Tag: IndiaCast

  • Viacom18 launches Colors Tamil HD in Singapore on Star Hub

    Viacom18 launches Colors Tamil HD in Singapore on Star Hub

    MUMBAI: After entering the Tamil GEC market, Viacom18, one of India’s largest entertainment conglomerates, has launched Colors Tamil HD on Star Hub, (channel no. 132) in Singapore.

    The channel went live on 3 July 2018, on Star Hub with five original fiction series. On 14 July, Tamil superstar Arya will visit Singapore to celebrate the channel launch and engage in a fan meet and greet whilst in the city.

    “Regional content is growing exponentially and Singapore with nearly half a million Tamil speaking households is a significant regional entertainment broadcasting market. Colors Tamil HD is one of our path breaking channels that promise to deliver new and never seen before content to Singaporean Tamils. Thanks to our successful partnership with Star Hub, we are now happy to be part of the Tamil speaking homes in Singapore directly” said Viacom18 head, regional entertainment Ravish Kumar.

    With this entry, IndiaCast Media Distribution Pvt. Ltd. – a TV18 and Viacom18 joint venture will further strengthen its network presence, after having successfully popularised COLORS and MTV in the region. The company’s mandate includes domestic distribution, placement services, international channel distribution, marketing and advertising sales, new media (digital) distribution and content syndication for all the group companies -TV18, Viacom18, ETV network and Turner International India.

    Adding to this, IndiaCast group CEO Anuj Gandhi said “We are delighted to associate with Star Hub in yet another momentous launch occasion. After having successfully positioned Colors & Rishtey globally, it gives us immense pleasure to now take Colors Tamil HD to the Tamil diaspora across the globe starting with Singapore. We are confident that this will be a whole new experience for the Tamil speaking audience and offer them new, refreshing entertainment.”

    Launched in the month of February, 2018, Colors Tamil HD is the youngest family entertainment channel from Viacom18 that thrives to entertain Tamil speaking viewers, around the globe, through distinctive and most powerful stories that empathise, inspire and celebrate a woman and her family.

    Colors Tamil HD primarily focuses on storytelling and matches the heritage of the traditionally rich Tamil Nadu culture with qualitative and innovative programming. Some of their flagship programmes are Velunatchi, Perazhagi, Sivagami, Arya’s Enge Veetu Maapilai and Colors Super Kids.

  • DEN aims to convert 10% of SD subscribers to HD in a year

    DEN aims to convert 10% of SD subscribers to HD in a year

    MUMBAI: DEN Networks CEO SN Sharma has set a target of converting 10 per cent of its standard definition (SD) subscribers to high definition (HD) within a year.

    Sharma, speaking on an analysts call, said that DEN currently has 7.4 million paid digital subscribers, but only about 100,000 of those view HD transmissions.

    He further noted that the price of HD set top boxes (STBs) has seen a decline from Rs 4,000-5,000 to Rs 1,500-1,600 and that should help in increasing the HD penetration.

    Reports said that DEN has locked in content deals with most broadcasters with the increase being less than 15 per cent. The MSO’s content deals are valid till April 2019 barring that of Star which will come up for renewal in nine months by January. DEN has also resolved its dispute with ZEEL. 

    “All these deals have been signed up and are firmly in the place. The content cost increase is in the range of less than 15 per cent,” Sharma said.

    He also said that all the deals will come up for renewal next year as agreements with Sony and IndiaCast will expire in March 2019. Star and Zee are now signing only one-year deals. 

    “So as of now our content deals are all frozen till March and April next year. By then all of them become due for renewal,” he noted.

    The deals with broadcasters are consolidated and include both standard definition (SD) and HD channels.

    Currently, the DEN strategy is to replace older STBs as they run out of warranty, as well as to use new HD STBs as the cable network expands into new areas.

    Also Read:

    Den Networks appoints Himanshu Jindal as CFO

    DEN expands broadband services; plans Rs 100 cr capex

  • IndiaCast, Hathway strike deal after TDSAT order

    IndiaCast, Hathway strike deal after TDSAT order

    MUMBAI: Setting aside their differences, IndiaCast Media Distribution Pvt Ltd (IndiaCast) and Hathway Digital finally came to an agreement on Wednesday and signed a deal. As a result, IndiaCast, the content monetisation arm of TV18 and Viacom18, has switched on the signals of its channels to the multi-system operator (MSO).

    The deal came to fruition after the Telecom Disputes Settlement and Appellate Tribunal (TDSAT), on Wednesday, ordered the companies to restore signals.

    The parties have agreed to sign a one-year fixed fee deal until 31 March 2019.

    Earlier, IndiaCast channels had been pulled off from Hathway. Despite several meetings, Hathway could not fulfill the growth aspiration of IndiaCast in terms of the carriage and subscription fees. The subscription and carriage agreements between Hathway and IndiaCast had expired on 31 March 2018.

    On 1 April 2018, IndiaCast issued a 21-day public notice to Hathway to meet regulatory requirements. Earlier, reports stated that the notice was issued due to non-payment of dues, non-submission of monthly subscriber reports, under-declaration of subscribers, failure to allow an audit of systems and unauthorised retransmission of channels.

    Across the cable industry, multi-system operators (MSOs) are now doing fixed-fee deals. While all the players are waiting for the new tariff order, due to the delay in the roll out, cable operators are relying on fixed-fee deals only. To move forward with these fixed-fee deals, the parties negotiate on the last fee structure and agree on certain percentage growth.

    The disagreement between IndiaCast and Hathway came about with the renewal of these deals. As IndiaCast acquired Turner channels recently, the distribution company demanded more subscription money than ZEE.

    Though IndiaCast was due to switch off its channels on 21 April, it eventually pulled off from Hathway on 25 April. Other than the disagreement on the hike in fees, IndiaCast had also asked Hathway for a two-year commitment and was not satisfied with the format of the subscription report.

    Also Read :

    IndiaCast, Hathway fail to concur on carriage, subscription fees

    TDSAT prohibits Scod18 from relaying IndiaCast channels

     

  • IndiaCast, Hathway fail to concur on carriage, subscription fees

    IndiaCast, Hathway fail to concur on carriage, subscription fees

    MUMBAI:  As a result of unresolved conflict between Hathway Cable and Datacom Ltd (Hathway) and IndiaCast Media Distribution Pvt Ltd (IndiaCast), all IndiaCast channels have been pulled off from the cable platform. Despite several meetings, Hathway could not fulfill the growth aspiration of IndiaCast in terms of the carriage and subscription fees, according to a source. The subscription and carriage agreements between Hathway and IndiaCast expired on 31 March 2018.

    On 1 April 2018, IndiaCast issued a 21-day public notice to Hathway to meet regulatory requirements. Earlier, reports stated that the notice was issued due to non-payment of dues, non-submission of monthly subscriber reports, under-declaration of subscribers, failure to allow an audit of systems and unauthorised retransmission of channels.

    IndiaCast did not respond to queries when Indiantelevision.com reached out to the company.

    Across the cable industry, multi-system operators (MSOs) are now doing fixed-fee deals. While all the players are waiting for the new tariff order, due to the delay in the roll out, cable operators are relying on fixed-fee deals only. To move forward with these fixed-fee deals, the parties negotiate on the last fee structure and agree on certain percentage growth.

