Tag: India

  • Twitter India kicks off #GoLive bootcamps

    Twitter India kicks off #GoLive bootcamps

    MUMBAI: Twitter has expanded its Indian outreach to empower agencies and brands it works with to capitalize on live, always-on moments and video innovation through the platform. The outreach program in India is anchored by a three-prong strategy: gamified learning through DIY postcards, new deep dive courses for its Flight School online education programme, and a new series of multi-city #GoLive agency bootcamps.

    “The digital space moves at lightning speed, change is the only constant. Agencies know of Twitter, but not many know how best to leverage our latest tools in a way that adds value for their clients. To help increase the understanding as our platform and the industry evolves, we are working to engage more with marketers around the world so that they and their clients can use Twitter more effectively to reach and engage with target customers,” says Simon Brockman, Head of Agency Development, APAC & MENA, Twitter.

    Gamified learning going back to basics

    Twitter India will send weekly ‘Did You Know’ cards to agencies over a six week period, to help agencies in achieving their marketing goals through gamified learning. These ‘Did You Know’ cards will contain interesting facts and trivia about Twitter’s advertising solutions, share best practices on how to target and build an audience on the platform, and deliver research insights to agency representatives. On the corresponding Friday, there will be trivia quiz hosted from @TwitterAdsIN open to employees of participating agencies to test that week’s knowledge.

    New modules available to agencies and brand marketers globally

    For marketers seeking to advance their digital prowess, Twitter Flight School serves as the go-to resource for agencies and brand marketers to stay on top of the latest innovations on the platform and ideas to maximize campaign results. More than 7,900 representatives from brands and agencies in the region has registered for the free online education program so far. Within a week in India, nearly 600 agency representatives have signed up for the program.

    Twitter has added new deep dive modules to Flight School that support marketers who are keen on leveraging premium content advertising from top broadcasters, sports leagues, and content creators. Marketers can explore content partnerships with Twitter Amplify, scale optimisation with Twitter Ads, and maximize TV campaign results with Twitter integration. Upcoming modules include the latest video on Twitter and direct response features, key drivers of engagement for advertisers on Twitter.

    Twitter kicks off #GoLive agency bootcamps in Asia

    Finally, Twitter kicks off a series of #GoLive agency bootcamps across Asia, including India, this August. The bootcamps are half day learning sessions for agencies comprising of intensive training workshops aimed at bringing together Twitter experts from marketing, research, product, and brand strategy to facilitate best practice sharing.The the first round of bootcamps will be conducted for some of the key agency partners including GroupM, Omnicom Media Group & Publicis Media. Later in the year, the program will be scaled to include some of the other agency groups too.

    More than 20 of these training sessions will be held with agencies across India, Indonesia, Philippines and Singapore between August and September.

    Here are some perspectives from the agencies:

    “At MEC India, to perpetually be in beta mode is a philosophy we aspire to. With so much going on around us, we place a big premium on staying updated. We find Twitter’s Flight School and agency outreach programme very valuable towards that end,” Gangs T Gangadhar, Managing Director of MEC South Asia.

    “Digital is developing at a rapid speed and we want to maximise this moment for our clients in real-time. The #GoLive training sessions and Flight School from Twitter ensure that we are topping the digital game, aligned to the needs of our teams, while helping us elevate as a Group.” – Gregory Fortune, Head of Trading, Southeast Asia, Publicis Groupe

    “The age of “Precision and Addressability” has arrived and as agency leaders, we need to be at the forefront to best advise our clients on their brand strategies and campaigns in this fast changing Digital landscape. I am excited to see Twitter making the effort to help upgrade agency skills with Twitter Flight School and the agency bootcamp. We look forward to closer collaboration with Twitter to take our agency to greater heights,” Yasir Riaz, Managing Director of Starcom Indonesia.

  • First official competitive BRICS film festival next month to have twenty films

    First official competitive BRICS film festival next month to have twenty films

    NEW DELHI: Twenty films – four each from Brazil, Russia, India, China and South Africa – are to feature in the first government level BRICS Film Festival toi be held in here early next month.

    Malayalam movie Veeram will be the opening film for the festival being held from 2 to 6 September at Siri Fort Auditorium.

