Tag: India

  • India’s a big part at the 66th Cannes Film Festival

    India’s a big part at the 66th Cannes Film Festival

    MUMBAI: Hindi film actress Vidya Balan and ‘Life of Pi‘ director Ang Lee will be part of the prestigious 66th Cannes Film Festival‘s nine-member jury. The jury will be headed by Hollywood director Steven Spielberg.

    The other big names joining Spielberg are Oscar-winning actress Nicole Kidman, Oscar-winner Christophe Waltz, Japanese director Naomi Kawase, Scottish director Lynne Ramsay, French actor-director Daniel Auteuil and Romanian director Cristian Mungiu.

    The jury will award the coveted Palme d‘Or prize to one of the 19 films in competition at this year‘s festival, which runs from May 15 to 26.

    Balan, 35, currently one of the most successful actors in India, is best known for her path-breaking roles in films like The Dirty Picture, Bhool Bhulaiya, Kahaani and Parineeta.

    Apart from Balan, actor/director Nandita Das is also a part of a separate jury for short films. Director Shekhar Kapur and actress Sharmila Tagore have previously featured in the Cannes jury.

    Cannes has invited India this year to celebrate 100 years of the country‘s cinema. The festival will open with ‘The Great Gatsby‘, which also has Bollywood superstar Amitabh Bachchan in a cameo. The actor will be attending the opening ceremony with his daughter-in-law Aishwarya Rai, a regular at Cannes‘ red carpet. This year she has been extended a special invite to the festival.

    This year, four Indian films have been selected in different non-competition categories at Cannes. Bombay Talkies, an anthology film by four directors – Kashyap, Dibakar Banerjee, Zoya Akhtar and Karan Johar – will have a gala screening at the festival.

    Kashyap will also be screening his Ugly in festival‘s Directors‘ Fortnight sidebar where he earlier showcased his two-part revenge drama Gangs of Wasseypur.

    Dabba (Lunchbox) and Monsoon Shootout, co-produced by Kashyap, have been selected for Cannes Critics Week and Midnight Screening sections respectively.

  • Star Jalsha and Star Utsav launch on ATN Canada

    Star Jalsha and Star Utsav launch on ATN Canada

    MUMBAI: It’s Canada Ahoy for Star Jalsha and Star Utsav, two channels from the Star Network India stable. Asian Television Network (ATN), Canada‘s largest south Asian broadcaster, has signed licensing agreements under which it has been granted exclusive rights to the two channels. STAR Utsav will complement ATN‘s five Hindi general entertainment channels and STAR Jalsha will complete its four channel strong bouquet of Bangla language channels from India and Bangladesh.

    The Canadian premiere of these two channels commenced last week on Bell Fibe TV in Metro Toronto and Montreal. The two channels will have a free preview for 60 days. In addition to the existing subscriber base, with the launch of these new channels, ATN expects to gain new subscribers through cable, satellite and IPTV platforms across Canada.

    This will expand channel bouquet that ATN Canada delivers to South Asians across the land of the maple leaf to 39.

  • Delhi High Court directs MSM to reconnect signals of Kanpur MSO

    Delhi High Court directs MSM to reconnect signals of Kanpur MSO

    New Delhi: The Delhi high court today directed Multi Screen Media to reconnect the signals of a multi-system operator in Kanpur after it was argued that Broadcast Engineering Consultants (India) Ltd (Becil) was the only authority to certify the genuineness of a digitized set up for cable television. Justice Rajiv Shakdher directed that Becil should give its report by 17 May when the case will be heard.

    Vishal Mishra of Vishal Cable Network of Kanpur had filed the case after MSM cut off the signals without any notice on the ground that the MSO had not digitized his operations.

    Vikram Singh, counsel for the MSO argued in Court that Becil was the only authority to take a decision on such issues. In any case, he said that notice should have been issued to the MSO.

  • India, China prime drivers of pay-TV revenue growth in Asia, says MPA

    India, China prime drivers of pay-TV revenue growth in Asia, says MPA

    MUMBAI: Asian tigers China and India together are expected to contribute almost 69 per cent of pay-TV revenues in the Asia Pacific from 2012 to 2020, according to findings of a new report by Singapore-based pay-TV research firm Media Partners Asia (MPA).

