Tag: Independent Music

  • Sony Music Publishing & Tips Music strike global renewal, add Youtube

    Sony Music Publishing & Tips Music strike global renewal, add Youtube

    MUMBAI: Hindi music beats are going global, and Sony Music Publishing (SMP) is ensuring they reach every corner of the world. Sony Music Publishing and Tips Music Ltd have renewed their exclusive global publishing agreement, marking an expanded multi-year deal that now includes Youtube (worldwide, excluding India) as a key platform for publishing exploitation. This strategic move will propel Tips Music’s legendary catalogue onto the global stage with even more firepower.

    The partnership underscores a shared mission-to amplify Indian music’s international presence. As Bollywood soundtracks and independent Indian music continue to gain traction worldwide, this deal grants SMP extended rights to Tips Music’s 32,000+ track catalogue across 24 languages. That means more Indian music in films, TV shows, ads, and digital platforms everywhere.

    Sony Music Publishing’s president – international Guy Henderson expressed enthusiasm about the continued collaboration, “We are thrilled to be expanding our relationship with Kumar and his team at Tips. Tips’ exceptional growth has been a constant factor over many years. Sony Music Publishing looks forward to an exciting future with Tips, with their continued growth and success around the world.”

    For Tips Music Ltd MD Kumar Taurani the renewed partnership signals a new era of global impact, “Building on the success of our initial partnership with Sony Music Publishing, this renewal marks an exciting evolution in our global publishing business. In just over a year of collaboration, we’ve seen remarkable growth in our international music usage, with our songs finding new listeners across continents. Adding Youtube as a platform opens significant new avenues for our artists and catalogues to reach audiences worldwide.”

    L to R: Sony Music Publishing’s president - international Guy Henderson; Tips Music Ltd MD Kumar Taurani; Tips Music Ltd CEO Hari Nair; Sony Music Publishing India MD Dinraj Shetty

    Beyond global distribution, the partnership is set to maximise publishing revenues through Sony Music Publishing’s advanced reporting systems and global partnerships. Tips Music Ltd CEO Hari Nair highlighted the significance of this, stating, “Sony Music Publishing has the best teams and world-class reporting systems, allowing Tips to monitor publishing revenues. The enhanced agreement with SMP enables us to leverage their unparalleled international network of partners and societies globally. The addition of Youtube should drive significant growth in our international publishing revenues.”

    Meanwhile, Sony Music Publishing India MD Dinraj Shetty emphasised the larger vision, “Our strengthened partnership and renewed collaboration with Tips Music marks a new era of growth and global impact. By combining their iconic catalogue with our publishing expertise, we are committed to bringing the soul of Indian music to audiences worldwide.”

    Tips Music isn’t stopping at just licensing and publishing. The company plans to invest heavily in 12-15 Hindi and regional film albums annually, alongside a robust slate of independent music under Tips Originals.

    As Indian music continues to captivate audiences worldwide, this partnership positions Sony Music Publishing and Tips Music at the forefront of this cultural expansion. The deal is expected to significantly boost publishing revenue streams while creating new opportunities for collaboration, sync licensing, and digital growth.

  • I don’t believe that every learner comes to become an artist: Artium Academy’s Ashish Joshi

    I don’t believe that every learner comes to become an artist: Artium Academy’s Ashish Joshi

    Mumbai: As technology and artificial intelligence (AI) continue to reshape music creation, education is also evolving to keep pace with these changes. AI offers musicians advanced tools for creativity and efficiency, while independent music is gaining prominence worldwide.

    Artium Academy steps into this space, offering a forward-thinking approach to music learning. By combining modern pedagogy with AI, they provide a personalised learning experience, nurturing talent from the grassroots level. With guidance from industry legends like Sonu Nigam, Shubha Mudgal, KS Chithra, among others, Artium Academy is transforming the way music education is delivered, helping students evolve from learners to creators.

    Indiantelevision.com’s Arth Chakraborty caught up with Artium Academy founder and CEO Ashish Joshi to discuss the academy’s innovative approach to music education, the role of AI in enhancing learning experiences, the importance of nurturing talent for the independent music scene, and much more…

    Edited Excerpts:

    On the inspiration behind founding Artium Academy, and the evolution of its mission since its inception

    Despite the depth, diversity, and richness of Indian music, which is probably deeper and more diverse than the global music ecosystem, India has never had a music education brand that is truly global. Just imagine the Berklee College of Music, New York and The Juilliard School in the West. That was one of the first thoughts that came to my mind and that’s when we realised that there was also a lack of an outcome-driven education platform globally.