    The disagreement between IndiaCast and Hathway came about with the renewal of these deals. As IndiaCast acquired Turner channels recently, the distribution company wanted to get more subscription money than ZEE.

    According to a source familiar to the development, Hathway, being convinced of the logic, offered a certain level of growth going beyond their means. However, IndiaCast was not happy with the offering and asked for a percentage increase more than 100 per cent. Ultimately, the parties could not reach any solution leaving the deal unresolved.

    Though IndiaCast was due to switch off its channels on 21 April, it eventually pulled off from Hathway on 25 April. Other than the disagreement on the hike in fees, IndiaCast also asked Hathway for a two-year commitment and was not satisfied with the format of the subscription report.

    This is not a new development in Indian cable history. Though broadcasters, MSOs and DTH operators speak about putting viewers’ interest first, the recent examples don’t speak in favour of that. Agreements being left to market forces lead to such stand-offs from time to time. As a result, consumers are often at the risk of missing out on watching their favourite channels.

    Also Read :

    Hathway Bhawani appoints Vatan Pathan as CEO

    TDSAT prohibits Scod18 from relaying IndiaCast channels

  • Turner appoints IndiaCast as exclusive distribution agent

    Turner appoints IndiaCast as exclusive distribution agent

    MUMBAI: Turner International India Pvt Ltd (Turner) has appointed IndiaCast Media Distribution Pvt Ltd as its exclusive distribution agent from 1 April 2018 for distribution of Turner channels—CNN International, Pogo, Cartoon Network, WB, HBO and HBO HD-to consumers in India, Nepal and Bhutan.

    A TV 18 and Viacom18 venture, IndiaCast is known to bring quality content to viewers spanning genres such as general entertainment, kids, news, music, infotainment and movies.

    Turner South Asia managing director Siddharth Jain said, “I am delighted to announce the appointment of IndiaCast as our exclusive distribution agent for India, Nepal and Bhutan. I am very confident they will enable us to further enhance our footprint and bring the choicest content to our fans in the Indian subcontinent. We look forward to a long term strategic relationship with IndiaCast.” 

    Added IndiaCast group CEO Anuj Gandhi, “At IndiaCast, it is our constant endeavour to curate the best possible exposure for our content creator partners. Turner has a fantastic bouquet of channels catering to a bespoke audience. As we ramp up the distribution network for its channels, I look forward to a long-term association that is founded on mutually beneficial economics.”

    After nearly two decades of collaboration, Zee Entertainment Enterprises (ZEE) and Turner mutually decided to work independently in order to drive up subscription revenue, release issued yesterday stated. ZEE and Turner joined hands back in 2002 to manage distribution and trade marketing for a bouquet of channels in India.

    Also read:

    Zee, Turner to work independently for subscription revenue

    We place a very high premium on fan experience: Turner’s Rohit Bhandari

  • TDSAT prohibits Scod18 from relaying IndiaCast channels

    TDSAT prohibits Scod18 from relaying IndiaCast channels

    MUMBAI: Scod18 Networking Pvt Ltd (Scod18), a multi-system operator (MSO), has been restrained by the Telecom Disputes Settlement Appellate Tribunal (TDSAT) from taking signals of IndiaCast Media Distribution Pvt Ltd’s (IndiaCast) channels from any other operator.

    The TDSAT has further ordered that the MSO cannot alienate or deal with its movable and immovable properties without the prior permission of the tribunal. The distribution company has also sought recovery of dues from Scod18 to the tune of Rs 2 crore.

    Accepting IndiaCast’s plea, the tribunal passed an order stating, “Pass an ad-interim ex parte order restraining the respondent from receiving signals of broadcaster’s channels from any other operator or service provider transferring or alienating or dealing with its movable and immovable properties without the prior permission of this tribunal.”

    IndiaCast has disconnected the signals of its channels to the MSO and it understands that the MSO might take signals of its channels from other platforms. Therefore, the company has taken a legal cover to restrain the MSO from indulging in piracy.

    The interim order will be applicable till the next date of hearing, which is 8 May. IndiaCast is the content monetisation arm of the TV18 and Viacom18 network. IndiaCast has a bouquet of 51 channels, including nine in HD  spanning across genres—general entertainment, kids, news, music, infotainment, and movies—in India.

    IndiaCast had pressed for an interim relief but the TDSAT stated that the same will be considered after giving an opportunity of filing a reply to the MSO.

    Scod18 has been granted four weeks’ time for its reply. The rejoinder, if any, may be filed within one week thereafter.

    Also Read:

    Airtel Digital TV hits back at Star India

    Star India urges Airtel Digital subscribers to switch

  • ATF 2017 attracts Indian  content studios, both big and small

    ATF 2017 attracts Indian content studios, both big and small

    MUMBAI: Singapore-based Reed Exhibitions’ Asia TV Forum (ATF) is round the corner and the buzz around the event only seems to be ramping up. This year, the forum will see around 60 countries from all over the globe. From 28 November to 1 December 2017, more than 90 thought leaders will deliver fresh insights at over 24 ATF conference sessions, discussing present-day issues such as big data, movement in the over-the-top (OTT) scene, new monetisation strategies, unscripted entertainment formats and kids content.

    Indiantelevision.com founder Anil Wanvari has been working on developing opportunities for India’s animation and live action sector – whether for TV or OTT – over the past three years at ATF as its representative for the regions of India, Pakistan, Sri Lanka and Bangladesh.

    “We have seen the presence from south Asia grow from a small 20-30 to around 140 this year since I was given the task of working closely with the region’s content creators, buyers and distributors,” says Wanvari. “I and the team which works with me have been happy to help catalyse their presence on Asian and global stages. ATF has a strong presence of smaller buyers, producers, distributors from the region apart from the big name players from Europe and the US. It has become a must visit event for the content executive.”

    The major Indian satellite TV networks Sony Pictures Networks India, Star India, Indiacast-Viacom18, and Zee Telefilms have their syndication and licensing teams exhibiting in the Marina Bay Sands venue. Other noteworthy exhibitors include: format and content syndication company GoQuest, Swastik Productions’ One Life Studios which is hawking its mega budget Porus and homegrown formats, One Take Media which is selling its kids animation and cookery shows, film and digital content creator and distributor Rajshri Entertainment, infotainment channel EPIC TV, kids content pioneer Green Gold.

    “This is probably the highest exhibitor strength India has managed at ATF ever,” says Wanvari. “The country’s content selling industry has come a long way despite the oft repeated statement that our TV shows are not good enough to cut the international grade.”

    Among the initiatives that Wanvari and Reed Exhibitions have supported is the building up of delegations from India and south Asia. The first of these has been the one which has been growing under the umbrella of the Media & Entertainment Association of India (MEAI). The association’s secretary Ankur Bhasin has cobbled together a delegation of 11 small and medium enterprises (SMEs) consisting of 13 delegates in the content creation and distribution spaces.

