Tag: IN10 Media

  • Rajiee Shinde returns as CEO to lead PTC Entertainment’s next chapter

    Rajiee Shinde returns as CEO to lead PTC Entertainment’s next chapter

    MUMBAI: Lights, camera, comeback! Rajiee M. Shinde, one of Indian media’s most formidable forces, is back in the director’s chair at PTC Entertainment. Effective 1 August 2025, she takes charge as chief executive officer, reporting directly to Sukhbir Singh Badal, the promoter of PTC Network. And yes, this isn’t just a reunion; it’s a reinvention.

    Known for her razor-sharp programming instincts and a CV that reads like a greatest hits album, Shinde helped catapult PTC Punjabi to the No. 1 spot during her earlier nine-year stint from 2008 to 2018. Now, she’s back for the sequel with a vision that’s bolder, more global, and unmistakably desi.

    A Dadasaheb Phalke Film Foundation Award winner, Shinde brings with her over two decades of experience across content, music and entertainment businesses. She previously launched Showbox for IN10 Media, headed Epic Channel India as president, and helmed ETC Punjabi at Zee, where she pioneered India’s first Punjabi music channel. In recent years, she’s led Sai Mehar Media and served as CEO of Wild Music Records.

    Her new innings at PTC will involve scaling up original programming, unlocking new digital strategies, and tapping into international viewership all while keeping the core audience firmly at heart. She will operate out of both Mohali and Gurugram.

    “Rajiee’s return marks an exciting new chapter for PTC Entertainment,” said a source close to the network. “She brings not just leadership but legacy and she’s already proven that she knows how to win audiences across borders and platforms.”

    Shinde’s appointment also signals PTC’s intent to double down on regional content with global ambition, at a time when vernacular storytelling is commanding centre stage in Indian entertainment. From boardrooms to backlots, she’s set to steer the brand through a new era of digital disruption, international expansion, and audience-first content innovation.

    And if her track record is anything to go by, she’s not just holding the mic, she’s about to drop it.

  • Samar Khan takes on additional role as chief content officer for DocuBay and EpicOn

    Samar Khan takes on additional role as chief content officer for DocuBay and EpicOn

    MUMBAI: Veteran filmmaker and journalist Samar Khan has been appointed chief content officer for IN10 Media Network’s DocuBay and EpicOn, effective July 2025. This new responsibility comes in addition to his current role as chief executive officer of Juggernaut Productions, also a part of IN10 Media.
    With over 25 years of experience in content creation, writing, directing, and producing for television and films, Khan is set to spearhead the content strategy for the two specialized platforms.

    As CEO of Juggernaut Productions since April 2019, Khan has been instrumental in developing a robust concept bank. His extensive background includes pioneering entertainment journalism with India’s first 20-minute entertainment news program, “Bollywood News,” heading the TV division at Red Chillies Entertainment, and leading the OTT platform for Sahara Group. He is also the author of “SRK – 25 Years of a Life” and has creatively produced numerous acclaimed shows for both OTT and television.

    This dual leadership position underscores IN10 Media Network’s commitment to strengthening its content offerings across its diverse platforms under Khan’s seasoned guidance.

  • Ervan Preet Bagga takes charge as national sales head at Goldmines Telefilms

    Ervan Preet Bagga takes charge as national sales head at Goldmines Telefilms

    MUMBAI:  Media sales maven Ervan Preet Bagga has stepped into the role of national sales head at Goldmines Telefilms – India, marking a dynamic return to the broadcaster where she earlier led the charge as regional sales head for the North.

    With over 15 years of experience in revenue strategy, relationship management, digital marketing, and sales leadership, Bagga has carved a niche as one of India’s most agile P&L experts. Her last role as director – SMB sports at Viacom18 saw her scale monetisation across key sports properties, blending strategic partnerships with sharp execution.

    Bagga’s previous roles at ByteDance, IN10 Media, iTV Network, Zee Entertainment, and Network18 add depth to her multi-platform expertise—across entertainment, sports, and digital-first media. She is known for her people-centric leadership style, keen market instincts, and a robust track record of unlocking new business.