    What I mean is that, once you finish learning, whether on your own or through an institution, you are left to fend for yourself. There is no creative assistance, no creative guidance, or no financial support. Even if you manage to create something of your own, there’s no help with monetisation or distribution. So, the value chain was dysfunctional. Also, the current music education ecosystem in India is rigid and has not evolved. It’s not a globally standardised process like you see in the West or Southeast Asia, where programs are standardised right from school. That’s not the case in India. These were the gaps we saw, which inspired us to start Artium. Today, we are proud to be the largest outcome-driven music education platform.

    On Artium Academy differentiating itself from other music education platforms

    The outcome-led approach I mentioned is one of our key differentiators. There are a few aspects that really stand out. First, we are fortunate to have some of the top maestros in the industry, individuals who have dedicated their life, heart, and soul to music across various genres, such as Sonu Nigam, Shubha Mudgal, K.S. Chithra, Louis Banks and Aruna Sairam. These maestros have come together as part of the academic board at Artium, which is one of our biggest differentiators. The second is that we are the first outcome-driven music education platform. When I say outcomes, they come in two forms: one is a globally certified music education program, and the other is the journey from being a learner to becoming a creator, and eventually an influencer. This comprehensive vertical music play is what sets us apart from other players who are solely focused on music education.

    Additionally, we’ve launched our own music label, where we give opportunity to our talent. Every album we launch includes a collaboration between a superstar from the industry and our talent, giving them a fast track in their growth journey. So, real outcomes are being driven.

    On AI transforming music education and enhancing creativity and efficiency in music production at Artium Academy

    I wouldn’t say that we are using AI to teach learners because I still believe that the learning process is creative, and you can’t depend on AI to start teaching. However we are using AI to enable the post-class practice experience. We’ve built a picture recognition platform as part of our practice studio. So, after the class is over and the learner goes home, they have the content they learned in the class. Through the practice studio, which has an AI-enabled platform, learners can practice and submit their assignments based on the practice they’ve done.

    I feel AI plays a vital role in enabling these self-paced practice sessions when the teacher isn’t available after the live class. That’s one area where AI plays a very important role, and we’re trying to use that as much as possible. We’re also using AI for generating video content. For instance, at Juju Baby Music, all our video content is AI-enabled. This means we don’t have to go outdoors to shoot for any concepts we create around the videos; all the videos are AI-enabled or rather AI-led.

    On the current trend of underdeveloped music styles gaining popularity as compared to the polished styles valued in the past; and this trend affecting young artists’ creative processes

    I believe Lo-Fi is a format of music, but an artist doesn’t have to sing in Lo-Fi. The core process of music learning remains the same, although new genres, such as hip-hop, may be introduced along the way. However, this doesn’t change the approach to vocal training. An artist’s journey typically has two or three key phases: learning, creating (which involves songwriting), and finally, performing. The performance stage is crucial, as it requires the artist to have mastered the fundamentals during their learning phase to excel as a live performer.

    While new formats like Lo-Fi have gained popularity thanks to advancements in technology, they are more about how the music is presented than how it’s learned. Lo-Fi works because most devices can handle stereo sound well, but it’s not a style of singing. The learning process shouldn’t shift based on these evolving formats. More and more artists realise that mastering versatility is essential for them to become multi-genre singers. The nuances of these new formats are tied to production, not to the foundational aspects of learning music.

    On AI tools used in your teaching methods

    Once learners complete their live classes, they have content available on their dashboard for post-class learning. This phase focuses on the practice process, where they can use AI tools to practice with original content and receive feedback on how well they are doing with pitch, sur, and taal. We are efficiently utilising AI here and continue to evolve as we move forward on this journey.

    On Artium Academy supporting aspiring musicians in today’s rapidly evolving industry

    Most music education platforms in the world leave you to fend for yourself once you finish your learning journey. However, at Artium, we have our own music label, Juju Baby Music, where the idea is to take learners journey from being just learners to creators. Once they become creators, we help them through the entire A&R process of grooming them to be the artists of the future. We launch these talents on our own label, and in every album, we feature singles by our creators/artists, along with collaborations between our talent and maestros from the industry. This provides emerging talent with some of the finest exposure they can receive because all they need is a platform for visibility. That’s how we’re progressing with Artium Originals, with Juju Baby being a part of it.