    Says Bhasin, “Fueled by improved connectivity and mobile explosion, Asia-Pacific is experiencing the fastest growth worldwide in terms of growth of time spent consuming media online – about 6.7 per cent consistently year on year compared to global average of 2.9 per cent. Although the average consumption of three plus hours per day for the Indian audience and about six hours per day for Chinese viewers is still relatively low compared to western countries, with over 60 per cent of the world population concentrated here, that is a substantial change on how media is being consumed. It is no surprise that this explosion is resulting in a growing demand for content in the APAC market.”

    Wanvari points out there are many commonalities in culture that India shares with east Asian countries like Singapore, Malaysia, Indonesia, Vietnam, Japan, south Korea, Sri Lanka, Pakistan and Bangladesh. “We all share Asian sensibilities and values,” he says. “Hence, we can relate to each other’s content.”

    Bhasin believes ATF is a very important market to target Asian buyers as well as to look for co-production opportunities. “Increasingly, there has been demand from MEAI members to focus on markets in the east and this has resulted in a growing delegation to ATF from MEAI. MEAI hopes this will materialize into a pavilion next year to give a fixed presence to the delegation being put together by the association with the support of Anil and his team,” Bhasin adds.

  • Originals are a big play for us, says Viacom 18’s Gaurav Gandhi

    Originals are a big play for us, says Viacom 18’s Gaurav Gandhi

    If you look at Gaurav Gandhi’s CV, you will see that this NMIMS graduate began as a strategic business media executive with the Sam Balsara-promoted Madison Communications way back in 1998. He then took the plunge into television, joining Turner as a researcher and planner, and then, Star India. He followed that up with a stint in NDTV Imagine. 

    But, for the past six years, he has been associated with the Viacom18 brand – first as the commercial head, then moving on to distribution of traditional television with various assignments in Sun18 and IndiaCast, before being given the responsibility of steering the company into the digital space in late 2015. 

    Burning the midnight oil for more than seven months, he and his team, rolled out their first offering – a VOD service called Voot in March 2016. Rivals such as Star India, and Zee TV had their versions – Hotstar and DittoTV — in play for a longer period. But, that did not faze Voot COO who is known to be a feisty fighter. He is quite clear of the direction that Voot is taking, and he spoke about its journey so far in a tete-a-tete with Indiantelevision.com’s Megha Parmar. Read on to get some Gandhi insights on the Indian OTT space.

    How has the response to Voot been so far?

    The response has been very good. We are happy where we are. To get to be the third largest streaming website in watch time in a short period that we have is very encouraging. It’s been a good journey. We know that, as a market, we have close to 100 million users now, which will go to 400 million. So, the 4x growth is happening in the market, and we are riding that well.  There are three things that really encourage us. First, 45 minutes per day per user on an average is a very good number, so the watchtime is there. We have a large user base now, which excites us. Second is the fantastic response to our content. Of our three properties (TV, kids and originals), specifically for television, there is so much to do around a reality show. Thirty per cent of the views come from the extra stuff that we do around it. We shoot a lot of things along with our TV counterparts. And having 50+ advertisers on board definitely gives us a sense that we are going in the right direction.

    What were the learnings in the past few months?

    There has been a lot of learning. With our kids, we know exactly what is going on.We have a publishing cycle in place and the way it works is to make sure that we refresh it thrice a day. Kids will come back from school by 4 pm, and we thought that we should put our best content there and market it. Reality happened to us at 9 pm as the kids were watching it at that point of time when their parents are busy with dinner. That was the learning, which came alongside. Actually, the father’s phones have been used far more on weekends.

    We initially were of the opinion that 500 cities are enough for us but, in the third month, we crossed 1000 cities. There are viewers in 1100 cities right now who regularly consume Voot.  It’s all been a great learning. We had originally thought that it was about currency or new shows, but the catalogue has been watched by people for new stuff.

    People repeatedly come to us for something they love such as the MTV show, Kaisi Yeh Yaariyan. We look at the data and have witnessed that a lot of people consume data when in office between 1:30 am and 3 pm. There is a big surge of content.

    The kids demo peaks at 9 pm, the GEC at 10 pm and youth escalates from 11 pm to 1 at night. Our traffic only goes down from 2:30 am to 5 am. That is the time when we have some time with us, say, to solve a technical problem. Those things are very different. This is a consumer business, B2C, as against the past. We have not been going to  the consumers directly. We are consumer brands now, and that is an interesting proposition.

    When you say that 75 per cent of video consumption is now happening through WiFi and it is expected to change after digitization, after which a majority of the consumption will happen through telcos. The telcos are also coming into play with their own offerings of VOD and aggregation OTT platforms such as Jio, Wynk, Idea TV. Are the VOD platforms going to be at a disadvantage?

     Let me be honest with you, there is no dearth of platforms, and there will be none going forward. It’s like we have approximately 600 to 800 channels right now technically, and it still has a demand because people are watching. We are ultimately providing content. Those are platforms wherein everything is available but ours is a video-on-demand platform where you can choose what you want to watch and at what time.

    If you are talking from the content front, if you have a clear direction on the partnerships, the consumers as well as the content creation that you are doing, I don’t see a threat. Second, telcos are building services out. How we work with them and tie up is yet to be seen. The fact that we are over the top, we are available to every single person. We are an OTT service and we are available to all.

    Telcos are only concerned about one thing: consumer data. We work very closely with Jio and many other players. I think, from a telecoms perspective, they want to give their users everything possible and encourage them to consume data. From our point of view, we are talking about the fact that we want maximum viewership and that converts to eyeballs, money, and so on. So it’s very much a complementary situation. We provide content, and they get the users to use that content on their network. We get our eyeballs they get their consumption.

    What type of growth do you see after 4G rolls out completely?

     I see currently 120 million digital video users overall to go to 400 million next year. That’s three and a half times growth. You are doubling the user base over digital video every year. Now, if that is the case, all the players will grow automatically. Obviously, there will be top three, four, five, naturally who will see more growth because of more content.

    The other part of India is an interesting challenge because top five or six companies control 80 per cent of the IP. They are investing on the IPs and they are building more and more. Naturally, they will have a bigger advantage. Telcos will build their interesting products. How you will work with the telcos and how they launch their products will be interesting to see.

    Currently, it’s an ad-supported market largely, and that leads to getting more eyeballs because you are making it available to a large set. We foresee growth to be fairly phenomenal in the next 36 months for everyone in the market. We want to grow at a faster pace — naturally.

    So, you think an ad supported model is faring well for you, and that is the way to go? Or, will you also experiment with other models?

    There are multiple models that you can play with. The reason that, today an ad supported model works, and is the right way is because of three main reasons. One, people are psychologically prepared to pay for content. You get 400 channels for Rs 300, and if you go back 10 years, the cable TV monthly subscription was around Rs 200. Channels have increased, it’s become digital, HD has arrived, etc., but the amount you are paying is the same. People think that this is our birthright, we will get it anyhow. So, there is a big mindset shift that needs to happen and it has to happen with the distribution industry. But, till then, the value of content in the mind is benchmarked to the amount you pay on TV, especially if it a subscription base. If it is event based, for eg, paying for a movie where you are paying for the experience of movie, you will not pay the same amount for watching a movie at home. You are paying for the outing, the experience, so there is a challenge.

     The second challenge is data prices, that are very high. To pay for data and to pay for content together for a consumer is very steep today.

    The third one is payment gateways. How do you pay for content? Not many people have credit cards, and people are not using it for recurring charge.

