Tag: IndiaCast

  • Now Download & Watch Movies Offline with BIGFLIX

    Now Download & Watch Movies Offline with BIGFLIX

    MUMBAI: Reliance Entertainment Digital’s movie-on-demand service BIGFLIX has taken a leap and rolled out the download facility for its large base of over 1 mn registered users and over 100k subscribers. This new service will now allow viewers to not just stream but also download their favourite movies and enjoy them offline as per their convenience of time and space, sans advertising and at no additional cost!

     

    In India, content consumption online, such as movie streaming, has always seen limitations such as inconsistent bandwidth & lower internet speeds that has kept masses away. As India’s largest movie streaming service, BIGFLIX has often received grievance from its users about persistent internet diffidence spoiling their movie watching experience.

     

    “It’s not exactly the launch of the download service, it’s the solution of a long standing, internet- connectivity related issue faced by most of our users across regions.  At BIGFLIX, our aim had always been to reach out to those movie lovers who shy away from a streaming service for the sheer lack of stable internet connectivity. So now our users need not worry about streaming their favourite films, they can download at their convenience and watch them offline anytime, anywhere without having to worry about the accessibility to internet. Internet connectivity is no longer a restraint to the movie watching experience to our subscribers -whether they are at home or on the go!”  said Mr. Shreyash Sigtia, Business Head, BIGFLIX.
    BIGFLIX has been consistently expanding its content offering by partnering with leading entertainment houses like Reliance Entertainment, UTV, Disney, Shemaroo Entertainment, IndiaCast, Unisys, AP International and many more to bring an assortment of films for the Indian consumers who prefer entertainment at their convenience of time and space. This entire catalogue of several thousands of movies on BIGFLIX can now be streamed or downloaded on desktops and laptops with plans starting Rs.99 onwards.

     

    Subscribers will be required to install ‘download manager’ to manage their download lists linked to their BIGFLIX account.

     

    (Steps to download a movie on BIGFLIX: http://bigflix.com/download-edu)

     

    Some key aspects of the download service are:

    In the case of interruption in download, users have the option to resume the download from where it was discontinued earlier.The download manager sits on the user’s machine and enables users to watch the movies which they have downloaded even when they are not connected to the internet i.e. films once downloaded can be watched offline
    Users can begin watching the movie as soon as 20% download is reached.
    All content on BIGFLIX is DRM protected and therefore the movies thus downloaded cannot be copied onto another devices.
    The download feature can be availed on the entire catalogue comprising over 2000 titles across genre and languages.

     

    No additional costs to avail download service; users can download and watch films offline so long as their subscription to BIGFLIX is active.

  • “We are hoping for a fair share of revenue in a digitised ecosystem” :The One Alliance president Rajesh Kaul

    “We are hoping for a fair share of revenue in a digitised ecosystem” :The One Alliance president Rajesh Kaul

    Cable TV digitisation has forced the entire television ecosystem to come face to face with some gut-wrenching changes. Each one of the players has come under the scathing gaze of either the ministry of information and broadcasting or the telecom regulator, the Telecom Regulatory Authority of India (TRAI). Some have even got a rap on their knuckles as the powers that be continue to work overtime on evolving a rickety old cable TV landscape into one capable of delivering top of the line world class digital services.

    Earlier this month, it was the aggregators that came under the scanner of TRAI which sent out a consultation paper which tries to reduce their importance in a digitised cable TV India. TRAI has said that aggregators tend to misuse the clout they have and need to have their wings clipped.

    The One Alliance, a  Discovery India-MSM joint venture which distributes 28 channels to the 30,000 or so cable operators nationally is one of the aggregators whose future and existence many are questioning.  But its president Rajesh Kaul, a scarred veteran of many a cable TV battle,  is hopeful things will get sorted out and work out well for him and others of his ilk such as MediaPro and IndiaCast.

    Even as The One Alliance has been celebrating the completion of 11 years of being in business, Kaul was busy preparing his responses to be presented to the regulator before the scheduled 27 August deadline. He still found some time to speak to Indiantelevision.com’s Seema Singh on trends in carriage and placement fees, the TRAI consultation paper and all things cable TV. 

