Tag: India

  • India to lead increased ad spends in BRIC countries: Warc

    India to lead increased ad spends in BRIC countries: Warc

    NEW DELHI: Global advertising expenditure is forecast to grow by 5.6 per cent at current prices in 2014, rising to 5.3 per cent in 2015.

    According to Warc’s latest International Ad Forecast, the BRIC countries led by India are expected to post the largest ad spend increase this year, although their impressive rates of growth are forecast to be much lower in real terms once inflation is taken into account.

    Ad spend growth is forecast to rise 14 per cent in India (5.6 per cent adjusted for inflation), 12.4 per cent in Brazil (6 per cent), 12.3 per cent in China (9.5 per cent), and 8.6 per cent in Russia (2.2 per cent).

    In its previous report published in October 2013, Warc anticipated global growth of 4.4 per cent in 2014 based on its analysis of 12 leading markets – Australia, Brazil, Canada, China, France, Germany, India, Italy, Japan, Russia, the UK and the US.

    However, improved trading conditions, greater economic stability and an expected stimulus from major sporting events, such as the FIFA World Cup and the Sochi Winter Olympics has led to a more positive outlook.

    In the more established markets, the UK is forecast to record the highest rate of growth on 5.8 per cent (3.8 per cent adjusted for inflation), closely followed by the US at 5.6 per cent (3.8 per cent).

    At current prices, they will be followed by Canada (3.2 per cent), Australia (2.9 per cent), Japan (2.3 per cent), Germany (2 per cent), Italy (0.7 per cent) with France trailing on 0.2 per cent projected growth.

    “This year is set to record the highest annual rate of growth since 2010, when the industry was bouncing back from recession,” said Warc data and journals director Suzy Young.

    “This is largely because the outlook for the global economy is now stabilising and advertisers are starting to feel confident about making additional investments,” she explained.

    Looking to 2015, all 12 markets are expected to show growth in ad spend at current prices, with India increasing its ad spend at the fastest rate of 13.5 per cent. 

  • Star Sports bags India Bangladesh ODI rights

    Star Sports bags India Bangladesh ODI rights

    MUMBAI: The suspense has ended finally. Sports broadcaster Star Sports has acquired the broadcasting rights for the tri-series between India and Bangladesh. The sports broadcaster got the rights from Bangladesh Cricket Boards official media partner Gazi TV.

     

    As reported earlier, Gazi TV officials were apprehensive about finding a media partner in India and were reportedly in talks with star Sports to bag the telecasting rights.

     

    Sony Six already has its hands full with the ongoing FIFA World Cup and wasn’t too keen on bagging the series. With BCCI and sports channels: Ten Sports and Neo Sports fighting it out in the court, it was unlikely that the two would bag the rights.

     

    According to media reports, Star Sports had offered Rs 50 million per match, which was too less according to Gazi TV. Thus, with Star Sports being the only player it was expected that they only would bag the rights.

     

    The three match series began on 15 June and will be played on 17 June and culminate on 19 June in Dhaka.

     

    The English commentary match will be shown on Star Sports 1, Star Sports HD 1 and starsports.com, while the Hindi will be aired on Star Sports 3.

  • ‘India’s Raw Star’ – Yo Yo Honey Singh begins the hunt for the next music sensation

    ‘India’s Raw Star’ – Yo Yo Honey Singh begins the hunt for the next music sensation

    MUMBAI: Star Plus is all set to team up with the biggest youth icon, Yo Yo Honey Singh for a first of its kind, unconventional singing reality show – India’s Raw Star.  The show that marks Yo Yo Honey Singh’s debut on television will bring in a new visual experience to music, something which has never been seen before in any singing reality show.

     

     Yo Yo Honey Singh will be playing the role of a friend-mentor-judge to all the budding Raw Stars.  He will be seen picking up participants from different parts who with their unique singing, style and performance, will fight it out to become the first ever India’s Raw Star.

     

     Gone are the days of standing in long queues for hours and travelling long distances for auditions.  Talent will now be picked up from across India and households abroad with the help of the digital platform, and success will just be a click away through the first ever exclusive digital auditions.

     

    India’s Raw Star kick started the audition phase of the show by opening its digital platforms for users to upload their audition video. The users have been given an option to upload an entertaining, and performance packed video of them singing on either the India’s Raw Star mobile app, WAP site or on the website. The channel has also released a special audition tutorial video with Yo Yo Honey Singh to explain to viewers the process of uploading an audition entry.