    I see this mindset changing in the next 36 months as well. The data prices will fundamentally come down, you will have data, bundled deals of content, you will have better speed connectivity, you will be offered premium services, HD service and various other services. Even the gateways will emerge. All these things will allow me to do a subscription model or a TVOD model as well. But, the large belly of the business is the ad-supported model.

    To run an advertising model you need humongous volumes. If you are a niche player, however good you might be, you can’t get business on advertising because the whole model of advertising is built on the number of eyeballs.

    It is a very expensive business. There are technology costs which are very high, there are content costs, there are costs of marketing and acquiring a customer, there are costs of streaming to the customer.

    The more content you watch on Voot or Hotstar or Youtube, there are two things which tend to happen. You are charged for data and it will also cost more to me as well as I have to pay the CDN (content delivery network) cost. So, the more you watch, the more I am paying. So I have to recover that cost. Unless you are a large volume player, you can’t do ad-supported. If you are a small player, you have to charge a sensible price to recover that cost. Netflix  – taking the sliver of the market at that price point, saying I only want these people – is one model. You are paying Netflix month on month.

    I think there will be more interesting models emerging in India going forward to break the psychological barrier in people’s mind. It’s not only an affordability barrier, but also a psychological barrier.

    We have to traverse the journey from ‘completely free’ to ‘completely pay.’ That journey has to pass through the consumer’s point of view, who is trying to pay for somethings. Once you are hooked on, then you tend to convert into a smaller package. The consumers will convert, but you can’t straight away give them a shock that tomorrow morning you will have to pay Rs 700. You will then get some, but a small portion.

    However, that’s not enough as in this country you have to build volumes. We are in the volume business. But, with some products, you can say that I want to play the international market game and play on the subscription part. It makes a lot of sense.

    But, one player has minimalised its rate to say the cost of a samosa. What do you have to say about that?

    We are not comparing with them. They only offer channels and not video on demand. I don’t know how are they doing it. Any strategy in my mind has to be sustainable. If they are able to offer all the channels in the world at Rs 20, then I think cable companies should talk to them and figure out why are they not charging that amount for the same channels.

    But, think of it logically. If you have all channels, everything for life at Rs 20 per month, then why would you pay the cable operators? You can choose to acquire customers from any route. You have a different way of acquiring customers and then you can hope them to stay hooked. I think it’s a marketing strategy from their point of view. People use different marketing strategies. But, I don’t think it makes business sense.

    I personally consume Voot content while it also is a ritual for me to catch up on Splitsvilla. But, there is a lag of around eight hours. Why?

    Splitsvilla has a humongous catch-up. There was a day where the Splitsvilla Sunday numbers were bigger than the next three days put together combined in a total value. I am a firm believer that consumers should have an ad model but you also need to understand that an ad supported model, you are getting this absolutely free as compared to me providing it to a cable or a DTH operator who is charging customers for it. There needs to be some gap. I could make this little pay and make it at the same time. But, if it is absolutely free here, you can play it, Chromecast it, share it, then personally I don’t feel that it is the right model. But, you can argue with me why it has to be eight hours? Why can’t it be six hours or a four hour lag? Those things are workable from my point of view but currently we have started with this strategy to put it up next morning. So, the way it works is TV airs it, we then process it, which takes about two to three hours. The team comes up here at 5am and publishes it on for the TV, tablet, mobile, website, etc. By 7:30 am, the content gets published most of the times.
    Is there scope of providing live content? How much, according to you, can the window be narrowed which also makes sense to your business?
    I am not going to comment on live, but, from case to case, we might have a much shorter window. I can narrow it down to zero also but, right now, I am not taking up that call because putting it up in the morning makes sense. You have to look at the larger thing. Currently, TV is measured on ratings and that’s how channels and advertisers are making money. TV has a large business there. This type of an emerging business has a separate sales, cost, structure, separate consumer base; we have to grow both businesses. It can’t be at the cost of the other. Definitely, it can’t be that you are actually working against the partners of yours especially on the distribution side by providing it free or live at the same time. I know some of my competitors have done it on the same time or even before, but as a stunt it is fine. But, if you do it continuously, I think it is should be made a free channel, which should be also free for the cable operators.

     I think giving it absolutely free at the same time is something I am not completely convinced right now. It is just a commercial business challenge to figure out whether it makes sense.

    We at the same time are also trying to increase the ARPU of the consumers. The business will grow but it also needs value. If I say that the same channel is available here for free and you stream it whereas there you are charging Rs 600 for it, then why will you pay? For what? The consumers will come and leave. We are just four months old, and this is an evolving space for us. At this time, we feel a six to eight hours lag is good. But, sometimes we reduce the lag.

    Do you plan to have Colors Infinity content on Voot?

    We do have it with us. The stage is there. We already have all the Indian productions of Infinity. At this time, it will only be home-grown content because the international content has two challenges, one is the third-party rights and the international players are a little more circumspect about putting content on ad-supported models. They want to put it on premium models. So, we are working with them to see what we can do. We have the format for ‘24’ with catch-up available. So, we get the stuff we create here. I think it is a journey. There are only two large ad-supported models in the world i.e China and India. They have never seen many big ad-supported models in the world.

    It’s a shift for us as well. If you talk to large players, they come to India and are amazed by the advertising growth here. Their mindset has changed. Netflix charges $8 in US which is like Rs 500 for us. But, that is their price point. I think as you are playing with the consumers in the market, you also have to adjust your prices and look at that.

    Some are B2B players who don’t talk to consumers directly. It takes sometime for them to figure out their life. So, I think it will take some time to convince the big studios to put their content on the ad-supported model in English.

    How are your originals doing onVoot?

    Very good. We only started with a few. There is a surge in catch-up audience or the ones who were more skewed towards TV content. ‘Chinese Bhasad’ has done well for us. ‘Badman’ has won awards India and internationally as well. ‘Shaadi Boys’ have seen a crazy demand and we have some episodes in place for the next season to come up shortly. The kind of traction we get for trailers is mind-blowing. I have got my competitors writing to us saying the content is phenomenal. Just now, someone from Star wrote that you are killing it with your shows. So, we are very happy with the response. I think the idea really is to create differentiated content that people don’t get on television but also have it relevant. We don’t want flaky things at all. We want to connect with the audience, and this is mature show. This is for everybody who is either married or is in relationship. It is not for a 15, 18 or 20 year old.

    Do you plan to package separately for your originals on Voot?

    As we speak, we have launched six shows. But, overtime, we will create a separate section of Voot Originals on the app. That is the way for us. Totally! Originals are a big play for us.

    Data is crucial for OTT and VOD. Are advertisers buying (agreeing with) the data you are giving them. What do they expect?

    Fifty advertisers on board, it’s not a small number. Everybody can see us as the third largest platform in the country in terms of size, in terms of minute data. You look how we have gotten million downloads. We are amongst the first guys who shared our data weekly dashboard to advertisers. Before us nobody used to do that. We are proud of what we have pursued in the first few months but it’s a long way to go. So advertisers are very keen. We have deals with several agencies, all the big clients are on board, we have long term deals as well.

    What is the sweet spot for advertising rates for OTT and VOD platforms? Let’s say for Voot?