    Excerpts:

    Do you see the aggregators become more relevant or less in the coming years? Why or why not?

    We will be as relevant as we are right now. We are a very important link in the chain of the entire television ecosystem. We just hope that with digitisation we will get a fair share of revenue which we haven’t got for so many years.

    What is your take on the TRAI consultation paper, which if implemented will cut down on the aggregator’s clout?

    We are evaluating the entire paper for which we need to file replies.

    TRAI in all its open houses and interaction with stakeholders has maintained that the era of regulation should go now and that they want to deregulate. So the consultation paper came as a surprise. On one hand they talk of deregulation, while on the other they put us under more regulations.

    May be the regulators need some clarification on the same and we are working on it. I am unsure of the intensity of the complaints put by the MSOs. 

    All through we have been following the TRAI and Information & Broadcasting Ministry (MIB) guidelines, with not a single case of deviation.

    There are close to 700 channels today and this has led to huge competition. The situation is such that no one channel can behave unreasonably with an MSO or with consumers. We all need eyeballs from our consumers. The competition ensures that the channels’ content and rate is good. We have to ensure that everything is as per market dynamics so that they are more liked and watched. This is the age we should be talking of forbearance rather than regulation.

    As per the TRAI regulation we are supposed to offer our channels on a la carte rate as well and this is available to the MSOs. In this country, there is a ‘must provide’ for all broadcasters, according to which not a single channel can say “No”  to an MSO for providing the channel to them.  But the MSO has the option to not subscribe to our channels. Since all the channels are on a la carte rate as well, there is no question of forcing them to subscribe to our bouquet.

    Another point that needs mentioning is that the broadcasters have not been getting a fair share of revenue in subscription. We thought with digitisation things will change. We have been a very good stakeholder in this entire process and done all that the regulator wanted us to do, be it doing quick deals to help MSOs sell the set top boxes or curbing our ambitions to make profits.  We hope that we will bear the fruit of being responsible stakeholders in this entire stretch one day.

    TRAI had even in the past come up with such consultation papers, but always heard us and I am hopeful they will listen to us even in this case. We are going to them to present our thought process. May be some wrong impression and feedback has gone to them, our duty is to explain to the regulator.

    The second phase of DAS will conclude soon. Any problems that you faced in this switch? What is the percentage growth in revenue in phase two as compared to phase one?

    We are still waiting for a transparent system. With digitisation the consumer can chose what they want, and pay for it. This transparency has not come out so far. We are still not getting reports from the MSOs and do not know who is watching what. These are the bottlenecks that we face.

    We were looking at ambitious numbers when digitisation kicked off. We didn’t get that in the first phase. Also as responsible stakeholders we curbed our ambitions then because we knew it would be difficult to expect a huge jump in the beginning. We supported the MSOs, which is what the regulator wanted us to do.

    But with the completion of phase II, we should be inching towards that fair share, which should be around 35 to 40 per cent of the on-ground subscription revenue collected. This should happen by April 2014. Channels cannot survive only on ad sales, subscription money is a very important revenue stream for broadcasters, but unfortunately it hasn’t so far happened in India.

    Another problem that the broadcasters face is the high carriage fees. In an analogue system, due to capacity constraint, broadcasters had to pay huge carriage fees. But now with digitisation there is no question of any capacity constraint, so why have carriage fees?

    How are you playing out the carriage fee market? Will the carriage fees come down? How much has this come down, pre- and post-DAS?

     In the next three years there should be no carriage fees. Though carriage fees  have come down post DAS, we still have been paying some placement fees to support the MSOs as they make their transition. But, with the completion of digitisation, even this should go down.  I expect carriage and placement fees to disappear over the next two to three years. While these were expected to go down further by phase II of digitisation, it has only been to the extent of about 25 per cent.

