Tag: Ileana D’Cruz

  • The Big Bull makers to appoint Covid2019 watchdogs on set

    The Big Bull makers to appoint Covid2019 watchdogs on set

    MUMBAI: The makers of The Big Bull are set to start work on the final schedule from mid-October. To ensure the health and safety of cast and crew, producer Anand Pandit has decided to appoint Covid2019 watchdogs on the set. The Big Bull directed by Kookie Gulati stars Abhishek Bachchan and Ileana D'Cruz in the main lead.

    "The industry has to get back on its feet, but we cannot afford even a minor slip when it comes to guarding ourselves against the virus. At no point will the safety of my unit take a backseat during the shoot. Abhishek has fully recovered from the virus and is fighting fit," reveals a MidDay report. The producer further added that a group of medical experts will be present throughout the shoot, monitoring the sets to ensure that all safety norms are being implemented.

    Read more news on Covid2019 precautions taken by production sets

    The Big Bull is a financial crime drama is inspired by the life of stockbroker Harshad Mehta. The set will also have sanitisation tunnels, fumigating machines. Entire filming will be conducted in strict adherence with the government regulations.

  • Eros International to release 4 Hindi films overseas

    Eros International to release 4 Hindi films overseas

    MUMBAI: Eros International Plc, a global Indian entertainment company, has acquired international distribution rights to four bollywod films. The company has announced that it will release four Hindi language films across different genres later this year in several overseas markets including the UK, US and Middle East.

    First to release will be the romantic action film titled ‘Marjaavaan’ on 15 November, directed by Milap Zaveri, starring Sidharth Malhotra, Riteish Deshmukh, Tara Sutaria and Rakul Preet Singh. Produced by T-Series and Emmay Entertainment, the film is a dramatic, violent and action-packed love story.

    The second film to be distributed will be ‘Pagalpanti’, which is scheduled to release on 22 November. The forthcoming film is a comedy caper directed by filmmaker Anees Bazmee and produced by T-Series and Panorama Studios. The story of the film revolves around a group of Indian tourists on vacation that turns into a patriotic mission. The comedy stars Anil Kapoor, John Abraham, Ileana D'Cruz and Arshad Warsi.

    Eros International Media Ltd managing director Sunil Lulla said, “Eros continues to be a forerunner in releasing the biggest hits from Bollywood in significant markets across the globe. We take immense pride in taking quality cinema outside of India to maximise its viewership. And with this, we shall continue to forge our own path in the overseas market with the sole objective to delight the Indian diaspora and global consumers seeking fresh content.”

    Closely followed will be two other releases, one titled ‘Pati Patni Aur Woh’ and the other, ‘The Body’. The two starkly different films are scheduled to release simultaneously on 6 December. The former is a remake of a cult Bollywood film of the same name. Produced by T-Series and directed by Mudassar Aziz, the highly awaited film stars Kartik Aaryan, Ananya Panday and Bhumi Pednekar. ‘The Body’ is a thriller mystery inspired by its Spanish antecedent. Produced by Viacom18 Motion Pictures, the film is headlined by Emraan Hashmi, Rishi Kapoor, Vedhika and Sobhita Dhulipala. 

  • Mubarakan……Fun while it lasts

    Mubarakan is designed to be a crazy comedy on the lines of Bazmee’s own, Welcome, Sajid Khan’s Housefull, Nikhil Advani’s Patiala House and other such movies where knotty situations are created leading to one tangle after another, leading to a lot of funny situations and laughter as a result.

    The prime ingredient is a horde of artistes, preferably a talented lot if it has to work better. However, depending on the script and screenplay, not to forget peppy dialogue of which some work, some don’t.

    Being a situational comedy, more the characters on the screen, better the pace. With fewer characters, it would become tedious. The story about identical twin brothers separated at birth because of circumstances, helps add spice. And, of course, a film has to justify folks dancing in colourful costumes at a family wedding. That is being so Indian.

    This muddle revolves around a Sikh family divided between Chandigarh in India and London in the UK.
    It falls upon the bachelor played by Anil Kapoor to bring up his twin nephews, the character of Arjun Kapoor in a dual role, when his brother played by Sanjay Kapoor and his wife die in a car crash. Not in a position to take up the responsibility, he sends off one of the twins to his older brother, played by Pawan Malhotra, and the other to his sister, played by Ratna Pathak Shah.