    Back at Goldmines, Bagga’s focus will be on driving national revenues, crafting integrated brand solutions, and future-proofing the sales playbook as the company scales its content ambitions.

  • Value 360 locks in Keshav Shanbhag as CFO for upcoming public listing

    Value 360 locks in Keshav Shanbhag as CFO for upcoming public listing

    MUMBAI: A company on the brink of a public listing needs a steady hand at the financial wheel enter Keshav Shanbhag, Value 360 Communications’ newly appointed as CFO. The firm prepares to make history as the first publicly listed PR company in the country, Shanbhag’s arrival signals a strategic push towards financial strength and investor confidence.

    The timing couldn’t be more significant. Value 360 Communications recently closed Its pre-IPO investment round, attracting heavyweight investors including film star Huma Qureshi and is set to file its Draft Red Herring Prospectus (DRHP) for its SME IPO. In this high-stakes moment, Shanbhag will oversee financial strategy, investor relations, and corporate governance, ensuring a smooth ascent to the stock market.

    With over 17 years of experience, Shanbhag isn’t new to the high-pressure world of IPOs, mergers, and turnarounds. He’s played pivotal roles at MCX, IN10 Media, and Dentsu Aegis Network, financial strategies that drove business transformations. His work at MCX, in particular, made waves when he spearheaded the company’s IPO, bagging the title of best mid-cap equity deal in the APAC region and earning himself the coveted most valuable player award.

    Value 360 Communications group CEO & co-founder Kunal Kishore said, “Bringing Keshav on board as CFO marks a strategic advancement in our journey. His proven expertise in managing IPOs, M&A transactions, and driving business transformation perfectly complements our ambitious five-year growth strategy. We are confident his management will be instrumental in creating substantial value for our stakeholders as we work toward scaling our operations exponentially as we complete 20 years of operations in 2027.”

    Shanbhag himself is no stranger to high-stakes financial management. Speaking about his new role, he remarked, “I’m honoured to join Value 360 Communications at such a transformative juncture in its corporate journey. The opportunity to steer the company’s financial strategy as it prepares for its public listing represents a unique challenge. I look forward to leveraging my experience in capital markets and investor relations to advance Value 360 Communications’ position as the market pioneer in integrated communications, while delivering exceptional value to our clients, stakeholders, and future shareholders.”

    Value 360 Communications isn’t just preparing for an IPO it’s gearing up for exponential growth. The company’s five-year roadmap focuses on expanding operations, investing in technology, enhancing capacity, and pursuing strategic acquisitions. Its impressive client roster already features Tata Motors, Pernod Ricard, Kia Motors, Skoda, Fedex, Digi Yatra, Poco, Zupee, Mondelez, Audi India, and Easemytrip, among others.

    With Shanbhag at the financial helm, the company is set to break barriers, redefine communications, and make waves on the stock market.

  • For the love of cinema, DocuBay unveils Fanatics by Studio 9

    For the love of cinema, DocuBay unveils Fanatics by Studio 9

    MUMBAI: What drives a fan to worship their cinematic idols with the fervor of a devotee? Is it the larger-than-life stories, the charisma of the stars, or something deeper – a bond that transcends the screen? For South Indian cinema lovers, it’s all of this and more. Come 7 December 2024, DocuBay, the global documentary streaming platform from IN10 Media Network, invites you on an exhilarating journey with Fanatics – a stirring original feature that peels back the curtain on the extraordinary world of South Indian film devotion.

    From Tollywood to Sandalwood, this documentary delves into the heartfelt, and sometimes overwhelming, passion of fans who turn theaters into temples and actors into deities. Fanatics isn’t just a film; it’s a celebration of an emotion that millions live and breathe – a spectacle that promises to move, inspire, and leave you in awe. Mark your calendars, because this is one cinematic story you won’t want to miss.