    They jury is headed by eminent Kannada filmmaker T S Nagabharana. Other members are producer and curator Francis Vogner do Reis from Brazil; Kirill Razlogov of Russia who has served as a special adviser for 11 years on film history and international affairs to the President of Goskino of the USS;  Hou Keming of China who is a professor of the direction department of Beijing Film Academy and chairperson of the China Children’s Film Association and the president of China International Children’s Film Festival; and Ms. Xoliswa Sithole of South Africa who is founder and director, of Nayanaya Pictures and  the founding member of Filmmakers against Racism.

    Information and Broadcasting Minister M Venkaiah Naidu, releasing a poster of the festival, said the idea of organizing BRICS film festival originated at the last BRICS Summit and was proposed by Prime Minister Narendra Modi. Minister of State for I&B Rajyavardhan Rathore was also present on the occasion

    The Film Festival would act as a platform for people of the film industry of member countries to explore areas of cooperation in the domain of “cinema, culture and cuisine”. The festival would also celebrate the excellence of cinema by rewarding filmmakers, actors, producers and directors.

    The BRICS Film Festival would be a bioscope that would showcase distinct cultures, cuisines and arts from the participating countries. A step taken to build bridges and bring harmony amongst the BRICS countries, the festival would ensure more people-to-people contact between member countries especially youth.

    In this context, the minister said that India has planned activities like U-17 Football Tournament, Youth Summit, Young Diplomats’ Forum and also a special screening of student films from some BRICS nations during the course of the festival.

    The Opening film for the festival would be the world premiere of the Malayalam movie, Veeram directed by Jayaraj Rajasekharan Nair and starring Kunal Kapoor. The movie is a trans-creation of Shakespeare’s Macbeth and flawlessly portrays the greed for power and the extent a person goes to attain them. Jayaraj is a multiple National Awards Winner who has marked his presence in mainstream as well as art house films. His last film Ottal, won the Silver Bear at the Berlin Film Festival.

    The Closing film would be the Chinese movie Skiptrace starring Jackie Chan directed by Renny Harlin. The movie is an action-comedy, which revolves around a Chinese detective who teams up with an American Gambler to catch a Chinese Criminal.

    The film festival will showcase an amalgamation of culture, films, song & dance and food of the 5 member countries, Brazil, Russia, India, China and South Africa. Exclusive cuisines from all the BRICS nations would also be available at the Food Court, arranged in the festival venue. A Crafts Fair is also being organized at the Sir Fort auditorium complex with all member countries putting up stalls with souvenirs and other properties for sale.

    Beyond films, the Festival will also bring to stage spectacular performances by the Chengdu Performing Arts Theatre (China), Theatre Leningrad Centre Dreams of Russia and MBZ Music Production (South Africa).

    The films in the competition section from all the 5 participating countries are listed below:

    Brazil

    Russia

    India

    China

    South Africa

    Between Valleys

    Director: Philippe Barcinski

    14+

    Director: Andrei Zaitsev

    Baahubali- the Beginning

    Director: S.S. Rajamouli

    Book of Love

    Director: Xiaolu Xue

    Free State

    Director: Sallas De Jager

    Road 47

    Director: Vincente Ferraz

    About Love

    Director: Anna Melikyan

    Bajirao Mastani

    Director: Sanjay Leela Bhansali

    Go Away Mr. Tumor

    Director: Han Yan

    Kalushi

    Director: Mandla Dube

    The History of Eternity

    Director: Camilo Cavalcante

    The Battle of Sevastopol

    Director: Sergey Mokritsky

    Cinemawala

    Director: Kaushik Ganguly

    Songs of the Phoenix

    Director: Tian-Ming Wu

    Mrs. Right Guy

    Director: Adze Ugah

    They’ll Come Back

    Director: Marcello Lordello

    Very Best Day

    Director: Zhora Krizovnicka

    Thithi

    Director: Raam Reddy

    Xuan Zang

    Director: Jianqi Huo

    Tess

    Director: Meg Rickards

  • First official competitive BRICS film festival next month to have twenty films

    First official competitive BRICS film festival next month to have twenty films

    NEW DELHI: Twenty films – four each from Brazil, Russia, India, China and South Africa – are to feature in the first government level BRICS Film Festival toi be held in here early next month.

    Malayalam movie Veeram will be the opening film for the festival being held from 2 to 6 September at Siri Fort Auditorium.

