Tag: IN

  • European Union Film Festival unveils award-winning lineup for 29th edition

    European Union Film Festival unveils award-winning lineup for 29th edition

    Mumbai: The European Union Film Festival (EUFF), an annual celebration of European cinema, the Indo-Europe partnership, and a shared passion for art and culture, returns with its 29th edition. This year, the festival will travel across three cities – New Delhi, Kolkata and Hyderabad. The festival promises a captivating cinematic journey through 26 award-winning films in 31 languages, offering a window into European society, culture, and people.

    Organised by the delegation of the European Union to India, in collaboration with the embassies of EU member states and regional partners, the festival will kick off in New Delhi, running from 7 -16 November. The New Delhi leg will be hosted across three iconic venues: India Habitat Centre, Instituto Cervantes, and Goethe-Institut / Max Mueller Bhavan.

    The festival will feature films from Austria, Belgium, Bulgaria, Cyprus, Czechia, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Latvia, Lithuania, Luxembourg, Malta, the Netherlands, Poland, Portugal, Romania, Slovenia, Spain, Sweden, and Ukraine. This thoughtfully curated selection of films includes some of the most talked-about European movies that have earned recognition at prestigious international film festivals. Highlights include La Chimera, Baan, Jim’s Story, Afire, What a Feeling, Animal, An Irish Goodbye, Restore Point, The Man Without Guilt, The Teacher Who Promised The Sea, and many more.

    Showcasing the crème de la crème of contemporary European cinema, the festival marks the India premiere of several European films, including, What A Feeling, Because I Love Bad Weather, Stairway To Heaven, Death is a Problem for the Living, Jim’s Story, Without Air, Black Velvet, The Last Ashes, Blood on the Crown, Baan, Horia and The Man Without Guilt. Fostering Indo-European dialogue, the festival will welcome an array of talent from across Europe. Yile Yara Vianello, lead actress in “La Chimera” (Italy), Tomas Vengris, director of “Five & A Half Love Stories in an Apartment in Vilnius” (Lithuania), and Pedja Miletic, producer of “Blood on the Crown” (Malta) will be traveling to New Delhi, India  to participate in  the festival.

    Cinema transcends borders and unites people, sparking empathy, and transforming our understanding of the world. EUFF 2024 celebrates this power of cinema, showcasing a diverse range of European films that resonate universally. Inviting everyone to embark on a cinematic journey through Europe, Hervé Delphin, the Ambassador of the European Union to India, said, “Europe and India are bound by a shared passion for cinema and storytelling, and the EU Film Festival is a vibrant celebration of this unity. This year ‘s #EUFF2024 proposes to Indian public a top selection of  award-winning European films from renowned international festivals, offering a unique #WindowtoEurope through the cinematic lens. I invite you to EUFF 2024; feel free to walk into any screening, sit in the cinema dark room and embark on a luminous cultural journey of entertainment and reflection with a European touch.”

    Veronica Flora and Valerio Caruso, curators for EUFF 2024, added, “This year’s curation delves into the turmoil of the human soul and the often unfathomable complexity of daily life and seeks vital pathways toward peace, brotherhood, and solidarity in an increasingly uncertain future. The 29th edition of EUFF India promises to take audiences on a cinematic journey, surprising them with new experiences by presenting a rich array of genres and languages. It explores the unexpected landscapes of the imagination, revealing the ghosts of the present, while celebrating humankind’s resilience and its relentless pursuit of love and collective fulfilment.”

    The most anticipated and loved film festivals, EUFF 2024 promises an eclectic mix of cinema, with each film offering a fresh perspective, an idea, and unique insights into people and cultures that resonate universally. Get ready for captivating storytelling, riveting performances, and stunning visuals that deliver a truly visceral experience.

     

     

    All films at EUFF 2024 will have English subtitles and will be on a first come, first serve basis. Please note that some of the films are rated 18+, so we recommend checking the ratings before planning your visit.

    The line-up for EUFF 2024 includes the following: 
    Austria/ What a Feeling; Belgium/Employee of the Month (L’employée Du Mois); Bulgaria/Because I Love Bad Weather(Защото обичам лошото време); Cyprus/ Embryo Larva Butterfly; Czech Republic/ Restore Point(Bod Obnovy); Denmark/ Sons (Vogter); Estonia/ Stairway To Heaven (Taevatrepp); Finland/ Death is a Problem for the Living (Peluri- Kuolema on Elävien Ongelma); France/ Jim’s Story (Le roman de Jim); Germany/ Afire (Roter Himmel); Greece/ Animal; Hungary/ Without Air; Ireland/ An Irish Goodbye; Italy/ La Chimera; Latvia/ Black Velvet (Melnais Samts); Lithuania/ Five And A Half Love Stories In An Apartment In Vilnius (Penkios su puse meilės istorijos, nutikusios viename Vilniaus bute); Luxembourg/ The Last Ashes (Läif a Séil); Malta/ Blood on the Crown; Netherlands/ Como el Viento; Poland/ Dangerous Men (Niebezpieczni dżentelmeni); Portugal/ Baan; Romania/ Horia; Slovenia/ The Man Without Guilt (L’uomo senza colpa); Spain/ The Teacher Who Promised The Sea (El maestro que prometió el mar); Sweden/ UFO Sweden; Ukraine/ How is Katia? (Yak Tam Katia?)