    Earlier the subscription revenue share we (read: broadcasters) were getting from the cable TV ecosystem was about 10-15 per cent. Now it has gone up to maybe to 20 per cent on the overall. Some broadcasters may have got 25 per cent but others may have got lower amounts of the digital dividend.  Many of the channels don’t get any subscription revenues because in the analogue environment they could not afford to have that as a part of their business model. With digitisation all this could change.

    Do you plan to add more channels in the bouquet? What was your strategy to ensure that you had Times Network in your bouquet, when other news channels were walking out of the bouquet?

    We are not market shopping for channels and we are not desperate. Only if tomorrow we come across something good, we will think of adding it to our bouquet.

    We added Times Television Network to our bouquet this year. It was a mutual decision between the two of us. They fitted in our profile and also they wanted to be a part of our network. They are a premium channel and they deserve suitable revenues considering their performance and we at The One Alliance are working to get them those revenues.

    We are in the process of concluding deals for Times with other MSOs. We have finished with Hathway, GTPL, and some other MSOs. And more are coming.

    You had a dispute with Hathway going on for some time? How is that progressing?

    There were many issues like are bound to happen in the cable TV business and yes one of these issues was the one we had with Hathway. And one of the issues – amongst the many issues – we had with Hathway was The Times network, which we have been distributing. But we amicably resolved all the issues with Hathway this evening. And the One Alliance bouquet of channels should have come back on all of Hathway networks by this evening. (26 August).

    It’s been 11 years in the business, how has the journey been so far?

    The journey has been fantastic. While we started with three or four channels now we have a bouquet of 28 channels, with extremely powerful and premium channels. We have various genres, we have a solid name and repututation. It has a journey which has had  more ups than downs.


    Unfortunately, even with the IPL being the biggest sporting property in this country, we have not been able to monetise it well due to under declaration. But, now we have aggressive plans to monetise it for the next season..

    What are the key pointers that set The One Alliance apart from other aggregators? As compared to others aggregators you have less channels, is that a limitation. How do you see things going ahead?

    We are the most stable joint venture (JV) in the industry. All the other aggregators are just a couple of years old. Our partners are very much involved and keen to ensure that the stability continues. For us the quality of the channel is important. We have never been in the race of having 50-60 channels in our bouquet. 

    We have channels from different genres in our bouquet and most of them are amongst the top two or three ranking in their respective genres. There are many more who want to be a part of One Alliance, because they trust the JV. Also our dealings are very transparent. We can add two to three channels at any given time, but our policy doesn’t allow us to do that. We have always believed in quality and so want to have premium channels in our bouquet.

    Today we are the strongest, despite having 28 channels. Also we are the only one having a sports channel in our bouquet unlike the others. Considering we have most genres covered in the bouquet, I don’t see any limitation. Our revenue is far higher than the others.

    Are you selective about the channels you take in the bouquet? What are the criteria that a channel needs to fulfill to be a part of The One Alliance bouquet?

    The channel and the company backing the channel should have similar kind of values and ambitions like ours. We also look at the channels’ performance, which we understand on the basis of the weekly television viewership ratings.

    What is the reach of the bouquet and which is the largest channel in the bouquet?  

    We currently have 28 channels from different genres in our bouquet. Sony Entertainment has the largest reach and, during IPL, Sony Max gets the largest reach.
    IPL is the biggest sporting property that we have. What is interesting is that though most sporting properties are a simulcast with Doordarshan, IPL is the one property which is exclusive on Max. This makes it the most important property in the sporting channel world and we have it.

    We are present almost across the country. We would be there in around 90 per cent of the towns, which have cable and satellite, but through DTH our reach is 100 per cent. Close to some 6,000 cable networks across the country carry our channels. 

    What is the current strength of the organisation?

    One Alliance employs 125 people with offices in Delhi, Bengaluru, Kolkata, Indore and Mumbai. Apart from this, we also have a strong distribution network with distributors in Rajkot,  Pune, Ahmedabad, Guwahati, Patna, Ranchi and Lucknow among others. Like this we have offices in 60 cities. The distributors have their own employees. So, if we take a cumulative strength, we have around 350 people working for us.