    MPA analysis shows that China and India will contribute 46 per cent and 23 per cent respectively to pay-TV industry revenue growth between 2012-20. Excluding China, India‘s contribution grows to 42 per cent, followed by Korea and Japan at 12 per cent and 13 per cent respectively, and Australia at 7 per cent.

    According to MPA, India‘s contribution reflects large volumes, a significant growth in accessible digital subscription revenues (distributed evenly across the value chain) and a large local advertising pie.

    In Southeast Asia, Malaysia leads with a 5.5 per cent contribution to revenue growth, driven by the growth of ARPUs and ad sales. Advertising revenues will also experience significant growth from a low base in key Southeast Asia markets such as Indonesia, Philippines, Thailand, and Vietnam.

    MPA forecasts indicate that Asia Pacific pay-TV industry revenues will grow at a 7.6 per cent CAGR between 2012 and 2020, doubling from $48 billion to $86 billion.

    Within this segment, subscription fees will grow at a 7.4 per cent CAGR, rising from $37 billion to $65 billion over the same period while net advertising revenues, calculated after estimated discounts, will grow at 8.1 per cent CAGR, reaching $21 billion in 2020 versus $11 billion in 2012, the report says.

    The digital pay-TV homes in Asia are projected to reach 696 million by 2020 from 444 million in 2012 driven by strong subscriber growth in India and China. Asia Pacific is expected to have 631 million digital pay-TV homes by 2017.

    The report adds that China and India will contribute 66 per cent and 21 per cent respectively to Asia Pacific pay-TV subscriber growth between 2012 and 2020.

    According to MPA, the Asia Pacific pay-TV subscriber growth is expected to witness robust growth with 13-14 million new subscribers added every year between 2013 and 2016, moderating thereafter though still adding close to 7 million subscribers per year by 2020.

    In Asia excluding China, India accounts for a massive 63 per cent of new subscriber growth between 2012 and 2020, underlining its huge importance to the pay-TV ecosystem, while Southeast Asia will contribute 16 per cent led by Indonesia at 7 per cent.

    Adjusting for multiple connections or homes, pay-TV penetration in Asia excluding China will grow from 53 per cent in 2012 to 61 per cent by 2020.

    Net new subscriber additions totaled 31 million in 2012, with year-on-year customer growth at 8 per cent. Excluding China, new pay-TV subscribers came in at a somewhat milder 13.4 million in 2012, taking the overall Asia ex-China subscriber base to 211 million.

    The growth in Southeast Asia was strong with 3.5 million new subscribers. India experienced a slowdown but managed to add close to 6 million new subscribers.

    Driven by digital TV (DTV) transition in China, India, Korea and Taiwan and the steady growth of DTV pay subs in Southeast Asia, MPA sees total digital subscribers growing from 257 million in 2012 to 539 million in 2017, and 626 million by 2020. Digital penetration of total pay-TV subs will grow from 58 per cent in 2012 to 90 per cent by 2020.

    After adjusting for multiple connections in a household, the MPA forecasts indicate that pay-TV penetration will climb from 51% in 2012 to 68% by 2020.

    The HD pay-TV subscriber universe is expected to rise exponentially to 160 million by 2020 from 37 million subscribers in 2012, while DVR subscribers will grow to 18 million from 6 million over the same period.

    China will be the major contributor to HD growth, followed by India, Japan, Korea, Australia, Taiwan and Malaysia, the report explains.

    The projections are published in a new report called Asia Pacific Pay-TV & Broadband Markets, an analysis of consumption, investment and revenue generation across pay-TV, broadband, digital TV and interactive value added services in 18 Asia Pacific markets.

    Commenting on the findings, MPA director Vivek Couto said, “A steady growth in population and a young demographic, combined with a rising middle class and the spread of wealth amongst local groups, is driving strategic decisions and execution in the pay-TV industry. These factors, in turn, will help boost household formation and consumer spends. This will also help grow pay-TV consumption and investment.”

    According to Couto, subscriber growth and revenue generation will be driven by: (1) Continued investment in local content, and the growth of localization among global and regional brands; (2) Digitalization in emerging markets; and (3) The growth of HD, premium and on-demand services in more mature markets.

    Significantly, the MPA report also notes: The growth of mobility and broadband penetration (with fiber expected to play a larger role in the future) is also influencing pay-TV strategy, execution and consumption.