    That is very hard, I can’t guesstimate. Let me tell you that we are on the higher end of the market. Because you know what you get here are the premium audiences – in the sense that they would not be buying Porsche and BMW but a loyal audience who can actually be fully measured and targeted.  You will be able to get a sponsorship opportunity, content, several integrations and lot more things surrounded. Sometimes, you are able to own the entire show as well.

    SonyLiv, Hotstar, Amazon Prime are going to be bidding for IPL rights? Where will that place platforms such as Voot as compared to the one who gets it?

    See, we don’t play in sports. Whether it comes on OTT or television, the reality of it is very simple. When there is cricket and when there is India playing, people are watching something. I do not buy the fact people are watching both things at the same time. The statement that you are watching TV and you are watching Voot or Hotstar or whatever it might be does not work.

    I actually believe that a sport, especially cricket, is something which you watch with a lot of people together. It’s an event-based thing. People watch it so numbers are there is no doubt about it. But, in my mind, it’s not as if those two hours or four hours or three hours of a match impacting my Voot journey too much. Contrary to that, I think we have a clear strategy on three big or four big types of content and I want to put my money behind that and that’s why what I am doing with kids, originals, reality. It is a clear indicator that I was actually putting my money before advertisers came on. I commissioned the shows in originals before they came on right. I am not waiting for the next guy to come who will give me money so that I can start.

  • Originals are a big play for us, says Viacom 18’s Gaurav Gandhi

    Originals are a big play for us, says Viacom 18’s Gaurav Gandhi

    If you look at Gaurav Gandhi’s CV, you will see that this NMIMS graduate began as a strategic business media executive with the Sam Balsara-promoted Madison Communications way back in 1998. He then took the plunge into television, joining Turner as a researcher and planner, and then, Star India. He followed that up with a stint in NDTV Imagine. 

    But, for the past six years, he has been associated with the Viacom18 brand – first as the commercial head, then moving on to distribution of traditional television with various assignments in Sun18 and IndiaCast, before being given the responsibility of steering the company into the digital space in late 2015. 

    Burning the midnight oil for more than seven months, he and his team, rolled out their first offering – a VOD service called Voot in March 2016. Rivals such as Star India, and Zee TV had their versions – Hotstar and DittoTV — in play for a longer period. But, that did not faze Voot COO who is known to be a feisty fighter. He is quite clear of the direction that Voot is taking, and he spoke about its journey so far in a tete-a-tete with Indiantelevision.com’s Megha Parmar. Read on to get some Gandhi insights on the Indian OTT space.

    How has the response to Voot been so far?

    The response has been very good. We are happy where we are. To get to be the third largest streaming website in watch time in a short period that we have is very encouraging. It’s been a good journey. We know that, as a market, we have close to 100 million users now, which will go to 400 million. So, the 4x growth is happening in the market, and we are riding that well.  There are three things that really encourage us. First, 45 minutes per day per user on an average is a very good number, so the watchtime is there. We have a large user base now, which excites us. Second is the fantastic response to our content. Of our three properties (TV, kids and originals), specifically for television, there is so much to do around a reality show. Thirty per cent of the views come from the extra stuff that we do around it. We shoot a lot of things along with our TV counterparts. And having 50+ advertisers on board definitely gives us a sense that we are going in the right direction.

    What were the learnings in the past few months?

    There has been a lot of learning. With our kids, we know exactly what is going on.We have a publishing cycle in place and the way it works is to make sure that we refresh it thrice a day. Kids will come back from school by 4 pm, and we thought that we should put our best content there and market it. Reality happened to us at 9 pm as the kids were watching it at that point of time when their parents are busy with dinner. That was the learning, which came alongside. Actually, the father’s phones have been used far more on weekends.

    We initially were of the opinion that 500 cities are enough for us but, in the third month, we crossed 1000 cities. There are viewers in 1100 cities right now who regularly consume Voot.  It’s all been a great learning. We had originally thought that it was about currency or new shows, but the catalogue has been watched by people for new stuff.

    People repeatedly come to us for something they love such as the MTV show, Kaisi Yeh Yaariyan. We look at the data and have witnessed that a lot of people consume data when in office between 1:30 am and 3 pm. There is a big surge of content.

    The kids demo peaks at 9 pm, the GEC at 10 pm and youth escalates from 11 pm to 1 at night. Our traffic only goes down from 2:30 am to 5 am. That is the time when we have some time with us, say, to solve a technical problem. Those things are very different. This is a consumer business, B2C, as against the past. We have not been going to  the consumers directly. We are consumer brands now, and that is an interesting proposition.

    When you say that 75 per cent of video consumption is now happening through WiFi and it is expected to change after digitization, after which a majority of the consumption will happen through telcos. The telcos are also coming into play with their own offerings of VOD and aggregation OTT platforms such as Jio, Wynk, Idea TV. Are the VOD platforms going to be at a disadvantage?

     Let me be honest with you, there is no dearth of platforms, and there will be none going forward. It’s like we have approximately 600 to 800 channels right now technically, and it still has a demand because people are watching. We are ultimately providing content. Those are platforms wherein everything is available but ours is a video-on-demand platform where you can choose what you want to watch and at what time.

    If you are talking from the content front, if you have a clear direction on the partnerships, the consumers as well as the content creation that you are doing, I don’t see a threat. Second, telcos are building services out. How we work with them and tie up is yet to be seen. The fact that we are over the top, we are available to every single person. We are an OTT service and we are available to all.

    Telcos are only concerned about one thing: consumer data. We work very closely with Jio and many other players. I think, from a telecoms perspective, they want to give their users everything possible and encourage them to consume data. From our point of view, we are talking about the fact that we want maximum viewership and that converts to eyeballs, money, and so on. So it’s very much a complementary situation. We provide content, and they get the users to use that content on their network. We get our eyeballs they get their consumption.

    What type of growth do you see after 4G rolls out completely?

     I see currently 120 million digital video users overall to go to 400 million next year. That’s three and a half times growth. You are doubling the user base over digital video every year. Now, if that is the case, all the players will grow automatically. Obviously, there will be top three, four, five, naturally who will see more growth because of more content.

    The other part of India is an interesting challenge because top five or six companies control 80 per cent of the IP. They are investing on the IPs and they are building more and more. Naturally, they will have a bigger advantage. Telcos will build their interesting products. How you will work with the telcos and how they launch their products will be interesting to see.

    Currently, it’s an ad-supported market largely, and that leads to getting more eyeballs because you are making it available to a large set. We foresee growth to be fairly phenomenal in the next 36 months for everyone in the market. We want to grow at a faster pace — naturally.

    So, you think an ad supported model is faring well for you, and that is the way to go? Or, will you also experiment with other models?

    There are multiple models that you can play with. The reason that, today an ad supported model works, and is the right way is because of three main reasons. One, people are psychologically prepared to pay for content. You get 400 channels for Rs 300, and if you go back 10 years, the cable TV monthly subscription was around Rs 200. Channels have increased, it’s become digital, HD has arrived, etc., but the amount you are paying is the same. People think that this is our birthright, we will get it anyhow. So, there is a big mindset shift that needs to happen and it has to happen with the distribution industry. But, till then, the value of content in the mind is benchmarked to the amount you pay on TV, especially if it a subscription base. If it is event based, for eg, paying for a movie where you are paying for the experience of movie, you will not pay the same amount for watching a movie at home. You are paying for the outing, the experience, so there is a challenge.