     

    Produced by reality show veteran Gajendra Singh’s – Sai Baba Productions,  India’s Raw Star will be on the lookout for the ultimate performing artist who can create their own inimitable style of singing, and is an all-round performer irrespective of the language of singing or the genre of music. In the show, Yo Yo Honey Singh will specifically look out for talent who are great performers and not necessarily just great playback singers.

     

    Nikhil Madhok, Senior Vice President Marketing & Programming Strategy at Star Plus, said, “Star Plus has always been at the forefront of creating benchmarks . With India’s Raw Star we are trying to create one such benchmark with the way we are conducting auditions for the show, which will be done exclusively on the Digital platform. Not only will this make it easier to for potential participants to audition, it will also enable others to view audition videos online, share them on social and create an online fan community even before the launch of the show. The initial response has been tremendous and we hope to see this grow in the weeks to come.”

     

    India’s youth sensation and icon, Yo Yo Honey Singh will be involved at each step in the journey of making the promising young talent into a Raw Star. “I am looking for talent that is authentic, original and raw! In India’s Raw Star the hunt is for someone who has his or her own style of singing, a non-tampered versatility in his or her style, someone who is as fresh as maa ke haat ka khaana. The singer has to be a performer and has to be someone who is better than me and that is no easy task!” said Yo Yo Honey Singh.

     

    One can log onto www.starplus.in/indiasrawstar via web or mobile phones. Alternatively one can download the India’s Raw Star mobile app. A contestant can participate by submitting his audition video along with the requested details. Below mentioned are the Terms and Conditions for the auditions and process of how to upload one’s video.

  • Be the change to make one:  Shravan & Sanjay Kumaran

    Be the change to make one: Shravan & Sanjay Kumaran

    GOA: Take a look back in time when you were 14, do you recall of anything significant that you had done?

     

    Unlike the other teens, who spend half of their time playing or daydreaming, Shravan and Sanjay Kumaran who are in their early teens have gone ahead to do something which is extraordinary.  At the ninth edition of GoaFest, no one had really expected two kids all suited, to go up on the stage confidently to share their business story. With a grin and passion in their eyes Shravan and Sanjay, breaking their nervousness said, “We feel as if we have come for an awesome party.”

     

    The duo kick started the session smartly making the audience cheer for them. They sweetly narrated their story to a packed audience. Two years ago, the Kumaran brothers launched a mobile application on apple store. They set a challenge to first upload an application on apple store. The reason was impressive: They wanted to create an application that is worth downloading. As the Apple store has a rigid process of evaluating, Kumaran brothers thought to take a risk, all for good learning.

     

    Like a dream come true incident, their first application called ‘Catch Me Cop’ was approved by the Apple store within a week’s time. The application also got remarkable response. The duo mentioned that all this happened without any marketing or word of mouth activity.

     

    There was no looking behind for them from then. They have tested over 150 applications till date and have published a few innovative apps for various mobile platforms. From taking their mother’s advice to creating storylines from their real life episodes, the Kumaran brothers have set a standard in today’s ever emerging small screen businesses.

     

    The two teens believe that mobile has the power to change the world and the future looks “awesome.” What is even better to hear about them is the fact that they are thinking like visionaries. The two of them have decided to give away 15 per cent of their profits to charity. They believe, “Be the change to make one.”

     

     Looking at the Kumaran brothers; we are sure that our future is in good hands!

  • Star Plus goes for finite fiction on Sundays

    Star Plus goes for finite fiction on Sundays

    MUMBAI: With an overkill of reality shows during weekends on most television channels, Star Plus is taking the road less travelled. The popular GEC will air its existing fiction shows from Monday to Saturday and if sources are to be believed, starting end June or beginning July, it will launch three finite fiction shows to be telecast exclusively on Sundays every week.

    The trio is expected to fill up vacant slots left after Mad in India was pulled off air after it failed to live up to audience and channel’s expectations.

    “Star Plus is known to create content which is different from other offerings. At a time when other channels are focusing on non-fiction properties, we at Star have decided to take a completely different route with finite fiction shows,” a source told this website.

    It is learnt that of the three new shows, the first, produced by Miditech India, revolves round the aviation industry and is tentatively titled Airlines.