    Charan, one of the twins, brought up by Pawan grows up to be a shy, introvert and traditional Sikh, sporting his pagdi while the one brought up in London by Ratna is bold, has shorn his hair and, is outgoing. However, both brought up by their adoptive parents, are in awe of them and give them full respect.

    Arjun from London has followed the character of Ileana D’Cruz to Chandigarh whom he has been courting for two years. He keeps promising her that he will talk to his parents soon but, an accident meeting between her and Ratna, turns into Ileana calling Ratna names and ridiculing her. That puts paid to Arjun’s plans to take Ileana’s to meets his strong headed mother, Ratna.

    The shy Arjun with pagdi loves the character of Neha Sharma, a lawyer by profession. He is scared to take her home to meet his father, Pawan, for he is shy by nature as it were and the fact that she is not from the Sikh community deters him from doing so.

    Pawan decides to fix up his nephew, Karan’s wedding with the character of Athiya Shetty, daughter of a London tycoon played by Rahul Dev. But, being in love with Ileana, he wriggles out of the proposal, instead, suggesting the family choose Athiya for Charan. But, Charan wants to marry Neha.

    None of the two is opening up about their true intentions and, instead, approach their maternal uncle, Anil Kapoor, to help get them out of the situation. Anil has decided to remain a bachelor, drowning his sorrows in alcohol after a failed romance. In helping his nephews, he finds a cause.

    To start with, when the family reaches Rahul’s palatial house, Anil suggests Arjun (Charan) act as a drug addict which would be easy to pass off since his home state, Punjab, has been in news for drug abuse; he even quotes Udta Punjab (a recent film on the Punjab drug menace).

    Then on starts a chain of events which create funny situations in the film which at most times keep viewers giggling.

    Comedy writing has not been the forte of Hindi filmmaking clan. But, in the case of Mubarakan, the team of writers has done a good job, which was expected considering the director, Bazmee, who himself began his career as a writer, would know what he wanted. Dialogue adds to the fun.

    Despite this, some scenes stretch and the climax, though enjoyable, follows on the predictable lines. Bazmee, the director, handles his artistes well, making their causes look convincing and not letting the performances look like buffoonery.

    The cinematography is good with ample help from the choice of locations. Choreography adds colour to the proceedings. Editing could have been a little crisper. Though dominated by Punjabi songs, the music works in the film’s favour with foot tapping numbers. The title song is already popular with the reworked version of Hasan Jehangir’s 1987 number, Hawa hawa… and the romantic song, Hathon mei haath…..being appealing.

    This despite being a no holds barred comedy attempt, the actors are reigned in well. Anil Kapoor verges on going overboard but that is what his character demands. Arjun Kapoor does a very good job in two totally different characters. Ileana D’Cruz is aptly peppy. Athiya has a limited role in first half and is restrained in the latter parts when she gets more exposure; her dancing is graceful. Neha Sharma impresses. Rahul Dev and Karan Kundra live up to their roles of arrogant but traditional Sikhs. However, the ones who give the comic film credence are Ratna Shah Pathak and Pawan Malhotra.
    Mubarakan is a family entertainer and though the opening is average (the film’s promos were uninspiring), the film has the prospects to pick up over the weekend.

    Producers: Ashwin Varde, Murad Khetani.

    Director: Anees Bazmee.

    Cast: Anil Kapoor, Arjun Kapoor (double role), Ileana D’Cruz, Athiya Shetty, Neha Sharma, Rahul Dev, Karan Kundra,, Ratna Pathak Shah, Pavan Malhotra.

  • ‘Main Tera Hero’: David & Dhavan

    ‘Main Tera Hero’: David & Dhavan

    MUMBAI: When watching a David Dhavan film, remember he is a Manmohan Desai fan and believes in making films to entertain. Ergo, don’t look for logic or argue about the last scene and the next being not connected. As long as the film gives you ‘time pass’ his agenda has been met. A father directing his son is a rare privilege enjoyed by very few filmmakers. Here, David directs his son, Varun Dhavan.

    Varun is a good-for-nothing boy studying in Coonoor and, obviously, finds it hard to get through his class. Many of his fellow students go to Bengaluru to study and come back with better results. Varun also decides to do that. Once in a Bengaluru college, the inevitable happens. He spots Ileana D’Cruz and, for him, it is love at first sight. Since this is a remake of the Telugu film, Kandireega, what follows is bizarre! It happens only in South Indian films and that is, Ileana is being watched over by a bunch of goons delegated by Arunoday Singh, a local cop who is in love with her and overtly possessive about her so no one dare look at her, let alone come anywhere near her or love her. Arunoday is always accompanied by a fellow cop and his sidekick, Rajpal Yadav.