     The second challenge is data prices, that are very high. To pay for data and to pay for content together for a consumer is very steep today.

    The third one is payment gateways. How do you pay for content? Not many people have credit cards, and people are not using it for recurring charge.

    I see this mindset changing in the next 36 months as well. The data prices will fundamentally come down, you will have data, bundled deals of content, you will have better speed connectivity, you will be offered premium services, HD service and various other services. Even the gateways will emerge. All these things will allow me to do a subscription model or a TVOD model as well. But, the large belly of the business is the ad-supported model.

    To run an advertising model you need humongous volumes. If you are a niche player, however good you might be, you can’t get business on advertising because the whole model of advertising is built on the number of eyeballs.

    It is a very expensive business. There are technology costs which are very high, there are content costs, there are costs of marketing and acquiring a customer, there are costs of streaming to the customer.

    The more content you watch on Voot or Hotstar or Youtube, there are two things which tend to happen. You are charged for data and it will also cost more to me as well as I have to pay the CDN (content delivery network) cost. So, the more you watch, the more I am paying. So I have to recover that cost. Unless you are a large volume player, you can’t do ad-supported. If you are a small player, you have to charge a sensible price to recover that cost. Netflix  – taking the sliver of the market at that price point, saying I only want these people – is one model. You are paying Netflix month on month.

    I think there will be more interesting models emerging in India going forward to break the psychological barrier in people’s mind. It’s not only an affordability barrier, but also a psychological barrier.

    We have to traverse the journey from ‘completely free’ to ‘completely pay.’ That journey has to pass through the consumer’s point of view, who is trying to pay for somethings. Once you are hooked on, then you tend to convert into a smaller package. The consumers will convert, but you can’t straight away give them a shock that tomorrow morning you will have to pay Rs 700. You will then get some, but a small portion.

    However, that’s not enough as in this country you have to build volumes. We are in the volume business. But, with some products, you can say that I want to play the international market game and play on the subscription part. It makes a lot of sense.

    But, one player has minimalised its rate to say the cost of a samosa. What do you have to say about that?

    We are not comparing with them. They only offer channels and not video on demand. I don’t know how are they doing it. Any strategy in my mind has to be sustainable. If they are able to offer all the channels in the world at Rs 20, then I think cable companies should talk to them and figure out why are they not charging that amount for the same channels.

    But, think of it logically. If you have all channels, everything for life at Rs 20 per month, then why would you pay the cable operators? You can choose to acquire customers from any route. You have a different way of acquiring customers and then you can hope them to stay hooked. I think it’s a marketing strategy from their point of view. People use different marketing strategies. But, I don’t think it makes business sense.

    I personally consume Voot content while it also is a ritual for me to catch up on Splitsvilla. But, there is a lag of around eight hours. Why?

    Splitsvilla has a humongous catch-up. There was a day where the Splitsvilla Sunday numbers were bigger than the next three days put together combined in a total value. I am a firm believer that consumers should have an ad model but you also need to understand that an ad supported model, you are getting this absolutely free as compared to me providing it to a cable or a DTH operator who is charging customers for it. There needs to be some gap. I could make this little pay and make it at the same time. But, if it is absolutely free here, you can play it, Chromecast it, share it, then personally I don’t feel that it is the right model. But, you can argue with me why it has to be eight hours? Why can’t it be six hours or a four hour lag? Those things are workable from my point of view but currently we have started with this strategy to put it up next morning. So, the way it works is TV airs it, we then process it, which takes about two to three hours. The team comes up here at 5am and publishes it on for the TV, tablet, mobile, website, etc. By 7:30 am, the content gets published most of the times.
    Is there scope of providing live content? How much, according to you, can the window be narrowed which also makes sense to your business?
    I am not going to comment on live, but, from case to case, we might have a much shorter window. I can narrow it down to zero also but, right now, I am not taking up that call because putting it up in the morning makes sense. You have to look at the larger thing. Currently, TV is measured on ratings and that’s how channels and advertisers are making money. TV has a large business there. This type of an emerging business has a separate sales, cost, structure, separate consumer base; we have to grow both businesses. It can’t be at the cost of the other. Definitely, it can’t be that you are actually working against the partners of yours especially on the distribution side by providing it free or live at the same time. I know some of my competitors have done it on the same time or even before, but as a stunt it is fine. But, if you do it continuously, I think it is should be made a free channel, which should be also free for the cable operators.

     I think giving it absolutely free at the same time is something I am not completely convinced right now. It is just a commercial business challenge to figure out whether it makes sense.

    We at the same time are also trying to increase the ARPU of the consumers. The business will grow but it also needs value. If I say that the same channel is available here for free and you stream it whereas there you are charging Rs 600 for it, then why will you pay? For what? The consumers will come and leave. We are just four months old, and this is an evolving space for us. At this time, we feel a six to eight hours lag is good. But, sometimes we reduce the lag.

    Do you plan to have Colors Infinity content on Voot?

    We do have it with us. The stage is there. We already have all the Indian productions of Infinity. At this time, it will only be home-grown content because the international content has two challenges, one is the third-party rights and the international players are a little more circumspect about putting content on ad-supported models. They want to put it on premium models. So, we are working with them to see what we can do. We have the format for ‘24’ with catch-up available. So, we get the stuff we create here. I think it is a journey. There are only two large ad-supported models in the world i.e China and India. They have never seen many big ad-supported models in the world.

    It’s a shift for us as well. If you talk to large players, they come to India and are amazed by the advertising growth here. Their mindset has changed. Netflix charges $8 in US which is like Rs 500 for us. But, that is their price point. I think as you are playing with the consumers in the market, you also have to adjust your prices and look at that.

    Some are B2B players who don’t talk to consumers directly. It takes sometime for them to figure out their life. So, I think it will take some time to convince the big studios to put their content on the ad-supported model in English.

    How are your originals doing onVoot?

    Very good. We only started with a few. There is a surge in catch-up audience or the ones who were more skewed towards TV content. ‘Chinese Bhasad’ has done well for us. ‘Badman’ has won awards India and internationally as well. ‘Shaadi Boys’ have seen a crazy demand and we have some episodes in place for the next season to come up shortly. The kind of traction we get for trailers is mind-blowing. I have got my competitors writing to us saying the content is phenomenal. Just now, someone from Star wrote that you are killing it with your shows. So, we are very happy with the response. I think the idea really is to create differentiated content that people don’t get on television but also have it relevant. We don’t want flaky things at all. We want to connect with the audience, and this is mature show. This is for everybody who is either married or is in relationship. It is not for a 15, 18 or 20 year old.

    Do you plan to package separately for your originals on Voot?

    As we speak, we have launched six shows. But, overtime, we will create a separate section of Voot Originals on the app. That is the way for us. Totally! Originals are a big play for us.

    Data is crucial for OTT and VOD. Are advertisers buying (agreeing with) the data you are giving them. What do they expect?