    They jury is headed by eminent Kannada filmmaker T S Nagabharana. Other members are producer and curator Francis Vogner do Reis from Brazil; Kirill Razlogov of Russia who has served as a special adviser for 11 years on film history and international affairs to the President of Goskino of the USS;  Hou Keming of China who is a professor of the direction department of Beijing Film Academy and chairperson of the China Children’s Film Association and the president of China International Children’s Film Festival; and Ms. Xoliswa Sithole of South Africa who is founder and director, of Nayanaya Pictures and  the founding member of Filmmakers against Racism.

    Information and Broadcasting Minister M Venkaiah Naidu, releasing a poster of the festival, said the idea of organizing BRICS film festival originated at the last BRICS Summit and was proposed by Prime Minister Narendra Modi. Minister of State for I&B Rajyavardhan Rathore was also present on the occasion

    The Film Festival would act as a platform for people of the film industry of member countries to explore areas of cooperation in the domain of “cinema, culture and cuisine”. The festival would also celebrate the excellence of cinema by rewarding filmmakers, actors, producers and directors.

    The BRICS Film Festival would be a bioscope that would showcase distinct cultures, cuisines and arts from the participating countries. A step taken to build bridges and bring harmony amongst the BRICS countries, the festival would ensure more people-to-people contact between member countries especially youth.

    In this context, the minister said that India has planned activities like U-17 Football Tournament, Youth Summit, Young Diplomats’ Forum and also a special screening of student films from some BRICS nations during the course of the festival.

    The Opening film for the festival would be the world premiere of the Malayalam movie, Veeram directed by Jayaraj Rajasekharan Nair and starring Kunal Kapoor. The movie is a trans-creation of Shakespeare’s Macbeth and flawlessly portrays the greed for power and the extent a person goes to attain them. Jayaraj is a multiple National Awards Winner who has marked his presence in mainstream as well as art house films. His last film Ottal, won the Silver Bear at the Berlin Film Festival.

    The Closing film would be the Chinese movie Skiptrace starring Jackie Chan directed by Renny Harlin. The movie is an action-comedy, which revolves around a Chinese detective who teams up with an American Gambler to catch a Chinese Criminal.

    The film festival will showcase an amalgamation of culture, films, song & dance and food of the 5 member countries, Brazil, Russia, India, China and South Africa. Exclusive cuisines from all the BRICS nations would also be available at the Food Court, arranged in the festival venue. A Crafts Fair is also being organized at the Sir Fort auditorium complex with all member countries putting up stalls with souvenirs and other properties for sale.

    Beyond films, the Festival will also bring to stage spectacular performances by the Chengdu Performing Arts Theatre (China), Theatre Leningrad Centre Dreams of Russia and MBZ Music Production (South Africa).

    The films in the competition section from all the 5 participating countries are listed below:

    Brazil

    Russia

    India

    China

    South Africa

    Between Valleys

    Director: Philippe Barcinski

    14+

    Director: Andrei Zaitsev

    Baahubali- the Beginning

    Director: S.S. Rajamouli

    Book of Love

    Director: Xiaolu Xue

    Free State

    Director: Sallas De Jager

    Road 47

    Director: Vincente Ferraz

    About Love

    Director: Anna Melikyan

    Bajirao Mastani

    Director: Sanjay Leela Bhansali

    Go Away Mr. Tumor

    Director: Han Yan

    Kalushi

    Director: Mandla Dube

    The History of Eternity

    Director: Camilo Cavalcante

    The Battle of Sevastopol

    Director: Sergey Mokritsky

    Cinemawala

    Director: Kaushik Ganguly

    Songs of the Phoenix

    Director: Tian-Ming Wu

    Mrs. Right Guy

    Director: Adze Ugah

    They’ll Come Back

    Director: Marcello Lordello

    Very Best Day

    Director: Zhora Krizovnicka

    Thithi

    Director: Raam Reddy

    Xuan Zang

    Director: Jianqi Huo

    Tess

    Director: Meg Rickards

  • R. Balakrishnan bids adieu to MullenLowe Lintas

    R. Balakrishnan bids adieu to MullenLowe Lintas

    MUMBAI: After a three decade long career in the advertising industry, R. Balakrishnan, has decided to move out of MullenLowe Lintas Group, India. The majority of Balki’s advertising years have been spent at the agency where he held the role of group chairman.

    Balki joined the agency in 1994 and was based in its Bangalore office then.