    The major revenue for The One Alliance is dependent on IPL. So till how long will IPL be with Sony Max? How do you maintain subscription post IPL and also with so many controversies surrounding IPL, how will you deal with it?

     Unfortunately, even with IPL being the biggest sporting property in this country, we have not been able to monetise it well due to under declaration. But, now we have aggressive plans to monetise it for the next season.

    What are the future plans for The One Alliance?

    We have to lead the change and ensure that everybody gets their fair share.

  • Television business props up Network 18 Q1-2014; prevent further reddening

    Television business props up Network 18 Q1-2014; prevent further reddening

    BENGALURU: Network 18 Media & Investments Limited (Network 18) reported a profit after tax (PAT) of Rs18.9 crore in Q1-2014, as compared to a loss of Rs 90 crore in Q1-2013. Results from three of the four revenue segments of the media and entertainment player reported losses, with television playing the lone hand in keeping profits for Q1-2014 buoyant and positive. Though Network 18 reports combined figures for Television and Motion Pictures, company officials confirmed that Motion Pictures had also added to Network 18 losses. Despite showing revenue growth, the other two segments -digital content and e-commerce business; and allied businesses also pulled down profits for Q1-2014. Let us take a look at the figures for Q1-2014 Operating revenue for Q1-2014 stood at Rs 556.6 crore on a reported basis. The corresponding figure for Q1-2013 was Rs 435.6 crore, hence showing a 28 per cent growth for Q1-2014. Operating revenue during Q1-2014, was however lower by 18 per cent as compared to the Rs 679.6 crore for the preceding quarter Q4-2013. Revenue from the television and motion business at Rs 437.4 crore was 47.2 per cent higher than the Rs 297.2 crore for Q1-2013 but about 8.6 per cent lower than the Rs 511.3 crore for Q4-2013. Revenue from digital content and e- commerce at Rs 106.9 crore grew 46.8 per cent as compared to the Rs 72.8 crore in Q1-2013, and was about 3.2 per cent lower than the Rs 110.4 crore during Q4-2013. Revenue for Q1-2014 from allied businesses fell 37.7 per cent to Rs 65.6 crore from Rs 105.3 crore in Q1-2013 and 36.7 per cent from Rs.103.6 crore in Q4-2013. Digital content and e-commerce reported a loss of Rs 43.5 crore. Allied businesses reported a loss Rs 9.9 crore and Rs 9.2 crore were contributed to the losses from discontinued operations. Television and Motion picture business propped up the company with an operating profit of Rs 23.8 crore. The company turned in a profit after tax of Rs 18.9 crore for the quarter. Network18 managing director Raghav Bahl said, “The macroeconomic environment continues to be challenging and growth prospects remain uncertain. Despite this backdrop, our core TV and digital businesses turned in a steady performance. We continued the profitable monetisation of our investments and raised growth capital in HomeShop18. There were pockets of weaknesses in our portfolio and we are committed to improving segments that are not meeting expectations. We have a strong portfolio of media businesses and remain confident of unlocking its value for our stakeholders”. Network 18,group CEO B. Saikumar said, “The core television and digital businesses got off to a stable start in the new fiscal year. Our entertainment broadcasting business showed strength and the e-commerce businesses grew strongly. While our news and infotainment businesses have seen distinct softness in advertising, our entertainment businesses led by Colors have performed well on this front. Motion pictures have seen losses this quarter and the management is confident of stemming them in the immediate term. Net distribution revenues from IndiaCast are on a strong growth trajectory and we continue to be enthused by its growth potential. Our e-commerce businesses continued their stellar growth and the digital content business grew steadily as well. We remain confident of delivering a strong year ahead.”

  • IndiaCast signs multi-year agreement with Spuul

    IndiaCast signs multi-year agreement with Spuul

    MUMBAI: Over 60 percent current and upcoming Hindi and regional movies from the library of Viacom18 Motion Pictures, Colors and Eenadu Television will now be available for worldwide streaming on one of the most popular online streaming service for Indian movies and TV shows- Spuul; IndiaCast media distribution Pvt Ltd, the joint venture between TV18 and Viacom18 has signed a multi-year worldwide agreement with the online service.