    Through in-depth storytelling, Fanatics journeys into the cultural heartlands of south India to showcase the acts of devotion and reverence that redefine fandom. From building temples in honour of their idols to life-altering sacrifices, the documentary portrays not only the admiration fans hold but also the darker consequences of such passion. Beginning with Tamil actor-politician MG Ramachandran’s era, the film traces the evolution of fan culture to the present day, including figures like Rajinikanth and Allu Arjun.

    The documentary features candid interviews with Indian cinema icons such as Allu Arjun, Kichcha Sudeep, and Vijay Sethupathi, highlighting their perspectives on fan loyalty and the influence it wields on society. The film also examines the risks of fanaticism, including violent rivalries between fan groups.

    Arjun reflects in the documentary, “Cinema has become a very strong, integral part of the culture—it’s no longer just a source of entertainment. Stars are highly idolised in the South, more than anywhere else I have seen in the world. Many fans do wonderful charity work, and that is great energy being put to the right cause.”

    Sudeep shares his perspective, saying, “When I see people building temples for me or getting tattoos, it honestly scares me because I am a man of flaws. Over time, you begin to understand the purity of their emotions and the immense love they have for you. It teaches you responsibility and makes you a better human.”

    IN10 Media Network, managing director, Aditya Pittie expressed the vision behind Fanatics, “At DocuBay, our mission is to curate and deliver intriguing narratives that resonate with global audiences. With Fanatics, we aim to provide an in-depth look at the unparalleled devotion of South Indian cinema fans. This first-of-its-kind documentary reflects our commitment to diverse and impactful storytelling that drives engagement worldwide.”

    Fanatics delves into the symbiotic relationship between fan loyalty and the business of cinema, highlighting how this devotion directly influences the box-office success of south Indian films. By presenting stories of fans piercing their tongues, tattooing their bodies, and dedicating their lives to their idols, the documentary balances the awe-inspiring and cautionary tales of fandom.

    Produced by Studio 9, Fanatics offers an unfiltered view into the world of extraordinary devotion. The documentary premiered exclusively on DocuBay on 7 December 2024.

  • Anupriya Shetty joins IN10 media as head of marketing and communications

    Anupriya Shetty joins IN10 media as head of marketing and communications

    Mumbai: Anupriya Shetty has joined IN10 Media as the head of marketing and communications. She brings extensive experience in brand and content marketing, having previously led these functions at MX Player. During her time there, she played a key role in developing and executing multi-channel marketing strategies for original shows, significantly enhancing the platform’s brand presence.

    Before her tenure at MX Player, Anupriya honed her skills at The Walt Disney Company, where she was responsible for brand and retail marketing within the consumer products division. She successfully led go-to-market strategies for major franchises such as Disney, Pixar, and Marvel, driving consumer engagement through innovative marketing campaigns across India and Southeast Asia. Additionally, Anupriya has held key roles at P&G and Leo Burnett, further enriching her diverse experience.

    At IN10 Media, Anupriya will spearhead the network’s marketing strategy, focusing on enhancing the brand’s visibility and user experience. Her extensive expertise in crafting impactful brand strategies and her diverse background will play a crucial role in propelling the network’s growth.

  • Juggernaut Productions ties up with Umesh Shukla’s Merry Go Round Studios

    Juggernaut Productions ties up with Umesh Shukla’s Merry Go Round Studios

    Mumbai: IN10 Media’s Juggernaut Productions has collaborated with Umesh Shukla and Ashish Wagh’s Merry Go Round Studios to co-produce content for OTT platforms.

    Umesh Shukla, known for the critically and commercially successful films Oh My God with Amitabh Bachchan and Rishi Kapoor-starrer 102 Not Out and his rich theatrical background, has mastered the art of illustrating simple human stories with compelling emotions.

    After producing successful series like Shoorveer, Code M S1 & 2, The Married Woman, Avrodh, and others, Juggernaut Productions aims to expand its development and content slate via such partnerships. The production house will co-develop content that is rich in human stories, employing Umesh’s expertise in storytelling.

    On the collaboration, Juggernaut Productions (OTT) CEO Samar Khan said, “Juggernaut Productions is happy to co-create content with Merry Go Round and work with a talented filmmaker like Umesh Shukla. He portrays human emotions with excellence and ease. This partnership will further expand our horizon of storytelling with varied themes that resonate with audiences across the country.”