    MullenLowe Group global CEO Alex Leikikh said, “Balki has been the architect of the stellar agency we have in India today. He leaves behind an operation that’s successful and future-ready, a leadership team that’s perhaps the strongest of any agency in India, and a culture that he shaped along the way while himself leading by example. While we will miss his infectiously passionate presence, we wish him even greater success as a film-maker.”

    Speaking of his decision, Balki voiced, “We’ve been planning this for some time now. It’s been a long process of succession planning that concludes with my move. The agency is at its strongest today and I leave feeling satisfied, proud and excited. We have a fine leader in Joe and two world-class creative champions in Amer and Arun. The agency has given me more than 22 years’-worth in opportunities, growth, values and most of all, some friends-for-life.”

    Balki started his career in Mudra, before moving on to Lintas, a place that he went on to make his home for over two decades. While with the agency, he’s been the brain behind several globally acclaimed campaigns and brand ideas. Under his leadership, MullenLowe Lintas Group has consistently retained its spot as one of India’s top agencies and a training ground for some of the best advertising minds of the industry.

    MullenLowe Lintas Group CEO Joseph George who has worked closely with Balki through all of the 22 years added, “It is impossible and even foolish to try and replace someone like Balki; so we planned the transition differently. As early as July 2015, we put in place, a management structure that would help us move forward as an organisation, while also maximizing the potential and aspirations of great individuals we have. Balki and I have tried to think this through every step of the way, and it’s reached a place where we feel the agency is ready for today, and tomorrow.”

    Balki concluded, “There is no bigger happiness than to see a thought actually work the way you had fantasised. Lowe was a thought am proud of. Ok…next!”

  • R. Balakrishnan bids adieu to MullenLowe Lintas

    R. Balakrishnan bids adieu to MullenLowe Lintas

    MUMBAI: After a three decade long career in the advertising industry, R. Balakrishnan, has decided to move out of MullenLowe Lintas Group, India. The majority of Balki’s advertising years have been spent at the agency where he held the role of group chairman.

    Balki joined the agency in 1994 and was based in its Bangalore office then.

    MullenLowe Group global CEO Alex Leikikh said, “Balki has been the architect of the stellar agency we have in India today. He leaves behind an operation that’s successful and future-ready, a leadership team that’s perhaps the strongest of any agency in India, and a culture that he shaped along the way while himself leading by example. While we will miss his infectiously passionate presence, we wish him even greater success as a film-maker.”

    Speaking of his decision, Balki voiced, “We’ve been planning this for some time now. It’s been a long process of succession planning that concludes with my move. The agency is at its strongest today and I leave feeling satisfied, proud and excited. We have a fine leader in Joe and two world-class creative champions in Amer and Arun. The agency has given me more than 22 years’-worth in opportunities, growth, values and most of all, some friends-for-life.”

    Balki started his career in Mudra, before moving on to Lintas, a place that he went on to make his home for over two decades. While with the agency, he’s been the brain behind several globally acclaimed campaigns and brand ideas. Under his leadership, MullenLowe Lintas Group has consistently retained its spot as one of India’s top agencies and a training ground for some of the best advertising minds of the industry.

    MullenLowe Lintas Group CEO Joseph George who has worked closely with Balki through all of the 22 years added, “It is impossible and even foolish to try and replace someone like Balki; so we planned the transition differently. As early as July 2015, we put in place, a management structure that would help us move forward as an organisation, while also maximizing the potential and aspirations of great individuals we have. Balki and I have tried to think this through every step of the way, and it’s reached a place where we feel the agency is ready for today, and tomorrow.”

    Balki concluded, “There is no bigger happiness than to see a thought actually work the way you had fantasised. Lowe was a thought am proud of. Ok…next!”

  • Star India bags India-Windies US T-20 series rights

    Star India bags India-Windies US T-20 series rights

    MUMBAI: Cricket fans and more specially T-20 fans can rejoice. They can watch the T-20 series to be played between India and the West Indies on 27-28 August 2016 in Florida in the US on Star India’s sports channels. The games are to be played following India’s ongoing Test series against West Indies.

    The Board of Control for Cricket in India (BCCI) yesterday awarded the broadcast rights to Star India which agreed to pay Rs 34.2 crore for the two international matches. BCCI took the decision following a tender, bidding and evaluation process. The reserve price for each match, according to media reports had been kept at Rs 11 crore.

    Said BCCI president Anurag Thakur in a BCCI press release: “I am pleased to announce that Star India will be the official broadcaster. It will ensure the BCCI is able to guarantee maximum exposure and further increase the visibility of this new initiative.”