    Starting this week, movie buffs can enjoy latest and evergreen blockbusters such as Inkaar, Oh My God and Jab We Met along with several regional hits such as Samanyudu, on their computers and mobile devices, with Spuul. Upcoming new releases in 2013 will also be available for worldwide streaming on Spuul as they are released in the market.

    Spuul CEO India Prakash Ramchandani says: "Spuul is proud to offer Viacom18‘s successful and award-winning films to our fast growing user base", commenting further, he says, "We are constantly working to expand our range of great Indian movies, in different languages, so that users always find something appealing to watch."

    Spuul was founded by seasoned entrepreneurs including Sudesh Iyer, founder of Sony Entertainment TV, and S. Mohan, founder of Palo Alto-based Accellion, buUuk and a number of other technology and venture companies and offers Specials that are pay-per-view movies and a Premium monthly subscription option.

    Online video is seeing a dramatic growth, with 3.7 million videos consumed every month in India according to comScore Inc. With such an attractive online viewership, Spuul offers the producers the required global reach creating new avenues for not just small budget movies but also new blockbusters.

    Speaking on the tie up with Spuul,IndiaCast group CEO Anuj Gandhi says: "The association between IndiaCast and Spuul acts as a value addition for both the parties. Watching movies online lets the viewer‘s exercise this option at their own convenience. Spuul has a huge base of film and TV enthusiasts who now with this association will be able to choose from IndiaCast‘s plethora of commercial and regional movies, enriching the viewer experience."

    Other IndiaCast movies on Spuul include Blood Money, Bitoo Boss, Golmaal Returns & Aiyya, regional titles dubbed in Hindi such as Vishwa – The He Man, Ek Sirfarosh – The Brave Heart and select Telegu films such as Simhadri and Me Sreyobhilashi – now available to stream immediately on all pcs, iOS and Android mobile devices.

  • IndiaCast assigns digital content management duties to Tangerine Digital

    IndiaCast assigns digital content management duties to Tangerine Digital

    MUMBAI: IndiaCast Media Distribution, the JV of TV18 and Viacom18 has appointed digital content management agency Tangerine Digital to manage the digital content of their flagship channels on digital platforms.

    IndiaCast is mandated to drive domestic and international channel distribution, placement services and content syndication for TV18, Viacom18, A&E Networks, TV18 and the Eenadu group. Tangerine will be responsible for curating and packaging all Video on Demand (VOD) content in order to aid discovery for IndiaCast while at the same time, ensuring stringent turnaround time for publishing of episodic videos.

    To take the relationship forward, Tangerine will bring its experience in content management and metadata services for the broadcast industry. They will not only assist IndiaCast in its endeavour to increase operational efficiencies to consolidate their distribution functions of both media houses but also support the distribution venture reach newer markets. Tangerine will capture, curate and publish episodic videos of six channels (including Colors TV) within 45 minutes of its premier on-air telecast in India. Italso will create individual episodic videos of shows like ‘Balika Vadhu‘ and ‘Uttaran‘ etc of Colors in addition to regional content from five of ETV‘s bouquet of channels.

    IndiaCast Group CEO Anuj Gandhi said, “Tangerine has been a very strong partner in growing our digital footprint. The team has

     

    always delivered successfully to our tight and aggressive schedules and has a rapid and effective response mechanism to meet dynamics of the digital environment. We are pleased to work with Tangerine and look forward to a long term fruitful association.

     

    Tangerine Digital CEO Kesavan Kanchi Kandadai said, “The media distribution industry is currently witnessing a phenomenal revolution in the way media content is circulated and consumed. Increased bandwidth and easy access of Internet through tablets and smartphones is fueling exponential growth of online video consumption, in turn unlocking new channels in the way content is created, distributed and monetised. We at Tangerine are entirely focused on this evolving digital environment and will continue to pioneer new and creative ways to engage, entertain and inform audiences. We believe we have the capabilities and the focused strategic approach and expertise to add value to the brand IndiaCast.”