    Fragmentation of eyeballs is growing with the proliferation of multiple devices. This is also driving consumption of illegal online video in many territories. The response of pay-TV companies has been defensive and aggressive in equal measure, the report notes.

    In 2012, TV Everywhere (TVE) type solutions with improved windows have been deployed across most of the region largely authenticated to customers with a pay-TV connection.

    Arguably, the most aggressive responses have come from content powerhouses that own most of their IP with clear packaging and a commitment to product innovation, the report concludes.

  • Zee TV’s mobile app crosses ‘1 million downloads’ mark

    Zee TV’s mobile app crosses ‘1 million downloads’ mark

    MUMBAI: Zee TV‘s interactive mobile app for its non-fiction shows has crossed a milestone of one million downloads according to Mobilox Innovations.

    Leveraging the success of Zee TV‘s popular non-fiction shows like ‘Dance India Dance‘, ‘DID L‘il Masters‘ and ‘Sa Re Ga Ma Pa‘, the mobile app boasts of a wide array of interactive features that engage users, offering them a unique window of experiencing these shows.

    According to the channel, Zee TV‘s current non-fiction property ‘India‘s Best Dramebaaz‘ is delivering overwhelming response from viewers across India. Hence, the app is now titled ‘India‘s Best Dramebaaz‘ app and is available on all key digital platforms such as iOS, Android, Blackberry and Symbian.

    In one of the mobile innovations, Zee TV has converted the original mobile app created for ‘DID Season 3‘ into apps for each successive season of its ongoing non-fiction shows, thereby retaining its original user base, while adding more users with each new season.

    Zee Entertainment Enterprises marketing head-national channels Akash Chawla said, “Zee TV‘s shows have consistently topped viewership scorecards, making them the rulers of the on-air space. Even off-air, it is gratifying to note that our non-fiction shows have emerged as the front-runners of the digital space with their mobile app crossing a milestone of 1 million downloads. At a time when ‘on-demand‘ entertainment is the order of the day, we have been successful in providing our viewers with content that has kept them engrossed and engaged.”

    Following a successful collaboration for the mobile application of its previous non-fiction shows, Zee TV has continued its partnership with Mobilox Innovations to develop the WAP and app technology for ‘India‘s Best Dramebaaz‘.

    In addition to keeping the tech-savvy youth connected with their favourite shows, the app provides users with exclusive behind-the-scenes peeks into the shows, connecting them with contestants, judges and skippers. The live chats with judges and personalised dance tutorials by skippers of ‘DID L‘il Masters 2‘ have been crowd favourites while the easy voting feature has seen the contestants register a staggering number of votes on every season of Zee TV‘s non-fiction shows.

    Mobilox COO Rohit Kaul said, “A million app downloads means a million new touch-points on the most personal device these days. Just technology development wouldn‘t have made it successful. The three key factors which helped the app scale to million downloads were Strong Product Concept, App Store Optimisation and App Store Affiliations. Mobilox will continue to do the same for Zee TV and add newer innovations to Mobile App Marketing to achieve multi-million downloads in future. This new benchmark set by Zee, apart from its existing reach via TV, will create newer trends and innovations in the way audiences interact with the same brands on multiple screens.”

  • Hathway appoints Jagadesh Babu Botta as EVP- operations

    Hathway appoints Jagadesh Babu Botta as EVP- operations

    MUMBAI: : Viacom18‘s 24×7 English comedy channel Comedy Central has been getting some popular international properties to India like Suits and Anger Management. This time, the channel brings a local flavour to its programming by airing Comedy Central presents Ash Chandler and the Ministry of Schitick on 21 April at 9.00 pm.

    The title presenter of the show is Fiat.

    The half an hour long show will have two to three minute gags by Chandler and his troupe – Varun Thakur, Anuvab Pal, Raunaq Rajani, Rohit Shankar and Neville Shah.

    “When Ash came ot us with the concept, we thought it must be given a shot. We are very happy to be dishing out local content of this kind on Comedy Central and are very optimistic of this experiment,” said Viacom18 Media SVP and GM – English Entertainment Ferzad Palia.

     This is the first time that a local stand up comedy show has been shot in the studio and will be aired on television. Most recently, the channel aired the Sugar Sammy on ground shows in the weekend prime time slot.