    Added BCCI secretary Ajay Shirke:”Star India has been an excellent partner for the BCCI. They have a deep understanding of the game of cricket, and what it means to the nation. We are pleased to extend our association with them. This agreement also reflects our strategy to develop new markets and fan following.”

  • Star India bags India-Windies US T-20 series rights

    Star India bags India-Windies US T-20 series rights

    MUMBAI: Cricket fans and more specially T-20 fans can rejoice. They can watch the T-20 series to be played between India and the West Indies on 27-28 August 2016 in Florida in the US on Star India’s sports channels. The games are to be played following India’s ongoing Test series against West Indies.

    The Board of Control for Cricket in India (BCCI) yesterday awarded the broadcast rights to Star India which agreed to pay Rs 34.2 crore for the two international matches. BCCI took the decision following a tender, bidding and evaluation process. The reserve price for each match, according to media reports had been kept at Rs 11 crore.

    Said BCCI president Anurag Thakur in a BCCI press release: “I am pleased to announce that Star India will be the official broadcaster. It will ensure the BCCI is able to guarantee maximum exposure and further increase the visibility of this new initiative.”

    Added BCCI secretary Ajay Shirke:”Star India has been an excellent partner for the BCCI. They have a deep understanding of the game of cricket, and what it means to the nation. We are pleased to extend our association with them. This agreement also reflects our strategy to develop new markets and fan following.”

  • SPN India TV ad revenue & subscriber numbers rise: Sony Corp

    SPN India TV ad revenue & subscriber numbers rise: Sony Corp

    MUMBAI: Sony Pictures Networks (SPN) India – led by CEO NP Singh – is doing well, if one goes by the numbers its Japanese parent Sony Corp announced last weekend.

    For one the Sony Corp presentation around its financial results for the quarter ending 30 June 2016 clearly states that it has been seeing “higher advertising revenues in Latin America and India” which has helped boost its media networks business in the period.

    Then SPN India’s subscriber numbers too are on the up, according to Sony Corp.

    It states in its notes to the financials that the India channel cluster (consisting of SET, MAX, SAB, Pix, Aatth, Mix, Six, AXN, PAL, MAX2, Sony ESPN, Wah and Animax India) has increased its subscriber number from 650.4 million on 30 June 2015 to 690.4 million on 30 June 2016 – a growth of about 6 per cent.

    The channels which are distributed over India, North America, Europe, the Pacific, South east Asia, Australia, west Asia and Africa reported an increase in international subscribers from 2 million to 2.3 million an increase of 15 per cent in the same period.

    Sony Pictures worldwide media network business – which covers all its TV channels – did a revenue of $588.418 million in the same period as compared to $576.04 million in Q1-2015. It clearly shows that business is on upswing.

    Sony Corp’s Pictures segment (including media networks revenue and theatrical box office income) reported a revenue of 183.3 million Japanese Yen ($1.8 billion) and an operating loss of 10.6 billion Japanese Yen ($103.84 million) in the quarter to 30 June 2016. In terms of the Japanese currency that tots up to a 6.9 per cent increase in revenues (Q1 2015 – 171.5 billion Japanese yen), and a 1 billion Japanese Yen reduction in its operating loss (11.7 billion Japanese yen in Q1 2015).

    Meanwhile, sales and operating revenue of the mother company Sony Corp decreased by 10.8 per cent compared to the same quarter of the previous fiscal year (year-on-year) to 1,613.2 billion yen ($15,662 million).

    This significant decrease was mainly due to the impact of foreign exchange rates, a decrease in Mobile Communications segment sales reflecting a significant decrease in smartphone unit sales, a decrease in revenues in the Financial Services segment due to the deterioration in investment performance in the separate account at Sony Life Insurance Co Ltd as well as decreases in sales in the Semiconductors and Imaging Products & Solutions segments due to the impact of the earthquakes in the Kumamoto region in 2016. This decrease was partially offset by an increase in Game & Network Services segment sales reflecting increases in PlayStation 4 software sales. On a constant currency basis, sales decreased 3 per cent year-on-year.

  • SPN India TV ad revenue & subscriber numbers rise: Sony Corp

    SPN India TV ad revenue & subscriber numbers rise: Sony Corp

    MUMBAI: Sony Pictures Networks (SPN) India – led by CEO NP Singh – is doing well, if one goes by the numbers its Japanese parent Sony Corp announced last weekend.