    On Artium Academy defining and measuring success for its students, particularly in terms of their career growth in the music industry

    First, I don’t believe that every learner comes with the intention of becoming an artist; every learner has different reasons for learning. For instance, kids and their parents often want them to acquire cognitive skills, confidence, and the right growth. In that process, they may not focus on performing better.

    For us, the measurement of growth is in three formats. For a group of kids who want to acquire knowledge of music, we offer global certification programs to enable that process. For middle-aged individuals who see music education as a stress buster and seek social equity, we also facilitate their learning journey. For those who come with the intention of becoming creators or influencers of the future, there’s a specific journey we enable. As I mentioned before, these individuals move from being learners to creators.

    We provide them with creative assistance and a platform like Juju Baby Music to create and distribute their music. We also assist them in securing live shows and brand partnerships. So, the whole Juju Baby support system is what we offer to the talents who come to Artium with the intention of becoming the artists of the future.

    On the future of music education evolving and your vision for Artium Academy over the next few years

    I believe music education is growing rapidly for two key reasons. First, there’s a rising narrative among new-age parents that music education is an essential life skill for children. Much like enrolling kids in sports, more young parents are encouraging their children to start learning music as early as five or six years old. Second, India has never had a globally certified music education program, especially for Indian classical music, and I see that now emerging strongly. Moreover, with the government of India’s new education policy (NEP 2020) making music education an elective subject in CBSE and ICSE schools, this will further boost its growth.

    Overall, I see the growth of music education across different age groups and demographics as a healthy and positive trend. I also envision Artium Academy becoming the leading outcome-driven music education platform, starting with global Indians and eventually expanding across all cultures to become a truly global platform. By offering a platform for future creators, I see us as the foundation of talent, uniting creators under one umbrella within the next three to four years. Our goal is to be the largest hub for music creators, and with these creators as part of our ecosystem, we will generate significant independent music intellectual property (IP).

    In this way, we aim to build the largest independent music IP platform. On one side, we’ll be the largest education platform, on the other, the largest hub for music creators, and simultaneously, the biggest platform for producing independent music IP. That’s the future I see for Artium.

  • “Indian music scene to mirror the US where independent music/artiste are mainstream”: Artiste First’s Rohit Sobti

    “Indian music scene to mirror the US where independent music/artiste are mainstream”: Artiste First’s Rohit Sobti

    Mumbai: Imagine, if there was no existence of music, the world would have lost half of its color and beauty. In a celebration of this artistic essence, the world recently celebrated Independent Artist Day on 3 April, honoring talented individuals who dare to dream, create, and express themselves independently.

    Among them stands Artiste First, a dynamic label dedicated to promoting independent music and empowering artists. Led by co-founder Rohit Sobti, a multifaceted leader with over 25 years of experience in finance, music, and technology, Artiste First puts artists first, providing a platform for diverse voices and supporting their creative visions.

    Delving deeper into the world of independent music and artists, Indiantelevision.com in conversation with Artiste First’s co-founder Rohit Sobti discussed about the uniqueness of their label, the role of independent labels evolving in the future, common challenges Indie artists face in the competitive music industry and much more…

    Edited Excerpts:

    On the inspiration behind starting Artiste First, and its differance from traditional music labels

    It was started by Tarsame Mittal during Covid. He always wanted to do this for a long time and during covid he found time. His objective was to bring new artists to the industry in an honest, transparent, and passionate way and support them with industry insights and his knowledge. We had collaborated in November 2022 together to co-create it. It is an artist’s first platform. We seek a balance between their indulgence as an artiste and audience, we co-create music(audio/video with them) in a beautiful, open, collaborative environment where we trust each other’s instincts and professionalism.

    On the role of independent labels evolving in the future, with the rise of streaming platforms

    According to me today it is about music. It doesn’t matter to the audience whether the song is of film or an independent artist/label. Independent labels are here acting as a catalyst for the consumer and educating them about how music can be discovered from other platforms and not only from films in India. A song doesn’t need to be on a film to be known and trending.

    Independent labels are becoming the discovery platforms for newer artists, and genres. Like we have explored the Kashmir artiste (where no other independent/mainstream label has worked consistently).