    Merry Go Round Studios co-founder Umesh Shukla added, “Juggernaut Productions has created a niche for itself with some ground-breaking shows in the past couple of years. We are excited to partner with them, as our energies are in sync. We both want to capture the audience’s pulse and give them innovative and disruptive shows.”

    The two will co-develop a series revolving around an acclaimed Gujarati play, Ek Room Rasodu (One Room Kitchen), directed by Umesh Shukla. The play, based on a true story and written by Jayesh Mehta, is full of laughter and the irony of life and has been running successfully for over 100 shows across cities like Ahmedabad, Mumbai, Kolkata, Bangalore, and others.

  • EPIC announces launch of ‘Regiment Diaries’ Season 3

    EPIC announces launch of ‘Regiment Diaries’ Season 3

    Mumbai: IN10 Media Network’s flagship channel, EPIC has announced the launch of new season of ‘Regiment Diaries’ on the occasion of India’s 73rd Republic Day.

    The channel’s legacy show will take its viewers into the regiment centers highlighting their history. It will also showcase exclusive journeys of the army museums that aren’t accessible to all.

    The series is a visual tribute to the valiant men in the uniform and their regiments which continue to protect and honour the motherland, the channel said in a statement.

    The three-episode season will profile the Bombay Sappers, Bihar Regiment, and Regiment of Artillery. In addition to the tales of bravery and legacy, there will be interviews of serving officers and support staff who will talk about their training life and weaponry.

    Over the last two seasons, the show has brought the stories of sacrifice and courage of numerous regiments like The Garhwal Rifles, Madras Engineers Group, Jammu and Kashmir Light Infantry, and many more to the foreground.

    Juggernaut Productions – OTT president and COO Samar Khan said, “What goes into making a soldier and their tales of valour have always intrigued many of us including me. Through this show, we want to bring their traditions, history, and unseen side of the army to the forefront. After seeing the appreciation and response of the first two seasons, we were filled with immense pride and are excited to bring another season for our viewers.”

    The episodes will air on EPIC and EPIC ON at 9 pm.

  • EPIC’s new philosophy- ‘Soch Se Aage’- keep the creators going

    EPIC’s new philosophy- ‘Soch Se Aage’- keep the creators going

    Mumbai: IN10 Media Network’s infotainment channel EPIC started its journey in 2014 with content focusing on Indian history, folklore, and mythology. And since then the channel has continued to recognize the opportunity for differentiated content and experimented with it.

    Despite endless challenges due to the pandemic and subsequent lockdowns, EPIC unveiled its brand new look on 16 December. Along with a fresh look, feel and a new tagline- ‘Soch Se Aage’, the channel announced a fresh programming line-up with the aim to rebuild the Indian infotainment space. From ‘Lakshya 1971- a story of 1971 war’ to ‘Raja Rasoi Aur Anya Kahaniyaan’- a show about the history and flavors of regional Indian cuisine, the platform has brought a host of news shows for its audiences.

    In this exclusive interview with Indiantelevision.com, the two production houses, Rangrez/FOODlooking founder Ashraf Abbas and MASS Studios creative director Richa Pant shared the process of producing content for EPIC, and how they overcame the challenges posed by the pandemic during the period. EPIC AVP – content and strategy Nisha Thakkar also joined the chat to share how the new content resonates with ‘Soch Se Aage’ philosophy.

    On exploring new territories and producing infotainment content

    Talking about her experience, MASS Studios creative director Richa Pant said that the year was a bit rocky for her. While the Delta wave left a devastating impact on people’s lives, Pant said she found consolation in work.  “One of my highlights this year has been ‘Lakshya 1971: Vayu Sena Ke Veer Yoddha’.  A documentary that showcases the stories of Air Force heroes and the seminal work they did in the 1971 war, a war that changed the face of the subcontinent,” she said while talking about her journey with EPIC.