    More Information on EUFF:   www.euffindia.com |Instagram | X | FB

  • Spotify pushes the cart on the omnishopper’s retail journey

    Spotify pushes the cart on the omnishopper’s retail journey

    Mumbai: It’s never been a better time to be a shopper, given today’s buy-anywhere retail environment. It’s raining deals at stores, on social media, and inside in the comfort of the couch at your fingertips. Mobile commerce is expected to make up 83 per cent of all e-commerce sales by 2024, and 8 per cent of total retail1. And now shopping is such that points of discovery differ from the actual spot of purchase. A product on a streaming platform like Spotify catches a shopper’s eye who then swings by the store or their preferred e-commerce platform.

    Catch the big wave in omnichannel surfing

    With e-commerce sales expected to grow by 27 per cent by the end of 20211, there are more ways to shop and even more places for shoppers to discover that great find. So for an ‘omni-shopper’ who shops across multiple devices and places, more accessibility does not make it easy for brands to target them. These shoppers aren’t just buying what they need, they’re constantly looking for what they want, or didn’t know they wanted until they discovered it. This can make it hard for brands to foresee and prepare for their next move.

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    Being spoiled for choice, messaging to this new-age consumer has to feel authentic, tailored, and respectful of their time and sensibilities. If not, they are going to bounce. So brands need to advertise in the right place that people trust. And when they do make a decision, it’s because they sense a personal relationship between themselves and the brand. At Spotify, we’ve worked hard to build this trust with our listeners.

    Omnishoppers seek out to make a statement. 89.7 per cent of Spotify Free listeners discover brands and products from paid advertising2. A pair of kicks before everyone’s wearing them is a thing of pride, much like being the first in their group to discover a new song from a favourite artist.

    The chase excites them and they know where to find it, just like how 43 per cent of Gen Z Spotify users said they’ve heard a song on social media, and then searched for it on Spotify3. And that’s why our listeners spend their time with us, eager to explore, spending an average of 2.5 hours every day, with multi-device listeners of Spotify Free spending an average of 1.5 hours on Spotify each day4.

    Another big reason for brands to look at Spotify is what our listeners are planning. After delaying purchases in 2020, one in three Spotify users is looking at large, big-ticket purchases. Keep in mind that this is a user base that is likely to spend 15 per cent more on what they want than any other cohort

    The experience gets more personalised for them as they spend more time listening. So Spotify matches their vibe through different moments of their day, and no other media can match that level of connection.

    When it’s relevant, the recall is better too as 75 percent of Spotify listeners say they remember ads more when brands recognise their moment or setting5. Spotify helps brands reach listeners at the right moment, and the numbers speak for themselves – 2.7x higher awareness and 5.3x higher intent than campaigns with basic demographic targeting5.

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    Help shoppers spot the next big thing on Spotify: Your brand

    Spotify listeners are savvy to online shopping trends. They are the trendsetters. Spotify Free listeners are almost 4.3x more likely to discover brands and products via music streaming than through TV ads and 1.5x more likely than through radio ads2. Offers and benefits can be the turning point to steer through a plethora of options. 59% of Spotify Free users agree that free delivery is the top driver of online purchases for them2. 51 percent prefer easy returns and 45 percent pick the lure of discounts and coupons2.

    It all comes down to targeting the right audience and enabling discovery for the engaged listener in an environment of trust. It’s just this that Spotify has built, that listeners keep coming back to every day, giving brands the perfect vantage point to reach the elusive omnishopper.

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    Get in touch with us at spotify-advertising-india@spotify.com to see how your brand can engage with the right audience – avid shoppers and people seeking some retail therapy.

    Sources:

    1 – eMarketer, Retail Forecast, IN

    2 – GWI, IN, Q1 2021

    3 – Spotify Culture Next survey, conducted in April 2021 among 500 respondents 15-40 in India

    4- IFPI Digital Music Report 2019

    5 – Spotify Nielsen Brand Effect Studies, 2018

    (This is an Advertorial, published in association with Spotify)