    Well, Varun has already fallen for her and is not scared of Arunoday which he proves at first opportunity by thrashing his goons. Next he should be thrashing Arunoday and that would be the end of the story. But that would also mean the end of the film less than hour into it. For the sake of affording the film its full 2-hours-plus run, Arunoday challenges Varun to win over Ileana in the next three days or else face his wrath.

    Varun wins over Ileana even before he starts and Arunoday should not be a hurdle anymore.  And he is not, but there is a bigger challenge for Varun now. His lady love, Ileana is kidnapped and the man behind it is the father of a girl who fell for Varun when he was on his way to Bengaluru. It so happened that he fought some rowdy boys on the way and a girl, Nargis Fakhri, who captured his actions on her handycam had fallen for him. She happens to be the daughter of the biggest don operating between Asia and Africa, Anupam Kher. Ileana has been kidnapped by the don’s man so that Varun follows her and Kher can then make him marry his daughter, Nargis!

    Producers: Ekta Kapoor, Shobha Kapoor.

    Director: David Dhavan.

    Cast: Varun Dhawa,Ileana D’Cruz, Nargis Fakhri, Arunoday Singh, Anupam Kher, Evelyn Sharma, Raju Kher.

    Anupam is supposed to be sinister, pulling out a gun at the drop of a hat. But for the sake of entertainment, he is more of a caricature, with Saurabh Shukla as his sidekick. As if that were not enough, Arunoday, along with his sidekick, Rajpal, has also followed Varun to Anupam’s den. Varun has ten days to marry Nargis. Meanwhile, he has to pretend to be in love with Nargis while trying to get her out of his hair so he can romance with his true love, Ileana. The only help he has is from lord Ganesh and Jesus Christ, their statues talking back to him. Finally, Nargis finds her true love in Arunoday with some help and prodding from Varun.

    While the first half is fun and dance and battles of one-upmanship with Arunoday, the film gathers more pace in second half as more characters are added in the form of Anupam, Saurabh and Nargis. Being a Telugu remake, some aspects may seem farfetched: like the character of Arunoday, a mere inspector who terrorises a girl and her parents as he plans to marry her, that too in a metro like Bengaluru.

    David Dhavan directs his son and has rightly chosen to make a light entertainer which usually don’t backfire and fit the slot of a typical David film. As usual, he also does not get carried away with length and restricts the film to 128 minutes. The film has peppy music and provides scope for Varun to showcase his dancing prowess. However, the background score is full of pieces from RD Burman and Bappi Lahiri repertoire. Cinematography is good. Varun has an easy job of playing a carefree young man with the role requiring no drama. But why is he imitating Govinda and Anil Kapoor? Ileana is okay while Nargis has little to do. Anupam and Saurabh are in their element providing much of the fun. Shakti Kapoor in guest role lends his presence.

    On the whole, Main Tera Hero is a fair entertainer with a reasonably good opening response. While the T20 may affect its collections on Friday and Sunday (if India qualifies for the finals), in many parts it will have the advantage of Ram Navami and election day holidays.

    Jal: Dry run…

    Kutch, the deserted district of north-west Gujarat, seems to have become the flavour of the season for both commercial as well as offbeat films. Jal is the latest film based in Kutch, dealing with its water problems. The film is about a clairvoyant who can pinpoint a spot where a well can be dug to find water. Now that Narmada waters have reached far-flung corners of Kutch including the borders manned by the army, the subject may seem a bit out of sync but mattered a lot not very long ago.

    Producers: Puneet Singh, Girish Malik, Sumit Kapoor, Yogesh Mittal.

    Director: Girish Malik.

    Cast: Purab H Kohli, Kirti Kulhari, Saidha Jules, Mukul Dev, Tannishtha Chatterjee, Yashpal

    Sharma, Ravi Gossain, Vicky Ahuja.

    Purab Kohli is Bakka who is gifted with this instinct of spotting water underground with the help of his two brass sticks. He is right 60 per cent of the time by his own admission and his village counts on him in the absence of an alternative. When he isolates a spot, they just dig! This is his livelihood. On a personal front, Bakka loves the daughter of the mukhiya of the neighbouring village, Kirti Kulhari, with which his village has a running feud because that village has abundant water while his village has no source of water. Bakka is also loved by his best friend’s sister in his own village, Tannishtha Chatterjee.