    After working with EPIC, she feels she has explored different territories as a professional with the variety of new content offered on the platform. “I have been making documentaries for the last decade and channels as well as audiences are constantly pushing you to innovate.  With ‘Lakshya 1971’ we have delved into military history and this is a first for me as a Creative Director,” she said.

    On new shows and integrating the philosophy of ‘Soch Se Aage’

    “To think of it, the legacy shows such as ‘Raja Rasoi Aur Anya Kahaniyaan’ and ‘Lost Recipes’ formats were themselves ‘Soch Se Aage’ when launched. ‘Raja Rasoi Aur Anya Kahaniyaan’ beautifully presents history & food together while ‘Lost Recipes’ is re-living the long-lost traditions and recipes which were once very popular,” explained Thakkar. “In the past, many documentaries & movies have been made on the 1971 War, but our show, ‘Lakshya 1971: Vayu Sena Ke Veer Yoddha’ is the first of its kind made from the perspective of IAF.”

    On The Challenges & Limitations of Production During Pandemic

    Shooting and producing new shows during the pandemic was challenging. While the whole entertainment industry bore the brunt, EPIC managed to present fresh content to its audience, but the production team did face various challenges and limitations while shooting. Abbas shared that the risk of getting a virus was high. “To ensure a smooth production, our idea was to identify and isolate the people who are at risk,” he said, “But it became difficult when the cast and crew got infected. But we had hired formal agencies to take regular temperature checks and comply with other safety measures. At the same time, we had to reduce the number of people on the set due to social distancing.

    On What Kept Them Motivated to Produce Unique Content for Epic

    “In times of distress it is always art that becomes the food for the soul, our passion for ‘Raja Rasoi aur Anya Kahaniyaan’, the beautiful history of food in our country, drove us to keep working,” said Abbas.

    On the other hand, for Pant, it was her personal connection with the Defence and the freshness of ‘Lakshya 1971’ that kept her motivated throughout. She shared that her father was in the Army and she has done a large number of defense-related documentaries before. “This time I wanted to focus on the Air Force heroes. Many of them are in their eighties. It was the last chance to meet them and record their version of history. The team at EPIC heard my pitch and were excited too and backed me to the hilt to make this documentary,” she said.

    On Efforts For Keeping The Realism Alive In Content

    To make the shows look and feel compelling for the audience, they partnered with the Air Force. “We double-checked all our research with Air HQ. The film combined eyewitness accounts from our Air Force heroes, archive footage from that era, recreations at air bases, and 3D graphics to bring alive each of the battles we focussed on. We decided to keep the entire film black and white, with just the eyewitness accounts in colour and I think that worked very well,” she shared.

    Abbas, who is the founder of Rangrez / Foodlooking, said that theirs is a very selective production house and therefore they try to always pick shows that we will enjoy working on.

    On What Made The Channel Look For New Genres

    The new content lineup is a mix of legacy shows which have new seasons of ‘Raja Rasoi, Regiment Diaries’ & ‘Lost Recipes’, and new shows like ‘India Post – Dhaage Jo Desh Jode’, ‘Jugaad Mania’, and ‘The Homecoming – A Nation’s fight for its people’, shared Thakkar.

    Thakkar noted that EPIC’s ‘Soch Se Aage’ journey has taken its first few steps with an oath to think beyond imagination and like it said “journey of a thousand miles begins with a step”.  Sharing what made the channel look for these genres, Thakkar said that EPIC has a loyal audience base. “Viewers strongly resonate with EPIC’s content. From Food & History genres, which have a loyal set of audience, we are now reaching out to a new set of audiences with genres like Travel & History, Rescue missions, Innovations, etc,” she said.

    On Their Personal Favorite Shows On The Platform

    Talking about his personal favorites, Abbas said that ‘Raja Rasoi aur Anya Kahaniyaan’, ‘The Great Escape’ and ‘Adrishya’ are really close to his heart.

    Way back in Jan 2013, the EPIC channel signed it’s very first production agreement with Rangrez and the show was, ‘Raja Rasoi aur anya Kahaniyaan’ so we go back a long way. ‘Adrishya’ followed soon after and we’ve then had a great journey together. ‘Raja Rasoi with Ranveer Brar’ and ‘Tyohaar ki Thaali with Sakshi Tanwar’ too were hugely memorable for us, he shared.