    Tangerine Digital offers integrated services across content creation and management including sports content, repurposing videos for VoD platforms and creating theme based text and video content across e-commerce, web, mobile and social media platforms. Additionally, Tangerine also creates metadata for video and images and moderates user generated content to protect and de-risk the brands on the digital platforms and manages the YouTube channel of the client.

  • Indian DTH industry to benefit from digitisation, says MPA

    Indian DTH industry to benefit from digitisation, says MPA

    MUMBAI: India‘s move to digitise its fragmented and unorganised cable TV sector is going to give a fillip to the seven odd Indian DTH operators, according to Singapore based pay TV research firm Media Partners Asia (MPA).

    This is totally contrary to the behavior observed on the ground in the first two phases of digitisation wherein cable TV has held its ground and consumers have not really rushed out to buy DTH boxes even though analogue signals have been switched off.

    The MPA report says that revenues for DTH operators are expected to treble to over $5 billion by 2020 as mandatory cable TV digitisation would help the DTH players expand their subscriber base.

    It adds that DTH industry revenues will reach $3.9 billion by 2017 and $5.3 billion by 2020 on the back of a growth in subscriber numbers. Estimates are that the India™s DTH players raked in $1.5 billion last year.

    MPA says that active DTH subscribers will grow from 32.4 million in 2012 to 63.8 million by 2017 and 76.6 million by 2020. The figure for 2011 was at 28.7 million. The increase in active subscribers in 2012 over 2011 was a mere 3.7 million which is alarming, it says.

    The report points out that the content deals between operators and content aggregators such as IndiaCast, MediaPro and TheOneAlliance are likely to be on a cost per subscriber basis rather than a fixed rate as was the practice earlier.

    As it is DTH operators have been making efforts to improve their per subscriber economics over the past year by increasing the number of packages and entry level pricing. They have also tried to reduce churn levels by reducing trade margins and the window of free viewing by new subscribers, revealed MPA.

    The report warns that marketing and staff expenses will remain high with DTH operators as the rollout of digitisation makes further inroads into the remaining parts of India.

    MPA has also given the pecking order of the leading DTH players. Dish TV continues to lead with a market share of 27 per cent in terms of gross additions, while Videocon d2h leads in terms of incremental additions in 2012.

    Tata Sky and Airtel Digital TV have 19 and 18 per cent market share, respectively. These four players together accounted for 88 per cent of total gross additions last year, says MPA.

  • IndiaCast-Disney distribution JV gets CCI nod

    IndiaCast-Disney distribution JV gets CCI nod

    MUMBAI: The Competition Commission of India (CCI) has green lighted the channel distribution joint venture between IndiaCast Group and The Walt Disney Company India as it feels that the combined might will not adversely harm competition in the marketplace.

    The decision is not surprising as the cobbling together of TV18 Group and Disney channels for distribution across analogue and digital platforms is not the biggest consolidation the industry has seen. Media Pro Enterprise India, the joint venture between Zee Turner and Star Den, is by far the largest in size with a bouqet of 78 television channels housed under one roof.

    “We did not expect the IndiaCast-Disney deal to get roadblocked by CCI. The Zee-Star merger is far bigger and combines the two leading media houses in India,”a media analyst said.

    In its order, CCI said the transaction is “not likely to have an appreciable adverse effect on competition in India”.
    The CCI has cited a reason for this. “After the combination, IndiaCast would discontinue its aggregation tie-up with Sun Distribution Services and accordingly the market share of channels which would be aggregated by IC would be less than that of IndiaCast,” the order said.

    UTV Global Broadcasting, a Walt Disney subsidiary that broadcasts nine TV channels in India, had filed a notice seeking approval for the 26 per cent stake buy in IC Media with CCI on 24 January.

    The deal would see UTV Global Broadcasting, part of The Walt Disney Company India, acquiring a 26 per cent stake in IC Media Distribution Services, a part of Network18 Group, which is a distribution JV between Network18 and TV18.