    For one the Sony Corp presentation around its financial results for the quarter ending 30 June 2016 clearly states that it has been seeing “higher advertising revenues in Latin America and India” which has helped boost its media networks business in the period.

    Then SPN India’s subscriber numbers too are on the up, according to Sony Corp.

    It states in its notes to the financials that the India channel cluster (consisting of SET, MAX, SAB, Pix, Aatth, Mix, Six, AXN, PAL, MAX2, Sony ESPN, Wah and Animax India) has increased its subscriber number from 650.4 million on 30 June 2015 to 690.4 million on 30 June 2016 – a growth of about 6 per cent.

    The channels which are distributed over India, North America, Europe, the Pacific, South east Asia, Australia, west Asia and Africa reported an increase in international subscribers from 2 million to 2.3 million an increase of 15 per cent in the same period.

    Sony Pictures worldwide media network business – which covers all its TV channels – did a revenue of $588.418 million in the same period as compared to $576.04 million in Q1-2015. It clearly shows that business is on upswing.

    Sony Corp’s Pictures segment (including media networks revenue and theatrical box office income) reported a revenue of 183.3 million Japanese Yen ($1.8 billion) and an operating loss of 10.6 billion Japanese Yen ($103.84 million) in the quarter to 30 June 2016. In terms of the Japanese currency that tots up to a 6.9 per cent increase in revenues (Q1 2015 – 171.5 billion Japanese yen), and a 1 billion Japanese Yen reduction in its operating loss (11.7 billion Japanese yen in Q1 2015).

    Meanwhile, sales and operating revenue of the mother company Sony Corp decreased by 10.8 per cent compared to the same quarter of the previous fiscal year (year-on-year) to 1,613.2 billion yen ($15,662 million).

    This significant decrease was mainly due to the impact of foreign exchange rates, a decrease in Mobile Communications segment sales reflecting a significant decrease in smartphone unit sales, a decrease in revenues in the Financial Services segment due to the deterioration in investment performance in the separate account at Sony Life Insurance Co Ltd as well as decreases in sales in the Semiconductors and Imaging Products & Solutions segments due to the impact of the earthquakes in the Kumamoto region in 2016. This decrease was partially offset by an increase in Game & Network Services segment sales reflecting increases in PlayStation 4 software sales. On a constant currency basis, sales decreased 3 per cent year-on-year.

  • Harini Calamur, intellect behind LeEco’s content strategy in India

    Harini Calamur, intellect behind LeEco’s content strategy in India

    MUMBAI: After a successful run with Zee Media Corporation Limited as the head digital content for news, Harini Calamur is enthralled on joining LeEco as the head for original content.

    LeEco has shown signs of aggression and has announced a slew of content initiatives and acquisitions in Asia over the past few months. 

    “It’s a fun place to be in. Content consumption patterns are moving to mobile phones now. It’s exciting to see the increasing demand for intriguing content from Indian viewers. Delivering gripping content to the viewers is pleasing”, says Calamur.

    She is responsible for developing original content for LeEco’s OTT platforms in India across languages and genres. During her tenure with Zee, Calamur conceptualized, designed, and implement a digital news content strategy for all the news brands of the group –dna and Zee News and regional variants. She moved the entities from companion websites to digital products, with loyal audiences and advertisers and also launched the hyperlocal platform for the group, iamin.in, present in 36 locations across India.

    The global internet and technology conglomerate LeEco is also called the Netflix of China for its content eco-system. The soon to launch platform plans to produce as well as commission content for its viewers in India. It has Atul Jain as the COO Smart Electronics Business in conjunction with Debashish Ghosh COO looking after the entire Indian content business and Divya Dixit as director of content marketing for India.

    The company recently launched its flagship superphones, Le Max and Le1s, in the Indian market. As a partner, ErosNow will be integrated within the Le ecosystem of internet enabled smartphones and smart televisions, showcasing ErosNow’s Bollywood films, music and originals. Devices will include a one-year premium subscription to ErosNow service pre-bundled with the purchase of the phones. The launch of Le 2 Superphone by LeEco has stirred the pricing landscape in India and has given a new lease of vibrancy to the smartphone market in India.

    LeEco has once again renewed its exclusive partnership with Flipkart. An agreement cementing this alliance was signed off between Atul Jain and Flipkart chief marketing officer Samardeep Subandh.