    Fifty advertisers on board, it’s not a small number. Everybody can see us as the third largest platform in the country in terms of size, in terms of minute data. You look how we have gotten million downloads. We are amongst the first guys who shared our data weekly dashboard to advertisers. Before us nobody used to do that. We are proud of what we have pursued in the first few months but it’s a long way to go. So advertisers are very keen. We have deals with several agencies, all the big clients are on board, we have long term deals as well.

    What is the sweet spot for advertising rates for OTT and VOD platforms? Let’s say for Voot?

    That is very hard, I can’t guesstimate. Let me tell you that we are on the higher end of the market. Because you know what you get here are the premium audiences – in the sense that they would not be buying Porsche and BMW but a loyal audience who can actually be fully measured and targeted.  You will be able to get a sponsorship opportunity, content, several integrations and lot more things surrounded. Sometimes, you are able to own the entire show as well.

    SonyLiv, Hotstar, Amazon Prime are going to be bidding for IPL rights? Where will that place platforms such as Voot as compared to the one who gets it?

    See, we don’t play in sports. Whether it comes on OTT or television, the reality of it is very simple. When there is cricket and when there is India playing, people are watching something. I do not buy the fact people are watching both things at the same time. The statement that you are watching TV and you are watching Voot or Hotstar or whatever it might be does not work.

    I actually believe that a sport, especially cricket, is something which you watch with a lot of people together. It’s an event-based thing. People watch it so numbers are there is no doubt about it. But, in my mind, it’s not as if those two hours or four hours or three hours of a match impacting my Voot journey too much. Contrary to that, I think we have a clear strategy on three big or four big types of content and I want to put my money behind that and that’s why what I am doing with kids, originals, reality. It is a clear indicator that I was actually putting my money before advertisers came on. I commissioned the shows in originals before they came on right. I am not waiting for the next guy to come who will give me money so that I can start.

  • Going a la carte with Star and Indiacast has helped: Bibhu Prasad Rath

    Going a la carte with Star and Indiacast has helped: Bibhu Prasad Rath

    Bhibu Rath heads one of the small regional cable TV players in the TV distribution business: Ortel Communications. The MSO began as a local player in the state of Odisha. But, it has since spread into neighboring states such as Chattishgarh, West Bengal, Andhra Pradesh and Telangana. In fact, it is one of a handful of cable TV distribution companies which went in for an IPO and are listed on the Bombay Stock Exchange.

    Rath has been with Ortel since 1999 and no one probably knows the company and the business it operates better than he does. Hence, he has focused on building a two-way state-of-the-art communication network enabled for ‘triple play’ services (video, data, and voice capabilities) with control over the ‘last mile’ over the last few years. That regulation has stymied his VoIP ambitions, has not been a stumbling block. In fact, it has emboldened him to move aggressively in the direction of broadband.

    Rath was one of the key note speakers at IDOS 2016 here. And, he had a one-on-one conversation with the Indiantelevision.com CEO and Editor-in-Chief Anil Wanvari. He was forthcoming and transparent on a range of issues. Read on to find out what he had to say:

    Are you at an advantage or disadvantage of being a niche player ?

    It’s a great advantage actually. You need to understand that why we are a regional player.  Because, we have always believed in depth and not in width. So, we are actually a last-mile player unlike other national MSOs. In a lighter vein, in fact, I keep telling people that we are not a MSO, we are the largest LCO. So, if you are  doing a last-mile network, you have limitations of national presence. So, we have consistently focused on the regional markets and, even within regional market, we have consistently focused on Phase III markets – tier 2, tier 3 markets. Not on the metros.  Like we are there in Telangana but not in Hyderabad. So, currently, we are focusing on four states even though we are present in six states  — that is Odisha, Chattisgarh, Andhra Pradesh and Telangana. And, we have a small presence in West Bengal and Madhya Pradesh. So, it gives us a great advantage that we are focused, we are localized, we are last mile, we are going directly to the consumer.

    Your non-Odisha market is around 233,000 subscribers and your major part, that is, 770,000 subscribers, are in Odisha. Is non-Odisha market going to grow or Odisha?

    That’s (non-Odisha) the one which is growing. In March 2015, when we went public we had half a million subs. Today, we are close to 800,000. Our guidance to the market has been — we will get to a million by March 2017.  If you see the growth in the last five quarters — that is four quarters of last year and Q1 of this year — you will see 70-75 per cent incremental growth has come from outside Odisha, and they are mostly in Andhra Pradesh, Telangana and Chhattisgarh. So that’s the trend going to continue and most of the growth will come from outside Odisha.

    Your analog and digital ARPUs are at Rs 141 and Rs 169 a month, but your digital ARPUs have come down. Why is that and where do you see it going?

    Well, digital ARPUs have come down marginally. But, the mix of analog and digital has gone up. So, digital as a percentage of cable TV swap has gone up very significantly in last five quarters. As of June-end, it was 45 per cent. That’s the reason why ARPU has marginally gone down.

    I have a slightly different view from the rest of the people from the industry. We don’t think this is a great ARPU-driven business. You need to realize that this is a wireline business — not wireless like DTH. So, the wireless guys like DTH have an inherent advantage that they can choose and pick their customer. 5,000 customers in Delhi, 50,000 in Odisha – it’s the same for them. We are in the wireline business. We are laying cable in front of homes and its extremely capex-heavy unlike the MSOs model. If you keep aside the STB, the last mile model is capex-heavy as compared to the MSO-LCO model, because a large part of the network is actually built by the LCO. Whereas, here we deal with it ourselves.

    Now, say, you network 100 homes. My objective is to get as as many of these 100 homes as I can as my customers instead of trying to raise my ARPU by Rs 10. I would prefer to operate at a moderate to low ARPU but I increase my market share and penetration ratio and make up through the number of customers than trying to increase the ARPUs.  So, if you see my penetration ratio: 770,000 customers I have 1.2 million home passes – that is like 60 per cent. To my mind that is a more important metric in the business than just the ARPU numbers. Having said that ARPU will increase – but only marginally, I am not a great believer invery high level of ARPU increase.

    Even in the context of digitization, I kept saying that its objective is not to increase ARPU. Why would the government and the regulator do something wherein the cost to the customer would go up? That’s just the antithesis of what the government does. The government would like to do what helps the consumers, and what helps the consumers is to give them choice, not raise prices.

    So, in doing digitization, give the choice to the consumer — let the consumer pick up at Rs 99, and let someone else pick up at Rs 500. Let your average be at Rs 150-200. Hence, we operate at high penetration, and moderate ARPUs.

    Being a regional player, do you have enough negotiating power? You recently concluded deals with Star and Indiacast which were challenging. Has it become easier for you to deal with the broadcaster?

    It’s a relationship  with the broadcasters — which has been going on but recently we have tried to bring a major shift in the relationship. The two deals which you mentioned with Indiacast and Star TV – they are two of the top half a dozen bouquets operating in India. What we tried to do actually is we tried to test and implement the true spirit of digitization. This means consumer should decide. Whether he wants a channel or not, he should decide and if he should pay.

    With these two deals, we said we will go a la carte. And, as you know, a la carte prices are extremely high. The effective price that a broadcaster gets from the consumers is typically between 10–15 per cent of a la carte price.