    Host of The Great Indian Love Challenge on NDTV Good Times, VJ Yudhishtir aka Yudi, will play the male lead while Mere Yaar Ki Shaadi Hai fame Tulip Joshi, who made her Bollywood debut as Sanjana will be cast as the female lead. Shooting is already said to have started in the capital.

    A la Anil Kapoor’s Hindi version of American series 24 on Colors, Star Plus’ second show will be the desi adaptation of Shonda Rhimes’ hit series Grey’s Anatomy starring Ellen Pompeo, Sandra Oh and Patrick Dempsey. Tentatively titled Hospital, the series will be produced by Endemol.

    The third is Ashutosh Gowariker’s much-hyped show Everest which tells the story of a young girl who wants to prove her mettle to her father by living his dream of scaling the Mount Everest. The shoot took place not so long ago at the Nehru Institute of Mountaineering (NIM). Everest stars Rohan Gandotra who is seen in the new Dermicool ad and Shamata Anchan who appears in the Garnier commercial. The 25 to 30 episode show will have a finite beginning and a finite end, according to the same source.

    In addition to these three shows, rapper-actor Yo Yo Honey Singh of Blue hai paani paani fame will make his small screen debut with a music reality show called India’s Raw Star which aims at tapping raw talent from all corners of India.

    Singh will be seen as judge cum mentor on the show. The promos are already out on the digital platform and feature Singh egging on young singers to think out of the box to get an entry into the show.

    At the time of penning this article, the video uploaded on YouTube had already got more than 55,000 views. The auditions too will be only through digital where contestants will have to shoot their music videos and upload the same on the show’s official website. India’s Raw Star is likely to go on air by end July and will mostly be telecast on Saturday and Sunday.

    Participants can log on to www.starplus.in/indiasrawstar via web or mobile. Alternatively, one can           download the India’s Raw Star mobile app and submit his/her audition video along with the requested details.

    A media planner expressed the view that having finite shows over the weekend is advantageous. “I think this different approach will do well for the channel. Understanding the nature of the audience and their requirement, I think it’s the right step taken by the channel, where others are ruling in the dancing and comedy space. But only worry is the content. It should have a strong reason for making people switch to another channel when they are used to watching dancing and comedy,” he said.

    Click here to watch the promo

  • India’s Home Cable partners with Indonesia’s BesTV to launch global OTT/IPTV services

    India’s Home Cable partners with Indonesia’s BesTV to launch global OTT/IPTV services

    NEW DELHI: India’s Home Digital Media has joined BesTV Indonesia to launch its OTT (Over the Top)/ IPTV services globally to target the 25 million Indian diaspora living outside India by using the CDN “Content Delivery Network” of Akamai and Octoshape.

     

    Home Digital Media which is a subsidiary of Home Cable Network, an independent Delhi based multi system operator (MSO) and a “Class B” ISP in India headed by Vikki Choudhry, has successfully tested the system.

     

    BesTV and Home Digital Media have been working in close association on this partnership project for the past three years and  have rolled out its global OTT services on the various application platforms  of Intan, MyTVapp, Relay TV and Home Digital Anytime/Anywhere TV.

     

    Choudhry told indiantelevision.com that this strategic association will provide Live TV channels, Movies and Music on Demand content through various applications specially developed for Android, iOS, 3GPP and Windows with a tailored solution of push and lev transcode made for low bandwidth with adaptive bitrates supporting multi format live streaming for the Aviation and the Maritime Industry.

     

    Targeting about 90 million passengers travelling every month, it will enable passengers on ships and even airlines to watch excellent quality Live TV Indian and International content on their handheld tablets, ipads and laptops while on the move.

     

    Home Digital has a worldwide footprint through its Sillicon valley headquartered technology partner company Gaian Solutions with R&D development centres in India and China. Gaian is a leading edge media technology platform company that caters to all aspects of the content distribution, content streaming, DRM, and also STB solution for delivery over Cable, Satellite, OTT and IPTV platforms.

     

    BesTV Indonesia is an affiliate to BesTV International, a subsidiary of Shanghai Media Group (SMG), China. BesTV Indonesia and BesTV International are principally engaged in the provision of technical content and marketing services for TV, computer and mobile terminals through media source platforms. The Company’s main business includes Internet protocol television (IPTV), mobile, smart television and network video, broadcasting integration movie, television and multimedia production business.

     

    BesTV China is also the pioneer and founder of Chinese IPTV business model in 2005 and has already grown into the world’s largest IPTV operator with more than 20 million effective IPTV users in China.