    The yet-to-be-named JV will distribute 35 channels from the TV18, Viacom18, Disney UTV and A+E Networks, making it the second largest distribution company in terms of bouquet of channels after Media Pro Enterprise India.

    IC Media is a wholly-owned subsidiary of IndiaCast Media Distribution, which is into the business of aggregation of television channels broadcast by TV18 Broadcast, Viacom18 Media and certain other broadcasters.

    “It has been stated in the notice that the Disney Group and the IndiaCast Group shall grant exclusive licence to IC to distribute their television channels,” the CCI order said.

    “It has also been stated in the notice that post-combination, UTV Global Broadcasting and IndiaCast would cease their aggregation business in India as they now propose to carry out the business of providing the service of aggregation in India through IC (Media) by way of the proposed combination,” the order added.

  • Videocond2h’s Amit Dhanuka joins IndiaCast as SVP for intl biz

    Videocond2h’s Amit Dhanuka joins IndiaCast as SVP for intl biz

    MUMBAI: IndiaCast Media Distribution, a joint venture between TV18 and Viacom18, has appointed Amit Dhanuka as senior vice president for their international business division.

    Based in Mumbai, Dhanuka will oversee Asia Pacific business, international syndication, outbound ad sales as well as content and commercial affairs.

    Prior to joining IndiaCast, Dhanuka was with Videocon D2H where he drove the content strategy, packaging and VAS. He comes with over 12 years of experience in media and entertainment. He has also worked with Sony Pictures Television International, E- City and the Zee Group.

    IndiaCast COO Gaurav Gandhi said, “We are delighted to have Amit on board with us. Given his diverse experience both on the content and commercial side in media and broadcast, we are confident that he will play a very key role as we take our international business to the next level.”

    Dhanuka said, “IndiaCast has made a tremendous mark since its launch and I hope to build on that. I look forward to working with the team and bring in a new perspective for the growth of this fast growing organisation.”

  • TV18’s IndiaCast, Disney UTV form distribution JV company

    TV18’s IndiaCast, Disney UTV form distribution JV company

    MUMBAI: India is witnessing a consolidation in the distribution business for television channels. In the latest round, TV18 Group and The Walt Disney Company are floating a joint venture company to distribute their television channels across analogue and digital platforms, including cable TV and direct-to-home (DTH), in India.

    IndiaCast, TV18 and Viacom18‘s multi-platform, global distribution company, will have 74 per cent stake in the JV while UGBL, a Disney UTV firm, will hold the remaining 26 per cent.

    The new entity will distribute 35 channels from the TV18, Viacom18, Disney UTV and A+E Networks, making it the second largest distribution company in terms of bouquet of channels after Media Pro Enterprise India.

    Anuj Gandhi (IndiaCast CEO) will be the chief executive officer of the joint venture company.

    The yet-to-be-named company will be responsible only for distributing the channels in India while international operations will be handled independently by the two companies.

    IndiaCast will move its domestic distribution business into this new venture, while continuing to manage its other content monetisation businesses which include international distribution, ad sales & content sales as well as the new media distribution for TV18, Viacom18, A+E Networks | TV18 and Eenadu channels.

    Disney UTV will also move its domestic distribution activities for its bouquet of all nine channels (Disney, Hungama, Disney XD, UTV Stars, Bindass, UTV Movies, UTV Action and the newly launched preschool channel Disney Junior) to the new entity.

    The joint venture will become operational post the necessary regulatory approvals and will provide the channels to cable, DTH and Headend-In-The-Sky (HITS) platforms in India.

    Says Gandhi, “This partnership will build a strong distribution company that will offer a broader and more diversified range to platforms giving us a foothold across genres – including in general entertainment, general and business news, movies, youth and kids genres. We have had a great first year for IndiaCast and this JV will give our domestic distribution business scale and wider reach.”

    Strength of the JV

    The combined entity will particularly be strong in the youth (MTV, UTV Stars and Bindass) and kids genres (with the Disney and Nick channels). IndiaCast will also get a presence in the movie genre with UTV Movies and UTV Action.