    He also shared how after a point, the team felt exhausted as they covered all the significant food stories of India. But it is the EPIC’s dedication to always go “Soch Se Aage” that forced them to explore another dimension in the show. “We were forced to rethink the narrative and come up with the current season of ‘Raja Rasoi aur Anya Kahaniyaan’…we really do think this is our best so far, it’s poetic, has a greater emotional connect, and a lot more time with the Royal families,” he concluded.

  • IN10 Media’s Epic readies for brand makeover starting 16 December

    IN10 Media’s Epic readies for brand makeover starting 16 December

    Mumbai: IN10 Media Network’s premier infotainment channel Epic is all set to undergo a brand makeover and offer a slate of new programming starting 16 December. The new brand positioning will carry the vision of ‘Soch Se Aage’ – highlighting the channel’s vision to forge a ‘future of infotainment’.

    According to the media network, this will add another dimension to its offerings, and help evolve the channel in keeping with the times.

    “EPIC is the first Indian platform to exclusively showcase India-centric content in Hindi, and always proudly wear the tag of being India Ka Apna Infotainment,” said IN10 Media Network MD Aditya Pittie. “The media universe is poised on the edge of transforming into a metaverse. ‘Glocal’ is no longer just a textbook phrase for the future, but the very essence of the modern audience. It is this ‘more’ that is at the heart of Epic’s new brand philosophy and will be the cornerstone of showcasing content that is ‘Soch Se Aage’ – beyond the known universe of knowledge, ideas, and stories; into the metaverse of an exciting future that continues to celebrate India.”

    The channel will launch new programming while recreating the old magic of its iconic shows in a reimagined presentation.

    Premiering Soon

    Commemorating Vijay Diwas, the first roll-out in the line-up of fresh content is Lakshya 1971 –‘Vayusena Ke Veer Yoddha’, that recreates the events of independent India’s most comprehensive military victory through the eyes in the sky with never-seen-before visuals and the story of the contribution of the Air Force to the war efforts. The show is anchored by Harman Singha.

    It will be followed by an ode to one of India’s oldest organisations – a four part docu- series on the Indian Postal service. India Post – ‘Dhaage Jo Desh Jode’ will recount the story of the largest postal network in the world by diving backstage and experiencing the ins and outs of its workings with the people who take things from one end of the country, making them appear at another end – almost magically. Narrated by Akul Tripathi, it tells the trials and triumphs of an institution and legacy that helped build a nation.

    ‘Jugaad Mania’ hosted by Chandan K Anand, will bring alive stories of ordinary people creating extraordinary innovations. Thinking not just out of the box but with a vision beyond their times, with a creativity that is intrinsic to Indian-ness; they are paving the way for a future by taking small steps towards viably solving larger problems with limited resources.

    ‘Homecoming- A Nation’s Fight for Its People’ will highlight the efforts of the people and the government, as they face and overcome unprecedented challenges, and implement ambitious solutions as they unite as one nation in bringing back all the stranded Indians during the Covid-19 lockdown.

    The channel will also continue some of Epic’s popular shows, beginning with the third season of ‘Raja Rasoi Aur Anya Kahaaniyaan’, that airs weekly from 17 December, followed by the third season of ‘Lost Recipes and Regiment Diaries’ in the ensuing months.

    Also in the works is a roadmap to bring to Indian screens international projects that resonate with the new brand philosophy, announced the channel on Monday.

    Digital Originals

    In sync with the broadcast originals, are a handful of digital first offerings that pack a punch of infotainment while driving forward the new philosophy.

    ‘Epic Khoj’ endeavors to trace the roots of Indian communities while ‘What’s in the Name’ delves into the stories and myths behind how various cities, rivers, historic places, and much more got their names. ‘Short Mid-Wicket Tales’ is a treasure trove of unlocking cricket-related stories and trivia.

    The content will be available on the network’s super-app, Epic On, for audiences across the globe.