    We have seven very talented artists from Kashmir who have the potential to reach a global audience and the first artiste Faheem Abdullah’s songs are trending in Pakistan, UAE, Saudi Arabia, and other countries apart from India.

    Independent labels are also bringing new-age ways of marketing the song and using art and science (tech) to do so.

    On some common challenges Indie artists face in the competitive music industry, and key tips that you would give them to sustain and thrive

    The most common challenges are –

    a. finding their sound

    b. finding their right audience

    c. finding a platform (record label etc ) to release their music

    d. finding other collaborators to co-create the song. if you are a singer – you need a composer/lyrics/music producer/mix/master engineer etc

    We are building an artiste-first community on Instagram and Discord where we conduct regular sessions with the artiste community to help with the above-mentioned challenges. In our discord community, they have started interacting within themselves.

    On the strategies that you find most effective in reaching diverse audiences, in promoting genre-neutral music

    We need to find the core of the song and a corresponding audience on the digital medium that can act as a community for the music and interim help to spread to larger audiences. We have understood that Instagram is the new platform for discovery and people from all audiences are discovering music from platforms like Instagram, YT Shorts, and in India apps like Josh and Mauj. We try to break the marketing templates with every song release. Our marketing team led by Garishma (supported by Laksh & Deepank) are deep into it.

    On technology shaping the landscape for independent musicians, and what opportunities does it present for them

    Tech is helping in many ways with audio, video, promotions, and fan data. Collaborations have become easy. We can understand the global trends/sounds that are working; and reach out to musicians. Inter-dependence on creative people in order to create an album art or a visualiser. AI helps in everything. Platforms like Musixmatch are helping artists to create visualisers with lyric videos to help them promote their music.

    ⁠In your opinion, do you believe that having a foundation in Indian classical music can benefit artists, regardless of their genre or style? If so, what aspects of Indian classical music do you think are particularly valuable for indie artists seeking to innovate and diversify their sound?

    Right now in 2024, we see artists with learnings from their childhood with a foundation in music and we also see artists who have literally turned their hobby into a profession and the third type we see are music producers coming up with no background in music and learning everything from Youtube as the internet provides you with all sort of learnings.

    It really helps in the long run if you are trained with a good learning foundation of music. Some artists call it “AAMAD” – God’s gift to them then the education doesn’t matter – they are a vessel and music flows through them.

    We work with both these kinds of artists and enjoy working with both.

    On the future of independent music, and Artiste First contributing to its growth and evolution

    We think the Indian music scene will become like the US where independent music/artiste are mainstream. Currently, it is 50:50 approx (mainstream: independent). It is going to tilt towards 75:25 in the next two -three years. You will see a lot of independent artists dominating the mainstream as well because they will have a huge fan base. New streaming/digital platforms are all artist-centric and give them a lot of tools to develop their fanbase and understand deeply to quickly find their orbit of music.

    Artiste First is putting the artiste at the forefront with an honest, passionate, transparent platform to grow their audiences in India and the world and create an open community to help every talented artiste to go to the next level. 

  • PlanetRadiocity comes up with First Dedicated Metal Show

    PlanetRadiocity comes up with First Dedicated Metal Show

    MUMBAI: Saturdays will now be heavy on Metal on Planetradiocity.com, with Domination@8. The web radio show is PlanetRadiocity’s first exclusive foray into the genre of Metal. The show goes online every Saturday at 8 p.m. on Radio City Freedom – the destination for independent music on Planetradiocity.com.
     

    The show had a raging start featuring bands like Bhayanak Maut, Demonic Resurrection & Zygnema who have raised the Indian metal flag with their overseas performances.  Domination@8 is scheduled to showcase some of the biggest names in the Metal scene from across the subcontinent.  Abominable Carnivore from Bangladesh, the North-Eastern rage Silver Tears, award winning powerhouse from Mumbai – Providence, along with other popular bands like Devoid are all scheduled to appear in Domination@8 in the coming weeks.  The show focuses on all the various sub-genres of metal including death, black, tharsh & other hybrids.

     

    Radio City Freedom is dedicated to celebrating independent music, transcending all barriers of language and culture. Genre-specific shows have been a major highlight right from the onset. Freedom Hour, aone-hour show on Radio City 91.1 FM also features indie artists from different parts of India.
    Log onto to www.planetradiocity.com and tune into ‘Radio City Freedom’ every Saturday 8 p.m. to enjoy ‘Domination@8’.