     

    BesTV International operates its business in North Asia, Southeast Asia and Africa.  BesTV has worked enthusiastically to develop comprehensive strategic partnerships with leading manufacturers through close cooperation, with the purpose of building the bridge between television and telecommunications industry, sharing industry opportunities and realizing common development.

  • ‘Children of War’ releases in India and Bangladesh

    ‘Children of War’ releases in India and Bangladesh

    NEW DELHI: ‘Children of War’, a chilling tale of the freedom movement in (then) east Pakistan for creation of a free Bangladesh and its effect on the common people, will be released simultaneously in India and Bangladesh.

     

    However, the version released in Bangladesh is dubbed in Bengali, according to producer Soumya Joshi Devvrat.

     

    The only other time an Indian film had simultaneous release in these two countries was that of Goutam Ghose’ Bengali film ‘Moner Manush’ which was based on the life of Lalan Fakir and had a Bangladeshi co-producer.

     

    Asked why the film has one song in Bengali while the others are in Hindi, she said it was because the song tells a story of emotions of the people at the time.

     

    Loosely-inspired by the unfinished biography of Banga Bandhu Sheikh Mujibur Rahman who led the Mukti Bahini, the film was released in India and Bangladesh in 450 screens.

     

    Inspired by the biography, Devrat and her husband Mrityunjay who has directed the film researched several documents and also met some Indian Army veterans. She says that as several documents on Bangladesh were not available in India, they had to be procured from the United Kingdom.

     

    The movie begins in March 1971 and covers a period of nine months showcasing the atrocities and the crude inhumane methods adopted by the military of West Pakistan. With the support of the Americans and the Chinese, the Pakistani soldiers go on a rampage killing and raping hundreds of thousands of people across the region.

     

    She reveals that the choice to follow three separate stories during the Bangladesh War was a deliberate decision to give a wider picture of what happened before the Indian Army stepped in, as taking a linear story would not have done justice to the story about the birth of a new country.

     

    Thus, the narrative follows the story of a boy, his sister and his father’s word, a liberal patriotic journalist who is forced to take to arms, a war child’s search for acceptance, and the atrocity of the Pakistani army which raped over 400,000 women and killed millions of people. As the film progresses towards its climax, the three stories begin to intertwine with one another.

     

    The film stars Riddhi Sen, Rucha Inamdar, Victor Banerjee, Farooque Shaikh, Indraneil Sengupta, Raima Sen, Tilotama Shome, Rupa Ganguly, and Pavan Malhotra in a powerful negative role.

     

    The film has music by Ishaan Chhabra with songs by Sidhant Mathur. Cinematography is by Fasahat Khan with editing by Apurva Asrani. 

  • Microsoft launches Nokia XL in India

    Microsoft launches Nokia XL in India

    MUMBAI: Last week after launching Nokia 630 in the affordable category, Microsoft Devices today announced that Nokia XL. Nokia XL is considered to be the flagship large screen offering under the Nokia X family of affordable smartphones that run Android apps, will begin selling in India soon. The device is priced at Rs 11,489.

     

    Commenting on the launch of the product, Nokia India Sales (subsidiary of Microsoft Mobile Oy) Director Marketing Viral Oza said, “With the Nokia X Family we look to offer a variety of choices to our consumers at different price points.  After receiving a great response with the Nokia X, which introduced the category to this market, we are now bringing the much awaited Nokia XL and X+ to our consumers. Nokia XL, our flagship offering within the Nokia X family, comes packed with a large screen experience with a superlative front camera and a wide array of apps, offering a great Smartphone experience at an affordable price point. This will be further amplified through the X+ which will be simultaneously launched with the XL completing the Nokia X family serving as the perfect introduction to the world of Android apps, coupled with signature Nokia experiences, and the most popular Microsoft services.”

     

    To allow consumers to enjoy apps on Nokia XL, Microsoft Devices has tied up with Airtel to give users free unlimited download of Android Apps for six months. The plan allows upto 500MB of free usage through which consumers can download the apps via the Nokia Store and the 1Mobile store.

     

    The Nokia XL device is the next offering in the Nokia X family which includes Nokia X, launched earlier this year in India, and the Nokia X+  launched simultaneously  comes armed with an enhanced RAM (768MB) for even faster multitasking and is  priced at Rs. 8,399. The new Nokia X family is the perfect introduction to the world of Android apps, coupled with signature Nokia experiences, and the most popular Microsoft services. 

