda is to grow existing partnerships and create new relationships across both linear and digital services with India as our priority market. Having said that, most of our licensing deals with key partners extend to territories within South Asia, covering territories such as Bangladesh, reaching out to our audiences within these bases,” he detailed.

    BBC Studios is vaunted for its premium shows; it has a huge content library and due to the pandemic, there has been a surge in content consumption. Thus, investing in the streaming platforms is an obvious step, reasoned Fernandes. He pointed to BBC iPlayer in the UK, launched in 2007, and which can be accessed by all license fee payers in the UK. Subscribers of BBC Channels in Singapore and Malaysia have been given access to BBC Player. More recently, it launched BritBox in the US and Canada, followed by Australia in the last couple of months. BritBox is its JV partnership with ITV, bringing the best of British content to one dedicated service. 

    Additionally, BBC Studios all is set to launch a new, ad-free subscription streaming channel, BBC Select, in early 2021 on Amazon Prime video channels and the Apple TV app. BBC Select will offer a rich range of programs from the UK covering three main topics – culture, politics, and ideas. 

    Apart from Lionsgate Play, the studio is in talks with content players in both the digital as well as the linear space with new and innovative deals and business models. These deals are under contractual discussions and will be unveiled when formalised. For now, Fernandes mentioned the studio’s content is well received across both of its operated channels –CBeebies, which provides fun learning through play for pre-school kids, and on its JV partnership channel Sony BBC Earth, showcasing the best of factual entertainment. BBC Studios’ content is also seen across various digital platforms such as Netflix, Amazon, Discovery Plus, Disney+HotStar, Hungama, Tata Sky, Voot, and Voot Kids.

    Shedding light on licensing and merchandising, Fernandes highlighted that content sales over the years have changed from pure fixed-fee license deals. Audiences know and understand content and brands, a key factor for BBC Studios’ businesses. For him, it’s all about adding value. In India, BBC brands and branded content are important to its audiences. The studio’s branded blocks such as BBC First on Zee Café, the cult following for shows such as Top Gear on Discovery Plus, Doctor Who on Amazon Prime Video attract core fan audiences. BBC Studio will also adapt BAFTA-nominated series One of Us in Telugu for Disney+ Hotstar.

    He concluded, “Branded partnerships have been key in shaping our businesses, bringing our audiences closer to the best of world-class, bold, British entertainment in India.”

  • PEMRA suspends ARY’s Nickelodeon licence for airing Indian content

    PEMRA suspends ARY’s Nickelodeon licence for airing Indian content

    MUMBAI: It wants to signal it means business. And, that it is not going to tolerate any laxity on its diktat to totally ban Indian content on television, radio and cinema in Pakistan. The Pakistan Electronic Media Regulatory Authority (PEMRA) yesterday suspended the landing licence of Viacom TV channel Nickelodeon for airing animation shows dubbed in Hindi.

    PEMRA made the announcement via a tweet from its twitter handle late last evening.

    The channel is distributed in Pakistan via the Ary Digital Network which has its headquarters in Dubai. ARY runs a clutch of channels including ARY News, Zindagi, QTV, Muzik, Digital etc.

    ARY is broadcast in several Asian countries through the services of Samacom’s uplinking earth station based in the UAE. The network has Mohammed Iqbal as its chairperson; Salman Iqbal being its president & CEO.

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/PEMRA-800x800.jpg?itok=ODPsZJQu

    The authority had issued an order last month directing Pakistani channels to reduce Indian content to six per cent, and followed it up with another notice forcing them to reduce it to zero by 21 October. It has stated that those violating its order would face dire consequences, among which could include cancellation or suspension of downlinking (read: landing) and uplinking permissions that it grants.

    A clutch of broadcasters under the Pakistan Broadcasters Association has been contemplating taking PEMRA to  court for its hard stance on the Indian and foreign content issue.

    Related stories:

    Pakistan gets tough on Indian DTH & content

    Pak bans Indian TV content, films from being screened

    PEMRA Indian content ban to impact broadcasters

    “Let India open its market, we will open ours” – PEMRA chairman Absar Alam

    Pakistan Broadcasters Association to oppose PEMRA Indian content ban

  • PEMRA suspends ARY’s Nickelodeon licence for airing Indian content

    PEMRA suspends ARY’s Nickelodeon licence for airing Indian content

    MUMBAI: It wants to signal it means business. And, that it is not going to tolerate any laxity on its diktat to totally ban Indian content on television, radio and cinema in Pakistan. The Pakistan Electronic Media Regulatory Authority (PEMRA) yesterday suspended the landing licence of Viacom TV channel Nickelodeon for airing animation shows dubbed in Hindi.

    PEMRA made the announcement via a tweet from its twitter handle late last evening.

    The channel is distributed in Pakistan via the Ary Digital Network which has its headquarters in Dubai. ARY runs a clutch of channels including ARY News, Zindagi, QTV, Muzik, Digital etc.

    ARY is broadcast in several Asian countries through the services of Samacom’s uplinking earth station based in the UAE. The network has Mohammed Iqbal as its chairperson; Salman Iqbal being its president & CEO.

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/PEMRA-800x800.jpg?itok=ODPsZJQu

    The authority had issued an order last month directing Pakistani channels to reduce Indian content to six per cent, and followed it up with another notice forcing them to reduce it to zero by 21 October. It has stated that those violating its order would face dire consequences, among which could include cancellation or suspension of downlinking (read: landing) and uplinking permissions that it grants.

    A clutch of broadcasters under the Pakistan Broadcasters Association has been contemplating taking PEMRA to  court for its hard stance on the Indian and foreign content issue.

    Related stories:

    Pakistan gets tough on Indian DTH & content

    Pak bans Indian TV content, films from being screened

    PEMRA Indian content ban to impact broadcasters

    “Let India open its market, we will open ours” – PEMRA chairman Absar Alam

    Pakistan Broadcasters Association to oppose PEMRA Indian content ban