    Things change for Bakka and his villagers when a researcher, Saidha Jules, arrives. She sets up her base on the waterfront where thousands of flamingos arrive each year. Soon she notices that the young ones of these flamingos die because of excess salt content in the water. The salt dries up in their wings rendering them flightless. She realises that sweet water needs to be added to this flow of water. Drilling machines are brought in and spots isolated where water could be found. This also provides labour to villagers who are engaged to take the dug sand away. However, despite the drill and the computer, the team fails to find water.

    Bakka’s skills are called upon to identify spots with water. All the three spots he earmarks give water. Bakka becomes a small celebrity and also gets employment from the government. Now the neighbouring village mukhiya is ready to give his daughter to Bakka in marriage. All is going well when his own villagers expect Bakka to borrow the drilling machine from Saidha and her colleague Gary Richardson. But, before he could raise the subject with Saidha she has left having finished her job. Gary also feels he has no use for Bakka now and ignores him. It is while Gary and his team are away that Bakka lures their middleman, Yashpal Sharma, with gold collected from the villagers. But, tragedy strikes, the machine breaks down and all hell breaks loose.

    The happy days are over for Bakka. His efforts to manually dig for water fail. The gold is stolen and he is blamed and thrown out of the village along with his heavily pregnant wife. When, finally, good news comes in the form of an article on his skills and a cheque as a reward, Bakka is nowhere around to collect it.

    While the first half is light with a lot of bonhomie and humour among the villagers, the second half, especially towards the end, becomes heavy with some forced tragedy. Direction is generally good. Background score as well as the choice of folk songs is effective. The highlight of the film is cinematography by Sunita Radia who captures vast vistas of the desert beautifully while also excelling otherwise. Purab is impressive with another good performance coming from Tannishtha. The rest, cast as village folk are natural.

    Jal will find a lot of appreciation from critics as well as on the festival circuit but not find many takers in cinema halls.

  • Albeit crude humour ‘Grand Masti’ collects Rs 82.6 cr in two weeks

    Albeit crude humour ‘Grand Masti’ collects Rs 82.6 cr in two weeks

    MUMBAI: The past week saw as many as five new releases, all sans face value and due promotions. Of the lot, the only one to show some figures for its three day run is Warning 3D/2D. The film has collected Rs 2.60 crore.

    The other four releases, Maazii, Raqt – A Rishta, Prague and Supermodel have all bombed badly leaving no trace.

    Phata Poster Nikhla Hero, starring Shahid Kapoor and Ileana D‘Cruz, will fail to recoup its investment from the box office with the film’s lack of public appreciation showing starkly on its collection figures. The film has collected Rs 28.5 crore in its first week.

    The Lunch Box, starring Irrfan Khan, Nawazuddin Siddiqui and Nimrat Kaur, which had opened with first day collections barely crossing Rs 1 crore, has earned much appreciation translating into revenues as the film ended its first week with figures of Rs 10.25 crore.

    Grand Masti is the only film doing well its off-colour humour notwithstanding. The film which did excellent in its first week, has maintained well even in its second week by adding Rs 17.9 crore and taking its total to Rs 82.6 crore.

    Shuddh Desi Romance has collected Rs 1.2 crore in its third week thus taking its three week tally to Rs 46.45 crore. 

  • Albeit crude humour Grand Masti collects Rs 82.6 cr in two weeks

    Albeit crude humour Grand Masti collects Rs 82.6 cr in two weeks

    The past week saw as many as five new releases, all sans face value and due promotions. Of the lot, the only one to show some figures for its three day run is Warning 3D/2D. The film has collected Rs 2.60 crore.

     

    The other four releases, Maazii, Raqt – A Rishta, Prague and Supermodel have all bombed badly leaving no trace.

     

    Phata Poster Nikhla Hero, starring Shahid Kapoor and Ileana D’Cruz, will fail to recoup its investment from the box office with the film’s lack of public appreciation showing starkly on its collection figures. The film has collected Rs 28.5 crore in its first week.

     

    The Lunch Box, starring Irrfan Khan, Nawazuddin Siddiqui and Nimrat Kaur, which had opened with first day collections barely crossing Rs 1 crore, has earned much appreciation translating into revenues as the film ended its first week with figures of Rs 10.25 crore.