     

    Consumers can access and download a wide array of Android apps, which can be side loaded as well as downloaded through Nokia’s own store and several popular third-party apps. Leading global apps will be available at launch for the Nokia X family of devices, including Facebook, LINE Free Voice and Messages, LINE Camera, LINE Bubble, Picsart, Plants vs. Zombies 2, Real Football 2014, Skype, Spotify, Swift key, Twitter, Viber, Vine and WeChat, among others. Additionally, as a first for Nokia customers around the world, BBM, a premier mobile messaging platform, will also be available on the Nokia X family of devices.

  • India gets pride of place at 43rd IAA World Congress

    India gets pride of place at 43rd IAA World Congress

    MUMBAI: The IAA Chapter Excellence Award is awarded to the IAA chapter judged to have made the best overall contribution to achieving the aims and objectives of the IAA over the previous two years. This year, four chapters competed – India, Austria, Lebanon and Serbia.

    According to Heather Leembruggen, Chairman of IAA Awards 2014 Committee, “IAA India Chapter had stiff competition from three other countries, but the variety of events across India and the quality of each event, put IAA India Chapter on top to win this coveted recognition.”

    The presentation of the 2014 IAA Chapter Excellence Award was made during the well attended 43rd IAA World Congress in Beijing on 10th May 2014.

    On behalf of IAA, Mr Faris Abouhamad,  Chairman & Worldwide President expressed his happiness and extended congratulations to the India Chapter and invited the Chapter President, Mr Srinivasan Swamy, to receive the award.  Mr Abouhamad praised the work the India Chapter had done in the past two years and said he was indeed pleased with the Chapter for making an outstanding contribution to the core values and mission of IAA – in particular, the providing of a forum for international industry debate, advocacy and professional development opportunities and an exceptionally healthy growth in memberships.  “The inventiveness shown by the India Chapter is commendable and will, I am sure, resonate to all other chapters so that we can hear about similar initiatives by IAA chapters in other countries” he said.

    While accepting the award, amidst a thunderous applause, Mr Swamy said that it was the cumulative result of the good work by all the Managing Committee members at IAA India.  He also thanked the IAA members in India for their continuous support and involvement in IAA initiatives.

    Some background to IAA Chapter Excellence Award

    The Chapter Excellence Award (formerly called the Golden Tulip Award) is presented to the IAA Chapter judged to have made the best overall contribution to achieving the aims and objectives of the IAA over the previous two years.  The award was established in 1957 by the IAA Holland Chapter. It was originally presented to the European company recognized for the best international advertising campaign.  Then, at an IAA Pan-European meeting in Amsterdam on 22 February 1973, it was decided it would in future be for IAA Chapters in the European Area.  From 1980 it was extended to embrace all Chapters worldwide.

    Former Recipients of IAA Chapter Excellence Award are :

    IAA India Chapter is also proud that Pardeep Guha its Past President and Area Director, IAA Asia Pacific was honored at the World Congress. He was the recipient of the Samir Faris Award  this year, making him the 12 beneficiary since its inception in 1990. IAA established the “Samir Fares Award” in recognition of IAA President Elect Samir Fares who had an untimely demise. It is awarded to professionals in recognition of their outstanding service in furthering the objectives of IAA.

    The past Samir Fares Award Winners are: 

    1990     Claude Chauvet                                             2002     Peter Combaz
    1992     Archie E. Pitcher                                            2004     David Hanger
    1994     Heather Leembruggen                                   2006     Michael Lee
    1996     Gohei Kogure                                                            2008     Jean Claude Boulos 
    1998     Loula Zaklama                                               2010     Hervé de Clerc
    2000     Senyon Kim          

    Commenting on the Award, Pradeep Guha said “I never expected this and I am humbled. I am thankful to the IAA Executive Committee and the Global Board for this honor. I do hope I can contribute more to further the cause of this respected body”. 

    Another important recognition went India’s way when Faris Abouhamad announced that Pheroza Bilimoria be given the Honorary Life Membership of IAA for all her contribution to the global body. Pheroza was till recently the Honorary Secretary of IAA Global and has been actively involved in IAA India Chapter since its inception.  Ms Billimoria could not attend the Congress in Beijing.  She was therefore given the certificate of IAA Honorary Life Membership at the IAA Young Turks Forum event in Mumbai on 13th May by IAA India President Srinivasan Swamy.  Said Ms Bilimoria “I am so deeply touched, honored and, most of all, humbled, by this gracious recognition. I  used to often sit in the audience at IAA World Congresses to admire and applaud those of my seniors who were the deserving recipients of this honour;  so it came to me as such an amazing delight to find that I have now joined their ranks!” 