    So, for example, the Star TV bouquet – the a la carte prices are at Rs 200, the bouquet prices are typically at Rs 25-26. Despite the a la carte being high, we decided to try it. And we decided to offer it to our viewers and consumers, and allowed them to decide. And, to my surprise, the results have been fantastic.

    Being a last mile model, I don’t have issues of packaging, etc. So, we have complete packaging on our network. We have a backend which can activate a channel. A consumer can send an SMS and get his channel in two minutes via a call centre as well. The payout to me has come down significantly – very significantly — on these two bouquets. But, for consumers, it has gone up, for some it has gone down. So, it’s working very well. This is the way forward. Having done these two deals, I don’t want to do any more soon. I would like to stabilize these two first.

    Has your revenue been impacted because of this?

    Not at all, because when you put a channel on a la carte, there are two models that have been implemented. One is we have put a la carte add-on – that is consumers pay and take it. In another experiment I did, I just threw open the channels to consumers. I said you don’t have to pay anything extra, just decide what you want.  There are
    consumers who will be happy to pay a significant amount for the channels like Fox Life, CNBC, TLC and that’s beauty of doing a la carte, instead of dumping a CNBC channel on the entire base.

    In our markets, 90-95 per cent of the viewers don’t watch CNBC or Fox Life. Why should I dump it? Instead, let me give it to these 2-3 per cent consumers, and let them pay.

    So my revenue has not gone down and my costs have reduced. I am even ready to let go my revenue because these two are interrelated. Whether I increase the ARPU by Rs 10  or I reduce my cost by Rs 10, it doesn’t matter to my ROC. The whole idea is to move on to a pass on the model where consumers decide. The revenue may increase or decrease, only time will tell.

    The MIB says that 93 per cent of Phase III has been digitized whereas you have stated in your areas it is 50-55 per cent. Where lies the truth?

    I don’t want to comment on the MIB numbers because I actually don’t know where the numbers are coming from. We are below 50 per cent. As regards the litigation of DAS Phase III, we are one of the guys who went to court and got a stay. And, that hearing for case is coming up in October.

    That does not mean I did not want to digitize. I definitely want to godigital. I definitely want to get to 100 per cent but we wanted time. And, in many parts of the country, analogue was running in the month of January, and it is running even today. And I can safely tell you, if there was no stay order, analogue would have continued for some more time. I wanted legal cover that If I am doing analogue, I am not doing something illegal. I am pursuing digital in the true spirit. And, the offtake of digital has been very good actually. And, I don’t expect the court order to continue for a very long period. Irrespective of what happens in court, I am pursuing it and I will complete digitalization. We are fully committed to it.

    Your content cost has come down to Rs 50 or so is it because of Star and Indiacast deals or is it because of other factors? Do you expect them to go down further?

    I expect content costs to go down little further. It has been the combination of a couple of factors;  it is not because I got better deals with  broadcasters. The content cost has come down is because of two factors — one is the deal with Star TV and Indiacast on a la carte basis. But, this cost will go up in the long run because consumers will adopt more and more channels and we are mentally prepared that this will go up.

    And, at some point, even a la carte may actually exceed and go beyond what I was paying on a fixed-fee model. It will take time. But, we should be prepared to pay more on a la carte model. But, by then, consumers should also take more a la carte channels and my revenue should also go up.

    The other reason is that we are expanding a lot to other markets and, our expansion strategy has been to acquire LCOs  and the local MSOs. So, we basically do a lump sum, lock stock and barrel buyout. And, those guys we take over have been extremely efficient as compared to what we were doing in terms of negotiating with the broadcaster – their costs are low. Their costs essentially get passed on to us. So that counts for a little cheaper price. But, it will increase.

    You will not set up digital headends rather will go with opex model by taking intercity bandwidth. Is it a way forward for smaller players rather than investing in digital headends which are expensive?

    I think it cost around Rs 10 lakhs a year per link – that’s the deal I have.  I am sure Hathway, Den and Siti must be having better deals because of the size.. So we have taken a view that we will go on opex model. It will be like we will have one head end in Odisha and one for Andhra and Telangana  and one for Bengal and Chhattisgarh because they have language issues and content mix is different. That’s the way forward for the smaller guys.  But when you talk about the smaller guys, they may not have multiple locations to take link actually one of the reason the cable community in Phase III and Phase IV are finding difficult to execute digitization is essentially this.

    Because of this in Phase III you have markets with a million population and you have markets with 10,000 population. If you see the list that the government has issued, there are markets with 10,000-15,000 population at the low end. There are some states which have removed those lists and there are some states which never reacted.

    I have seen the Telangana, Andhra Pradesh list. There are homes with 10,00-20,000  population. For 20,000 population places,  that is about 4,000-5,000 homes. Out of this, 1,000 will be on DTH. You will have 3,000-4,000 cable customers. How does one actually do digital? Hathway, DEN, Siti and I can do it. Because, I have many other locations, I can take a link for Rs 10 lakh.

    But, if there is an independent guy, it is simply not possible, not viable from his perspective to set up a headend. The link is not an option for the smaller guys. That is one of the fundamental reasons why there has been a resistance to digitalization in Phase III and Phase IV. So that’s slowly getting sorted out. The link costs are coming down. The headend costs are coming down. The awareness is going up. So I am sure it will happen.

    You are investing  Rs 120 crore in coming year?

    When I did my IPO on 15 March, I had a two-year capex plan for FY-16 and FY-17. For FY-16 and FY-17, my plan was to go from half a million to one million by  FY17. So, to add this 500,000 customers, we had to put a capex of Rs 250 crore in these two years. Maybe this year’s numbers are part of it. So, if you are asking me, where is this going – in video, broadband or cable? In technology, nothing is called video or broadband, everything is based on the packet. So, given that we are a last mile player, our entire money goes into the network or buying out the LCO. And, even when I buy out an LCO, I dismantle the entire network and build my own network. So, the entire money goes into the network, creating the homes passed.

    Your broadband ARPUs are Rs 400. Are they going to up? Are the markets resistant to ARPU hikes in broadband?

    On the broadband side, the story is different. Video operates on a high penetration ratio. Broadband is on low penetration.  And, I believe that Broadband ARPUs will grow faster than cable TV ARPUs. Simply because there is a lot of upgradation change happening in the product itself. Earlier, we were on DOCSIS 2.0. We could provide 10 MBPs. Most of the consumers were on 512 KBPs or 1 MBPS or 2 MBPS. Now we have started DOCSIS 3.0. The technical spec is 300 MBPs. On the ground, we are able to deliver 100 MBPs. And the offers we have are 10 MBPS, 20 MBPs, 50 MBPS, and 100MBPs. This number is very less. This ratio between DOCSIS 2.0 and DCOSIS 3.0 is going to change. Increasing the speed will obviously lead to more downloads and streaming online. Hence, these ARPUS will increase.

    What we also have been doing is build mobility into the wire line. For example, you have a home wifi modem, you can use it to make your home wireless. You don’t need to put a separate router, the cable models of DOCSIS 3.0 have inbuilt routers. We are also building public hotspots. A KFC or a coffee shop — where consumers spend an hour or so. So you use the public hot spot and use your login and password to continue enjoy all the broadband speeds you enjoy at home. All these factors will lead to our broadband ARPUs going up.