  • Rajan Anandan takes over as new IAMAI chairman

    Rajan Anandan takes over as new IAMAI chairman

    MUMBAI: Google India MD Rajan Anandan has to take over as the new chairman of the Internet and Mobile Association of India (IAMAI). He replaces InfoEdge MD and CEO Hitesh Oberoi, who was at the helm of IAMAI‘s affairs since April 2011.

    Facebook director online operations and head of office India Kirthiga Reddy has replaced Yatra co-founder and CEO Dhruv Shringi as the vice-chairman replacing of the mobile and internet body.
     
    On his new role, Anandan said, “I am excited to take over this responsibility at a time, when the industry is going through an exciting transition. The digital industry has reached an inflection point and is growing steadily. IAMAI, which has been working persistently towards the growth of the medium, is also growing. We plan to engage and interact more closely with the government to ensure that the online industry registers a balanced growth in the years to come and the internet user base widens.”

  • Amazon expands Appstore availability to 200 countries

    Amazon expands Appstore availability to 200 countries

    MUMBAI: Amazon.com continued the global expansion of its Appstore by announcing that developers can now submit their apps for distribution in nearly 200 countries, including Australia, Brazil, Canada, Mexico, India, South Africa, South Korea, and even Papua New Guinea and Vatican City.

    These apps will be made available in the coming months when the Amazon Appstore for Android launches internationally for consumers. Registered developers who want international distribution will have their apps automatically made available for download, unless they designate otherwise. This international expansion is the latest in a series of Amazon Appstore for Android launches, which have included the UK, Germany, France, Italy, Spain and Japan.

    “Amazon‘s platform is a complete end-to-end solution for developers wanting to build, market and monetize their apps and games on Kindle Fire and Android devices,” said Amazon Vice President of Apps and Games Mike George.

    “Allowing developers to target distribution of their apps and games in even more international countries is yet another important milestone as we strive to serve consumers and developers globally. Many of our existing developers have localized their apps and games for international consumers, and we look forward to working with new developers that have been waiting to bring their apps to more Amazon customers across the globe.”

    Amazon.com claims that developers throughout the world are experiencing strong monetisation and user engagement through Kindle Fire and the Amazon Appstore.

    The success is being driven by Amazon‘s large customer base and industry-leading e-commerce features like 1-Click purchasing, Amazon‘s APIs for In-App Purchasing (IAP) and A/B Testing, and GameCircle, Amazon‘s gaming experience for Kindle Fire. A recent study of more than 500 games that utilize in-app purchasing on Amazon found that GameCircle-enabled mobile games earned 83 percent more average revenue per user (ARPU) than non-GameCircle games.

  • India’s strong showing in Publicis Groupe’s global growth in Q1

    MUMBAI: India continues to be a driving force for France-based global media conglomerate the Publicis Groupe in 2013. The group‘s business in the country grew at 10.7 per cent in the first quarter of 2013. It was the region to record the second highest growth after China that grew at 15.2 per cent.

    Publicis Groupe‘s consolidated revenue for the first quarter of 2013 was Euro 1,563 million, up 7.6 per cent from Euro 1,452 million for the same period in 2012. The group registered overall organic growth of 1.3 per cent for the first quarter (8.5 per cent organic growth in digital and -2.3 per cent in analogue/non-digital business).

    The growth by geographies was led by the BRIC+MISSAT (Brazil, Russia, India and China + Mexico, Indonesia, Singapore, South Africa and Turkey) regions at 14.2 per cent. The two combined territories grew from revenue collection of Euros 176 million in Q1 2012 to Euros 201 million in the first quarter of 2013. Russia grew at a rate of 5.7 per cent.

    While North America contributed to nearly 50 per cent of the revenue, majority regions in Europe saw significant negative organic growth. Publicis‘ revenues in North America grew from Euros 724 million in Q1 2012 to Euros 776 million in Q1 2013, an increase of seven per cent. The region saw organic growth of 4.4 per cent.

    Europe (excluding Turkey and Russia) registered organic de-growth of 6.5 per cent. It saw advertising investments decline sharply, mainly in the non-digital segment (analogue). The vast majority of countries in this region recorded negative growth, including Germany (-4.8 per cent), the UK (-6.1 per cent), France (-11.3 per cent), Spain (-13.1 per cent) and Italy (-13.7 per cent) while Central Europe grew by 3.8 per cent.