     

    Grand Masti is the only film doing well its off-colour humour notwithstanding. The film which did excellent in its first week, has maintained well even in its second week by adding Rs 17.9 crore and taking its total to Rs 82.6 crore.

     

    Shuddh Desi Romance has collected Rs 1.2 crore in its third week thus taking its three week tally to Rs 46.45 crore. 

  • Grand Masti reaches Rs 64.7 crore; Phata Poster opens poorly with Rs 19.5 crore

    Grand Masti reaches Rs 64.7 crore; Phata Poster opens poorly with Rs 19.5 crore

    Phata Poster Nikhla Hero, starring Shahid Kapoor and Ileana D’Cruz, which had opened to poor response, could not improve much over the weekend. The film has managed to collect Rs 19.5 crore for its opening weekend.

     

    The Lunch Box starring Irrfan Khan, Nimrat Kaur and Nawazuddin Siddiqui has cashed in on all the positive reports and good word of mouth as the figures almost doubled on Saturday and tripled on Sunday over its opening day collections to record an impressive Rs 6.25 crore for its first weekend.

     

    Grand Masti the sequel to the 2004 Masti directed by Indra Kumar did excellent first week business as the masses and the youth took to the film. The film had to depend on domestic collections mainly to cover itself as not much is expected from overseas or satellite. The film has gone onto collect Rs 64.7 crore for the first week.

     

    Horror Story the Vikram Bhatt scripted screamer has collected Rs 4.6 crore in its first week.

     

    John Day starring Naseeruddin Shah, Randeep Hooda, Taran Bajaj and Harsh Chhaya has failed badly.

     

    Shuddh Desi Romance sustained very well; the Sushant Singh Rajput, Parineeti Chopra, Rishi Kapoor and Vaani Kapoor starrer’s two week total is Rs 45.25 crore.
    Zanjeer has failed miserably. The film has managed a mere Rs 20 lakh for its second week to take its two week total to Rs 13.95 crore.

     

    Satyagraha the political drama from Prakash Jha has added Rs 1.5 crore in its third week to take its three week tally to Rs 60.1 crore.

     

    Madras Café has collected Rs 75 lakh in its fourth week to take its four week total to Rs 41.4 crore.

     

    Chennai Express has collected Rs 45 lakh in its sixth week thus taking its six week tally to 200.95 crore.

  • Barfi in Rs 1 billion club

    Barfi in Rs 1 billion club

    MUMBAI: Looks like director Anurag Basu‘s luck is paying him rich dividends. After being selected as India‘s official entry to the Oscars in the foreign language film category this year, Basu‘s Barfi! has added another feather in its cap. It has joined the Rs 1 billion club of Bollywood.

    The total cost of the movie has reportedly been Rs 300 million and since its release on 14 September, the love triangle featuring Ranbir Kapoor, Priyanka Chopra and Ileana D‘Cruz has appealed so much to the moviegoers that it has raked in Rs 1 billion at the box office.

    The other Bollywood movies that grossed Rs 1 billion this year are Housefull 2, Rowdy Rathore, Bol Bachchan and Ek Tha Tiger.

    Barfi! has been produced by UTV Motion Pictures and after Rowdy Rathore, this is the production house‘s second film to achieve the feat.

  • UTV launches interactive application for their upcoming film Barfi

    UTV launches interactive application for their upcoming film Barfi

    MUMBAI: UTV Motion Pictures has launched an innovative and interactive application called The Flavour of Barfi! for their upcoming film Barfi! on YouTube.

    Talking of the new application, Disney UTV, executive director marketing, studios Shikha Kapur said, “We constantly innovate in our film marketing to keep audiences engaged. Ranbir is a youth icon and has a huge online fan following. So, we decided to marry the theme of Barfi! with Ranbir‘s charismatic personality to create an exciting new experience on YouTube that will keep users entertained for hours.”

    Added Ranbir Kapoor, “When UTV came to me with this concept, I loved it because it‘s a totally new way to connect with my fans online. We shot extensively for this YouTube application and I am sure people will have an awesome time discovering the various moods and quirky styles of Barfi!”

    Barfi! directed by Anurag Basu also stars Priyanka Chopra and Ileana D‘Cruz in the lead. The film will hit worldwide theatres on 14 September.