    Says MK Anand, managing director – Media Networks, Disney UTV, "There are some clear and unique synergies in this partnership. The new bouquet is a more comprehensive offering from the viewer’s perspective that gives the combined entity an edge in the marketplace."

    In the news businesss, the JV will have the TV18 group of channels including CNBC TV18, CNN IBN, IBN7 and CNBC Awaaz. The Hindi general entertainment channel Colors will continue to remain as a big driver while the niche channels will give the bouquet a wider presence. It will also have regional-language channels with ETV a part of the pack.

    "IndiaCast fills up the gap of a Hindi movie channel in its bouquet while Disney gets the support of a stronger platform. The Disney UTV movie channels, however, have to gather more steam to match the other two main distribution companies (Media Pro and TheOne Alliance) in this space. The strength of the new JV will be more obvious in the youth and kids space," says a media analyst.

    Sports will be a gap in the bouquet. Only MSM Discovery (which operates through TheOne Alliance brand) has sports in its bouquet with Sony Six and the Neo channels. Media Pro, the JV between Star Den and Zee Turner, does not get to distribute Star‘s (Star Cricket, Star Sports, etc) and Zee‘s sports channels (Ten Sports, etc).

    The fate of the Sun TV group of channels, which are distributed by IndiaCast in the Hindi Speaking Markets (HSM), is uncertain at this stage. If Sun TV agrees, then it will be the first set of external channels distributed by the JV.

    TV18 to hold majority in the JV

    TV18 will continue to hold majority economic interest in both IndiaCast and the new step-down joint venture through a combination of its direct holding through TV18 and the indirect holding through Viacom18. TV18’s effective economic interest in IndiaCast is 75 per cent and 56 per cent in the new venture.

    Says Network18 managing director Raghav Bahl, “The Indian television industry in on the throes of a transformation on the back of digitisation. The distribution joint venture of TV18 and Viacom18 with DisneyUTV is a landmark deal and will help in shaping the future course of the domestic distribution landscape. At TV18, we have always believed that as industry leaders we should not only forge and nurture successful partnerships but also spearhead initiatives that accrue benefits to all stakeholders.”

    Consolidation in the distribution business

    The trend started years ago when Zee Turner and Set Discovery (now MSM Discovery) formed joint venture companies to add strength to their distribution businesses and ramp up subscription revenues. The biggest move in this direction came in mid-2011 when Zee Turner and Star Den merged their distribution businesses to create an elephant that marginalised the smaller players.

    "With this new JV, there will almost be no space for individual players. Media Pro is at the top followed by TheOne Alliance and then the IndiaCast-Disney UTV JV so far as revenue figures go. We will see further consolidation in the industry," says a media analyst.

  • DigiVive in deal with IndiaCast to live stream 20 channels

    DigiVive in deal with IndiaCast to live stream 20 channels

    MUMBAI: IndiaCast, the distribution joint-venture between TV18 and Viacom18, is swiftly increasing the presence of TV18 and Viacom18 bouquet on digital platforms.

    After signing a deal with OTT platform Ditto TV and online TV service provider istream.com, the distribution company has signed a deal with mobile TV platform nexGTv to live stream twenty national and regional channels.

    The channels include – Colors, MTV, CNBC-TV18, IBN7, CNBC Awaaz, IBN Lokmat, CNN IBN, History TV18, ETV Gujarati, ETV Marathi, ETV Bangla, ETV Kannada, ETV Oriya, ETV UP, ETV MP, ETV Rajasthan, ETV Urdu, ETV Bihar, ETV and ETV2. nexGTv had recently added History TV18 channel to its existing bouquet.

    The partnership further enhances nexGTv regional channels bouquet which comprises of more than 100 channels which includes top channels from Star and Sony bouquet.

    The mobile TV platform has features like – replay TV, EPG guide, on screen controls, option of deleting and listing the channels as per their choice. It also boasts of adaptive streaming feature which enables seamless live streaming even on 2G network.