    The group has maintained its thrust on India with its only acquisition in the quarter coming in the form of full service digital marketing and consulting agency Convonix. It is expected to align with Starcom MediaVest Group (SMG) in India to provide search engine optimization, paid search engine marketing (SEM), social media marketing and online reputation management to an extensive roster of clients.

    Major account wins for Publicis Groupe in the country in this period included HP (DigitasLBi), Eureka Forbes (DigitasLBi) and Subway India (Publicis Worldwide).

    Publicis has also recently made it known that it plans to make more acquisitions in the country. A technology services firm is said to be the next target on the group‘s mind which will be merged with its digital entity Razorfish on acquisition. Details of the agreement are expected over the next month.

    Other major investment for the group in Q1 2013 was the completion of the share purchases of digital agency LBi International and the buyback of shares (approx. 3.9 million for a total price of 181 million euro) from Japanese media giant Dentsu.

    The Groupe expects its revenue stream to grow slowly in the first half-year, then gathering pace in the second half-year, with annual growth for 2013 exceeding the market and its own performance in 2012. The Groupe‘s internal objective is between 3.2 per cent and 3.6 per cent.

    Publicis chairman and CEO Maurice Levy said, “As I predicted, 2013 is turning out to be a difficult and contrasted vintage, with on the one hand the United States consolidating its growth and on the other hand Europe suffering. Our first quarter ended satisfactorily, and while 1.3 per centorganic growth may seem modest, it is above our internal objectives and compares with the strong growth recorded in the first quarter of 2012. This is particularly true for Europe with a 10 points gap between 2012 first quarter (+3.6 per cent increase) and 2013 (6.5 per cent decrease). The Groupe‘s transformation continues apace: digital activities now represent 37 per cent of total revenue, and strongly stands as our first activity. When combined with revenue from the so-called “emerging” markets, our business in these high-growth segments generates close to 60 per cent of our total revenue, in keeping with our five-year goal of 75 per cent from these segments. North America accounted for 50 per cent of our revenue in the first quarter of 2013. This rebalancing is very encouraging in order to meet the challenges of 2013 and 2014. They bear fruit as shown by our performance in net new business wins surpassing the high level of $ 2 billion. The pipeline remains solid and comforts us in the Groupe‘s ability to reach its objectives for 2013, namely to improve its margin and to outperform the market and our own 2012 in terms of organic growth.”

  • FHM India App is available on Windows Phone 8

    FHM India App is available on Windows Phone 8

    MUMBAI : Men‘s lifestyle magazine For Him Magazine India has recently launched its app on Windows phone 8 for free. According to FHM Windows phone was the natural choice for the company. The app has special features such as the lockscreen where the images continually change on a schedule pre-set by the user.

    It can be downloaded from the Windows Phone store where the content will be uploaded twice a week which it will include different sections like cover girl, the girl next door, an extended image gallery, jokes, witty one liners and the latest on bikes, cars and gadgets as well as contests.

    To access favorite sections of FHM users can pin the sections onto the start screen and directly access one‘s favorite sections. If one is more interested in gadgets than cars or in the Girl Next Door rather than the Cover Girl, one can increase and decrease the tile accordingly. Readers can choose their favorite pictures available on the FHM app and set them as a lockscreen (aka a wallpaper). Besides choosing their lockscreen wallpaper, readers can also access content exclusive to the app from FHM India.

    FHM India editor Kabeer Sharma said , “The ethos of the app is Sexy, Edgy, Useful content on the go. We‘ve taken the best parts of FHM and put them in an app for your Windows 8 Smartphone. But, for those who scandalise easily, we have put in gadgets, music, cars and trivia in there too. The app is your daily dose of content broken down bite sized just like your mother used to do.”

    Commenting on the same Microsoft Corporation India, director Vineet Durani said ,”Microsoft is very pleased to debut the FHM India app adding to the growing list of exclusive fun apps on the Windows Store. As the Windows Phone 8 offers consumers a great experience across different price points and app publishers a high level of security features, the Windows Phone Store is fast becoming the app store of choice for the best apps in India and the world. The FHM India app with its exciting mix of content is a great match for the features of the Windows Phone 8 device. It is as unique and cool as Windows Phone 8 itself”.