    It was an Indian Summer at the 43rd IAA World Congress. In addition to the top three awards mentioned, the India born Indra Nooyi, Chairman and CEO of PepsiCo Worldwide was the recipient of the most prestigious IAA Award for her contribution to global marketing and advertising. 

  • News channels focus on graphics on D-day

    News channels focus on graphics on D-day

    MUMBAI: At a time when presentation matters as much as content if not more, news channels are leaving no stone unturned to better package their coverage of the elections, ahead of counting day on 16 May. According to insiders, channels are investing close to Rs 1 crore to Rs 1.5 crore in graphics and technology depending on their own internal resources.

     

    “There are two parts to it: pre-counting day and counting day. In the former, you have to effectively cover all constituencies and make people understand while in the latter, the emphasis is on graphics as well as synergy between getting the information and putting it out instantly,” says NDTV CTO Dinesh Singh. Simply put, maximum energy goes into ensuring that data is collected from multiple sources and punched in quickly to be flashed on your TV screens. More precisely, revamping studio sets, making graphics more elegant, and inflating backend support in terms of OB vans, cameras and servers are all part of this exercise.

     

    “Satellites, lease lines or 3G supported systems are used to send pictures and videos from the ground to the studio while historical data is put on air through graphics. This can be done either virtually on a green screen or in a real set with virtual graphics,” says Live India head of technical operations Johnjit Singh Ahluwalia. A case in point is Times Now where one can see editor-in-chief Arnab Goswami, belting out statistics in his swanky new studio with the graphics playing out in front of him. CNN-IBN, on the other hand, has tied up with Microsoft for presenting historical data of more than 60 years.

     

    Speaking of ABP News, the channel put in six months of effort to hire OB vans and extra manpower along with backpack units for larger coverage. New shows have been set up with multi camera facility, apart from extra microphones, cables, connectors and servers. Various mechanisms such as OB vans, leased lines, FTPS and back pack units like Live U and TVU that work on 2G/3G/4G and are equipped with a variety of data cards are used to receive data at the office. “We also focus on error-free transmission and so far, have achieved it. High end studio cameras are hired with a triax setup for outdoor shoots,” says MCCS marketing manager Vikas Singh.

     

    Network 18 has roped in AC Nielsen as the agency to handle raw counting day data. Planning was done eight months in advance, keeping in mind the pre-polling stage, the polling period, post-polls, counting day, and the results. “Technology plays a key role in the elections. From programmers to data analysts to statisticians, every specialist plays a key role. But more than playing an individual key role, I think the ability to maximise the relevance of technology and to be able to bring all of them together for a common deliverable is the key for in depth elections coverage,” says CNN-IBN and IBN7 managing editor Vinay Tewari.

     

    NDTV, with a developer team of 21 engineers and around 40 people in the graphics department, started preparations around three months in advance. “Earlier, counting used to be for three days and now, it starts in the morning and ends in the afternoon so the on-screen graphics need to be attractive and studio swanky,” says Dinesh Singh.

     

    ABP News has divided itself into teams of eight to 10 for production, camera editing, satcom, working for programmes etc. that report to line managers, who in turn report to the main head. Ahluwalia agrees about the importance of technology in election. “These are crucial five or six hours within which you either swim or sink. Most of the investment goes in the actual coverage from the ground and then on the presentation of that data. With little resource, give high quality,” he says.

     

    The crux of the election is to ensure that you have a good backup for everything in case anything goes wrong. “At various locations, we have a back up like another OB van or a Live U unit, stand-by cables, camera etc. in case of any equipment failure. We had contemplated each and every aspect of technical failure and have been thus able to avoid that. Equipment redundancies are built at various levels of production and post production, including the programme transmission,” says Vikas Singh. Ahluwalia says that most news broadcasters have seen at least one election that redundancies are built into the system with complimenting hardware, servers and machines to give seamless on-air transmission.

     

    With less than a day to go for counting, channels are all set to turn up some serious heat with not just the information but also the graphics. So, prepare to sit back and enjoy the game…